Tascam Digital Audio Tape Deck DA-60mkII Preliminary Manual
Have a look at the manual Tascam Digital Audio Tape Deck DA-60mkII Preliminary Manual online for free. It’s possible to download the document as PDF or print. UserManuals.tech offer 511 Tascam manuals and user’s guides for free. Share the user manual or guide on Facebook, Twitter or Google+.
Versatility and Features Mean the Best DAT Performance The DA-60MKII delivers transparent, natural sounding audio recordings and reproductions. It produces up to 94dB of clear, quality audio employing 64 times oversampling 1 bit Delta- Sigma A/D conversion with an incredibly wide 5Hz ~ 22kHz frequency range. Signal-to-noise ratio is an amazing 94dB, and wow and flutter is virtually unmeasurable. At the output stage, the DA-60 MKII uses 8 times oversampling 20 bit Sign-Magnitude D/A conversion which virtually eliminates zero-cross distortion. And because program material is captured digitally, the physical imperfections of tape and their effect on sound quality are negli- gible. The result is the best sounding DAT available anywhere! The DA-60 MKII operates at two primary sampling rates: 44.1kHz (the CD reference standard) and 48kHz when the highest-quality audio for post-production is your goal. Of course with a DAT recorder of this caliber, standard pull up and pull down rates of 44.056kHz, 44.144kHz, 47.952kHz and 48.048kHz are fully supported. And audio reproduction is of remarkably high quality, even when the ±12% varispeed function is used to slow or speed the trans- port. The DA-60 MKII shines at preparing master tapes for mass CD production and delivers frame-accurate film/video scoring for post production. ItÕs easy to enter start IDs for each track, renumber the tracks, post-stripe timecode or place professional sounding fade in/outs to your program material through the intuitive, easy-to-understand feature menus of the recorderÕs full-function LED control panel. DA-60MKII DIGITAL AUDIO TAPE DECK page 1 of 5 The DAT for production and post-production What do you look for in a production-quality DAT? Great sound? Transfer convenience? Editing capabilities? Synchronization? 4-Heads with confidence monitoring? More? Until now, the price for a DAT recorder of this caliber has been out of reach except to those studios with unlimited budgets! No more! TASCAM delivers these features and more with the DA-60 MKII production- quality 4-head synchronizable DAT. All at a price your studio can afford. The DA-60 MKII is a synchronizable 4-head DAT power- house thatÕs perfect for both production and post- production environments. It delivers superior sound quality, full-featured functionality and durability that studio pros expect from TASCAM. Rugged TASCAM Construction Combining pristine sound and superior engineering, the DA-60 MKIIÕs rugged construction, intuitive design and rock-solid reliability are all encased in its tempered metal 19 3U rack case. There youÕll find a read/write system comprised of 4 independent direct drive motors, an auto-calibrating 4-head drum and the best sounding, state-of-the-art A/D and D/A converters available anywhere. Even more important, the DA-60 MKII features help you maintain a periodic maintenance schedule thanks to a Time Spun indicator which gives you an instant readout of your DA-60 MKIIÕs total head operating time. P R E L I M I N A R Y 19 (482mm)13 (330mm) 7/8 (22mm)1 3/8 (34mm) 5 3/16 (132mm)
