Yamaha Dvx S100 Owners Manual

							67
APPENDIX
English
TROUBLESHOOTING
Refer to the chart below when this unit does not function properly. If the problem you are having is not listed below or if
the instruction below does not help, set this unit to the standby mode, disconnect the power cord, and contact the nearest
authorized YAMAHA dealer or service center.
General
Problem
This unit fails to turn
on when STANDBY/
ON (or POWER (
))
is pressed, or enters
in the standby mode
soon after the power
has been turned on.
No sound.
The picture does not
appear.
The sound suddenly
goes off.
Only the speaker on
one side can be
heard.
Sound can be heard
only from the front
speakers.
Cause
The power cord is not connected or the plug
is not completely inserted.
This unit has been exposed to a strong
external electric shock (such as lightning and
strong static electricity).
Incorrect input or output cable connections.
An appropriate input source has not been
selected.
The speaker connections are not secure.
The volume is turned down.
The sound is muted.
The source that this unit cannot reproduce,
such as a CD-ROM, is being played.
The output and input for the picture are
connected to different types of video jacks.
The sleep timer has functioned.
Incorrect cable connections.
The sound effect is off.
A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.
A 96-kHz sampling digital signal is being
input to this unit.
Remedy
Firmly connect the power cord.
Set this unit in the standby mode, disconnect
the power cord, plug it back in after 30 seconds,
then start operating.
Connect the cables properly. If the problem
persists, the cables may be defective.
Select an appropriate input source with the
input selector buttons.
Secure the connections.
Turn up the volume.
Press MUTE or any operation buttons of this
unit to cancel a mute and adjust the volume.
Play a source whose signals this unit can
reproduce.
Make connections using the same type of video
jacks (S VIDEO or VIDEO (composite)) for
both the input and output.
Turn on the power, and play the source again.
Connect the cables properly. If the problem
persists, the cables may be defective.
Press STEREO to turn it on.
Select another DSP program.
When a 96-kHz sampling digital signal is being
input to this unit, sound is output from the front
speakers only.
Referto page
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21
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21
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27
23 – 24
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							TROUBLESHOOTING
68
Problem
No sound from the
center speaker.
No sound from the
rear speakers.
No sound from the
subwoofer.
Poor bass
reproduction.
A “humming” sound
can be heard.
The volume level
cannot be increased,
or the sound is
distorted.
The sound effect
cannot be recorded.
A source cannot be
recorded by a digital
recording
component
connected to the
digital output jack of
this unit.
This unit does not
operate properly.
There is noise
interference from
digital or high-
frequency equipment,
or this unit.
Cause
The output level of the center speaker is set to
minimum.
“1A CENTER” on the SET MENU is set to
NON.
One of the Hi-Fi DSP programs (1 to 4) has
been selected (except for 5ch Stereo).
The source encoded with a Dolby Digital or
DTS signal does not have a center channel
signal.
The output level of the rear speakers is set to
minimum.
A monaural source is being played with
program 9.
“1D BASS” on the SET MENU is set to
FRONT when a Dolby Digital or DTS signal
is being played.
“1D BASS” on the SET MENU is set to
SWFR or FRONT when a 2-channel source is
being played.
The source does not contain low bass signals
(90 Hz and below).
The speaker mode settings (front, center, or
rear) on the SET MENU do not match your
speaker configuration.
Incorrect cable connections.
The component connected to the OUT (Rec)
jacks of this unit is turned off.
It is not possible to record the sound effect by
a recording component.
A source component is not connected to the
digital input jacks of this unit.
The internal microcomputer has been frozen
by an external electric shock (such as
lightning or excessive static electricity) or by
a power supply with low voltage.
This unit is too close to the digital or high-
frequency equipment.
Remedy
Raise the level of the center speaker.
Select the appropriate mode for your center
speaker.
Select another DSP program.
Raise the output level of the rear speakers.
Select another DSP program.
Select SWFR or BOTH.
Select BOTH.
Select the appropriate position for each speaker
based on the size of the speakers in your
configuration.
Firmly connect the audio plugs. If the problem
persists, the cables may be defective.
Turn on the power to the component.
Connect the source component to the digital
input jacks of this unit.
Disconnect the AC power cord from the outlet
and then plug it in again after about 30 seconds.
Move this unit further away from such
equipment.
Referto page
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60
23 – 24
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64
23 – 24
61
61
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60 – 61
14 – 15
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14 – 15
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111_S100_67-75_EN02.5.13, 1:36 PM 68
 
