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Steinberg Nuendo 3 Audio Effects And VSTi Manual

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    Audio Effects and VST Instruments 
    						
    							 
    Original Manual: Synkron
    Revision and Quality Control for Nuendo 3:
    Ashley Shepherd, Cristina Bachmann, Heiko Bischoff, Sabine Pfeifer, Claudia Schomburg
    Thanks: Alexander Lerch
    The information in this document is subject to change without notice and does not represent 
    a commitment on the part of Steinberg Media Technologies GmbH. The software described 
    by this document is subject to a License Agreement and may not be copied to other media 
    except as specifically allowed in the License Agreement. No part of this publication may be 
    copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior writ-
    ten permission by Steinberg Media Technologies GmbH.
    All product and company names are ™ or ® trademarks of their respective owners. 
    Windows XP is a trademark of Microsoft Corporation. The Mac logo is a trademark used 
    under license. Macintosh and Power Macintosh are registered trademarks.
    © Steinberg Media Technologies GmbH, 2004. 
    All rights reserved. 
    						
    							 
    Table of Contents 
    						
    							 
    NUENDO
    4Table of Contents 
    5The included effect  
    plug-ins 
    6Introduction
    7Delay plug-ins
    10Distortion plug-ins
    16Dynamics plug-ins
    37Filter plug-ins
    46Modulation plug-ins
    59Other plug-ins
    67Restoration
    75Reverb plug-ins
    80Surround plug-ins
    99Tools 
    107The included  
    VST Instruments 
    108A1 Synthesizer
    118VB-1 Bass Synth
    120LM-7 Drum Machine
    123Embracer – Surround Pad 
    Synthesizer
    128Monologue – Monophonic 
    Analog Modeling Synthesizer 
    135Mixconvert Appendix 
    136Available conversions 
    141Index 
    						
    							 
    1
     
    The included effect plug-ins 
    						
    							 
    NUENDO
    1 – 6 The included effect plug-ins 
    Introduction
     
    This chapter contains descriptions of the included plug-in effects and 
    their parameters.
    In Nuendo, the plug-in effects are arranged in a number of different 
    categories. This chapter is arranged in the same fashion, with the 
    plug-ins listed in separate sections for each effect category. 
    						
    							 
    NUENDO
    The included effect plug-ins 1 – 7 
    Delay plug-ins
     
    This section contains descriptions of the plug-ins in the “Delay” 
    category. 
    DoubleDelay
     
    This effect provides two separate delays that can be either tempo 
    based or use freely specified delay time settings. Nuendo automati-
    cally provides the plug-in with the tempo currently used in the project. 
    The parameters are as follows: 
    Parameter Description  
    Mix Sets the level balance between the dry signal and the effect. If Double-
    Delay is used as a send effect, this should be set to maximum (100%) 
    as you can control the dry/effect balance with the send. 
    Tempo sync 
    on/offThe buttons above the two Delay Time knobs are used to turn tempo 
    sync on or off for the respective delay. If set to off the delay time can be 
    set freely with the Delay Time knobs, without sync to tempo.
    Delay Time 1 This is where you specify the base note value for the delay if tempo sync 
    is on (1/1 - 1/32, straight, triplet or dotted). If tempo sync is off, it sets 
    the delay time in milliseconds.
    Delay Time 2 As above.
    Feedback This sets the number of repeats for both delays.
    Tempo Sync 1 The note value multiplier (x1 to x10) for the first delay unit. 
    Tempo Sync 2 As above, but for the second delay unit.  
    						
    							 
    NUENDO
    1 – 8 The included effect plug-ins 
    You can also change parameters in the graphic display window. This 
    works as follows:  
    •  
    If tempo sync is on, you can set the Tempo Sync 1 parameter by drag-
    ging the light blue handle left and right. 
    When tempo sync is off, this sets the Delay Time 1 parameter.
     
    •  
    You can set the Pan 1 parameter by dragging the light blue handle up 
    and down.  
    • 
    The dark blue handle works in the same way but for the correspond-
    ing second delay parameters. 
    Pan1 This sets the stereo position for the first delay.
    Pan2 This sets the stereo position for the second delay.  
    Parameter Description 
    						
    							 
    NUENDO
    The included effect plug-ins 1 – 9 
    ModDelay
     
    This is a delay effect that can either be tempo-based or use freely spec-
    ified delay time settings. The delay repeats can also be modulated.
    The parameters are as follows: 
    Parameter Description  
    Mix Sets the level balance between the dry signal and the effect. If ModDelay 
    is used as a send effect, this should be set to maximum as you can con-
    trol the dry/effect balance with the send. 
    Tempo sync 
    on/offThe button above the Delay Time knob is used to turn tempo sync on or 
    off. If set to off the delay time can be set freely with the Delay Time knob, 
    without sync to tempo.
    Feedback This sets the number of repeats for the delay.
    Delay Time This is where you specify the base note value for the delay if tempo sync 
    is on (1/1 - 1/32, straight, triplet or dotted). If tempo sync is off, it sets 
    the delay time in milliseconds.
    Tempo Sync 
    knobThis is the note value multiplier (x1 to x10) for the delay when tempo sync 
    is used. 
    DelayMod. This controls the pitch modulation rate for the delay effect.   
    						
    							 
    NUENDO
    1 – 10 The included effect plug-ins 
    Distortion plug-ins
     
    This section contains descriptions of the plug-ins in the “Distortion” 
    category. 
    DaTube
     
    This effect emulates the characteristic warm, lush sound of a tube 
    amplifier.
    The parameters are as follows: 
    Parameter Description 
    Drive Regulates the pre-gain of the “amplifier”. Use high values if you want an 
    overdriven sound just on the verge of distortion.
    Balance This controls the balance between the signal processed by the Drive pa-
    rameter and the dry input signal. For maximum drive effect, set this to its 
    highest value.
    Output Adjusts the post-gain, or output level, of the “amplifier”.  
    						
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