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Steinberg Wavelab Elements 8 Manual

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Page 151

Offline Processing
Time Stretching
151
Time Stretching
Time stretching is an operation that allows you to change the length of 
a recording without affecting its pitch.
With time stretching you can make audio material longer or shorter. This 
function is most often used to make a section of audio fit in with some 
other material. You select the material to be stretched and use the 
options in the Time stretching dialog to find a stretch factor. This is 
done by specifying a length or a tempo, according...

Page 152

Offline Processing
Time Stretching
152
Result
Target duration
If this option is activated, the audio source changes its duration.
Target tempo
If this option is activated, the audio changes its tempo. For this to 
work, you must specify the original tempo or the number of bars 
and beats.
Target stretch factor
Lets you see how much the audio duration changes. This 
parameter is automatically updated when you edit the other 
parameters, but you can also activate this option to edit it manually.
Reset...

Page 153

Offline Processing
Pitch Shift
153
About the DIRAC Time Stretching Processor
The DIRAC engine is a high quality time stretcher. It produces the best 
quality results possible, but takes longer to process.
Pitch Shift
Pitch shift allows you to detect and to change the pitch of a sound, with 
or without affecting its length. This is useful for fixing an off-key vocal 
note in a live recording, or tuning the pitch of a kick drum sample to fit a 
particular song, for example.
Pitch Shift Dialog
In this...

Page 154

Offline Processing
Resample
154
Pitch field
Specifies the resulting pitch.
Length preservation
Specifies how the length of the selection is affected by the 
operation:
• A setting of 100 means that the length of the audio remains 
unchanged.
• A setting of 0 means that the program behaves like a tape 
recorder, when the speed of its tape is changed. For example, if 
you raise the pitch by one octave, the audio is half as long.
• Intermediate values give results in between these two extremes.
For large...

Page 155

Offline Processing
Resample
155
• When you resample to a lower frequency, high frequency material 
is lost. Therefore, converting down and then up again leads to a 
degradation in sound quality.
NOTE
Using the Crystal Resampler in the quality mode High to change the 
sample rate results in the same quality as when using Process > 
Resample in the Audio Files workspace. However, that is only the case 
if the sample rate in the Sample rate dialog exists in the values of the 
Crystal Resampler Sample rate...

Page 156

 156
Audio Montage
The audio montage is a multitrack non-destructive editing environment, 
which allows you to arrange, edit, play back, and record audio clips on 
multiple tracks.
Non-destructive means that when you delete or change a part of an 
audio file, the audio is not deleted or permanently changed. Instead, a 
set of pointers keeps track of all the edits, so these can be readily 
reversed. WaveLab Elements provides comprehensive facilities for 
non-destructive editing.
Features include both...

Page 157

Audio Montage
Montage Window
157
Montage Window
The montage window in the Audio Montage workspace is where you 
assemble your audio montage. This is where you view, play back, and 
edit audio montages.
The montage window gives you a graphical representation of the tracks 
and clips.
Track Control Area
The track control area offers several options regarding the track.
Fold/Unfold
Folds/unfolds the track.
Mute
Mutes the track.
Solo
Solos the track.
FX
Opens the Effects menu in which you can select effects...

Page 158

Audio Montage
Montage Window
158
Track name
Opens the Track name dialog where you can enter a name for the 
track.
Track Menu
This menu contains all track-related options. In the Audio Montage 
workspace, open the Track menu, or click the number button of a track.
Add stereo track
Adds a stereo track below the active track.
Add mono track
Adds a mono track below the active track.
Move track up
Moves the track one position up in the track list.
Move track down
Moves the track one position down in the...

Page 159

Audio Montage
Signal Flow in the Audio Montage
159
Route to Master Section and upper track
Routes the audio signal of the active track to the Master Section 
input and to the modulation input of the Ducker plug-in.
Route to upper track only
Routes the audio signal of the active track to the modulation input 
of the Ducker plug-in.
Lock
If this option is activated, you cannot edit the track.
Zoom
Shows the active track in the full available height.
Color
Opens a submenu where you can select a color for...

Page 160

Audio Montage
Creating a New Audio Montage
160
• Master Section Dithering slot
• Independent meters
• Playback or file format rendering
Creating a New Audio Montage
You can add tracks and clips to your new audio montage.
PROCEDURE
1.In the Audio Montage workspace, select File > New.
2. In the Audio montage properties dialog, select a Sample rate.
3. Click OK.
Audio Montage Properties Dialog
In this dialog, you can set the sample rate of the audio montage.
This dialog open when you create a new audio...
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