						

							TROUBLESHOOTING
69
APPENDIX
English
Problem
No response when
buttons pressed.
Playback does not
start.
Alternative
languages fail to be
selected.
No subtitles.
Angle cannot be
changed.
No sound.
Distorted sound.
Sound “skips”.
Noise from inside of
the unit.
Picture distorted
during SEARCH.
No picture.
Picture appears
incorrectly.
Cause
Some operations may be prohibited by the
disc.
The disc is damaged.
There is moisture on the laser pickup.
The disc has been loaded upside down.
The disc is dirty.
An alternative language is not selected with
discs which do not contain more than one
language.
In the case of some discs, the alternative
language cannot be selected with “Audio” or
“Subtitle”. Try selecting it from the disc’s
menu if one is available.
The disc does not have subtitles.
Subtitle is turned off.
The disc or the scene being played does not
support multi-angle.
If the “D.MIX” indicator on the front panel
display goes out while playing a multi-
channel DVD-Audio disc, sound will only be
output from speakers specified by the disc.
The disc is dirty.
The disc may be warped.
Some distortion is normal during SEARCH.
(U.S.A. and Canada models)
If you play PAL system DVD-Audio, “This
disc is PAL system. The output is sound
only” may appear on the monitor. Picture is
not available because the disc’s video signal
system is different.
Incorrect “TV aspect” setting.
(U.S.A. and Canada models)
PROGRESSIVE is turned on even though the
connected monitor cannot receive the
progressive signals.
(U.S.A. and Canada models)
Due to the editing method or material used on
a DVD, ghosting may occur with progressive
output.
Remedy
Check the disc carefully; replace it if necessary.
Wait 1 to 2 hours after switching the unit on
before trying to play a disc.
Reload the disc with the label side facing up.
Clean the disc.
Show subtitles by pressing SUBTITLE or using
on-screen menu.
Clean the disc.
Replace the disc.
Select the right position. However, it may be
difficult to adjust many DVD-Videos’
widescreen format to fit perfectly in your 4:3
video monitor.
Turn off the PROGRESSIVE feature.
Turn off the PROGRESSIVE feature.
Referto page
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35
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30
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48
38 – 39
38 – 39

Disc playback
111_S100_67-75_EN02.5.13, 1:36 PM 69
 
						

							TROUBLESHOOTING
70
Problem
No on-screen
display.
On-Screen Menu
Icons not displayed
or only partially
displayed on the
television.
There is a lot of
ghosting.
“No Play” appears
on the unit’s display.
This unit does not
recognize disc (“No
disc” appears on the
display, or the
display shows the
status when no disc
is loaded).
Cause
The disc that this unit cannot play is loaded.
The disc is not placed properly.
Remedy
Go to Display on the SETUP menu, and select
“On” for “On-Screen Messages”.
Press the cursor buttons (u,d) while the
rightmost icon is highlighted to change the
menu bar position.
Use the on-screen menu icons to adjust the
picture quality.
Place the disc properly.
Referto page
49
34
37
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111_S100_67-75_EN02.5.13, 1:37 PM 70
 
						

