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Steinberg Nuendo 3 Score Layout And Printing Manual

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    							NUENDOEntering and editing notes using the mouse 4 – 61
    Applying settings and selecting other staves
    The Staff Settings dialog is non-modal (see page 29). This means you 
    click Apply to apply the settings you’ve made to the active staff.
    To make settings for another staff, simply make it active in the score 
    (by clicking anywhere in the staff or by using the up/down arrow keys 
    on the computer keyboard). However, please note:
    •Remember to click Apply before making another staff active – otherwise 
    your settings will be lost!
    Staff presets
    When you want to reuse settings made for one track in other tracks, 
    you will save some time by creating a staff preset. This is described on 
    page 94.
    •There are a number of staff presets available, set up to suit various in-
    struments, etc.
    The presets are accessed via the Presets pop-up menu in the Staff Settings dialog, or 
    from the Staff Settings submenu on the Scores menu. Use them as they are, or as 
    starting points for your own settings. 
    						
    							NUENDO4 – 62 Entering and editing notes using the mouse
    Suggested initial settings
    When you start out entering notes using the mouse, your staff settings 
    should make your score display the notes as entered. We suggest the 
    following:
    You will find out later how to adapt these settings in detail to make the 
    score read as you want it to.
    •It is very important that you understand how the display quantize values 
    for notes and rests interact with the score. If you select too large a 
    notes/rests value, the notes you “click in” may not appear as intended. 
    Please read the chapter “How the Score Editor works”. If you have mixed triplets and 
    straight notes, please refer to page 44.
    Option Description
    Names As desired.
    Display Quantize: Notes 64
    Display Quantize: Rests 64
    Auto Quantize Activated.
    Clean Lengths Off.
    No Overlap Off.
    Syncopation Off.
    Shuffle Off.
    Key As desired.
    Clef As desired.
    Auto Clef Activate this if you want the program to select a treble or 
    bass clef automatically.
    Display Transpose 0
    Options tab settings As is.
    Polyphonic tab settings Staff Mode: Single (for split staves, see page 84).
    Tablature tab settings Tablature Mode deactivated. 
    						
    							NUENDOEntering and editing notes using the mouse 4 – 63
    Note values and positions
    Two of the most important settings for entering notes (and the ones 
    you will change most often) are the length of the note (the note value) 
    and the minimum spacing between notes (the quantize value).
    Selecting a note value for input
    This can be done in one of three ways:
    •By clicking the note symbols on the extended toolbar.
    You can select any note value from 1/1 to 1/64th and turn on and off the dotted and 
    triplet options by clicking the two buttons to the right. The selected note value is dis-
    played in the Length value field on the toolbar and in the Insert Note tool cursor shape.
    The note value is reflected in the extended toolbar, the Length value field and the 
    Insert Note tool shape.
    •By selecting an option from the Length pop-up menu on the toolbar.
    •By assigning key commands to the different length values.
    This is done in the Key Commands dialog on the File menu, under the category “Set 
    Insert Length”.
    About unusual note values
    Not all note values can be selected directly, for example double dot-
    ted notes. Such notes are created by changing the length of the note 
    after you have put it in (see page 81), by gluing notes together (see 
    page 82) or by using the Display Length feature. 
    						
    							NUENDO4 – 64 Entering and editing notes using the mouse
    Selecting a display quantize value
    When you move the mouse pointer over the score, you will see that 
    the position box on the toolbar tracks your movement and shows the 
    current position in bars, beats, sixteenth notes and ticks.
    Positioning on screen is controlled by the current quantize value. If 
    you for example set this to “1/8 Note” you can only insert and move 
    notes to eighth note positions, at quarter notes, at half bars or at bar 
    positions. It is a good strategy to set the quantize value to the smallest 
    note value in the piece. This doesn’t stop you from inputting notes at 
    “coarser” positions. However, if you set the quantize value to too small 
    a note value, it is easier to make mistakes.
    The quantize value is set on the toolbar in the Quantize pop-up menu:
    •You can also assign key commands to the different quantize values.
    This is done in the Key Commands dialog on the File menu, under the category “MIDI 
    Quantize”.
    •Just like in the other MIDI editors, you can use the Quantize Setup di-
    alog to create other quantize values, irregular grids, etc.
    However, this is not often used when inputting score notes.
    With the quantize value set to “1/8 Note”, you 
    can only input notes at eighth note positions. 
    						
