Tascam Ministudio Porta02 Owners Manual
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2 Important Safety Instructions .............3 1. An introduction to the Porta02 .......4 1.1 Multitrack recording Ð a brief introduction ..................4 1.2 Some safety notes and precautions ..............................5 1.3 What you need to make recordings ................................8 1.4 Connecting the Porta02 ..........8 2. Parts of the Porta02 ........................9 3. Making your first recording...........13 3.1 Setting up ..............................13 3.2 Getting ready .........................13 3.3 Setting the level .....................14 3.4 Recording the first track .......15 3.5 Recording the next track ......16 3.6 Recording the stereo backing ..................................17 3.7 Mixdown ................................18 4. Hints and advanced tips ...............20 4.1 Recording techniques ...........20 4.2 Mixdown ................................21 5. Troubleshooting.............................22 6. Specifications ................................23 Table of Contents This appliance has a serial number located on the rear panel. Please record the model number and serial number and retain them for your records. Model number Serial numberWARNING: TO PREVENT FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the liter- ature accompanying the appliance. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. † Ø Ù
3 Important Safety Instructions CAUTION: ·Read all of these Instructions. ·Save these Instructions for later use. ·Follow all Warnings and Instructions marked on the audio equipment. 1) Read Instructions— All the safety and operating instructions should be read before the product is operated. 2) Retain Instructions — The safety and operating instruc- tions should be retained for future reference. 3) Heed Warnings— All warnings on the product and in the operating instructions should be adhered to. 4) Follow Instructions — All operating and use instruc- tions should be followed. 5) Cleaning— Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning. 6) Attachments— Do not use attachments not recommend- ed by the product manufacturer as they may cause hazards. 7) Water and Moisture— Do not use this product near water _ for example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement; or near a swimming pool; and the like. 8) Accessories— Do not place this product on an unstable cart, stand, tripod, bracket, or table. The product may fall, caus- ing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow the manufacturer’s instructions, and should use a mounting accessory recommend- ed by the manufacturer. 9)A product and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart combination to overturn.15) Lightning — For added protection for this product during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and discon- nect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges. 16) Power Lines — An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal. 17) Overloading — Do not overload wall outlets, extension cords, or integral convenience receptacles as this can result in risk of fire or electric shock. 18) Object and Liquid Entry — Never push objects of any kind into this product through openings as they may touch dan- gerous voltage points or short-out parts that could result in a fire or electric shock. Never spill liquid of any kind on the prod- uct. 19) Servicing— Do not attempt to service this product your- self as opening or removing covers may expose you to danger- ous voltage or other hazards. Refer all servicing to qualified service personnel. 20) Damage Requiring Service— Unplug this product from the wall outlet and refer servicing to qualified service per- sonnel under the following conditions: a)when the power-supply cord or plug is damaged. b)if liquid has been spilled, or objects have fallen into the product. c)if the product has been exposed to rain or water. d) if the product does not operate normally by following the operating instructions. Adjust only those controls that are cov- ered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the product to its normal operation. e)if the product has been dropped or damaged in any way. f )when the product exhibits a distinct change in performance _ this indicates a need for service. 21) Replacement Parts — When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same character- istics as the original part. Unauthorized substitutions may result in fire, electric shock, or other hazards. 22) Safety Check— Upon completion of any service or repairs to this product, ask the service technician to perform safety checks to determine that the product is in proper operat- ing condition. 23) Wall or Ceiling Mounting — The product should be mounted to a wall or ceiling only as recommended by the man- ufacturer. 24) Heat— The product should be situated away from heat sources such as radiators, heat registers, stoves, or other prod- ucts (including amplifiers) that produce heat. Note to CATV system installer:This reminder is provided to call the CATV system installer’s attention to Section 820-40 of the NEC which provides guide- lines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. 