Yamaha Djx 2 Manual

							Chapter 20 DJ Performance Master Class
71
99Using MIDI Bulk Send
Here is another rock-solid reason to go digital!  With the use of a MIDI data filer (such as the 
Yamaha MDF3), you can save your valuable Performance Recorder and Sampler data for future 
recall.  What’s more, this frees up extra memory space on the DJX-II for additional recording and 
sampling at the same time!
Bulk Send is also used for transferring Pattern data (with the help of special Pattern Launcher soft-
ware) from a Mac or Windows compatible computer to the DJX-II.  (See Tip 98 above.)
 Sending Data• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
1 Set up the device for recording the data.
Use a standard MIDI cable to connect the two devices as shown.
Once you’ve connected the DJX-II to the other device, you may need to take additional steps to 
set up that device.  (Refer to the relevant owner’s manual for details.)
2 Press MIDI BULK SEND to enable the operation.
3 Press MIDI BULK SEND again to actually send the data.
If you’re not quite ready to receive data on the other device, you can cancel the operation by press-
ing PATTERN STOP.
 Receiving Data• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Once you’ve saved your DJX-II data, you can easily reload it back to the DJX-II.
1 Set up the device for sending the data.
Use a standard MIDI cable to connect the two devices as shown.
Make the proper connections and insert the appropriate (floppy) disk containing the data to the 
data filer.  (Refer to the relevant owner’s manual for details, if necessary.)
On the DJX-II side, make sure that the DJX-II is not in the middle of an operation, such as Per-
formance Recording, Sampling, MIDI Bulk Send, etc.
2 Start sending the data from the connected device.
Refer to the relevant owner’s manual for details.  The DJX-II automatically receives the data, and 
loads it to the proper memory location.
MIDI IN MIDI OUT
Save Performance 
Recorder and Sampler 
data to the MDF3.
Yamaha MDF3, etc.
Flashes
bSnd
bStp
MIDI OUT MIDI INYamaha MDF3, etc. Load Performance 
Recorder and Sampler 
data from the MDF3. 
						

							72
100Create your own Patterns!
Roll your own!  Yes, you can even create your own Patterns — for mangling, mucking about, and 
mashing on the DJX-II!
Simply use a conventional MIDI sequencer software (such as XG Works) to record your original 
Patterns as MIDI data — then import the data to the DJX-II using the special 
Pattern Launcher soft-
ware.  Data for up to five Patterns (maximum of 85 KB) can be loaded to the DJX-II.  
How to Create Your Own Pattern Data
As mentioned above, you can create your own original Pattern data (on an external MIDI sequencer or a 
computer with sequencer software) and load it to the DJX-II with the Pattern Launcher software.
 Connections  • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 
Connect a MIDI keyboard and the DJX-II to the computer or sequencer as shown below.  You’ll be 
using the MIDI keyboard to enter data to the computer and play the sounds of the DJX-II.
 Creating the Data   • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 
MIDI OUT MIDI IN
Pattern data
(Bulk data)
MIDI IN MIDI OUTMIDI IN MIDI OUT
External keyboard
ComputerSequence
Software
• Creating the data is a relatively simple procedure.  How-
ever, make sure that you follow the instructions below 
very carefully to ensure proper creation and loading of 
the data.
 Recording the Parts
• Record each instrument Part over its own MIDI channel 
as listed below.  (The DJX-II’s internal tone generator 
responds according to these channel assignments.)  To 
determine the specific voice used, insert appropriate 
program changes for each Part.  (Refer to the Voice List 
on page 82 for program change numbers and voices.) Recording each Variation
• Make sure to record the Variations in the order listed 
below.  Also, enter a “marker meta-event” at the begin-
ning of each Variation exactly as shown.
 NOTE:
Timing indications in these instructions are based on a 
resolution of 480 clocks per quarter note, and are 
shown in a measure:beat:clock format.  For example, 
“1|1|000” indicates clock “000” of the first beat of the 
first measure.
