Steinberg Nuendo 4 Manual
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Page 161
161 Control Room 22.Channel Labels These labels reflect the names created in the VST Connections window. 23.Talkback Level This pop-up fader controls the amount of Talkback signal fed to the output of each Studio. 24.Talkback Enable In order for Talkback signals to be routed to a Studio, this button must be lit. Clicking on it turns it on or off. When Talkback Enable is deactivated, the Talkback DIM setting has no effect on this output. 25.Metronome Mix These level and pan controls determine how the...
Page 162
162 Control Room The Main Mix and the Control Room channel The channel configuration of the “Main Mix” (the default output) determines what the channel configuration of the Control Room channel will be. Switching between a project that has a stereo Main Mix to a project that has a 5.1 Main Mix will cause the Control Room channel in the Control Room Mixer to change from a stereo to a 5.1 configuration. The Main Mix configuration also determines the layout of the Speaker Solo panel. If the Main Mix...
Page 163
163 Control Room The other preferences have the following functionality: Reference Level This setting determines the Control Room level used when the Refer- ence Level button is activated. Main Dim Volume This is the amount of gain reduction applied to the Control Room chan- nel when the DIM button is activated. Show Control Room Volume in Transport Panel This option makes the small fader at the right hand side of the Transport Panel control the Control Room level. When this option is not activated...
Page 164
164 Control Room In the Inspector, a Studio Sends tab can be found. This will display all Studio Sends for the selected track. Please note that not all Inspector sections are available by default. To show/hide a section, right-click on an Inspector section and activate/ deactivate the desired option on the context menu. The Studio Sends tab in the Inspector Each Studio can have a unique name in order to help identify what it is being used for. For example, the four Studios could be named: Vocalist...
Page 165
165 Control Room 2.In the Control Room Mixer, right-click anywhere in a Studio Channel’s mixer strip and a context menu will ap- pear that has the Studio’s name as a submenu. This submenu contains all the Studio Send functions for that Studio. If you open the context menu outside of a Studio mixer strip, the submenu will be for All Studios. The Control Room Mixer’s context menu 3.Choose the “Use Current Mix Levels” option to copy the fader levels on the selected tracks to the Studio Sends. This...
Page 166
166 Control Room 5.Click OK and the level change will be performed. It is possible to view these changes as they occur if you have the Project Mixer open and the extended view set to show the Studio Sends. Using Studio Sends from outputs Each output also has Studio Sends. Studio Sends from the Main Mix output can be used to route the main mix in- stantly to the Studio output. Any level changes made to the main mix will be reflected in the signal sent by the Studio Send. Setting the level lower than...
Page 167
167 Control Room WK-Audio’s ID Controller With the implementation of the Control Room Features, functionality for the Monitoring Section of the ID control surface has been enabled. The ID has controls for most of the Control Room features including: Control Room Level Control Room Level Meter Talkback (with built in mic preamp) Talkback DIM Listen Bus AFL/PFL Monitor Selection External Input Switching Headphones (with built-in headphone amp) Input Selection for Control Room and...
Page 169
169 Audio effects About this chapter Nuendo comes with a number of effect plug-ins included. This chapter contains general details about how to assign, use and organize effect plug-ins. The effects and their pa- rameters are described in the separate manual “Nuendo Expansion Kit – Cubase Music Tools for Nuendo 4”. Overview There are three ways to use audio effects in Nuendo: As insert effects. An insert effect is inserted into the signal chain of an audio channel, which means that the whole channel...
Page 170
170 Audio effects Be aware, however, that this can lead to a situation where you added more plug-ins on transport stop than the sys- tem can handle on playback. Therefore, you should always find the passage with the largest number of events playing simultaneously to make sure that your system offers the re- quired performance. ÖActivating this option can increase your system perfor- mance a lot in certain projects, but it also makes it more unpredictable whether the project can play back fine on any...