    							NUENDOEntering and editing notes using the mouse 4 – 65
    The “mouse position box”
    While you will most often use the graphical position in the actual score 
    to determine where the notes go, there are instances when you will 
    want to verify the position numerically using the mouse position box:
    The upper field shows the pitch according to the vertical position of 
    the pointer in a staff. The lower field shows the “musical position” in 
    bars, beats, sixteenth notes and ticks:
    •The relation between beats and bars depends on the time signature: In 4/4 
    there are 4 beats to a bar. In 8/8 there are eight, in 6/8 there are six, etc.
    •The third number is the sixteenth note within the beat. Again, the time signa-
    ture determines the number of sixteenth notes to each beat. In a quarter note 
    based time signature (4/4, 2/4, etc.) there are four sixteenth notes to each 
    beat, in an eighth note based time signature (3/8, 4/8, etc.), there are two six-
    teenth notes, etc.
    •The last value is in ticks, with 480 ticks per quarter note (and thus 120 ticks 
    per sixteenth note).
    The figures below show some note positions and their corresponding position values:
    Eighth note positions.
    Eighth note triplet positions.
    Sixteenth note positions.
    2/2
    4/4
    8/81.1.1.01.1.3.0 1.1.5.0 1.1.7.0
    1.1.1.01.1.3.0 1.2.1.0 1.2.3.0
    1.1.1.01.2.1.0 1.3.1.0 1.4.1.01.2.1.01.2.3.0 1.2.5.0 1.2.7.0
    1.3.1.01.3.3.0 1.4.1.0 1.4.3.0
    1.5.1.01.6.1.0 1.7.1.0 1.8.1.0
    2/2
    4/4
    8/81.1.1.0 1.1.2.40 1.1.3.80 1.1.5.0
    1.1.1.0 1.1.2.40 1.1.3.80 1.2.1.0
    1.1.1.0 1.1.2.40 1.2.1.80 1.3.1.01.1.6.40 1.1.7.80
    1.2.2.40 1.2.3.80
    1.3.2.40 1.4.1.80
    2/2
    4/4
    8/81.1.1.0
    1.1.2.0 1.1.3.0 1.1.4.0
    1.1.1.01.1.2.0 1.1.3.0 1.1.4.0
    1.1.1.0 1.1.2.0 1.2.1.0 1.2.2.01.1.5.01.1.6.0 1.1.7.0 1.1.8.0
    1.2.1.01.2.2.0 1.2.3.0 1.2.4.0
    1.3.1.0 1.3.2.0 1.4.1.0 1.4.2.0 
    						
    							NUENDO4 – 66 Entering and editing notes using the mouse
    Adding and editing notes
    Entering one note by dragging
    To add a note to the score, proceed as follows:
    1.Make the staff active.
    Notes are always put in on the active staff. See page 23 for details.
    2.Select the type of note by selecting a note value.
    This is described in detail above.
    3.If you selected the note value by clicking on a symbol on the extended 
    toolbar, the Insert Note tool was automatically selected – otherwise 
    select the Insert Note tool from the toolbar or Quick menu.
    4.Select a quantize value.
    Described above. The quantize value will determine the spacing between notes. If you 
    set quantize to “1/1 Note” you will only be able to add notes at downbeats. If you set 
    quantize to “1/8 Note” you will be able to add notes at all eighth note positions etc.
    5.Click in the staff and keep the mouse button pressed.
    A note appears under the mouse pointer.
    6.Move the mouse horizontally to find the correct position.
    Check the mouse position box – the position is “magnetically” attracted to the grid de-
    fined by the current quantize value. This allows you to easily find the correct position.
    7.Move the mouse vertically to find the correct pitch.
    •If the option “Show Note Info by the Mouse” is activated in the Preferen-
    ces dialog (Scores page), the position and pitch of the note will also be 
    shown in a “tool tip” next to the pointer while you’re dragging.
    If you find that screen redraws are too sluggish, you may want to deactivate this option.
    8.Release the mouse button.
    The note appears in the score.
    The pitch is shown here. 
    						
    							NUENDOEntering and editing notes using the mouse 4 – 67
    Clicking directly
    When you get better acquainted with the Score Editor and find it easy 
    to aim at the right position directly, you don’t need to drag the note 
    around as described above. Simply aim at the correct position and 
    click once.
    If you have problems getting the pitch right
    •Normally, you are allowed to “draw” notes with any pitch. But if the op-
    tion “Keep moved notes within key” is activated in the Preferences–
    Scores dialog, the pitches are restricted to inside the current key only.
    •When you drag the mouse up and down before releasing the button, 
    accidentals are shown beside the note to indicate the current pitch.
    This helps you verify the vertical position before releasing the mouse button.
    Adding more notes
    1.If the next note is of another note value, select a new note value.
    2.If you need finer positioning, or if the current value is too fine, change 
    the quantize value.
    3.Move the mouse to input the new note, and click.
    Notes input at the same position are automatically interpreted as chords, see below.
    About the interpretation
    The notes may not always appear in the score as you expect them to, 
    initially. This is because there are a number of situations which require 
    special techniques and settings. Below follows a list of some of these 
    and where to find more information about handling them:
    •Notes at the same position are considered parts of a chord. To get indepen-
    dent voicing (for example notes with different stem directions), such as for vo-
    cal material, you need to use polyphonic voicing – see page 101.
    Without and with polyphonic voicing 
    						