10) Ventilation— Slots and openings in the cabinet are pro- vided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other sim- ilar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer’s instructions have been adhered to. 11) Power Sources— This product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For prod- ucts intended to operate from battery power, or other sources, refer to the operating instructions. 12) Grounding or Polarization — This product may be equipped with a polarized alternating-current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electri- cian to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug. 13) Power-Cord Protection— Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular atten- tion to cords at plugs, convenience receptacles, and the point where they exit from the product. 14) Outdoor Antenna Grounding — If an outside antenna or cable system is connected to the product, be sure the anten- na or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides infor- mation with regard to proper grounding of the mast and sup- porting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of anten- na-discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. ANTENNA LEAD IN WIRE ANTENNA DISCHARGE UNIT (NEC SECTION 810-20) GROUNDING CONDUCTORS (NEC SECTION 810-21) GROUND CLAMPS POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H) NEC - NATIONAL ELECTRICAL CODEELECTRIC SERVICE EQUIPMENT Example of Antenna Grounding as per National Electrical Code, ANSI/NFPA 70 GROUND CLAMP
1 An introduction to the Porta02 4 1 – An introduction to the Porta02 The TASCAM Porta02 MiniStudio allows you to produce recordings which are not possible with an ordinary stereo cassette recorder. We suggest that you read at least this sec- tion 1 and also 3, “Making your firstrecording” before you start using the Porta02. Spending a little time reading now will save you a lot of time in the future. You can read the rest of the man- ual at any time. 1.1 Multitrack recording – a brief introduction This section gives you a brief introduc- tion to some of the terms and techniques used in recording. If you are unfamiliar with these terms, you may find it usefulto read through this section so that you understand the rest of the manual, which uses the terms explained here. 1.1.1 Multitrack recorders When you listen to a commercial record- ing (CD, cassette, etc.), it is quite proba- ble that the different parts of the piece will have been recorded at different times. This is done by “multitracking”–taking the different sounds, feeding them through a mixer’s inputs (“channels”) and recording them on a special tape recorder which splits the tape into “stripes”, each stripe being used for a different part of the music. These stripes are called “tracks”, and the parts recorded on them may also be called “tracks”. Since there are many tracks on a tape, the term “multitrack” is used to describe these tapes and record- ers. The Porta02 allows you to record up to 4 tracks on inexpensive Type II (chrome) cassettes using the same principle as larger studios–taking inputs into a mixer’s channels, feeding them into a recorder which can record tracks inde- pendently of each other, and building up the song by recording new tracks while listening to what has been recorded before (“monitoring”). The advantage of working with multi- track recording is that the whole group of musicians does not have to repeat the whole piece if one person makes a mis- take. The illustration below shows you how tracks are arranged on an ordinary stereo cassette tape, as well as on the Porta02
1 An introduction to the Porta02 5 and on A/V cue-equipped cassette record- ers. Notice that the stereo cassette arrange- ment allows you to use both sides of the cassette, by playing the tape in the other direction. The Porta02, however, uses the whole width of the tape. Notice also thatone pair of L and R tracks on the stereo cassette take up the same positions as tracks 1 and 2 on the Porta02. This can be important for your recording projects, as we will see later on. 1.1.2 Mixing down Another advantage of multitrack record- ing is that when you come to make the final version (on CD, cassette, etc.), you can adjust the level (volume) of each track, so that the piece sounds the way you want. As well as adjusting the track levels, you can also adjust the position of each track with regard to the left and right speakers. This is called “panning”, and the controls used to do this are called “panpots”. Byusing the panpots, you can make the tracks appear to come from the left or the right speakers or anywhere in the middle. The technique of converting a multitrack recording to a stereo recording is called “mixing down” to a “stereo master” or “mastering” recorder. The Porta02 includes a mixdown section which allows you to mix to a stereo cassette or MD recorder. 1.2 Some safety notes and precautions • Always use the PS-P2 power adaptor supplied with the Porta02. If you use any other adaptor, there is a risk of damage, or even fire. Make sure that the input voltage marked on the PS-P2 adaptor matches the power supply you are using. If you are in any doubt, con- sult your TASCAM dealer. • Turn off your Porta02 and remove the cassette when you are not using the Porta02. If you will not be using it for an extended period of time, unplug the PS-P2 adaptor.• When connecting or disconnecting the Porta02 to or from any other equip- ment, make sure the power to the Porta02 and all other equipment is turned off. This will avoid possible damage to equipment. • Do not keep your Porta02 in a very hot place. Remember that in sunny weather, the inside of a parked car heats up very quickly. Avoid leaving your Porta02 in such a place. • Do not spill liquid onto your Porta02. Avoid eating, drinking and smoking near it (smoke particles are bad for L R1 24L R R 3CUE R L IEC (Philips) ste- reo cassetteTASCAM 4Tr 4Ch (Porta02 format)TASCAM 4Tr 3Ch (A/V cue format)