will behave like a common VTR to video editors and other system controllers. Also known as Sony 9-Pin, this capability enables the DA-60 MKII to integrate seamlessly into any post- production environment. Command Control for Audio and Subcode Data The DA-60MKII features an intuitive, highly informative LED panel that gives users complete control over all production functions. Stereo peak hold meters ensure that youÕre capturing proper signal levels. MARGIN readings display ÒheadroomÓ in dB incre- ments up to 39 Ñ between your highest peaks and the onset of digital saturation. Twin timecode indicators constantly update SMPTE position for both external and internal TC in a master/slave, multiple machine environment. WhatÕs more, itÕs easy to reveal programmable parameter values for selected menu items including Copy ID, memo point capture and trim, and auto cue sensitivity levels. Plus, you can capture Perfectly Synchronized Audio/Visual Soundtracks The DA-60MKII has a highly accurate digital clock, and its clock source is switchable to meet your synchronization needs. For working with DAWs, youll find WORD CLOCK IN, OUT and THRU, and when doing sound for picture, the units VIDEO sync port will keep you right where you need to be! The TASCAM DA-60 MKII also supports IEC958 Type II data input more commonly recognized as S/PDIF. This enables the DA-60 MKII to digitally communicate with most consumer level DATs, CDs and other equipment. All this means the DA-60 MKII gives you the freedom to interact with just about any digital audio product imaginable. In a Ò sound for pictureÓ environment, the DA-60 MKII accepts Video Sync from an external source and resolves to picture. Additionally, the DA-60 MKII fully supports Sony P2 protocol and Front Panel-DA-60MKII DA-60MKII DIGITAL AUDIO TAPE DECK page 2 of 5 CH 2 UNBALANCEDCH 1 CH 1 BALANCED CH 2 IN ON DIGITAL TIME CODEOFF 75 ANALOG INPUTSANALOG OUTPUTOUT WORD SYNCTHRU VIDEO RS-422 ACCESSORY 1 CH 2 IN OUT IN CH 1OUT Rear Panel-DA-60MKII IIIIIIIII POWER PHONES IIIIIIIII CH 2 IIIIIIIII CH 1INPUTS PLAY STOP F FWD REWRECORDMEMO 1 ID SELECT EKE LOC 1MEMO 2 LOC 2AUTO IN/OUT VARI SPEED ID SEARCHSTAND BYCUEAUDIO CHASE MONITOR RESETMEMORY STARTAUTO CUE SET DATA REHEARSAL SUB CODE REC FUNCTIONMARGIN RESET MENU SHIFT ERRORSERVO LOCK -dB 50 40 • 30 • • 20 • • 12 • 8 • 4 2 0OVER MARGIN• REMOTEON OFF Fa44.1k 48k EXT SYNCDIGITAL WORDANALOG INPUTCAL UNCAL INPUTDIGITAL ANALOGCLOCKINT VIDEOEXT
Using the DA-60MKIIÕs 3-second RAM buffer, Memory Start provides for instant starts of program material. Used in conjunc- tion with the recorderÕs MEMO points, the Memory Start function can be trimmed over a range of 30 frames, enabling you to posi- tion the start of material with frame accurate precision. ThereÕs even a REHEARSAL function that lets you audition the contents of the RAM buffer. Accepts Digital or Analog Input Integrating the TASCAM DA-60MKII into your facility couldnÕt be easier. A quick look at the rear panel reveals easily accessible XLR connectors for incoming digital or balanced analog sources. And, to make reference copies of your master tapes, the DA-60 MKII is equipped with both balanced XLR and unbalanced RCA analog outputs. Rock Solid, No Nonsense Built-in Synchronization The DA-60MKIIÕs internal clock, combined with its Video and Word Clock capabilities enable the recorder to synchronize with other equipment under virtually any condition you might encount- er. Code-only Master? No problem. Just feed timecode and hit CHASE. Sony P2 under control from a video editor? Absolutely! Just feed house (video) sync to the DA-60 MKIIÕs Video sync port for clock reference and connect a standard 9-Pin D-Sub connec- tor cable to the RS-422 port and youÕre ready to make that next great video epic. Digitally transfer audio to or from a DAW? Of course! Run your Word Clock cable for clock reference, and some XLR equipped cables for timecode and digital I/O and youÕre ready. YouÕll also