							TROUBLESHOOTING
71
APPENDIX
English
Tuner
Previously preset
stations cannot be
tuned in.
FM stereo reception is
noisy.
There is distortion, and
clear reception cannot
be obtained even with a
good FM antenna.
The desired station
cannot be tuned in with
the automatic tuning
method.
The desired station
cannot be tuned in with
the automatic tuning
method.
There are continuous
crackling and hissing
noises.
There are buzzing and
whining noises
(especially in the
evening).
Problem
FM/
AM
FM
AM
Cause
The preset stations are cleared.
The characteristics of FM stereo
broadcasts may cause this problem
when the transmitter is too far away or
the antenna input is poor.
There is multipath interference.
The station is too weak.
The signal is weak or the antenna
connections are loose.
Noises result from lightning,
fluorescent lamps, motors, thermostats
and other electrical equipment.
A TV set is being used nearby.
Remedy
Pre-set the stations once again.
Check the antenna connections.
Try using a high-quality directional FM
antenna.
Use the manual tuning method.
Adjust the antenna position to eliminate
multipath interference.
Use a high-quality directional FM antenna.
Use the manual tuning method.
Tighten the AM loop antenna connections
and orient it for best reception.
Use the manual tuning method.
Use an outdoor antenna and a ground wire.
This will help somewhat, but it is difficult to
eliminate all noise.
Move this unit away from the TV.
Referto page
55
16
54
16
16
54
16
54
16
—
Remote control
Problem
The remote control
does not work nor
function properly.
Cause
Wrong distance or angle.
Direct sunlight or lighting (from an
inverter type of fluorescent lamp, etc.) is
striking the remote control sensor of this
unit.
The batteries are weak.
The manufacture code is not correctly
set.
Even if the manufacturer code is
correctly set, there are some models that
do not respond to the remote control.
Remedy
The remote control will function within a
maximum range of 6 m (20 feet) and no more
than 30 degrees off-axis from the front panel.
Reposition this unit.
Replace all batteries with new ones.
Set the code correctly.
Try setting another code of the same
manufacturer.
Operate the component using its remote
control.
Refer
to page
7
—
3
57
57
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							72
GLOSSARY
Bitstream
This is the digital form of multiple channel audio data
(eg., 5.1 channel) before it is decoded into its various
channels.
CINEMA DSP
Since the Dolby Surround and DTS systems were
originally designed for use in movie theaters, their effect
is best felt in a theater having many speakers and
designed for acoustic effects. Since home conditions,
such as room size, wall material, number of speakers, and
so on, can differ so widely, it’s inevitable that there are
differences in the sound heard as well. Based on a wealth
of actually measured data, YAMAHA CINEMA DSP uses
YAMAHA original sound field technology to combine
Dolby Pro Logic, Dolby Digital and DTS systems to
provide the visual and audio experience of movie theater
in the listening room of your own home.
Component video signal
With the component video signal system, the video signal
is separated into the Y signal for the luminance and the
P
B/CB and PR/CR signals for the chrominance. Color can
be reproduced more faithfully with this system because
each of these signals is independent. The component
signal is also called the “color difference signal” because
the luminance signal is subtracted from the color signal.
A monitor with component input jacks is required in
order to use the component signal for output.
Decoder
A decoder restores the coded signals on DVDs to normal.
This is called decoding.
Dolby Digital
This is a method of coding digital signals developed by
Dolby Laboratories. Apart from stereo (2-channel) audio,
these signals can also be 5.1-channel audio. A large
amount of audio information can be recorded on one disc
using this method.
Dolby Pro Logic
A surround system where a 4-channel audio track is
recorded as 2 channels and then is restored to 4 channels
for play. The surround channel is monaural and can
reproduce up to 7 kHz.
Dolby Pro Logic II
Dolby Pro Logic II is an improved technique used to
decode vast numbers of existing Dolby Surround
software. This new technology enables a discrete 5-
channel playback with 2 front channels, 1 center channel,
and 2 rear channels (instead of only 1 rear channel for
conventional Pro Logic technology). A music mode is
also available for 2-channel sources in addition to the
movie mode.
DTS (Digital Theater Systems)
This surround system is used in many movie theaters
around the world. There is good separation between the
channels, so realistic sound effects are possible.
Dynamic range
Dynamic range is the difference between the lowest level
of sound that can be heard above the noise of the
equipment and the highest level of sound before distortion
occurs.
Film and video
DVDs are recorded using either film or video. Film is
recorded at 24 frames per second, the rate movies are
filmed at, although some recent progressive material is
recorded at 30 frames per second.
Video is recorded at 30 frames per second.
Frame still and field still
A still is shown when you pause a moving picture. A
frame still is made up of two alternating fields, so the
picture may appear blurred, but overall quality is high.
A field still is not blurred, but it has only half the
information of a frame still so picture quality is lower.
Frames are the still pictures that go together to make a
moving picture.
There are about 30 frames shown each second.
One frame is made up of two fields. A regular television
shows these fields one after the other to create frames.
Group
A DVD audio disc is divided into large sections called
“groups” and smaller sections called “tracks”. The
numbers allocated to these sections are called “group
numbers” and “track numbers”.
 
