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Yamaha Dvx S100 Owners Manual

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    							17
    CONNECTIONS
    PREPARATION
    English
    Connecting the speakers
    Connect the included speakers to the DVD AUDIO/VIDEO receiver (DVR-S100) using the included speaker cables and
    system connector cables as shown below.
    L
    IN
    VIDEO 1 VIDEO 2VIDEO
    VCR
    IN ININ IN IN
    OUT OUT
    IN IN IN INOUT OUTOUT OUT
    S VIDEOMONITOR
    ANALOGMD/CD-R FRONT CENTERSYSTEM MONITOR
    6CH PREOUTVIDEO 1 VIDEO 2 VCR
    REAR
    SUBWOOFER[
    B][
    A]RCOAXIAL
    INMD/CD-R
    FM ANT75ΩUNBAL.GND – AM ANT
    MD/CD-R VIDEO 1
    DIGITALOPTICAL
    INOPTICAL
    OUT
    CONNECTOR
    MARK
    TO SW-S100
    MARKREAR
    CENTER FRONT FRONT
    (GREEN)(WHITE)
    (BLUE)(SURROUND)
    DO NOT CONNECT THIS UNIT TO
    SPEAKERS OTHER THAN NX-S100C
    AND NX-S100S. (GRAY)(RED)
    RL
    L
    RSYSTEM
    CONNECTOR
    TO DVR-S100
    SPEAKERS
    CENTER
    REAR L
    REAR R
    *1
    *1
    FRONT R
    FRONT L
    DVD Audio/Video receiver (DVR-S100)
    As this terminal is used for testing at the
    factory, do not connect any equipment to this
    terminal.
    *1 Insert the plug with its 
     mark facing up.
    System connector cableFront speaker (R)
    (NX-S100S)Front speaker (L)
    (NX-S100S)
    (RED) (WHITE)
    Speaker cable (RED)
    Speaker cable (WHITE)
    Speaker cable (GREEN)
    Speaker cable (BLUE)
    Speaker cable (GRAY)Center speaker (NX-S100C)
    (GREEN)
    (GRAY) (BLUE)
    Subwoofer (SW-S100)
    Rear speaker (R)
    (NX-S100S)Rear speaker (L)
    (NX-S100S)
     
    						
    							18
    CONNECTIONS
    y
    •The connector of the included speaker cable and the terminal of
    the subwoofer are classified by color. Connect the same colors.
    •The label of the speaker is attached to each speaker cable.
    Connect the speakers in accordance with the labels.
    •Connect the color tube of the speaker cable to the plus (+) side
    of each speaker. If the polarity of the speaker connections is
    incorrect, the sound will be unnatural and lack bass.
    •A cover is attached to the end of the speaker cable. Connect the
    speakers after removing the cover.
    •Make sure that the plugs of the system connector cable and the
    connectors of the speaker cables are inserted correctly before
    inserting them.
    Notes
    •Do not let the bare speaker wires touch each other or any metal
    part of this unit. This could damage this unit and/or the
    speakers.
    •Do not insert the plug or connector forcibly. Doing so may
    damage the plug, connector or terminal.
    •Do not scratch, forcibly bend, or pull the system connector or
    speaker cable as this may damage the cable, causing loss of
    audio output, and may possibly result in a fire or electric shock.
    Take particular care in making sure that the cable is not
    squashed by a rack or caster.
    •Before disconnecting or connecting the system connector
    cable, disconnect the power supply cord of the subwoofer and
    DVD audio/video receiver.
    (RED)
    (RED)
    Color tube
    (RED)
    Color tube
    (BLUE)(BLUE)Connector(BLUE) The back of the
    Subwoofer
    ConnectorUsing commercially available
    speakers and speaker cables
    You can use commercially available speaker cables and
    speakers except for a subwoofer. If you use them, note the
    following.
    •Use the speaker whose impedance is 6Ω or higher.
    When using the speaker whose impedance is lower than
    6Ω, the protection circuit may start working or this unit
    may be damaged.
    •Use magnetically shielded speakers. If this type of
    speakers still creates the interference with the monitor,
    place the speakers away from the monitor.
    •Use the speaker cable that is as thick as the included
    cable. Too thick cables cannot be used.