• Enter the following System Exclusive message at the 
very beginning of the sequence (1|1|000), before any 
other data:
F0, 43, 73, 6F, 30, 00, F7  (TG Reset)
• The first measure (1|1|000 - 1|4|479) is reserved for 
Initial Setup data.  The second measure (2|1|000) 
through to the end of Variation 10 is used for the actual 
Pattern data.  (See chart below.)
Part MIDI Ch.
Kick 9
Snare 10
Hi-Hat 11
Percussion 12
Bass 13
Phrase1 14
Phrase2 15
Phrase3 16 
						

							Chapter 20 DJ Performance Master Class
73
• The timings indicated in the chart below are for example 
purposes only.  The actual timing of the Variations and 
the marker meta-events (starting with Variation 2) 
depends on the length of the recorded Patterns.  (The 
length of each Pattern can be up to 256 measures.)
• Enter all voice and effect settings in the last three beats 
of the Initial Setup area (1|2|000 - 1|4|479).  Do not 
include any note event data here.
• Start recording Variation 1 data from the second mea-
sure (2|1|000).  The length of the data can be from 1 to 
256 measures.  All measures must be of one of the fol-
lowing time signatures: 2/4, 3/4, 4/4, or 5/4.• Variation 2 begins from the top of the measure directly 
following the last measure of Variation 1.  In the chart, 
this is listed as 4|1|000; however, the actual timing 
depends on the length of Variation 1.
• The following charts indicate the valid MIDI events for 
both the Initial Setup data and the Pattern data.  Make 
sure to NOT enter any events marked with a dash (—), 
nor any events not listed here. 
Channel Message
RPN & NRPN
System Exclusive
TimingMarker 
Meta-
EventContents
1|1|000
1|1|000
1|2|000
      :
1|4|479TG Reset
Initial Setup Events
2|1|000
      :
3|4|4791 Variation 1
2 bars Pattern
(up to 256 bars)
4|1|000
      :
4|4|4792 Variation 2
1 bar Pattern
(up to 256 bars)
5|1|000
      :
5|4|4793 Variation 3
1 bar Pattern
(up to 256 bars)
6|1|000
      :
7|4|4794 Variation 4
2 bars Pattern
(up to 256 bars)
8|1|000
      :
9|4|4795 Variation 5
2 bars Pattern
(up to 256 bars)
10|1|000
      :
11|4|4796 Variation 6
2 bars Pattern
(up to 256 bars)
12|1|000
      :
12|4|4797 Variation 7
1 bar Pattern
(up to 256 bars)
13|1|000
      :
13|4|4798 Variation 8
1 bar Pattern
(up to 256 bars)
14|1|000
      :
15|4|4799 Variation 9
2 bars Pattern
(up to 256 bars)
16|1|000
      :
17|4|47910 Variation 10
2 bars Pattern
(up to 256 bars)
Initial Setup
Source Pattern
EventInitial 
SetupPattern
Note Off — OK
Note On — OK
Program Change OK OK
Pitch Bend OK OK
Control #0 (Bank Select MSB) OK OK
Control #1 (Modulation) OK OK
Control #6 (Data Entry MSB) OK —
Control #7 (Master Volume) OK OK
Control #10 (Panpot) OK OK
Control #11 (Expression) OK OK
Control #32 (Bank Select LSB) OK OK
Control #38 (Data Entry LSB) OK —
Control #71 (Harmonic Content) OK OK
Control #72 (Release Time) OK —
Control #73 (Attack Time) OK —
Control #74 (Brightness) OK OK
Control #84 (Portamento Control) — OK
Control #91 (Reverb Send Level) OK OK
Control #93 (Chorus Send Level) OK OK
Control #100 (RPN LSB) OK —
Control #101 (RPN MSB) OK —
EventInitial 
SetupPattern
RPN (Pitch Bend Sensitivity) OK —
RPN (Fine Tuning) OK —
RPN (Null) OK —
EventInitial 
SetupPattern
TG Reset OK —
Sys Ex XG Parameter Change 
(Effect1)OK —
    Reverb Type OK —
    Chorus Type OK —
 Saving and Loading the Sequence Data    • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 
• Save the completed sequence data to your computer.