1 An introduction to the Porta02 6 audio equipment). If any liquid or any objects such as paperclips, guitar picks, etc. fall inside the Porta02, do not try to operate it. Return it to a TASCAM service center for repair. • If the case of the Porta02 becaomes dirty, clean it only with a damp (not wet) cloth, moistened with a little detergent. Do not use solvents or thin- ners, etc. to clean the Porta02, as these will damage the surface. • There are no parts inside the Porta02 that you can repair by yourself. Do not open the Porta02 case or try to make any repairs. Return it to a TASCAM service center for repair. 1.2.1 Tape cassettes Since the Porta02 uses the whole width of a cassette tape, you can only play and use one side of a cassette. You should try to use either side A or side B for all cas- settes, to avoid confusion when changing tapes. Only use Type II (chrome or CrO 2 ) cas- settes with the Porta02. Find a reliable brand and stick with it. The time you spend creating your multitrack master is worth much more than the small differ- ence in price between cheap and high- quality cassettes. High quality cassettes will cause you fewer problems in the long run.To avoid having to wind and rewind a lot of tape, use the shortest possible cassettes for your projects. Remember that because you are only using one side of the cas- sette, the marked length of the tape will be halved (that is, a C60 tape will run for 30 minutes, a C40 for 20 minutes, etc.). Always store cassettes in a safe place (away from the magnetic fields produced by speakers, television sets, computer monitors, etc.). 1.2.2 Record-protecting cassettes The record-protect tab on a cassette stops you recording on that side when it is removed. The Porta02 also recognizes this protection, and will not allow you to record on the side of a cassette where this tab has been removed.However, we suggest that you remove both tabs when you want to protect a Porta02 cassette. This will stop you put- ting in the cassette the wrong way round and recording over old material accidentally. 1.2.3 Playing back stereo cassettes As mentioned earlier, the Porta02 can play back cassettes recorded on a stereo cassette recorder, using tracks 1 and 2. Also, if tracks 1 and 2 have been recorded on the Porta02, these cassettes can be played back on a stereo cassette recorder. However, if tracks 3 and 4 are used for recording on the Porta02, these cannot be played back on a stereo cassette recorder. Also, note that if a cassette has been recorded with noise reduction, such as Dolby, etc., it will sound strange when played back on the Porta02. Any tapes (tracks 1 and 2) recorded on the Porta02 should be played back without noise reduction on a stereo recorder. NOTE Never use C120 cassettes with the Porta02. The tape in these cassettes is thin, and may stretch and break.
1 An introduction to the Porta02 7 1.2.4 Cleaning the heads You should clean the tape heads of the Porta02 regularly to keep it working properly. Dirt and tape oxide buildup on the heads will force the tape away from the tape head gaps that record and play- back. Head cleaner will remove the dirt and restore the sound quality. In addition to affecting performance by coating the heads, and keeping the tape away from the recording and playback gaps, dirt and oxide in the tape path will also act in the same way as very fine sandpaper, which will wear down internal parts of the Porta02, and affect the recording in this way as well. All of these problems can be avoided if you buy a head cleaning kit such as the TEAC TZ-261 and keep it with your Porta02 for regular use. The kit consists of head cleaner, cleaner for the rubber parts of the Porta02, and cotton-tipped swabs. The cost of such a kit is less than the cost of a couple of high-quality cas- settes and will pay for itself in better per-formance and longer life from your Porta02. Clean the heads and metal parts of the tape path before every session with the Porta02 and also after every session. 1) Open the tape cassette cover. 2) Carefully clean the heads and metal parts as shown in the illustration using a swab dipped in the head cleaning fluid. 3) Dry off the heads with a dry swab. 1.2.5 Cleaning the pinch roller You should also clean the rubber pinch roller at regular intervals (at least once each day that you use the Porta02). 1) Open the tape cassette cover. 2) Press the PLAY key. The pinch roller will engage with the capstan shaft and start turning. 3) Press a swab dipped in the rubber cleaning fluid against the right side of the pinch roller. If you press the right side of the roller, the swab will not get caught between the roller and capstan. 4) Dry the capstan with a dry swab and make sure that there is no material on the pinch roller or capstan before you insert a cassette. WARNING Only use head and rubber cleaning fluid and cleaning swabs designed for use with tape recorders. The use of any other cleaning materi- als may cause damage to the Porta02. Heads and tape guides Capstan Pinch wheel