    Exchanging the speaker cables
    1Remove approximately 15 mm (9/16”) of
    insulation from each of the speaker cables.
    Twist the exposed wires of the cable together to
    prevent short circuits.
    2Open the tab.
    3Pull the inserted bare wire of the speaker
    cable from the connector and insert the bare
    wire of the commercially available speaker
    cable.
    4Return the tab to secure the wire.
    2
    3
    1
    4
    15 mmTa b
     
    						
    							19
    CONNECTIONS
    PREPARATION
    English
    Connecting to an external
    amplifier
    If you want to increase the power output to the speakers,
    or want to use another amplifier, connect an external
    amplifier to the 6CH PREOUT jacks as follows.
    Note
    •When you have connected this unit to an external amplifier,
    select PRE in “9 SP/PRE OUT” on the SET MENU. (See page
    63.)
    1FRONT jacks
    Front channel line output jacks.
    2REAR jacks
    Rear channel line output jacks.
    3CENTER jack
    Center channel line output jack.
    4SUBWOOFER jack
    Low bass signals distributed from the front, center and/or
    rear channels are directed to this jack if they are assigned
    to this jack. (The cut-off frequency of this jack is 90 Hz.)
    The LFE (low-frequency effect) signals generated when
    Dolby Digital or DTS is decoded are also directed if they
    are assigned to this jack.
    y
    •The adjustments made in the following settings have an effect
    on the signals output from the 6CH PREOUT jacks.
    –BASS BOOST settings
    –Speaker settings
    –DSP programs
    FRONT CENTER
    6CH PREOUTREAR
    SUBWOOFER
    1
    2
    3
    4
    Connecting the AC power cord
    Plug in this unit to the wall outlet.
    Memory back-up
    The memory back-up circuit prevents the stored data from
    being lost when the power cord is disconnected from the
    AC outlet, or the power supply is temporarily cut due to
    power failure. However, if the unit is turned off for more
    than one week, the stored setting will be cleared. If so, set
    the setting again.
    •Volume level
    •Input source
    •Speaker output level (center, rear L/R and subwoofer)
    •Sleep timer
    •Parameter
    •Delay time
    •Set menu
    •Disc direct
    •Preset station
    Turning on the power
    When all connections are complete, turn on the power of
    this unit.
    1Press STANDBY/ON (POWER () on the
    remote control) to turn on the power of this
    unit.
    2Turn on the video monitor connected to this
    unit.
    Note
    •When you use only some of the included 6 speakers or when
    using commercially available speakers, adjust speaker mode
    settings soon after turning the power on. See “1 SPEAKER
    SET (speaker mode settings)” on page 60 for details.
    STANDBY/ON
    STANDBY/ON
    TV
    CHINPUTTUNER
    MUTECD–R
    VCR
    VIDEO 2
    VIDEO 1
    MD
    AVSLEEPPOWER
    TV MODE
    POWER
    VOL
    RECAUDIOSUBTITLE
    SHIFTCODE SET
    1HALL2JAZZ3ROCK4ENTERTAINMENTDVDCDAMP
    POWER (      )
     
    						
    							20
    ADJUSTING SPEAKER OUTPUT LEVELS
    This section explains how to adjust speaker output levels
    using the test tone generator. When this adjustment is
    complete, the output level heard at the listening position
    should be the same from each speaker. This is important
    for best performance of the digital sound field processor,
    and the various decoders (Dolby Digital, Dolby Pro
    Logic, Dolby Pro Logic II and DTS).
    Note
    •Since this unit cannot enter the test mode while headphones are
    connected to this unit, be sure to unplug the headphones from
    the 
     SILENT jack when using the test tone.
    Using the test tone
    Use the test tone to balance the output levels of the
    speakers.
    Note
    •The adjustment of each speaker output level should be made at
    your listening position using the remote control.
    1Press AMP.
    2Press TEST to output the test tone.
    3Press VOL  +/– to adjust the volume of this
    unit so you can hear the test tone.
    The test tone is heard (in order) from the LEFT
    (front left speaker), CENTER (center speaker),
    RIGHT (front right speaker), R SUR. (rear right
    speaker), L SUR. (rear left speaker), and the
    SUBWOOFER (subwoofer). The tone is produced
    for about 2 seconds from each speaker.
