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Steinberg Nuendo 3 New Features In 3.1 And 3.2 Manual

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    Working with the new features  81
    Freezing external effects/instruments
    Just as when working with regular VST instruments and effects, you 
    can also choose to freeze external effects and instruments. The gen-
    eral procedure is described in detail in the Operation Manual chapter 
    “Audio effects” and the “VST Instruments” chapter in the separate 
    PDF document “Working with MIDI”.
    When freezing external instruments or effects, you can adjust the re-
    spective tail value in the Freeze Channel Options dialog:
    • Use the arrow buttons next to the Maximum Tail value field to set the desired 
    Tail length, i.e. the range after the part boundary that should also be included 
    for the freeze. You can also click directly in the value field and enter the de-
    sired value manually (the maximum value being 60 s).
    • When Maximum Tail is set to 0s (default), the freezing will only take into account 
    the data within the Part boundaries.  
    						
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     82 Working with the new features
    Mixer operations
    Several changes have been made to the mixer, to facilitate editing, 
    navigating, etc. A whole new Mixer category has been added in the 
    Key Commands dialog for example, allowing you to create keyboard 
    shortcuts for the mixer functions you often work with. Several new 
    functions have been added to the mixer context menu, allowing you 
    e.g. to specify which channels functions should be applied to. These 
    new functions are described in the following sections.
    The context menu functions
    The context menu contains two new submenus:  
    						
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    Working with the new features  83
    The Window submenu
    This submenu is handy for quickly switching to another open mixer 
    window, showing/hiding the different mixer panes etc. It contains the 
    following options:
    •Show Routing View
    Allows you to show/hide the topmost section of the mixer which contains the input/
    output routing settings.
    •Show Extended View
    Allows you to show/hide the middle section of the mixer, where you can display differ-
    ent settings for the channels (EQs, Send effects, etc.).
    •Next Mixer
    This displays the next mixer window (if you have several mixer windows open).
    The Command Target submenu
    This submenu lets you specify which channels should be affected by 
    the “commands” (basically all the functions that can be assigned key 
    commands), e.g. what to display in the extended mixer pane, the width 
    setting of the channel strips, etc. It contains the following options:
    •All Channels
    Select this if you want your commands to affect all channels.
    •Selected Only
    Select this option if you want your commands to affect the selected channels only.
    •Exclude Inputs
    Select this if you do not want your commands to affect the input channels.
    •Exclude Outputs
    Select this if you do not want your commands to affect the output channels. 
    						
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     84 Working with the new features
    About channel/track colors
    The color settings of the tracks in the track list are now also reflected 
    in the mixer channel strips.
    You can also change the color setting directly in the mixer. Proceed 
    as follows:
    1.Make sure the Show Track Colors option is activated in the Track list.
    This is described in detail in the Customizing chapter in the Operation Manual.
    2.Open the Mixer and click in the Color Selection section above the 
    channel name for the desired channel strip.
    3.Select the desired color from the color palette.
    • If you change the color for a channel strip in the mixer, this color is auto-
    matically applied to the respective track in the Track list, and vice versa.
    Click here…
    …to open the color palette for the mixer channel strip.   
    						
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    Working with the new features  85
    Copying channel settings to/from several 
    tracks in one go
    In the previous program version, the channel settings could be copied 
    for one channel and pasted into another channel. This behavior was a 
    bit cumbersome if the same settings had to be applied to several 
    channels, as they had to be applied to each channel separately. In ver-
    sion 3.1 of the program, it is now possible to apply the settings of one 
    channel on several other channels in the mixer, or even to select sev-
    eral channels, copy their settings and apply them to the same number 
    of other channels in one go.
    Mixer key commands
    The Key Commands dialog now contains a dedicated Mixer category, 
    allowing you to create keyboard shortcuts for the mixer functions. For 
    a detailed description of setting up and working with key commands, 
    see the Key Commands chapter in the Operation Manual.  
    						
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     86 Working with the new features
    Panning Bypass
    In version 3.1 of the program, it is now possible to bypass the panning 
    for all track types except MIDI tracks. To do this, keep [Shift] and [Alt]/
    [Option] pressed and click on the pan setting for the respective chan-
    nel in the mixer (on the fader panel or in the extended mixer view). The 
    Panning Bypass state is reflected in all the different pan setting sec-
    tions, e.g. if you bypass a channel in the mixer, this is automatically re-
    flected in the Inspector for the respective track.
    When panning is bypassed for a channel, the following happens:
    • Mono channels will be panned center.
    • Stereo channels will be panned left and right.
    • Surround channels will be panned center.
    • To deactivate Panning Bypass, simply [Shift]+[Alt]/[Option]-click again. 
    						