• Save the file using Standard MIDI File Format 0 and make sure that the file extension “.mid” is included in the name.
• Load the Pattern file to the DJX-II using the Pattern Launcher software.  (Refer to the online Help file in the software 
for specific operation instructions.)
 About the User Pattern Data   • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 
As you create your own Patterns and use them with the DJX-II, keep in mind that these User Patterns differ from the 
built-in preset Patterns of the DJX-II in the following ways:
• The Activator’s Auto kit (00) does not apply to the User Patterns. Select from any of the other kits (01 - 51) to use the 
Activator with a User Pattern.
• The actual number of taps needed to tap start a Pattern (Tip 79) depends on the time signature of the User pattern. For 
example, in the case of a Pattern created in 3/4 beet, tap the BPM/TAP button three times to start the Pattern. 
						

							74
Appendix
Troubleshooting
PROBLEMPOSSIBLE CAUSE/SOLUTION
The speakers produce a “pop” sound when-
ever the power is turned ON or OFF.This is normal and is no cause for alarm.
When using a mobile phone, noise is pro-
duced.Using a mobile phone in close proximity to the DJX-II may pro-
duce interference. To prevent this, turn off the mobile phone or 
use it further away from the DJX-II.
The volume is reduced or the sound is distort-
ed.The batteries probably need to be replaced. Either replace all 
six batteries, or use an AC power adaptor.
The sound quality has gotten progressively 
worse.
Performance Recorder/Sampler  data will not 
play back properly.
The display goes blank and all panel controls 
are reset.
The selected voice cannnot be played via the 
keyboard. Check whether the DJX-II is set to the Pattern mode (page 10) 
or not. When set to the Pattern mode, the keyboard of the 
DJX-II does not function as a conventional keyboard. 
Not all of the voices seem to sound, or the 
sound seems to be cut off.The DJX-II is polyphonic up to a maximum of 32 notes. If Sam-
ples and Activator phrases are playing simultaneously with a 
Pattern, some notes/sounds may be omitted (or “stolen”) from 
one or more of those sections.
There is no sound even when the keyboard is 
played or when a Pattern is being played 
back.Check that nothing is connected to the PHONES jack on the 
rear panel. When a set of headphones is plugged into this jack, 
no sound is output. 
The panel buttons do not function.  Check whether MIDI bulk data is being transmitted or re-
ceived.  If a MIDI Bulk Send operation is in process, none of 
the panel buttons (with the exception of PATTERN STOP) 
function.
The Pattern does not start even when a PAT-
TERN PLAYER key is pressed.•Check whether the DJX-II is set to the Keyboard mode (page 
10) or not. When set to the Keyboard mode, the keyboard of 
the DJX-II functions as a conventional keyboard and cannot 
start the Pattern or Activator. 
•Check whether the BPM is set to Sync or not by pressing 
the BPM/TAP button. When this is set to “Sync,” only an ex-
ternal MIDI device can start the DJX-II Patterns. The Activator does not start even when an 
ACTIVATOR key is pressed. 
Some parts of the Pattern do not seem to 
sound.•Check the Part Mixer settings. 
•The volume of the corresponding part might have been set 
to 0 by using the VOLUME knob of the PART CONTROL-
LER. 
Appendix 
						

							Troubleshooting
75
Appendix
PROBLEMPOSSIBLE CAUSE/SOLUTION
The sound is distorted or noisy. •Many of the DJX-II sounds have been deliberately pro-
cessed or created with a “lo-fi” or “grunge” sound to suit cer-
tain styles of music.
