Steinberg Halion 5 Manual
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Page 121
121 Editing Zones in the Sound EditorThe Envelope Section Adjusting the Level Parameter The Level parameter specifies the amplitude of the envelope at the position set by the Time parameter. The Amp and Filter envelopes are unipolar. Therefore, the value range for the level is 0 % to +100 % (positive values only). The Pitch and User envelopes are bipolar, the value range for the level is from -100 % to +100 % (negative and positive values) for these envelopes. You can change the polarity of the...
Page 122
122 Editing Zones in the Sound EditorThe Envelope Section Fixed When Fixed is activated, only the selected nodes are moved on the time axis. With Fixed deactivated, nodes that follow the currently edited nodes are also moved on the time axis. Snap You can select a second envelope to be displayed in the background of the edited envelope. Nodes that you position with Snap activated snap to the nodes of the envelope that is shown in the background. •You select the envelope to be displayed in the...
Page 123
123 Editing Zones in the Sound EditorThe Envelope Section •Sample Loop: This mode allows you to preserve the natural attack of the sample. The decay of the envelope does not start until the sample has reached the sample loop start. Set the second node to the maximum level. Then, use any of the following nodes to shape the decay during the loop phase of the sample. This way, the envelope only affects the level during the loop phase of the sample. The attack of the envelope is still executed. ÖThe...
Page 124
124 Editing Zones in the Sound EditorThe LFO Section Segments On the Segments pop-up menu, you can select which stages of the envelope are affected by the Time Velocity parameter. Key Follow and KeyF Rel With Key Follow and KeyF Rel (Key Follow Release), you can scale the envelope times across the keyboard. Key Follow scales all times before the sustain node. KeyF Rel scales all times after the sustain node (which equals the release of the envelope). You can set a center key that is used as the...
Page 125
125 Editing Zones in the Sound EditorThe LFO Section Sync Mode You can sync the LFO to the tempo of the host application. The behavior of the Frequency parameter changes with the selected option: Retrigger Mode This defines whether the LFO is restarted when a note is triggered. The waveform restarts at the position you specify with the Phase parameter. The polyphonic LFOs can switch between Retrigger On and Off: When it is off, the LFO runs freely, when set to On, the LFO starts with each triggered...
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126 Editing Zones in the Sound EditorThe LFO Section Delay Delay determines the delay time between the moment you play a note and the moment the LFO comes into effect. Fade In Fade In determines how long the LFO takes to fade in after the note was triggered and the delay time has elapsed. Hold Hold determines the amount of time the LFO is running before the fade out begins. Use the envelope modes “One Shot” or “Hold + Fade Out” to activate the Hold time. With all other envelope modes, the Hold time is...
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127 Editing Zones in the Sound EditorThe Step Modulator Section Graphical Envelope Editing You can adjust the times of the envelope in the graphical editor by dragging nodes left or right. •The first node adjusts the Delay time. •The second node adjusts the Fade In time. •The third node adjusts the Hold time. •The fourth node adjusts the Fade Out time. The Step Modulator Section Synth and sample zones feature a polyphonic step modulator for creating rhythmic control sequences. The step modulator can be...
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128 Editing Zones in the Sound EditorThe Step Modulator Section Sync Mode You can synchronize the steps to the tempo of the host application by setting a note value. Alternatively, you can specify a frequency at which the sequence repeats. Whether you can set a note value or a frequency depends on the option you select here: Frequency When Sync mode is set to Off, this controls the speed at which the sequence is repeated. Note When the Sync mode is set to one of the Tempo settings, this adjusts the...
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129 Editing Zones in the Sound EditorThe Modulation Matrix Section Amount When Slope is set to Rising, Falling or All, the Amount parameter determines the time of the ramp between two steps. The higher the setting, the smoother the transitions between steps. Step Use this to select a certain step. Level This shows the level of the selected step. Snap When Snap is activated, the level of each step can only be adjusted in quantized steps of 1/12th. Producing Modulations in Steps of Semitones Proceed as...
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130 Editing Zones in the Sound EditorThe Modulation Matrix Section Using the Modulation Rows The modulation rows allow you to interconnect modulation sources with modulation destinations and to adjust the modulation depth. •The parameters for setting up a modulation can be accessed via 32 rows. Each row is identified by a number. •You can select modulation sources on the Source 1 pop-up menu at the top left of each row. •The Source 2 pop-up menu below the Source 1 pop-up menu for each row allows you...