						

							GLOSSARY
73
APPENDIX
English
Matrix 6.1
The unit incorporates Matrix 6.1 decoder for Dolby
Digital and DTS multi-channel software that enables 6.1-
channel reproduction by adding the rear center channel to
existing 5.1-channel format. (The rear center channel is
created from rear left and right channels, and outputted
from virtual rear center speaker.) With this additional
channel, you can experience more dynamic and realistic
moving sound especially with scenes with “fly-over” and
“fly-around” effects.
Pan&Scan/Letterbox
In general, DVD-Video are produced with the intention
that they are viewed on a widescreen television with an
aspect ratio of 16:9. This means you can view most
material with the intended aspect ratio on a widescreen
television.
Material with this ratio will not fit onto a standard
television with an aspect ratio of 4:3. Two styles of
picture, “Pan&Scan” and “Letterbox”, deal with this
problem.
Pan&Scan: The sides are cut off so the picture fills the
screen.
Letterbox: Black bands appear at the top and bottom of
the picture so the picture itself appears in an
aspect ratio of 16:9.
Playback control (PBC)
If a Video CD has “playback control” written on it or its
jacket, it means that particular scenes or information can
be selected for viewing interactively with the television
using the menu screen. This unit can play Video CDs with
playback control.
Using menus to control play of a Video CD is called
“menu play” in these operating instructions.
Sampling frequency and number of
quantized bits
When digitizing an analog audio signal, the number of
times the signal is sampled per second is called the
sampling frequency, while the degree of fineness when
converting the sound level into a numeric value is called
the number of quantized bits.
Interlace and progressive output
NTSC, the video signal standard, has 525 interlaced (i)
scan lines, whereas progressive scanning uses twice the
number of scan lines.
This is called 525p. The 525i video signals output from
this unit’s COMPONENT VIDEO OUT terminals (Y, P
B /
C
B, PR/CR) allow you to enjoy higher quality pictures than
if the signals were output from the video output terminal
or S VIDEO OUT terminal. The COMPONENT
VIDEO OUT terminals are also able to handle 525p
(progressive) video signals which are of even greater
resolution.
I/P/B
MPEG, the video compression standard adopted for use
with DVD-Video, codes frames using these 3 picture
types.
I:Intra coded picture (I-picture)
This is the standard picture and is a complete picture
in itself.
This means it has the best picture quality and is the
best to use when adjusting the picture.
P:Predictive coded picture (P-picture)
This picture is calculated based on past I or P-
pictures.
B:Bidirectionally-predictive coded picture (B-picture)
This picture is calculated by comparing past and
future I and P-pictures so it has the lowest volume of
information.
LFE 0.1 channel
This channel is for the reproduction of low bass signals.
The frequency range for this channel is 20 Hz to 120 Hz.
This channel is counted as 0.1 because it only enforces a
low frequency range compared to the full-range
reproduced by the other 5 channels in a Dolby Digital or
DTS 5.1 channel systems.
Linear PCM (pulse code modulation)
PCM is the usual digital method used for music CDs.
DVDs have a greater volume so they use linear PCM,
which has a higher sampling rate. Compressed PCM
signals are called packed PCM (PPCM).
 
						

							GLOSSARY
74
SILENT CINEMA
YAMAHA has developed a natural, realistic sound effect
DSP algorithm for headphones.
Parameters for headphones have been set for each sound
field so that accurate representations of all the sound field
programs can be enjoyed using headphones.
S video signal
With the S video signal system, the video signal normally
transmitted using a pin cable is separated and transmitted
as the Y signal for the luminance and the C signal for the
chrominance through the S video cable. Using the S
VIDEO jack eliminates video signal transmission loss and
allows recording and playback of even more beautiful
images.
Title/Chapter
DVD-Video are divided up into large sections, titles, and
smaller sections, chapters. The numbers allocated to these
sections are called title numbers and chapter numbers.
Track
This is the smallest division on DVD-Audio, CD, and
Video CD, and usually equates to a single song.
Virtual CINEMA DSP
YAMAHA has developed a virtual CINEMA DSP
algorithm that allows you to enjoy DSP sound field
surround effects even without center or rear speakers by
using virtual rear speakers.
 