•Using the CUTOFF and RESONANCE knobs at or near the 
maximum settings (especially when the MASTER VOLUME 
knob is also at maximum) may result in distortion.
•If this applies to the “Sampled” voice, you may have recorded 
the sample(s) at too high a level. 
Sample recording begins too soon or too late. Make sure that the INPUT LEVEL knob is set appropriately. 
The lower the input level, the louder the signal must be to start 
sampling. It is important to avoid setting the input level too 
high: at high levels, recording start may be triggered too soon 
by unintentional noise (room noise, noise on the line, etc.).
Sample recording or Performance Recording 
doesn’t work. If recorded data has exceeded the maximum limit, a “Full” 
message appears and no further data can be recorded.  De-
lete any unnecessary data and try again.  
						

							76
Appendix
Error Message List
ERROR MESSAGEDESCRIPTION
Err1
This appears when the MIDI reception buffer of the DJX-II has filled up, and process-
ing is not possible. Try decreasing the amount of data or increasing the interval time 
and transmit the data once again.
Err2This appears when a MIDI data reception error occurs, such as that caused by an 
improper connection or by use of an excessively long MIDI cable.
Err3This appears when the received bulk data contains illegal data.  The illegal data is 
automatically cleared.
Full
This message appears when the internal memory becomes full and no additional 
data can be recorded. 
Attempting to record to the Sampler or Performance Recorder when the internal 
memory is full causes this message to appear, and the DJX-II automatically stops 
recording.  
Delete unneeded data and attempt recording again.
C|r
This appears briefly when initializing the DJX-II to the factory preset data, by simul-
taneously holding down the highest (rightmost) key and turning the power on.  See 
page 13 for details.  
						

							77
Appendix
Specifications
 KEYBOARD61 keys (C1~C6) .. without Touch Response
 PATTERNSTotal 700 Preset Patterns and Variations
Preset70 Patterns
User5 Patterns ............. Up to 85 KB for all User 
Patterns
Variation10
 ACTIVATORS
Preset52 Kits .................. Including Auto function 
(00)
Variation13 ......................... Loop: 5, One Shot: 8
 VOICES
Preset203 ....................... 180 Voices + 23 Drum Kits
User Sampled1
 POLYPHONY32 notes max.
 EFFECTS
Live Effector10 Presets ............ Distortion, Auto Pan, 
Ring Modulator, Flanger, 
Phaser, Slice, Delay, 
Echo, Lo-Fi, Wah
Reverb11 Presets ............ Can be set only via MIDI
Chorus7 Presets .............. Can be set only via MIDI
3 Bands Isolator
-12dB~+12dB
Key Shifter (Transpose)
-5~0~+6
BPM (Tempo)32~280
Audio BPM Counter
 CONTROLLERS
Ribbon Controller
Scratch 1, Scratch 2, Pitch Bend, 
Pitch & BPM
Part Controller Knobs
Volume, Cutoff, Resonance
Isolator Knobs
Low, Mid, High
Live Effector Knobs
Control, Balance
Other KnobsInput Volume, Master Volume
Part Mixer
Part Selector
 SAMPLER
6 pads .................. Loop: 3, One Shot: 3
Quality22kHz/8bit
RAM Capacity128 KB ................. About six seconds for all 
pads (maximum three 
seconds for one pad)
 PERFORMANCE RECORDER
6 pads
RAM Capacity18 KB....................Approximately 2500 
events for all six Pads
 DISPLAY
Multi Display7-seg. LED x 4 digits
Keyboard LEDLED x 27
Panel LEDLED x 23
 DEMONSTRATION3 songs
 AUXILIARY JACKS
MIDIMIDI IN .................MIDI Clock In, Remote 
Control, Tone Generator, 
Bulk Receive
MIDI OUT .............MIDI Clock Out, 
Bulk Send
AudioPHONES
LINE OUT (L, R) ...RCA Pin
MIC IN
LINE IN .................RCA Pin
 AMPLIFIERS6W + 6W ..............(when using PA-5C power 
adaptor)
 SPEAKERS12cm x 2 ...............Bass Reflex, 
4.5-liter enclosure x 2
 POWER SUPPLY
AdaptorPA-5B, PA-5C
Batteries6 x “D” size or SUM-1 or R-20
 POWER CONSUMPTION20W 
 DIMENSIONS (W x D x H)933 x 370 x 129 mm
(36-3/4 x 14-5/8 x 5-1/6)
 WEIGHT6.7kg (14 lbs., 12 oz.)