find an Accessory 1 port for basic control from non RS-422 equipped controllers. No matter what type of work you do, youÕll appreciate the DA-60 MKIIÕs flexibility and its rapid response transport mechan- ism. Together, they take the hassles out of synchronization. YouÕll be able to easily set up pinpoint-perfect orchestra hits, sound effect overdubs and other post-production audio magic. offsets, jam sync while generating timecode for smooth, continu- ous SMPTE under non-contiguous conditions, or adjust cross- fade time to accommodate smooth punch-ins Ð all with remark- able ease. Users will appreciate the DA-60 MKIIÕs rotary data wheel . It makes editing offsets or memory start points quick and effortless. And, each function has its own corresponding menu display or LED indicator light, so youÕre sure to know the status of the DA-60 MKII at a glance. Once youÕve configured the machine to your liking, a unique memory feature lets you save up to three different setups (snapshots) which can be recalled at any time with a few simple keystrokes. Dual Autolocation Makes Editing Foolproof The DA-60MKII offers three ways to navigate through your tapes to find editing points for punch-ins, overdubs and other post- production tasks. The simplest is using the ID Search button to locate to the exact beginning of the next/previous program selec- tion. And, to mark a tape position during a program, you can capture locate points on the fly by pressing the MEMO key. Or, if you wish to trim that position or directly enter a known timecode address, simply enter the location using the DA-60 MKIIÕs H: M: S: F display and the rotary data wheel. Confidence Monitoring & Instant Playback for Those Tight Cues If confidence monitoring is critical to your work, then a 4-head DAT like the DA-60 MKII is your only choice. With the DA-60MKII, a single keystroke toggles you between Source and Tape, giving you peace of mind as you record Ñ no more guessing about what you ÒthinkÓ youÕre hearing. Additionally, the DA-60 MKII provides a pair of special cueing and playback features Ñ Auto Cue and Memory Start. They combine to provide instant playback from exact points, without any mechanical delay caused by bringing tape up to speed or re- alignment of playback heads. With Auto Cue, you can cue to the Òfirst frame of audi oÓ. Auto Cue is programmable with four sen- sitivity levels to accommodate varying types of program material. DA-60MKII DIGITAL AUDIO TAPE DECK page 3 of 5
A Quick Review Of The DA-60MKII ¥ Uses DAT tapes for reliable, compact archival and pristine digital audio ¥ Audio and Sub Code Record Function switches let you pre or post stripe TC and edit other subcode area parameters ¥ Find the start of the next/previous track with one-touch ease ¥ 4-head confidence monitoring ¥ Intuitive basic recorder controls ¥ Twin MEMO and LOCate keys let you mark critical tape points for a variety of edit operations ¥ MEMORY START function with REHEARSAL stores 3 seconds of playback audio for seamless, on-the-fly starts, great for tight cues! ¥ Full support for Sony P2 protocol Ñ DA-60 MKII behaves like a common VTR under editor control ¥ Video and Word Clock ports for integration with video systems or DAWs ¥ CAL and UNCAL positions on front panel accommodate virtually any input signal ¥ Supports both AES/EBU digital I/O & S/PDIF digital input ¥ Balanced XLR analog inputs and outputs Ñ RCA unbalanced outputs ¥ Phones jack and level control Feature-Filled LED Command Contol Center ¥ Display window has a separate lighted indicator for every edita ble feature: synchronization, subcode editing, tape/program location and more ¥ Dual peak hold stereo LED meters and MARGIN read- ings