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Steinberg Nuendo 3 New Features In 3.1 And 3.2 Manual

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    							NUENDO
    Working with the new features  51
    Appearance
    Appearance–Work Area
    On this subpage, the Drum Editor option “Active Drum Line Intensity” 
    has been added. This allows you to accentuate the display of the se-
    lected drum line.
    Editing
    On the main Editing page, the following options have been added:
    •Use Up/Down Navigation Commands for selecting Tracks only
    By default, tracks are selected with the up/down arrow keys on the 
    computer keyboard. These are however also used for selecting events 
    which can lead to confusing results in some cases. Since track selec-
    tion is a most vital operation in both editing and mixing, you now have 
    the opportunity to use the navigation controls for track selection only.
    The following applies:
    • When this option is deactivated and no event/part is selected in the Project 
    window, the up/down arrow keys on the computer keyboard are used to step 
    through the tracks in the Track list – just as you would expect this to work.
    • When this option is deactivated and an event/part is selected in the Project 
    window however, the up/down arrow keys still step through the tracks in the 
    Track list – but on the currently selected track, the first event/part will auto-
    matically be selected as well. If this is not the desired behavior, you have to 
    activate “Use Up/Down Navigation Commands for selecting Tracks only”.
    • When this option is activated, the up/down arrow keys are only used to change 
    the track selection – the current event/part selection in the Project window will 
    not be altered.
    •Default Track Time Type
    This allows you to specify the default track time type for new tracks 
    (Audio, Group/FX, MIDI and Marker tracks). When you change this 
    setting, all new tracks will use the selected time type. You can choose 
    between “Musical”, “Time Linear” and “Follow Transport Main Display”.
    Selecting “Musical” will cause all added tracks to be set to musical 
    time type (the respective button shows a note symbol). When you se-
    lect “Time Linear”, all new tracks will use linear time base (i.e. the but-
    ton shows a clock symbol). The third option uses the primary time for- 
    						
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     52 Working with the new features
    mat setting on the Transport panel. When this is set to “Bars+Beats”, 
    tracks with musical time base will be added. When this is set to any of 
    the other options (Seconds, Timecode, Samples, etc.), all new tracks 
    will use linear time base.
    Editing–Project & Mixer
    This is a new subpage of the Preferences dialog with the following 
    new options:
    •Auto Track Color Mode
    This offers you several options for automatically assigning colors to tracks that are 
    added to the project.
    •Sync Project and Mixer Selection
    This is not a new feature, rather an old one with a new name. In previous versions, this 
    was called “Mixer Selection follows Project”. It has been renamed because the func-
    tion really works both ways. For a description of the functionality (with the “old” name 
    “Mixer Selection follows Project”), see the dialog help for the Preferences dialog or the 
    chapter “The Mixer” in the Operation Manual.
    •Deep Track Folding
    When you activate this option, any folding settings you make (on the Project menu – 
    Track Folding submenu) also affect the sub elements of the tracks, i.e. if you fold in a 
    folder track which contains 10 audio tracks 5 of which have several automation sub-
    tracks open, all these audio tracks within the folder track will be folded in as well.
    •Enlarge Selected Track
    Activate this option to enter a mode where the selected track in the Project window 
    will be enlarged. (You can adjust the size directly in the Track list if the default enlarge-
    ment factor does not suit you.) When this option is activated and you select another 
    track in the Track list, this is automatically enlarged and the previously selected track is 
    displayed in its previous size again.
    Please note that Enlarge Selected Track is also available on the Edit menu.
    •Select Channel/Track on Solo
    When you activate this option, a track in the Track list or a channel in the mixer auto-
    matically gets selected when the Solo button is activated. 
    Deactivating this option always keeps the current selection status, regardless of the 
    Solo setting for the tracks.
    •Select Channel/Track on Edit Setting
    When you activate this option, a track in the Track list or a channel in the mixer auto-
    matically gets selected when you click the respective Edit button (e).
    Deactivating this option always keeps the current track/channel selection. 
    						