    VIDEO 1
    SHIFTCODE SET
    1HALL2JAZZ
    SETUP3ROCK
    ANGLE4ENTERTAINMENTMARKER5SPORTS6MONO MOVIE
    PLAY MODE7MOVIE 1
    REPEAT8MOVIE 2
    A–B
    DVDCDAMP
    9/DTS
    TOP MENULEVELMENUSET MENU
    TESTON SCREENB. BOOST
    RETURN
    0SELECT>
    –10MATRIX 6.1
    GROUPCANCELSTEREO
    PAGE
    MUTE
    VOL
    ABCDE
    ENTER
    PRESET
    PRESETCHCH
    AMP
    VOL + / –
    TEST
    j, i
    (U.S.A. model)
    4Adjust the level of the effect speakers using
    j/i so that it matches the level of the front
    speakers.
    While adjusting, the test tone is heard from the
    selected speaker.
    Note
    •To adjust the level of the front speakers, use VOL +/– on
    the remote control.
    5When adjustment is complete, press TEST to
    stop the test tone.
    y
    •It is not necessary to readjust the speaker levels once they are
    set (as long as you do not change the speakers). You can enjoy
    listening to or watching the input source at the desired volume
    simply by pressing VOL +/– on the remote control.
    •If the output level of the effect speakers (center, rear left, and
    rear right) cannot be increased enough to match the level of the
    front speakers, set “1E F. Level” on SET MENU to –10 dB (see
    page 61). This setting decreases the front speaker output level
    to about one-third of the normal level. After you have set “1E F.
    Level” on the SET MENU to –10 dB, adjust the levels for the
    center and rear speakers again.
    Notes
    •If “1A CENTER” on the SET MENU is set to NON and the
    center speaker is not connected, the center channel sound is
    automatically output from the front left and right speakers.
    •If “1C REAR LR” on the SET MENU is set to NON, the
    output level of the rear left and right speakers cannot be
    adjusted in step 4. The test tone will be circulated skipping the
    rear right and left speakers.
    •If “1D BASS” on the SET MENU is set to FRONT, the test
    tone will be circulated skipping the subwoofer.
    L SUR. R SUR.
    CENTER 
    RIGHT  LEFT 
    SUBWOOFER
     
    						
    							21
    USING BASIC FUNCTIONS
    English
    BASIC PLAYBACK
    Basic operations
    You can play the software loaded on the audio and video
    components connected to this unit.
    Indication on the front panel display (example):
    1Press POWER () to turn on the power.
    2Turn on the A/V component connected to
    this unit.
    3Press INPUT H/G on the front panel
    repeatedly (one of the input selector buttons
    on the remote control) to select the input
    source.
    The selected input source name and input mode
    appear on the front panel display for a few seconds.
    4Start playback or select a broadcast station
    on the source component.
    Refer to the operation instructions for the
    component.
    TV
    CHINPUTTUNER
    MUTECD–R
    VCR
    VIDEO 2
    VIDEO 1
    MD
    AVSLEEPPOWER
    TV MODE
    POWER
    VOL
    RECAUDIOSUBTITLE
    SHIFTCODE SET
    1HALL2JAZZ
    SETUP3ROCK
    ANGLE4ENTERTAINMENTMARKER5SPORTS6MONO MOVIE
    PLAY MODE7MOVIE 1
    REPEAT8MOVIE 2
    A–B
    DVDCDAMP
    9/DTS
    TOP MENULEVELMENUSET MENU
    TESTON SCREENB. BOOST
    RETURN
    0SELECT>
    –10MATRIX 6.1
    GROUPCANCELSTEREO
    PAGE
    MUTE
    VOL
    ABCDE
    ENTER
    PRESETCH
    PRESET
    CH
    POWER (      )
    MUTE
    B.BOOSTSLEEP
    VOL + / –
    Input selector
    buttons
    DSP program
    buttons
    VIDEO 1 AUTO
    VIDEO 1SP
    Selected input source Input mode
    5Adjust the volume to the desired level.
    The volume level is displayed digitally.
    Example:–70 dB
    Control range: VOLUME MUTE (minimum) to
    0 dB (maximum)
    Note
    •If you have connected a recording component to the VCR
    OUT, or MD/CD-R OUT jacks, and you notice distortion or
    low volume during playback of other components, try turning
    the recording component on.