						

							75
APPENDIX
English
SPECIFICATIONS
AUDIO SECTION•Minimum RMS Output Power
FRONT L/R, CENTER, REAR L/R
1 kHz, 0.9% THD, 6 Ω ........................................................33 W
[U.S.A. and Canada models]
20 Hz to 20 kHz, 0.9% THD, 6 Ω .....................................25 W
SUBWOOFER
100 Hz, 0.9% THD, 5 Ω ......................................................40 W
• Maximum Power (EIAJ)
FRONT L/R, CENTER, REAR L/R (1 kHz, 10% THD, 6 Ω)
............................................................................................ 40 W
SUBWOOFER (100 Hz, 10% THD, 5 Ω)
............................................................................................ 50 W
• Total Harmonic Distortion
FRONT L/R (20 W, 1 kHz) ................................................ 0.05 %
• Signal to Noise Ratio (IHF-A Network, shorted) .................... 95 dB
• Input Sensitivity
VIDEO 1, VIDEO 2, VCR, MD/CD-R .................. 200 mV/47 kΩ
• Output Level (when 200 mV is input.)
PRE OUT (FRONT L/R, CENTER, REAR L/R) ........... max. 1 V
PRE OUT (SUBWOOFER) ............................................ max. 4 V
REC OUT .............................................................. 200 mV/1.2 kΩ
Headphones ............................................................ 165 mV/100 Ω
VIDEO SECTION• Video Signal Level
Video .......................................................................... 1 Vp-p/75 Ω
S Video  (Y/C)
[U.S.A., Canada and General models] .... 1 Vp-p/0.286 Vp-p/75 Ω
[Australia, U.K. and Europe models] .......... 1 Vp-p/0.3 Vp-p/75 Ω
Component (Y/P
B,  PR)
[U.S.A., Canada, General and Australia models]
.................................................................. 1 Vp-p/0.7 Vp-p/75 Ω
Signal to Noise Ratio ............................................................ 50 dB
TUNER SECTION• FM Tuning Range
[U.S.A. and Canada models] ............................ 87.5 to 107.9 MHz
[Other models] .................................................. 87.5 to 108.0 MHz
• AM Tuning Range
[U.S.A. and Canada models] ............................... 530 to 1710 kHz
[U.K., Europe and Australia models] .................. 531 to 1611 kHz
[General model] ................................... 530/531 to 1710/1611 kHz
SPEAKER SECTION• Front and Rear Speakers
Model Name ................................................................. NX-S100S
Type ................................................................... 2-way Bass reflex
Speakers
............. 10 cm (4 inch) cone, 1.9 cm (3/4 inch) balanced dome,
magnetically shielded
Impedance ................................................................................ 6 Ω
• Center Speaker
Model Name ................................................................. NX-S100C
Type ................................................................... 2-way Bass reflex
Speakers .............. 7 cm (3 inch) cone x 3, 1.5 cm (5/8 inch) piezo,
magnetically shielded
Impedance ................................................................................ 6 Ω
• Subwoofer
Model Name .................................................................... SW-S100
Type ........ Advanced YAMAHA Active  Servo  Technology  system
Speaker ............ 16 cm (6-1/2 inch) woofer, magnetically shielded
GENERAL• Power Supply
[U.S.A. and Canada models] ............................... AC 120 V/60 Hz
[Australia model] ................................................. AC 240 V/50 Hz
[U.K. and Europe models] ................................... AC 230 V/50 Hz
[General model] ........................................... AC 220/240 V, 50 Hz
• Power Consumption
DVR-S100 ............................................................................. 40 W
SW-S100 .............................................................................. 160 W
• Standby Power Consumption
DVR-S100
[General model] .................................................................... 0.5 W
[Other models] ...................................................................... 0.4 W
• Laser pickup
Wave length ........................................................................ 665 nm
Laser power .................................................................... CLASS II
Laser output ........................................ Max. 1.0 mW (Continuous)
Output value determined by 21 CFR CHAPTER1,
SUBCHAPTER J
• Dimensions (W x H x D)
DVR-S100 ....................................................... 435 x 84 x 360 mm
(17-1/8” x 3-3/8” x 14-3/16”)
SW-S100 ........................................................ 200 x 395 x 416 mm
(7-7/8” x 15-1/2” x 16-3/8”)
NX-S100C ....................................................... 440 x 85 x 122 mm
(17-3/8” x 3-3/8” x 4-7/16”)
NX-S100S ....................................................... 120 x 250 x 92 mm
(4-3/4” x 9-7/8” x 3-5/8”)
• Weight
DVR-S100 ............................................................................. 6.0kg
(13 lbs 4 oz)
SW-S100 .............................................................................. 10.7kg
(23 lbs 9 oz)
NX-S100C ............................................................................. 1.7kg
(3 lbs 12 oz)
NX-S100S ............................................................................. 1.1kg
(2 lbs 6 oz)
• Usable temperature range .............................................. 5°C to 35°C
• Usable humidity range
.......................... 5% to 90% (There should be no condensation.)
• Accessories .............................................................. Refer to page 3.
111_S100_67-75_EN02.5.13, 1:37 PM 75
 
