Steinberg Nuendo 4 Manual
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Page 152
152 Control Room Background Large console Monitoring sections In traditional analog studios, the audio console maintained control over every audio signal in the studio, including the control room monitors, headphone systems, external 2- track tape machines and communications such as the talk- back system. The console itself provided a means of creating multiple cue mixes for performers in the studio. Using available aux sends, the engineer could create multiple cue mixes for the various performers,...
Page 153
153 Control Room Adjustable Input Gain and Input Phase on all external inputs and Speaker outputs. Full-sized meters on every Control Room channel. Support for up to four aux sends (Studio Sends) for creation of discrete cue mixes for performers. Each Studio output has its own cue mix. The ability to disable the Control Room Section when working with an external monitoring solution or console. Full support for the monitoring section functionality of the ID control surface. Configuring the...
Page 154
154 Control Room Creating a Control Room channel To create a new channel, click on the Add Channel button in the Studio tab of the VST Connections window. A pop- up menu lists all available channels along with how many of each type are available. Select the type of channel you wish to create and a dialog will appear allowing you to choose the configuration of the channel (stereo, 5.1, etc.). The Studio tab of the VST Connections window with several Control Room Channels created After clicking OK,...
Page 155
155 Control Room Disabling the Control Room Once you have created all the channels for your studio configuration, the Control Room functions are available for use. If you need to use Nuendo without the Control Room functions, you can simply press the Disable Control Room button on the Studio tab of the VST Connections window. Any channels you have created will be saved and when you enable the Control Room again, that configuration will be reloaded. You can also create presets for the Control Room...
Page 156
156 Control Room The Control Room Overview You can access the Control Room Overview from the De- vices menu. The Control Room Overview is designed to display the current configuration of the Control Room. The window shows all possible channels, with active channels highlighted once they have been created in the VST Con- nections window. Channels that are grayed out have not been defined in the VST Connections window. The Control Room Overview allows you to see the signal flow through the Control...
Page 157
157 Control Room The different Control Room Mixer panels are handled in the same way as the Project Mixer panels, see “Configu- ring the mixer” on page 126. Control Room inserts and meters When the Control Room Mixer displays the Extended View, the meters become visible. These meters look and function the same way as the ones in the Project Mixer. Pressing the small meter icon at the center right side of the mixer will change the view to display inserts. Alterna- tively, these can also be displayed...
Page 158
158 Control Room Inserts for the Talkback channel The Talkback channel has a separate set of eight inserts. In order to view and adjust them, the Talkback must be en- abled via the TALK button located to the lower right of the Control Room Mixer. Click once on the Talkback to latch it on. The inserts for external inputs will now display the Talkback inserts. Once the Talkback is disabled, the view will revert back to external input inserts. Monitor Inserts Each Monitor channel has a set of six...
Page 159
159 Control Room Control Room Mixer layout The Control Room Mixer has a variety of controls, some that are similar to the Project Mixer and some that are unique to Control Room operations. The following dia- grams show every control, followed by a brief description of what each control does. 1. 2.3.4. 5. 6. 7. 8. 9. 6. 11. 10. 12. 13. 14. 15. 6. 16. 17.18.19.20.21. 22.6. 23. 24. 25. 26. 27. 28. 29.
Page 160
160 Control Room 1.Input Phase Each external input and Monitor speaker output has an Input Phase re- versal switch. When lit, all audio paths within the channel will have their phase reversed. 2.Input Gain Each external input, Monitor speaker output and the Talkback input has an Input Gain control. When an external input or Monitor becomes ac- tive, the Gain settings will be recalled. 3.Channel Inserts Each channel in the Control Room Mixer has inserts available. While most channels have six pre-fader...