    Enhancing the bass tones
    Press B. BOOST.
    •“Bass Boost ON” appears in the display.
    •This function enhances the bass tones of the
    subwoofer by increasing the level of the low-range
    frequencies.
    •To cancel B. BOOST mode, press B. BOOST
    again.
    y
    •The B. BOOST mode does not function when the headphones
    are connected.
    Note
    •If a thudding noise is heard from the subwoofer when this
    function is turned on, lower the subwoofer level. Otherwise, the
    subwoofer may be damaged due to an excessive input level of
    low-bass signal.
    To mute the sound
    Press MUTE on the remote control.
    To resume the audio output, press MUTE again.
    y
    •You can also cancel mute by pressing VOL +/–, etc.
    •During muting, the “MUTE” indicator flashes on the front
    panel display.
    (U.S.A. model)
     
    						
    							22
    BASIC PLAYBACK
    When you have finished using
    this unit
    Press STANDBY/ON on the front panel (POWER ()
    on the remote control) to set this unit in the standby
    mode.
    Setting the sleep timer
    Use this feature to automatically set this unit in the
    standby mode after the amount of time you have set. The
    sleep timer is useful when you are going to sleep while
    this unit is playing or recording a source.
    y
    •By connecting a commercially available timer to this unit, you
    can also set a wake-up timer. Refer to the operation instructions
    of the timer.
    (While playing a source)
    Press SLEEP repeatedly to set the amount of
    time.
    Each time you press SLEEP, the front panel display
    changes as shown below.
    The “SLEEP” indicator lights up on the front panel
    display soon after the sleep timer has been set.
    The display then returns to the previous indication.
    Canceling the sleep timer
    Press SLEEP repeatedly until “SLEEP OFF”
    appears on the front panel display.
    After a few seconds, “SLEEP OFF” disappears, the
    “SLEEP” indicator goes off and the display returns
    to the previous indication.
    y
    •The sleep timer setting can also be canceled by setting this unit
    in the standby mode by using POWER () on the remote
    control (or STANDBY/ON on the front panel) or by
    disconnecting the AC power cord from the AC outlet.
    Input modes and indications
    This unit comes with a variety of input jacks. You can
    select the type of input signals you desire.
    Press INPUT MODE (the input selector button that you
    have pressed to select the input source on the remote
    control) repeatedly until the desired input mode is shown
    on the front panel display.
    •AUTO: In this mode, the input signal is selected
    automatically as follows:
    1) Digital signal
    2) Analog signal
    •DTS: In this mode, only the digital input signal
    encoded with DTS is selected.
    •ANALOG: In this mode, only the analog input signal is
    selected.
    y
    •When AUTO is selected, this unit automatically determines the
    type of signal. If this unit detects a Dolby Digital or DTS
    signal, the decoder automatically switches to the appropriate
    setting.
    •Each time you turn on the power of this unit, the input mode is
    set according to “8 INPUT MODE” setting on the SET MENU
    (see page 63 for details).
    Notes
    •When playing a disc encoded with Dolby Digital or DTS on
    some LD players, the sound output delays for a moment when
    playback resumes after a search because the digital signal is
    selected again.
    •When playing a LD source that has not been digitally recorded,
    the sound may not be output for some LD players. In this case,
    set the input mode to ANALOG.
    Notes on playing DTS-CD/LDs
    •If the digital output data of the player has been
    processed in any way, you may not be able to perform
    DTS decoding even if you make a digital connection
    between this unit and the player.
    •If you play a source encoded with a DTS signal and set
    the input mode to ANALOG, this unit may reproduce
    the noise of an unprocessed DTS signal. In this case,
    connect the source to a digital input jack and set the
    input mode to AUTO or DTS.
    •If you switch the input mode to ANALOG while
    playing a source encoded with a DTS signal, this unit
    reproduces no sound.
    •If you play a source encoded with a DTS signal with
    the input mode set to AUTO;
    –This unit automatically switches to the DTS-
    decoding mode (The “t” indicator lights up) after
    having detected the DTS signal. When playback of
    the DTS source is completed, the “t” indicator
    may flash. While this indicator is flashing, only DTS
    source can be played. If you want to play a normal
    PCM source soon, set the input mode back to AUTO.