						

							LIST OF MANUFACTURER’S CODES
TV
(Device Code: 2)
Yamaha 99 92
Admiral 92 93
Aiwa 94 76
Akai 95 96
Alba 96
AOC 97
BellÅïHowell 92
Bestar 98
Blaupunkt 29 22
Blue sky 98
Brandt 23
Brocsonic 97
Bush 96
Clatronic 98
Craig 24
Croslex 25
Curtis Mathis 97 26
Daewoo 97 98 24 27 28
Daytron 39
Dual 98
Emerson 97 24 39 32
Ferguson 23 65 66
First line 98
Funai 77 78
Fisher 95 33
Fraba 98
GE 93 97 34 35 36
Goodmans 96 98 23
Grundig 29 38 49
Hitachi 97 39 42 43
ICE 96
Irradio 96
Itt/Nokia 44 45
JC Penny 93 97 34 37
JVC 96 46 47
Kendo 98
KTV 97 39
LG (Goldstar) 97 98 39 37
Loewe 98 48
LXI 93 97 25 26 33
Magnavox 97 25 39
Matsui 95
Mitsubishi 99 97 59
NEC 97 52 82
Nokia 44 45
Nokia Oceanic 45
Nordmende 65 66
Onwa 96
Panasonic 34 35 36 53
Philco 97 25 39
Philips 25
Pioneer 26 35 54 55 68
Portland 97 56
Quasar 34 35
Radio Shack 99 93 97
RCA 93 97 34 56 57 58
SABA 23 69 65 66
Samsung 97 39 48 62 75
Sanyo 95 33 79 72 73 74
Schneider 96
Scott 97
Sharp 92 39 32
Siemens 29
Signature 92Sony 63
Sylvania 97 25
Telefunken 69 64 65 66
Thomson 23 66
Toshiba 92 26 67
Videch 97 42
Wards 97 39 32
VCR
(Device Code: 3)
Yamaha 99 92 93 94
Admiral 95
Aiwa 96 97 98 29
Akai 22 23 24
Audio Dynamic 92 94
BellÅïHowell 93
Blaupunkt 25 26
Brocsonic 27
Bush 22
Canon 25 28
CGM 96 32
Citizen 96
Craig 96
Curtis Mathis 97 28 33
Daewoo 28 34 35
DBX 92 94
Dimensia 33
Emerson 27 34
Fisher 93 36
Funai 97 88
GE 28 33
Goodmans 34 37
Grundig 32 38
Hitachi 25 33 49 42 43
Instant Replay 25 28
Itt/Nokia 93
JC Penny 92 93 94 28 33 49
JVC 92 94 44 45 46 47
Kendo 96
Kenwood 92 94 96
LG (Goldstar) 96
Loewe 96 37
Luxor 95
LXI 93 96 97 36 49
Magnavox 25 26 28
Marantz 92 94
Marta 96
Matsui 96
Memorex 28 36
Minolta 33 49
Mitsubishi 99 44 48 59 52 53
Multitech 97 48 54
NEC 92 94 44 83
Nokia 93 95
Nokia Oceanic 95
Okano 23
Olympic 25 28
Orion 27
Panasonic 25 28 39 55 78 84 85
Pentax 33 49
Philco 25 28
Philips 25 26 28 37 56 57
Phonola 37
Pioneer 25
Quasar 25 28
RCA/PROSCAN 25 26 28 33 35 49 58 69
I