    							NUENDO4 – 68 Entering and editing notes using the mouse
    •If two notes beginning at the same position have different lengths, the longer 
    will be displayed as a number of tied notes. To avoid this, you will either have 
    to use the “No Overlap” feature (see page 46) or polyphonic voicing (see 
    page 101).
    •One note will often be displayed as two notes with a tie. This is only how the 
    program displays the note, there is still only a single note “stored”.
    This single note in the Key Editor is displayed as two tied notes in the Score Editor.
    •Generally the program adds ties where necessary (if a note stretches over a 
    beat), but not always. For more “modern” notation of syncopated notes (less 
    ties), you will need to use the syncopation feature described on page 47.
    The same note, without and with Syncopation.
    •If you specifically want a long note to be displayed as two (or more) tied 
    notes, you can use the Cut Notes tool for this.
    •If a note has the wrong accidental, this can be changed. See page 127.
    •If two notes on the same position are too close to each other or if you want 
    their “graphical order” in the score reversed, you can do this without affecting 
    playback. See page 147.
    •Stem direction and length is normally automatic, but you can set it yourself. 
    See page 122.
    •If you are scoring for piano and therefore (or for other reasons) need a split 
    staff, there are special techniques for this, described on page 84 and page 
    101. 
    						
    							NUENDOEntering and editing notes using the mouse 4 – 69
    If you run into trouble
    Below follow a few simple troubleshooting steps that will help you 
    pinpoint some common mistakes:
    •The note I put in has the wrong length. For example, I added a sixteenth 
    and got a quarter note.
    You probably have the wrong display quantize value set. Open the Staff Settings dialog. 
    If Auto Quantize is on, turn it off, unless you have mixed triplets and regular notes. Also 
    check the Notes and Rests display quantize values. If the settings are too “coarse”, 
    change them to a smaller note value. If you for example need the program to display an 
    eighth note rest, Rests display quantize must be set to “8” or a smaller value (please re-
    fer to the chapter “How the Score Editor works”). If No Overlap is on, you might want to 
    turn it off.
    •There is a pause after a note that I don’t want.
    You probably added a note with the wrong note value. Either lengthen the note (phys-
    ically or graphically – see page 81) or delete the one you have (see page 72) and add 
    a new one with the correct note value.
    •There is no pause after the note although there should be one.
    Either the note is too long (delete and enter a new one or change the current note’s 
    length, physically or graphically). Or, your Rests display quantize is set to too large a 
    note value. Open the Staff Settings dialog and lower it.
    •The note has an accidental when it shouldn’t, or it doesn’t when it 
    should.
    Maybe the note is simply of the wrong pitch? Click on it (using the Object Selection 
    tool) and look at the info line (if this is shown, see page 25). Move it to the correct pitch 
    (see page 79). If this is not the reason, maybe you have the wrong key set? And last, 
    enharmonic shifting is described on page 127.
    •Notes are not grouped under beams the way I want it.
    Normally the program groups eighth notes, sixteenths etc. under beams. This can be 
    turned off. There is also detailed control of which notes are grouped under a beam. 
    This is all described on page 134. 
    						
    							NUENDO4 – 70 Entering and editing notes using the mouse
    Selecting notes
    In the operations described in the rest of this chapter, you will often 
    work on selected notes. The text below describes how to select notes 
    in various ways:
    By clicking
    To select a note, click on its note head with the Object Selection tool. 
    The note head is inverted to indicate that it is selected.
    •To select more notes, hold down [Shift] and click on them.
    •To deselect notes, hold down [Shift] and click on them again.
    •If you hold down [Shift] and double click on a note, this note and all 
    the following notes in the same staff are selected.
    Using a selection rectangle
    1.Press the mouse button with the Object Selection tool in an empty 
    area in the score.
    2.Drag the mouse pointer.
    A selection rectangle appears. You can drag to select voices on several voices or 
    staves if you wish.
    3.Release the mouse button.
    All notes with their note heads inside the rectangle are selected.
    If you want to deselect one or more of the notes, hold down [Shift] and 
    click as described above.
    Selected notes 
    						
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