Steinberg Groove Agent 3 Operation Manual
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Groove Agent 3 90 English Arena During the glory days of the 80s, the hardrock guys wore tight pants, sprayed their long hair and stole make-up from their girlfriends. There is no doubt that they really could play drums though – hard and dis- tinctive. Since the music should be hard and loud, the dynamic has pretty much just one level – louder! The fills are very typical for those drummers, intense, distinctive and almost composed sometimes. PS * Indie Punk A classic drum figure for a Punk song...
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Groove Agent 3 English 91 ENGLISH ** 5/4 Rock This is a rather basic rock pattern, with one significant difference: the odd meter that adds a fifth beat to the bar. You might think it's like driving a car with five wheels instead of four, but really – this style can add new dimensions to any rock production. The percussionists get busy keeping a steady groove as the drummer hits the low tom or snare on all those “extra” beats. Gimme five… NE ** Irish Rock “Slowly evolving, one little step at the...
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Groove Agent 3 92 English Reggae (T) This is a triplet based version of reggae usually played with sidestick. The sound of the drums is very dry. When we recorded these drum samples for Groove Agent, sound engineer Jens Bogren turned around, looked at us and asked: “Do you really want it to sound like that?”. We nodded. MEB TexMex I once played a song to Sven with a strange, loose kind of drumming together with bass, piano and slide guitar. It sounded a bit like a not- so-very-well-rehearsed-gig in...
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Groove Agent 3 English 93 ENGLISH ** Mandela Picture yourself below the equator, in the good hands of a crowd longing for freedom and democracy. The heavy beat from the bass drum has become unstoppable. Eager hands play skin drums and tri- angles, and in all of this, there's also the programmed grooves of mod- ern electronica. They all start off whispering but soon enough a roar will reach the oppressors. You can blow out a candle, but you can't blow out a fire… NE ** Senegal (T) Somewhere...
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Groove Agent 3 94 English Slick This style is a 16th note based beat, inspired by the sessions re- corded in L.A. around 1980, with master drummers like Jeff Porcaro and John Robinson. Actually, the beat itself isn’t very innovative, but it’s too representative for this great genre to leave it out. A slow tempo is a must for this style. Favorite tempo range is 73-88 bpm. FvW Breakbeat Wirebird shouted “HEEEELP” from deep down in “the Pixelmine”, when he created that fabulous front panel. I said...
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Groove Agent 3 English 95 ENGLISH Busy Beat A lot of 16th notes coming at you in this one, especially at the higher complexity levels. Busy Beat is a kind of modern funk style with plenty of ghost notes on the snare drum. I’ve been inspired by the groove from the Spin Doctors’ hit “Two Princes” as well as Candy Dulfer’s song “Funkyness”. If you listen carefully, the sources of inspiration should be obvious. Programming was made at 104 Bpm. FvW ** Ambitious Here's the typical 16th note based...
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Groove Agent 3 96 English Heavy Hard Rock I grew up listening to The Beatles in the early seventies. After that I was a young soul without a home, listening to whatever was on the ra- dio, but I never found “my thing”. Then, when I was sixteen, someone gave me a black album from a band I’d never heard of, and I was just blown away by the intro of “Hells bells” starting up their album “Back in black”. Yep, I became a hardrocker!! So here you have some steady and heavy drums for anyone with...
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Groove Agent 3 English 97 ENGLISH * Grind These grooves are kinda busy and made for higher tempos. Notice how the bass drum uses 8th notes, 8th note triplets and then 16ths in various modern approaches. These grooves were influenced and played in the style of The Haunted, Krisiun and Hate Eternal. If you’re a huge fan of brushes, these grooves are not for you! ;-) RM * Progressive Here’s a rather technical style with a lot of busy fills. “Progressive” is a mixture of the sound of new progressive...
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Groove Agent 3 98 English Hip-Hop Groovy, fat and heavy Hip-Hop with a modern sound in contrast to the Basic Hip-Hop style. It’s been programmed to sound a little “off” in the beat with a nice swing to it. Closely related to Modern R’n’B. New, fresh kick, snare and effects noises were designed especially for this style. LW Nu RnB An effective groove with poly-rhythmic fills for that special feeling. Modern RnB/Hiphop style with a compressed sound, if you like. Kick and snare were designed...
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Groove Agent 3 English 99 ENGLISH Electronica Elektro My intention here was to create a style that sounds like an analog drum machine programmed for early synth-pop tunes. It’s not an 808 or a 909 but a totally new “box” with retro and electronic sounds. LW Mini Works All the sounds in this style come from the legendary Mini, built by a very clever guy called Moog. Every sound is note-off dependent. This means that the important note-off events become independent of the tempo. Mini Works is built...