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    Working with the new features  87
    The Tempo Track
    A very handy new feature can be found in the Tempo Track window: 
    the Process Bars dialog. This dialog uses the global “Insert Silence” 
    and “Delete Time” functions from the Edit menu – Range submenu, 
    but uses a musical “bars+beats-based” environment for calculating 
    the necessary ranges (or parameters). It also ensures that the time 
    signatures stay “in sync” after these operations. This allows for a 
    much more intuitive approach when inserting, deleting or replacing 
    “time” while working with a project set to the Bars+Beats time type.
    The Process Bars dialog
    The Process Bars dialog is opened by clicking on the respective but-
    ton on the Tempo Track toolbar (next to the Process Tempo button).
    The dialog contains the following elements:
    Option Description
    Bar Range The Bar Range display gives you a graphical overview of the 
    position of the bar range within the project as well as its 
    length. You can change the setting here by dragging the 
    green rectangle, however this is accomplished much easier 
    by using the Start and Length value fields (see below).
    The small arrow pair in this section mark the length of the 
    current project. The area to the right marks the bar range that 
    can be added (500 bars max.).
    … to open the Process Bars dialog.Click this button on the Tempo Track toolbar…   
    						
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     88 Working with the new features
    Bar Range – Start This is where you specify the desired start position for the 
    bar range. Click on the small arrows to raise/lower the value 
    by one step or click directly in the value field and enter the 
    desired number manually.
    Bar Range – Length This is where you specify the desired length of the bar range. 
    Click on the small arrows to raise/lower the value by one 
    step or click directly in the value field and enter the desired 
    number manually.
    Action – Insert Bars When you select this action, clicking the Process button will 
    insert the specified number of empty bars with the set time 
    signature at the desired start position in the project.
    Action – Delete Bars When you select this action, clicking the Process button will 
    delete the specified number of bars beginning at the set start 
    position.
    Action – 
    Reinterpret BarsWhen you select this action, clicking the Process button will 
    reinterpret the bar range to fit the specified time signature. 
    This is very special in the sense that both bars+beats posi-
    tions of the notes and the tempo are being changed to fit the 
    new time signature, but the playback of the notes will stay just 
    the same.
    If you want to reinterpret e.g. a bar with the time signature 3/4 
    so that it gets the time signature 4/4, quarter notes will be-
    come half note triplets. If you reinterpret a bar with the time 
    signature 4/4 to attain 3/4, you will get quadruplets.
    Action – Replace Bars When you select this action, clicking the Process button will 
    cause the time signature of the specified bar range to be re-
    placed by the one you specify in this dialog. 
    Action – Signature This lets you specify the desired time signature for the action 
    you select in the Action pop-up menu (except for the Delete 
    Bars action).
    Process Click this button to apply your changes to the desired bar 
    range.
    Close Clicking this button closes the Process Bars dialog. Please 
    note that you have to click the Process button first to apply 
    your settings. Clicking this button without clicking on “Pro-
    cess” first will close the dialog without applying your settings. Option Description 
    						
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    Working with the new features  89
    Pool Operations
    The extended search functionality in the Pool
    A number of new features have been added to the Search pane in the 
    Pool window. When you click the Search button in the Pool toolbar, a 
    lower Pool pane is displayed, allowing you to search for files on your 
    hard disk or other media. This is described in detail in the chapter 
    “The Pool” in the Operation Manual. The new program version allows 
    for a more extensive search, including a range of additional search fil-
    ters and the possibility to search for user attributes.
    This works as follows:
    1.Set up a couple of user attributes using the “View/Attributes” pop-up 
    menu.
    2.Click the Search button on the toolbar.
    The Search pane is displayed in the lower part of the Pool window.
    •By default, the search parameters available in the lower Pool pane are 
    “Name” and “Location”.
    When you move the mouse pointer over the “Name” text to the right of the name field, 
    an arrow is displayed to the right. Click on it to open a pop-up menu.
    Move the mouse pointer over the “Name” text to the right of the name field…
    … to show the Extended Search pop-up menu.  
    						
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     90 Working with the new features
    3.When you click on “Name”, the Extended Search pop-up menu opens.
    This contains six options determining which settings will be displayed above the Loca-
    tion parameter (Name, Size, Bitsize, Channels, Sample Rate or Date) as well as all the 
    user attributes you specified (in this example two: Vocals and Drum Loops, see below) 
    and the Add Filter and Presets submenus.
    The pop-up menu with the extended search options.
    4.Select one of the topmost 6 options in the pop-up menu to change 
    the search option above the Location pop-up menu.
    This way, you can choose e.g. to display the Size or Sample Rate parameter instead of 
    the Name field.
    5.If you want to display more search options, select the desired element 
    from the Add filter submenu.
    This allows you e.g. to add the Size or the Sample Rate parameters to the already dis-
    played Name and Location parameters.   
    						
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