    –When the input mode is set to AUTO and a search or
    skip operation is performed during playback of a
    DTS source, the “t” indicator may flash. If this
    status continues for longer than 30 seconds, this unit
    will automatically switch from “DTS-decoding”
    mode to PCM digital signal input mode. The “t”
    indicator will turn off.
     
    						
    							23
    BASIC PLAYBACK
    English
    USING BASIC FUNCTIONS
    Selecting a sound field program
    This unit’s built-in DSP (Digital Sound field Processor) can simulate various acoustic environments, including a concert
    hall and movie theater, with its 9 sound field programs. For the best results, choose a program appropriate for the
    selected audio source.
    1Press AMP.
    2Press one of the DSP program buttons on
    the remote control to select the desired
    program.
    3After selecting the desired program, press
    the same button repeatedly to select the
    desired sub-program if available.
    y
    •You can also select DSP program by pressing DSP H/G on the
    front panel.
    •Select the DSP program that you feel sounds best regardless of
    the name and description given for it below.
    Indication on the front panel display (example):
    Program name
    Sub-program name
    Feature of DSP programs
    No.
    1
    2
    3
    4Program
    CONCERT HALL
    JAZZ CLUB
    ROCK CONCERT
    ENTERTAINMENT/
    Disco
    ENTERTAINMENT/
    5ch Stereo
    Features
    A large round concert hall with a rich surround effect. Pronounced reflections from all directions
    emphasize the extension of sounds. The sound field has a great deal of presence, and your
    virtual seat is near the center, close to the stage.
    This is the sound field at stage front in “The Bottom Line”, a famous New York jazz club, that
    seats up to 300 people. Its wide left to right seating arrangement offers a real and vibrant sound.
    The ideal program for lively, dynamic rock music. The data for this program was recorded at
    LA’s “hottest” rock club. The listener’s virtual seat is at the center-left of the hall.
    This program recreates the acoustic environment of a lively disco in the heart of a big city. The
    sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate”
    sound.
    Using this program increases the listening position range. This is a sound field suitable for
    background music at parties, etc.Hi-Fi DSP (for music sources)
    VIDEO 1
    SHIFTCODE SET
    1HALL2JAZZ
    SETUP3ROCK
    ANGLE4ENTERTAINMENTMARKER5SPORTS6MONO MOVIE
    PLAY MODE7MOVIE 1
    REPEAT8MOVIE 2
    A–B
    DVDCDAMP
    9/DTS
    TOP MENULEVELMENUSET MENU
    TESTON SCREENB. BOOST
    RETURN
    0SELECT>
    –10MATRIX 6.1
    GROUPCANCELSTEREO
    PAGE
    MUTE
    VOL
    ABCDE
    ENTER
    PRESETCHCH
    PRESET
    AMP
    STEREO
    MATRIX6.1
    d SELECT/DTS
    DSP program
    buttons
    (U.S.A. model)
    70mm Spectacle
    MOVIE THTR1DVD/CDSP
     
    						
    							24
    BASIC PLAYBACK
    No.
    4
    5
    6
    7
    8
    9
    9Program
    ENTERTAINMENT/
    Game
    ENTERTAINMENT/
    Concert Video
    TV SPORTS
    MONO MOVIE
    MOVIE THEATER 1/
    Spectacle
    MOVIE THEATER 1/
    Sci-Fi
    MOVIE THEATER 2/
    Adventure
    MOVIE THEATER 2/
    General
    q/DTS/ENHANCED
    q/DTS/NORMAL
    Features
    This program adds a deep and spatial feeling to video game sounds.
    This program produces an enthusiastic atmosphere and lets you feel as if you are at an actual
    jazz or rock concert.
    With this program, you can enjoy watching various TV programs such as news, variety shows,
    music programs or sports programs. In a stereo broadcast of a sports game, the commentator is
    oriented at the center position, and the shouts and the atmosphere in the stadium spread on the
    surround side, while their spread to the rear is properly restrained.
    This program is provided for reproducing monaural video sources (such as old movies). The
    program produces the optimum reverberation to create sound depth by using only the presence
    sound field.
    This program creates the extremely wide sound field of a 70-mm movie theater. It precisely
    reproduces the source sound in detail, making both the video and the sound field incredibly real.
