Technics Digital Ensemble Sx Pr604 Owners Manual
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Page 81
MEASURE COPY Copy recorded data of specified measures to a specified point. •On the destination track, the new data replaces the current measure contents. 1.Specify the measures you wish to copy from the source track (FROM). •On the FROM side, specify the settings with the corre- sponding buttons. TRACK: Specify the track number you wish to copy the measures from. •You cannot select the track for the RHYTHM part or CHORD part in which a repeat command has been stored. •If ALL is selected, the specified...
Page 82
MEASURE INSERT Insert specified measures at a specified point. •The length of the performance accordingly increases by the number of inserted measures. 1.Specify the measures you wish to copy from the source track. •On the FROM side, specify the settings with the corre- sponding buttons. TRACK: Specify the track number you wish to copy the measures from. •This function does not work for the CHORD or RHYTHM track in which the repeat function has been stored. •If ALL is selected, the measures are inserted...
Page 83
VELOCITY CHANGE Modify the recorded velocity in specific measures of specific tracks. 1.Use the TRACK ∧ and ∨ buttons to select the track you wish to edit. •You cannot select the track for the CONTROL, RHYTHM or CHORD part. •If ALL is selected, all tracks will be edited. 2.Use the FIRST MEASURE ∧ and ∨ buttons to specify the start point (measure number) of the velocity change. 3.Use the LAST MEASURE ∧ and ∨ buttons to specify the end point (measure number) of the velocity change. 4.Use the VELOCITY ∧ and...
Page 84
ADVANCE/DELAY Speed up or delay the sound production of specified per- formance data. 1.Use the TRACK ∧ and ∨ buttons to select the track you wish to edit. •You cannot select the track for the CONTROL, RHYTHM or CHORD part. •If ALL is selected, all tracks will be edited. 2.Use the FIRST MEASURE ∧ and ∨ buttons to specify the start point (measure number) of the change. 3.Use the LAST MEASURE ∧ and ∨ buttons to specify the end point (measure number) of the change. 4.Use the ADVANCE/DELAY ∧ and ∨ buttons to...
Page 85
Outline of the Composer The COMPOSER enables you to create your own accompaniment patterns. A pattern is comprised of 8 parts: DRUMS 1, 2, BASS and ACCOMP1–5 parts. These parts would form the backing of a song. Rhythm components which can be stored Different INTRO 1, 2, VARIATION 1 to 4, ENDING 1, 2 pat- terns can be created for each MEMORY (A, B, C). •Each VARIATION is made of a PATTERN, FILL 1 and FILL 2. •A Maj (major) and Min (minor) pattern is available for each of the INTRO and ENDING 1 and 2. •The...
Page 86
Three ways to record in the COMPOSER There are three ways to create and record a rhythm. Simple recording method Use EASY COMPOSER to quickly create a unique rhythm just by selecting a pattern for each part. Create a completely new rhythm Compose all the parts of a completely new rhythm from scratch. •You can use either realtime recording or step record for any part of the recording.Pattern Copy (page 92) Copy a preset rhythm or SEQUENCER data to a COMPOSER memory, edit it as you like, and then store it...
Page 87
3.On the RECORD MEMORY display, press the OK button. •The display looks similar to the following. 4.Press the CLEAR THE ENTIRE PATTERN button. •The display looks similar to the following. 5.Press the YES button. •All the data for the selected pattern is erased. 6.Use the MEASURE ∧ and ∨ buttons to specify the number of measures in your new rhythm pattern (1 to 16). 7.Use the TIME SIGNATURE ∧ and ∨ buttons to specify the meter of the pattern (1/4 to 8/4). •When the settings for the MEASURE and TIME...
Page 88
4.Record the part. •The specified number of measures are repeatedly played back, during which time any newly played notes are added to those already recorded. The current measure number is shown on the display as “MEASURE=”. •Record the performance in C major for correct chord progressions during playback. Follow the KEY SETTING procedure if you wish to record the performance in a different scale. •The sustain pedal operation or PITCH BEND and MOD- ULATION effects when MIDI data is received are also...
Page 89
Part Setting You can make detailed settings for each part. 1.On the REALTIME RECORDING display, press the PART SETTING button. •The settings comprise three pages of the display. Use the PAGE buttons to switch pages. 2.Use the PART and buttons to select a part. 3.Use the ∧ and ∨ buttons to set the correspond- ing item. PITCH POINT: The pitch at which the pattern progression sound is lowered by one octave. •When the root note of the specified chord is higher than the set pitch point, the pitch of that...
Page 90
Step Record Use STEP RECORD to store the notes one-by-one on the display. This is a convenient way to store complicated patterns that are difficult to play. Recording procedure 1.While you are recording, press the STEP RE- CORD button. •The display changes to the STEP RECORD display similar to the following. 2.Use the CURSOR buttons to move the cursor to the note position you are going to store. •Each dot represents one-eighth of a quarter-note (a thirty- second note). •When storing triplets, it may not...