 
SUPPLIED ACCESSORIESOwner’s Manual x 1
 OPTIONAL ACCESSORIES
HeadphonesHPE-150, HPE-3
Keyboard Stand
L-2L, L-2C
* Specifications and descriptions in this owner’s manual are for information 
purposes only. Yamaha Corp. reserves the right to change or modify prod-
ucts or specifications at any time without prior notice. Since specifications, 
equipment or options may not be the same in every locale, please check 
with your Yamaha dealer. 
						

							78
Appendix
Glossary
Activator................................. Tips 7 - 12, 34, 50, 68
On the DJX-II, the Activator section contains various 
rhythms and sounds.  You can use these to break up or 
interrupt the Patterns, or to add textures and accents to the 
Patterns. 
Audio bpm Counter.........................................Tip 94
This powerful function lets you synchronize external audio 
(such as from a CD, MD, or vinyl record) with the Patterns 
of the DJX-II.  The DJX-II monitors the beat from the 
audio, and automatically locks into the rhythm by auto-
adjusting the bpm of the DJX-II’s Pattern.
bpm......................................... Tips 6, 43, 44, 78 - 81
Abbreviation for “beats per minute.”  Obviously, a rhythm 
playing at 120 bpm would have two beats every second.  The 
bpm value determines the speed of the rhythm — the 
higher the bpm, the faster the rhythm.  This is also called 
“tempo.” 
Bulk Send.........................................................Tip 99
Bulk Send is a MIDI function that allows you to transfer 
important data among various MIDI devices.  With the use 
of a MIDI data filer (such as the Yamaha MDF3), Bulk Send 
allows you to save your original DJX-II Performance 
Recorder and Sampler data for future recall.  This not only 
lets you keep an archive of those settings, it also frees up 
extra memory space on the DJX-II for additional recording 
and sampling.  Bulk Send is also used with the Pattern 
Launcher software for transferring Pattern data from a Mac 
or Windows compatible computer to the DJX-II.
filter ....................................................Tips 36, 38, 69
Filters were originally used to process sound on analog syn-
thesizers.  The DJX-II uses the same basic filter setup to pro-
cess the sound of the Par ts.  More than just “process,” the 
filter is capable of radically altering and completely chang-
ing the character of the sound!  The filter is controlled by 
the CUTOFF and RESONANCE knobs in the Part Control-
ler section.
Isolator .....................................................Tips 24, 62
The Isolator section provides three separate controls — 
Low, Mid, and High — for adjusting the tone or timbre of 
the sound.  Like the Bass and Treble controls on a stereo amplifier, these let you tailor the sound just the way you like 
to hear it.
key ........................................................... Tips 39, 40
The word “key” refers to the basic pitch of a piece of music.  
There are twelve keys: C, Db (or C#), D, Eb (or D#), E, F, F# 
(or Gb), G, Ab (or G#), A, Bb (or A#), and B.  On the DJX-
II, you can change the key by using the Key Shifter.  (Know-
ing the names of the keys isn’t important.  On the DJX-II, 
you change the number — the amount by which the key is 
shifted.)
Changing keys (also called “transposing”) adds variety to 
the music.  It also is capable of changing the character of a 
piece, making the music brighter and more upbeat, or 
darker and more subdued.