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    Working with the new features  53
    •The “Scroll to selected…” pop-up menu
    The options in this pop-up menu work as follows:
    • When you select “Track”, the Track list display follows the display in the Mixer, 
    i.e. when you select a channel in the mixer, the respective track is automatically 
    displayed in the Track list as well. (However, this does not work the other way 
    around in this mode.)
    • When you select “Channel”, selecting a track in the Track list automatically 
    scrolls the mixer to display the respective channel strip. (Here too, this does 
    not work vice versa.)
    • When you select “Channel and Track”, both Track list and Mixer are automat-
    ically scrolled to display the track or channel selected in the other.
    • Selecting “Disabled” deactivates this scrolling behavior.
    Editing–Tools
    •Cross Hair Cursor options:
    This allows you to display a cross hair cursor when working in the 
    Project window and editors, facilitating navigation and editing, espe-
    cially when arranging in large projects. You can set up the colors for 
    the line and the mask of the cross hair cursor, and define its width. 
    The cross hair cursor works slightly differently for the different tools.
    • When the Selection tool (or one of its subtools) is selected, the cross hair 
    cursor appears when you start moving/copying a part/event or using the 
    event trim handles.
    • When the Scissors tool is selected, the cross hair cursor appears as soon as 
    you move the mouse over the event display.
    • For the other tools, the cross hair cursor is not used.
    General
    On the General page, there is one new option:
    •Maximum Backup Files
    This allows you to specify how many backup files will be created with the Autosave 
    function. When the maximum number of backup files is reached, the existing files will 
    be overwritten (starting with the oldest file).  
    						
    							NUENDO
     54 Working with the new features
    MIDI
    On the main MIDI page, the following options have been added:
    •Insert Reset Events after Record
    This is a very handy function for MIDI recording. At the end of each re-
    corded part, a Reset event will be inserted, resetting controller data 
    such as Sustain, Aftertouch, Pitchbend, Modulation, Breath Control, 
    etc. This is useful if a MIDI part is recorded and e.g. the Sustain pedal is 
    still held after stopping recording. Usually, this would cause all following 
    parts to be played with Sustain, as the Pedal Off command was not re-
    corded. This can be prevented by activating “Insert Reset Events after 
    Record”.
    •Chase Events – Chase not limited to Part Boundaries
    In previous program versions, Chase was only performed on parts 
    “touched” by the position cursor.
    When you activate this option, MIDI controllers are also chased out-
    side the part boundaries, i.e. the Chase will be performed on the part 
    touched by the cursor as well as on all the parts to the left of it. Please 
    note that this option should be deactivated for very large projects, as 
    it considerably slows down e.g. positioning and soloing.
    When you deactivate this option, the MIDI controllers are only chased 
    within the parts under the position cursor.
    VST
    The main VST page now has three further subpages. On the main 
    VST page, the following options have been added:
    •Default Stereo Panner Mode
    This allows you to specify the default pan mode for inserted audio 
    tracks (Stereo Balance Panner, Stereo Dual Panner or Stereo Com-
    bined Panner). For a description of these modes, see the chapter 
    “The Mixer” in the Operation Manual.
    •Activate dialog “Export Warnings as text file”
    When you open a project which contains e.g. missing plug-ins, a dialog 
    opens listing these. When this dialog is closed, a message appears, 
    asking whether you want to export these warnings as text file. This mes-
    sage can be deactivated, i.e. if you activate the “Do not show this mes- 
    						
    							NUENDO
    Working with the new features  55
    sage again” checkbox, it will not be displayed in the future (when open-
    ing other projects with missing plug-ins etc.). To display this message 
    again, and thus be able to export important warnings as text files, acti-
    vate the option “Activate dialog ‘Export Warnings as text file’”.
    •Warn on Processing Overloads
    When you activate this option, a warning message will be displayed 
    as soon as the CPU clip indicator (on the Transport panel) lights up 
    during recording.
    VST–Metering
    •Map Input Bus Metering to Audio Track (in Direct Monitoring)
    When Direct Monitoring is activated in the Device Setup dialog, this 
    option allows you to map the input bus metering to monitor-enabled 
    audio tracks. This gives you the opportunity to watch the input levels 
    of your audio tracks when working in the Project window. 
    When Direct Monitoring is activated in the Device Setup dialog, this 
    function works as follows:
    • When “Map Input Bus Metering to Audio Track (in Direct Monitoring)” is acti-
    vated, audio tracks show the metering signal from the input bus they are routed 
    to as soon as the track is record enabled.
    Note that the tracks are mirroring the input bus signal, i.e. you will see the same 
    signal in both places. When using mapped metering, any functions (e.g. trim-
    ming) you apply to the audio track are not reflected in its meters.
    • When “Map Input Bus Metering to Audio Track (in Direct Monitoring)” is not 
    activated, metering works as usual (see the Operation Manual for details).
    VST–Scrub
    •CPU Saving Scrub Mode
    When you activate this option, scrubbing will be less demanding on 
    the processor. This can be very useful when scrubbing in a large 
    project, where the “normal” scrub behavior leads to processing over-
    loads. When “CPU Saving Scrub Mode” is activated, the effects are 
    disabled for scrubbing and the resampling quality is lower. 
    						