give quality-conscious engineers constant visual information on tape saturation levels ¥ Rotary data wheel provides fine-tuning control over numerous parameters such as MEMO point trim with visual displays confirmed in the LED Menu area ¥ Timecode readouts in either ABSolute or SMPTE formats includes Auto function where SMPTE is automatically displayed if present on tape Optional RC-D6 Remote Control Unit Your mastering deck is a major part of your recording process, but not the only part. Controlling the DA-60 MKII from elsewhere in the studio, such as the mixing console, can be very conveni- ent. The RC-D6 provides basic controls and freedom of move- ment in a compact form factor. The front panel of the RC-D6 Remote Controller has the same transport buttons as the DA-60 MKII so you can control recording, cueing, punch in/out and rehearsal, and ID Search from practically anywhere in the room. Simply connect the RC-D6 Remote Controller to the DA-60 MKII with a 15-foot cable and plug it into the rear panel ACCESSORY 1 port. DIGITAL AUDIO TAPE DECK page 4 of 5DA-60MKII REHEARSAL CUE IO SEARCH REW F FWD STOP PLAYRECORD RC-D6 REMOTE CONTROL UNIT Remote Control-DA-60MKII
Word Sync Input: Connector: BNC Nominal Input Level: Equivalent to TTL Input Impedance: 75 ohms, unbalanced Output: Connector: BNC Nominal Output Level: Equivalent to TTL Output Impedance: 75 ohms, unbalanced Thru: Connector: BNC Nominal Output Level: Equivalent to TTL Output impedance: 75 ohms, unbalanced Time Code (when SY-D6 installed) Input Connector: XLR-3-31 (x1) Input Level: 2Vp-p Input Impedance: 10 kohms, balanced Output Connector: XLR-3-32 (x1) Output Level: 2Vp-p Output Impedance: 75 ohms, balanced Control I/O Port Parallel Connector: 37-pin D-sub Input/Output Level: Equivalent to TTL Serial (when SY-D6 installed) Connector: 9-pin D-sub Protocol: RS-422 Power Requirements USA/Canada: 120 V AC, 60 Hz UK/Australia: 240 V AC, 50 Hz Europe: 230 V AC, 50 Hz General Export Model: 120/230/240 V AC, 50/50 Hz, switchable Power Consumption: 58 W Weight: 11.5 kg Specifications and features subject to change without notice or obligation.SPECIFICATIONS Type: Rotary Head Digital Audio Tape Recorder Tape Speed: 8.15 mm/sec, (12.225 mm/sec.) Quantization Bit: 16-bit linear Sampling Rate: 48 kHz, in record (digital or analog)/play 44.1 kHz, in record (digital or analog)/play Frequency Response (Record/play): 5 - 22,000 Hz ±0.5 dB Signal to Noise Ratio: Better than 94 dB Dynamic Range: Better than 94 dB Total Harmonic Distortion (THD): 0.004% or less (at 1 kHz, max. input before OVER lights Channel Separation: Better than 90 dB Wow and Flutter: Unmeasurable (less than ±0.001%) INPUT/OUTPUT Analog Line In: Connector: XLR -3-31 (x2) Nominal Input Level: +4 dBm Input Impedance: 20 kohms, balanced Line Out: Connector: XLR -3-32 (x2) Nominal Output Level: +4 dBm Output Impedance: 10 ohms, balanced Monitor Out: Connector: RCA jack (x2) Nominal Output Level: -10 dBV Output Impedance: 1 kohms, unbalanced Headphone Out: Connector: 1/4 jack (x1) Output Level: 100 mW or more (8-ohm load) Digital Input Connector: XLR -3-31 (x2) Format: IEC958, TYPE I (AES/EBU)/ TYPE II auto switchedOutput: Connector: XLR-3-32 (x1) Format: IEC958, TYPE I (AES/EBU) DA-60MKII DIGITAL AUDIO TAPE DECK page 5 of 5 For more information about other TASCAM FAXBACK literature, call 1-800-827-2268. ©1997 TEAC America, Inc. All rights reserved. 7733 Telegraph Road, Montebello, CA 90640 (213) 726-0303 TEAC Canada Ltd ., 5939 Wallace Street, Mississauga, Ontario L4Z 1Z8 Canada (905) 890-8008 TEAC Mexico, S.A. de C.V., Priva de Colina #18, Colonia del Carmen, Coyoacan, Mexico, D.F. 04100 (525) 658-1943 FAXBACK Index# 2360 2/97