Steinberg WaveLab 3 Operation Manual
Here you can view all the pages of manual Steinberg WaveLab 3 Operation Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 261
WAVELAB Spectrum Editor 11 – 261 •If you point the mouse cursor inside a set region, a pop-up appears show- ing the currently set frequency range in Hz and the time range in seconds/ milliseconds for the current region. To apply Surgical processing, the region length must not exceed 10 seconds. •To deselect a region, right-click in the window and select “Deselect” from the speed menu. •A selected region can be moved in any direction by click-dragging the re- gion manually. If you press [Shift], you can...
Page 262
WAVELAB 11 – 262 Spectrum Editor Surgical processing Surgical processing can be used to process short regions (up to 10 sec- onds) offline. This type of processing is mainly used to reduce, remove or replace unwanted sound artefacts in the audio material, which can be done with great precision. As with all Spectrum editor operations, you first have to define a time/fre- quency region. Once a region has been set, you can select one of the two Surgical processing modes. These are as follows: •Filtering...
Page 263
WAVELAB Spectrum Editor 11 – 263 Common filtering parameters There are two pop-up menus in the “Filtering operations” section; the up- per selects the type of filter processing to be performed, and the lower selects a filter type (only available for some of the filter operations). Addi- tionally, you can specify the Gain of the filtering (i.e. the attenuation level) as well as the Filter steepness. Filter steepness determines how sharply or quickly frequencies above or below a certain point are...
Page 264
WAVELAB 11 – 264 Spectrum Editor Damp This is used to attenuate the level of a region. The Gain parameter speci- fies the level of the attenuation (although less commonly used it is also possible to set positive gain values, i.e. to boost the frequencies in the re- gion). Three filter types are available to perform the damping: •Pass-band filter All frequencies in the region are equally attenuated. •Low-pass filter Higher frequencies in the region will be attenuated more. •High-pass filter Lower...
Page 265
WAVELAB Spectrum Editor 11 – 265 Fade out This can be used with any of the three filter types (Pass-band/Low-pass/ High-pass). It gradually filters the frequencies in the region along the time axis (from nothing at the left edge of the region, to maximum allowed by the gain parameter at the right edge), useful for gradually removing fre- quencies from a region. Fade in This works like Fade out but inversed. Fade out then in This is a mix of the two previous options; the filtering effect gradually...
Page 266
WAVELAB 11 – 266 Spectrum Editor •You can also do the same in the frequency domain; have the Source and Destination regions in the same time line position, but in different frequency ranges. This could be used to mask a spurious sound artefact with few harmonics, by copying the audio placed a bit “lower” or “higher” in the frequency range. Note that when copying be- tween different frequency regions pitch shifting takes place. Tip: Copying a source region to the destination region using the “Move...
Page 267
WAVELAB Spectrum Editor 11 – 267 3.Click the “Show” button in the Source section if the Source region isn’t currently shown. If the region is active but outside of the current view you can right-click to bring up the speed menu and select “Jump to selected region”. 4.Click the “Mark” button in the Destination section of the dialog. Now an exact copy of the source region has been selected as the Destination region. 5.Now you can move the Destination region to where you wish to copy the Source region...
Page 268
WAVELAB 11 – 268 Spectrum Editor From here, you can select one of two Copy methods, using the pop-up menu above the Copy button. •“Copy exactly” will, as the name implies, copy the Source region exactly as it is. •“Copy ambience” copies an average of the source frequencies, and pro- duces a blurring of the original dynamics and pitch variation information. This mode can be useful as the copied region will appear more “transparent”, whereas the “Exact copy” might cause a “repetition” effect. There is...
Page 269
WAVELAB Spectrum Editor 11 – 269 Master Section processing Another application of the Spectrum editor is Master Section processing. This allows for frequency selective processing. A selected region’s fre- quency spectrum can be routed to the Master Section where you can choose to process it separately from the non-selected frequency spectrum. The signal is split so that one part (region spectrum or non-selected spectrum) is sent to the plug-ins, while the other part can be mixed with this processed...
Page 270
WAVELAB 11 – 270 Spectrum Editor To apply Master Section processing, proceed as follows: 1.Select the Spectrum selection tool and define a region using the normal methods. The selected region should preferably be longer than one second. The frequency spectrum of the region will be used to filter the sound. Note that if you intend to use the Render func- tion, the selected region time range is what will be rendered – see “Rendering the Master Section processing” on page 271. 2.Select “Master Section...