Live Effector.............................  Tips 13 - 23, 51 - 61
Effects are used to process the sound and change it in vari-
ous ways.  In modern recording studios, almost every 
recorded sound is processed in some way.  On the DJX-II, 
the Live Effector section provides ten different, high-quality 
effects — the same effects used by the pros in creating hot 
tracks.
All of the DJX-II sounds — the Pattern, Activator, and 
Sampler — are processed by these effects.  A toggle switch 
lets you turn the effect on and off in time with the rhythm, 
and special CONTROL and BALANCE knobs let you tweak 
the effects as the Pattern plays.
Loop..................................................... Tips 8, 12, 74
A loop is a (usually) short audio passage or phrase that is 
repeated indefinitely, or “looped.”  Originally used with tape 
recorders (tape loops), loops have infiltrated the world of 
sampling and music making in general.  Sometimes loops 
are used to create sustained sound.  More commonly (and 
especially on the DJX-II), loops are mainly for rhythmic 
phrases — drum and percussion rhythms, arpeggiator 
phrases, etc.  In sampling, Loop is the opposite of One Shot.
The DJX-II Patterns are made up entirely of loops.  The 
Activator and Sampler both have special Loop keys and 
pads that cycle indefinitely, creating a continous rhythmic 
Pattern.
MIDI ....................................................... Tips 96 - 100
MIDI (Musical Instrument Digital Interface) allows elec-
tronic instruments of various types and manufacturers to 
A
B
F
I
K
L
M 
						

							Glossary
79
Appendix
“communicate” with each other.  At the most basic level, 
MIDI allows you to play one instrument’s sounds from the 
controls or keyboard of another instrument.  More sophisti-
cated uses included synchronizing two or more instruments 
together, exchanging data between compatible devices, or 
having a whole studio’s worth of keyboards, synthesizers, 
samplers, and rhythm machines controlled from a single 
computer.
Naturally, the DJX-II is MIDI compatible, and can be used 
effectively in any of the above scenarios.  You can sync two 
DJX-IIs together (or the DJX-IIB), and have the bpm’s of 
both machines lock for synchronized playback.  With the 
special Pattern Launcher software and a computer, you can 
even load new and original Patterns to the DJX-II!
One Shot ....................................................Tips 8, 74
One Shots are audio samples that are meant to be played 
back once and then stopped.  On the DJX-II, the Activator 
and Sampler both have special One Shot keys and pads that 
play short chunks of audio — such as sound effects, hits 
(like cymbal crashes, orchestra hits, etc.), and voice sound 
bites.  In sampling, One Shot is the opposite of Loop.
Part .......................... Tips 27 - 38, 63 - 71, 86, 88, 89
The DJX-II Patterns contain up to eight separate instru-
ment Parts — each of which has its own special function 
and sound within the rhythm.  Specifically the Parts are: 
Kick, Snare, Hi-Hat, Percussion, Bass, and Phrases 1 -3.  
Depending on the Pattern, each Part may have a completely 
different sound.  For example, the Bass Part on one Pattern 
might be an soft acoustic upright bass, while on another 
Pattern it may be a buzzy synthesizer bass.
The DJX-II gives you enormous flexibility in using, control-
ling, and tweaking the sound of the Parts.  Each Part can be 
played alone or in virtually any combination with the others 
(using the Par t Mixer).  You can single out a Part (with the 
Part Selector), and change the sound of that Part as it plays 
by turning the Part Controller knobs.
Pattern ........................................... Tips 1 - 6, 45 - 50
Patterns are the basic building blocks of the DJX-II sound.  
Each Pattern is a discrete musical/rhythmic passage, that 
loops (or repeats) continuously.  The Patterns contain dif-
ferent instrumental Par ts — such as bass, kick drum, snare 
drum, hi-hat, percussion, and (depending on the Pattern) 
other pitched instruments such as guitar, organ, strings, etc.  
Each main Pattern has ten Variations, which can be used 
together for greater variety in performance.