    This is ideal for any kind of video source encoded with Dolby Surround, Dolby Digital or DTS
    (especially large-scale movie productions).
    This program clearly reproduces dialog and sound effects in the latest sound form of science
    fiction films, thus creating a broad and expansive cinematic space amid the silence. You can
    enjoy science fiction films in a virtual-space sound field that includes Dolby Surround, Dolby
    Digital and DTS-encoded software employing the most advanced techniques.
    This program is ideal for precisely reproducing the sound design of the newest 70-mm and
    multichannel soundtrack films. The sound field is made to be similar to that of the newest movie
    theaters, so the reverberations of the sound field itself are restrained as much as possible.
    This program is for reproducing sounds from 70-mm and multichannel soundtrack films, and is
    characterized by a soft and extensive sound field. The presence sound field is relatively narrow.
    It spatially spreads all around and toward the screen, restraining the echo effect of conversations
    without losing clarity.
    This program ideally simulates the multi-surround speaker systems of the 35-mm film theaters.
    Dolby Pro Logic and Dolby Pro Logic II decoding, Dolby Digital decoding or DTS decoding
    and digital sound field processing create precise effects without altering the original sound
    orientation.
    The surround effects produced by this sound field wrap around the viewer naturally from the
    back to the left and right, and toward the screen.
    The built-in decoder precisely reproduces sounds and sound effects from sources. The highly
    efficient decoding process improves crosstalk and channel separation and makes sound
    positioning smoother and more precise.
    In this program, no DSP effect is applied.
    CINEMA-DSP
     (for video sources) CINEMA-DSP
     (for cinema sources) STRAIGHT
    DECODE
    y
    •When you set this unit in the standby mode, the current source and DSP program are memorized and are automatically selected when
    you turn on the power again.
    •When you select an input source, this unit automatically selects the last DSP program used with that source.
    •The “ 
     ” indicator does not light up when selecting program No. 9 except in Enhanced mode.
    Notes
    •There are 9 programs with sub-programs available with this unit. However, the selection depends on the input signal format and not
    all sub-programs can be used with all input signal formats.
    •The acoustics of your listening room affect the DSP program. Minimize the sound reflections in your room to maximize the effect
    created by the program.
    •When a monaural source is being played with PRO LOGIC/Normal or PRO LOGIC/Enhanced, or PRO LOGIC II Movie, no sound
    will be heard from the front speakers and the rear speakers. Sound can only be heard from the center speaker. (If “1A CENTER” on
    the SET MENU is set to NON, the center channel sound is output from the front speakers.)
     
    						
    							25
    BASIC PLAYBACK
    English
    USING BASIC FUNCTIONS
    Table of Program Names for Each Input Format
    This unit automatically chooses the appropriate decoder and DSP sound field pattern according to the input signal
    format.
    MOVIE
    THEATER 1
    MOVIE
    THEATER 2
    DOLBY
    DIGITAL
    DTS DIGITAL
    SUR
    PRO LOGIC
    PRO LOGIC II
    2 channel
    ANALOG, PCM,
    DOLBY DIGITAL, DTS
    70 mm Spectacle
    70 mm Sci-Fi
    70 mm Adventure
    70 mm General
    —
    —
    —
    —
    Normal
    Enhanced
    Movie
    Music
    DOLBY DIGITAL
    DGTL Spectacle
    DGTL Sci-Fi
    DGTL Adventure
    DGTL General
    Normal
    Enhanced
    —
    —
    —
    —
    —
    —
    DTS
    DTS Spectacle
    DTS Sci-Fi
    DTS Adventure
    DTS General
    —
    —
    Normal
    Enhanced
    —
    —
    —
    —
    DTS
    + Matrix 6.1
    Spectacle 6.1
    Sci-Fi 6.1
    Adventure 6.1
    General 6.1
    —
    —
    Matrix 6.1
    Enhanced 6.1
    —
    —
    —
    —
    6.1 channel *Input
    Program
    DOLBY DIGITAL
    + Matrix 6.1
    Spectacle 6.1
    Sci-Fi 6.1
    Adventure 6.1
    General 6.1
    Matrix 6.1
    Enhanced 6.1
    —
    —
    —
    —
    —
    —
    No.