    							NUENDO
     56 Working with the new features
    Key Commands
    A wide range of new key commands has been added for various areas 
    of the program. These can be assigned or modified as usual in the Key 
    Commands dialog (this is described in detail in the Key Commands 
    chapter in the Operation Manual).
    There is now a separate Mixer section in the Key Commands dialog 
    (see also page 85), allowing you to e.g. hide the different channel types, 
    to save or load the Mixer settings, etc. In the Edit category, you can now 
    define a key command for opening the Device panel for the selected 
    track. Also, please note that the key command that was used to open 
    the Pool window can now be used to close the Pool as well.
    Track Folding
    On the Project menu, the Track Folding submenu has been added, 
    allowing you to quickly show, hide or invert what is displayed in the 
    Project window event display. This allows e.g. for dividing the project 
    into several parts (by creating several folder tracks for the different 
    project elements) and showing/hiding their contents by selecting a 
    menu function (or using a key command). The following options are 
    available:  
    						
    							NUENDO
    Working with the new features  57
    •Toggle Selected Track
    When you select this menu option, the fold state of the selected track is reversed, i.e. 
    if the track was folded in (its elements (subtracks) were hidden), it is now unfolded (all 
    subtracks displayed) and vice versa.
    •Fold Tracks
    Select this menu option to fold in all open folder tracks in the Project window. Please 
    note that the exact behavior of this function depends on the “Deep Track Folding” set-
    ting in the Preferences dialog, see page 52.
    •Unfold Tracks
    Select this menu option to unfold all folder tracks in the Project window. Please note 
    that the exact behavior of this function depends on the “Deep Track Folding” setting in 
    the Preferences dialog, see page 52.
    •Flip Fold States
    Select this menu option to flip the fold states of the tracks in the Project window. This 
    means that all tracks that were folded in will be unfolded and all unfolded tracks will be 
    folded in, respectively.
    • You can assign key commands for these menu options in the Key Com-
    mands dialog (Project category).
    • Note that there is a separate Deep Track Folding setting in the Prefer-
    ences dialog (Editing – Project & Mixer page), which affects some of 
    these menu items (see page 52). 
    						
    							NUENDO
     58 Working with the new features
    Gluing events/parts together
    In version 3.1 of the program, the behavior of the Glue Tube tool has 
    been modified. Below, you will find descriptions of what you can do 
    with this tool.
    Working with the Glue Tube tool
    By using the Glue Tube tool, you can combine several audio or MIDI 
    events/parts or even controller events in the Project window, the In-
    Place-Editor, the MIDI editors, etc. in the following ways:
    Gluing one audio event/part to the next
    Clicking on an audio event or part with the Glue Tube tool glues it to 
    the next audio event on the track. The events do not have to touch one 
    another. The result is a part containing the two events. The resulting 
    part will get the name of the track:
    •If you first split an event and then glue the two sections together again 
    (without moving or editing them first), they become a single event again.
    Each audio event in the part will keep its own properties (event name, 
    mute status, etc.).
    If you click on the “bass” event to glue it to the “guitar” event…
    …a part with the name of the audio track will be created, containing the two events.      
    						
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    Working with the new features  59
    Gluing one MIDI event/part to the next
    Clicking on a MIDI part with the Glue Tube tool glues it to the next 
    part on the track. The parts do not have to touch one another. The 
    resulting part will get the name of the first part:
    If the Parts overlap, they are merged in the overlapping area, i.e. no 
    events are lost.
    The resulting long part will get the properties of the first part (the one on 
    which you clicked). This includes part name, part mute status, etc.
    • You can also glue events within folders this way.
    Gluing several events in one go
    You can also glue several selected events on one or on several tracks 
    in one go. This means that you can select several pairs of events on 
    different tracks, and click with the glue tool on one of them. All selected 
    events on the same track will be glued together.
    Click on one of the selected events with the Glue Tube tool…
    …to glue the events on the same track together.     
    						
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     60 Working with the new features
    Gluing an event to all following events of a track in one go
    If you hold down [Alt]/[Option] and click on an event with the Glue 
    Tube tool, this and all following events on that track will be glued to-
    gether. You can also change the default key command for this in the 
    Preferences dialog (Editing–Tool Modifiers page).  
    						
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