Different Patterns have different lengths, but all are based 
on four-beat lengths called “measures.”  In other words, a Pattern may be eight beats long (two measures) or sixteen 
beats long ( four measures), but all Patterns cycle around a 
basic count of “1-2-3-4.”  The key to developing good 
rhythm and using the Patterns musically involves knowing 
this four-beat count and feeling it in your body!
Sampler .................................................. Tips 72 - 75
Sampling is an important music-making technique in 
which short recorded audio passages are played back, usu-
ally from a keyboard or from pads.  The Sampler on the 
DJX-II lets you record any audio source — such as from a 
CD, or with a microphone — and play it back as a Loop or 
as a One Shot.
scratch, scratching......................................... Tip 41
This comes from turntable playing, in which the DJ rocks 
the record back and forth with the needle down, creating a 
scratching-like noise.  On the DJX-II, scratching is done 
with the Ribbon Controller. 
Tap ............................................... Tips 78, 79, 81, 93
The DJX-II has a convenient Tap function that allows you to 
change or set the bpm of the instrument simply by tapping 
out a steady rhythm on the BPM/TAP button.  This can be 
used to automatically start a Pattern at the tapped speed, or 
it can be used to instantly change the bpm of a currently 
playing Pattern.
Variation .................................. Tips 2, 45, 46, 50, 89
Each of the 70 Patterns of the DJX-II actually contains ten 
separate Patterns, called “Variations.”  Each Variation, as its 
name implies, is a different version of the basic Pattern 
rhythm.  There are two types of Variations, main and fill-in.  
Main Variations are used for the constant rhythm of the 
music, while fill-in Variations are usually used as dynamic 
breaks and transitions.  In general, the higher the Variation 
number, the busier or more complex the rhythm becomes.
Voice ........................................................ Tips 25, 26
When the DJX-II is set to the Keyboard mode, the keys can 
be used in the conventional way — to play a single instru-
ment sound across the entire keyboard.  These instrument 
sounds are called “voices.”  Although only one voice can be 
played at one time, the DJX-II is packed with many differ-
ent voices — such as piano, organ, guitar, strings, synthe-
sizer, and many others.
O
P
S
T
V 
						

							80
Appendix
Pattern List
Pattern 
No.Category NamePattern Name
00
TECHNOBerlin Techno
01 Japan Beatz
02 Detroit 2000
03 Parade Beat
04 French Techno
05 Detroit
06
UNDERGROUNDAcid Techno
07 German Underground
08 Loop Techno
09
DISCOMANIAUK Disco
10 US Disco
11 Disco House
12
CLUB VIBESDub House
13 Dark House
14 Chicago House
15 Ibiza
16 Progressive House
17 Hard House
18
TRANCE TRAXXHard Trance
19 Acid Trance
20 Euro Trance
21 Goa
22 Dream Trax
23 Eurobeat
24
ELEKTRO 
EMPIREElektro Beat
25 Breakdance
26 Elektromix
27 Technolectro
28
GARAGELondon Underground
29 Speed Garage
30 UK Garage
31
DRUMNBASSJungle Beatz
32 Breakbeat
33 Hard Step 8th
34 Jazz D&B
35
HIP HOPHard Hip Hop
36 Hardcore
37 Pop
38 Rock Hop
39
SPACE HOPFuturistic
40 Cosmic
41 Universal
42
SWING HOPLive
43 Miami
44 Jazzy
45 Los Angeles
46 Mechanical
47
GANGSTAPsyco
48 Bangin
49 Smooth
50 Light
51 R&B
52 Female
53
INTELLIGENTSoul
54 Busy
55 Laid Back
56 Landscape
57
FUNKY HIP HOPCool
58 Jamn
59 Club Funk
60 Hard Funk
61
OLD SKOOL80s
62 Scratchin
63 Breakz
64 Beat Street
65
TRIP HOPDeep
66 Ambient
67 Dreamy
68 Grunge
69 Dark
Pattern 
No.Category NamePattern Name