2 Parts of the Porta02 8 1.3 What you need to make recordings Apart from the Porta02 itself, you will need: • Some kind of stereo mastering recorder to produce the stereo record- ings. This can be a cassette recorder such as the TASCAM 102Mk II or an MD recorder such as the TASCAM MD301. A recorder which does not have recording level controls is not suitable for use as a master recorder. • You will also need RCA (pin or phono) cables to connect the Porta02 to other equipment.• Some monitoring equipment (some kind of amplifier and speaker system). • Headphones, if you intend doing any work with microphones. These will avoid acoustic feedback (“howl- round”) when recording. Additionally, headphones are sometimes useful when panning tracks on mixdown, as you can hear the precise position of each track. • Of course, you will also need some kind of sound source to record (instru- ment or microphone, etc.). 1.4 Connecting the Porta02 1) Make sure all the equipment is turned off. 2) Connect the LINE OUT terminals of the Porta02 to the amplifier, using a pair of terminals on the amplifier such as AU X or VIDEO . 3) Connect your mastering recorder to a set of four TAPE terminals on the amplifier (two for REC and two for PLAY ). You may be using an integrated system in which the mastering recorder and ampli- fier are built into one enclosure. In this case, you do not need to follow step 3.You can listen to the Porta02 by selecting the amplifier’s input source to be from the terminals to which you connected the Porta02 ( AU X or VIDEO , etc.). When you have mixed down and you want to listen to the mixed tape, you should select the mastering recorder as the amplifier’s input source. 2 – Parts of the Porta02 This section gives an explanation of the different parts of the Porta02, and whatthey do. NOTE Do not use any terminals marked PHONO or intended for record decks. These are connected to a special circuit inside the amplifier which makes them unsuitable for anything except record decks. Left speakerRight speaker Amplifier Mastering recorder PLAY OUTtoTAPE INTAPE OUT to REC IN Porta02 To AUX IN LINE OUT
Parts of the Porta02 10 [1] POWER IN and switch Use this jack to connect the PS-P2 AC adaptor which comes with your Porta02. When connecting the power, make sure the power switch is off (slide it to the right, as you look from the back). Slide the switch to the left (looking from the back) to turn on the power to the Porta02. [2] MIC/LINE 2 Use this 1/4” phone jack to connect the second channel audio source (instrument or microphone) to the Porta02. [3] MIC/LINE 1 (MONO) Use this 1/4” phone jack to connect the first channel audio source (instrument or microphone) to the Porta02. If you connect an audio source to this jack, but do not connect a source to the MIC/LINE 2 jack, the source at this MIC/ LINE 1 jack acts as a mono source, that is, it will be split between the first and sec- ond channels as if you had plugged the same source into both jacks. [4] PHONES jack This 1/4” jack allows you to connect a pair of stereo headphones to the Porta02. [5] LINE OUT Use these RCA (pin or phono) jacks to connect your Porta02 to the amplifier or mastering recorder. [6] PHONES LEVEL This control adjusts the volume in head- phones connected to the PHONES jack. Turn clockwise to increase the volume. There will be no output from the PHONES jack when the control is fully counter-clockwise. It has no effect on the level from the LINE OUT connectors. [7] MONO switch When this switch is pressed down (in), it changes the stereo signal from the PHONES jack into a mono signal (the same signal will be output from both the left and right channels). Press it again to return it to the “out” stereo position. It does not affect the signal from the LINE OUT connectors. [8] TRIM (1 and 2) Different pieces of equipment output sig- nals at different levels. The TRIM controls allow you to match the Porta02 to these levels. A piece of equipment such as a CD player or cassette deck will output signals at a high ( LINE ) level, so the trim control should be turned fully counter- clockwise when such a device is being recorded. A microphone on the other hand, produces a lower signal level, and so the TRIM control should be turned fully WARNING DO NOT use any adaptor with the Porta02 except the PS-P2 adaptor which comes with the Porta02. WARNING The Porta02 is designed to record signals from microphones, CD players, tape decks and musi- cal instruments. It is not designed to record sig- nals which come from the speaker outputs of any amplifier or equipment. If you try to plug such signals into the Porta02, you will almost certainly damage both the Porta02 and the other equipment. WARNING Do not use headphones equipped with a mono jack. This will cause damage to the Porta02’s headphone amplifiers.