    7
    8
    95.1 channel
    * means the Matrix 6.1 decoder is ON.
    y
    •If Dolby Digital Surround EX software or DTS ES software is played when AUTO is selected by pressing the MATRIX 6.1 button on
    the remote control, the Dolby Digital + Matrix 6.1 or DTS + Matrix 6.1 decoder usually turns on and the corresponding DSP
    program is selected.
    •MATRIX 6.1 on the remote control can be used to play Dolby Digital or DTS 5.1 channel sources with the virtual rear center
    speaker. In this case the program name changes to the corresponding name for 6.1 channel.
    •When playing a 6.1 channel source with MATRIX 6.1 on the remote control turned off, the program name changes to the
    corresponding name for 5.1 channel.
     
    						
    							26
    BASIC PLAYBACK
    Selecting PRO LOGIC II
    You can enjoy the 2-channel sources decoded into five
    discrete channels by selecting PRO LOGIC II in program
    No. 9.
    (While playing a 2-channel source)
    1Press AMP.
    2Press q/DTS.
    The previously selected sub program appears on the
    front panel display.
    3Press SELECT repeatedly to select the
    decoder, PRO LOGIC II.
    4After selecting on the decoder (PRO LOGIC
    II), select the mode appropriate for the
    source by pressing q/DTS.
    The selection switches as follows;
    PRO LOGIC II Movie ↔ PRO LOGIC II Music
    y
    •You can select PRO LOGIC, PRO LOGIC II Movie, and PRO
    LOGIC II Music by pressing DSP H/G on the front panel
    repeatedly.
    Note
    •Playback using DOLBY PRO LOGIC II decoders is possible
    only for 2-channel signals.
    Playing Dolby Digital Surround
    EX or DTS ES software
    Press MATRIX 6.1 to turn on the Dolby Digital + Matrix
    6.1 or DTS + Matrix 6.1 decoder.
    The rear center channel is created from rear left and right
    channels, and output from virtual rear center speaker.
    The display changes AUTO ^ Matrix6.1 ^ OFF each
    time the MATRIX 6.1 button is pressed.
    •AUTO: This mode automatically switches Dolby
    Digital + Matrix 6.1 and DTS + Matrix 6.1
    depending on the signal. Virtual rear center
    speaker does not work for 5.1 channel
    sources.
    •Matrix6.1: This setting produces 6-channel playback
    of the input source using the Matrix 6.1
    decoder. The virtual rear center speaker can
    be used when playing a 5.1-channel source.
    •OFF: Virtual rear center speaker does not work in
    this setting.
    y
    •When the Matrix 6.1 decoder is functioning, the “MATRIX”
    indicator lights up on the front panel display.
    Notes
    •Some Dolby Digital Surround EX or DTS ES software may not
    contain the signal that is necessary for this unit to switch to the
    Matrix 6.1 decoding mode. To turn on the Matrix 6.1 decoder
    when playing such a source, select “Matrix6.1”.
    •Playing a 6.1-channel source is not possible even if
    MATRIX6.1 is pressed in the following cases:
    –when “1C REAR LR” in the SET MENU is set to NON;
    –when the sound effect is turned off;
    –when headphones are connected;
    –when a Dolby Digital KARAOKE source is being played;
    –when 5ch Stereo is selected.
    •The setting becomes AUTO once this unit turns into standby
    mode.
    Virtual CINEMA DSP
    With Virtual CINEMA DSP, you can enjoy all DSP
    programs without rear speakers. It creates virtual speakers
    to reproduce a natural sound field.
    You can listen to virtual CINEMA DSP by setting “1C
    REAR LR” in the SET MENU to NON. Sound field
    processing changes to VIRTUAL CINEMA DSP
    automatically.
    y
    •When virtual CINEMA DSP is functioning, the “VIRTUAL”
    indicator lights up on the front panel display.
    Note
    •This unit is not set in the virtual CINEMA DSP mode even if
    “1C REAR LR” is set to NON in the following cases:
    –when the 5ch Stereo, DOLBY DIGITAL Normal, Pro Logic
    Normal, Pro Logic II, or DTS Normal program is selected;
    –when the sound effect is turned off;
    –when 96-kHz sampling digital signals are input to this unit;
    –when using the test tone; or
    –when connecting the headphones.
     
    						
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