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Steinberg Cubase SX/SL 3 Audio Effects And VSTi Manual

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    							CUBASE SX/SL
    The included effect plug-ins 1 – 51
    Ringmodulator
    The Ringmodulator can produce complex, bell-like enharmonic sounds. 
    Ring modulators work by multiplying two audio signals. The ring modu-
    lated output contains added frequencies generated by the sum of, and 
    the difference between, the frequencies of the two signals. 
    The Ringmodulator has a built-in oscillator that is multiplied with the 
    input signal to produce the effect. 
    Parameter Description
    Oscillator LFO 
    AmountLFO Amount controls how much the oscillator frequency is af-
    fected by the LFO.
    Oscillator Env. 
    AmountEnv. Amount controls how much the oscillator frequency is af-
    fected by the envelope (which is triggered by the input signal). 
    Positive and negative values can be set, with center position rep-
    resenting no modulation. Left of center, a loud input signal will 
    decrease the oscillator pitch, whereas right of center the oscilla-
    tor pitch will increase when fed a loud input.
    Oscillator Wave Selects the oscillator waveform; square, sine, saw or triangle.
    Oscillator Range Determines the frequency range of the oscillator in Hz.
    Oscillator Frequency Sets the oscillator frequency +/- 2 octaves within the selected 
    range.
    Roll-Off Cuts high frequencies in the oscillator waveform, to soften the 
    overall sound. This is best used when harmonically rich wave-
    forms are selected (e.g. square or saw).  
    						
    							CUBASE SX/SL
    1 – 52 The included effect plug-ins
    LFO Waveform Selects the LFO waveform; square, sine, saw or triangle.
    LFO Speed Sets the LFO Speed.
    LFO Env. Amount Controls how much the input signal level – via the envelope gen-
    erator – affects the LFO speed. Positive and negative values can 
    be set, with center position representing no modulation. Left of 
    center, a loud input signal will slow down the LFO, whereas right 
    of center a loud input signal will speed it up.
    Invert Stereo This inverts the LFO waveform for the right channel of the oscilla-
    tor, which produces a wider stereo perspective for the modulation.
    Envelope Generator 
    (Attack and 
    Decay dials)The Envelope Generator section controls how the input signal is 
    converted to envelope data, which can then be used to control 
    oscillator pitch and LFO speed. It has two main controls:
    Attack sets how fast the envelope output level rises in response 
    to a rising input signal.
    Decay controls how fast the envelope output level falls in re-
    sponse to a falling input signal.
    Lock L
    						
    							CUBASE SX/SL
    The included effect plug-ins 1 – 53
    Rotary
    The Rotary plug-in simulates the classic effect of a rotary speaker. A 
    rotary speaker cabinet features variable speed rotating speakers to 
    produce a swirling chorus effect, commonly used with organs. Rotary 
    features all the parameters associated with the real thing. The included 
    presets provide good starting points for further tweaking of the numer-
    ous parameters.
    The parameters are as follows:
    Parameter Description
    Speed This controls the speed of the Rotary in three steps: Stop/Slow/Fast.
    MIDI Ctrl Selects the MIDI continuous controller for the Speed parameter. 
    See page 54.
    Mode Selects whether the Slow/Fast speed setting is a switch (left button 
    is lit), or a variable control (right button lit). When switch mode is se-
    lected and Pitch Bend is the controller, the speed will switch with an 
    up or down flick of the bender. Other controllers switch at 64.
    Overdrive Applies a soft overdrive or distortion.
    Crossover Freq. Sets the crossover frequency (200-3000Hz) between the low and 
    high frequency loudspeakers.
    Mic Angle Sets the simulated microphone angle. 0 = mono, 180 = one mic on 
    each side.
    Mic Distance Sets the simulated microphone distance from the speaker in inches.  
    						
    							CUBASE SX/SL
    1 – 54 The included effect plug-ins
    Directing MIDI to the Rotary
    For real-time MIDI control of the Speed parameter, MIDI must be 
    directed to the Rotary.
    •Whenever the Rotary has been added as an insert effect (for an audio 
    track or an FX channel), it will be available on the output (“out:”) pop-
    up menu for MIDI tracks.
    If Rotary is selected on the “out:” menu, MIDI will be directed to the plug-in from the 
    selected track.
    Low Rotor Amp 
    Mod. Adjusts amplitude modulation depth.
    Low Rotor Mix 
    LevelAdjusts overall bass level.
    Hi Rotor Amp 
    Mod.High rotor amplitude modulation.
    Hi Rotor Freq. 
    Mod.High rotor frequency modulation.
    Phasing Adjusts the amount of phasing in the sound of the high rotor.
    Hi Slow Fine adjustment of the high rotor Slow speed. 
    Hi Rate Fine adjustment of the high rotor acceleration time.
    Hi Fast Fine adjustment of the high rotor Fast speed.
    Lo Slow Fine adjustment of the low rotor Slow speed. 
    Lo Rate Fine adjustment of the low rotor acceleration time.
    Lo Fast Fine adjustment of the low rotor Fast speed.
    Output Adjusts the overall output level.
    Mix Adjusts the mix between dry and processed signal. Parameter Description 
    						
    							CUBASE SX/SL
    The included effect plug-ins 1 – 55
    Symphonic
    The Symphonic plug-in combines a stereo enhancer, an auto-panner 
    synchronized to tempo and a chorus-type effect. For best results, ap-
    ply the Symphonic effect to stereo signals.
    The parameters are as follows: 
    Parameter Description
    Mix Sets the level balance between the dry signal and the effect. If Sym-
    phonic is used as a send effect, this should be set to maximum as you 
    can control the dry/effect balance with the send. 
    Tempo sync 
    on/offThe button below the Temp sync knob is used to switch tempo sync 
    on or off. The button is lit when tempo sync is on.
    Tempo Sync 
    pop-upIf tempo sync is on, this is where you specify the base note value for 
    tempo syncing the auto-panning (1/1 - 1/32, straight, triplet or dotted).
    Tempo Sync 
    knobThis is the note value multiplier (x1 to x10), determining the timing of 
    the auto-panning. 
    Delay This determines the delay time and thus the character of the chorus 
    effect, if activated.
    Depth This controls the depth of the chorus effect. If you only want to use 
    Symphonic as an auto-panner or a stereo enhancer, set this to 0%.
    Rate This sets the modulation rate for the chorus effect, if activated.
    Stereo Basis When the Auto-panner is activated, this sets the stereo width of the 
    panning. When the Auto-panner is deactivated (Tempo sync off), this 
    determines the depth of the stereo enhancer effect. 0% is mono, 
    50% original stereo, and 100% maximum stereo enhancement.
    Output Adjusts the output level of the effect.  
    						
    							CUBASE SX/SL
    1 – 56 The included effect plug-ins
    You can also change parameters in the graphic display. This works as 
    follows:
    • You can set the Rate parameter by clicking the waveform and dragging left 
    and right.
    • You can set the Depth parameter by clicking the waveform and dragging up 
    and down.
    This means you can freely adjust Rate and Depth at the same time by clicking and 
    dragging.
    • By click-dragging the green/blue line in the display left or right you can 
    change the Stereo Basis parameter. 
    						
    							CUBASE SX/SL
    The included effect plug-ins 1 – 57
    Tranceformer
    Tranceformer is a ring modulator effect, in which the incoming audio is 
    ring modulated by an internal, variable frequency oscillator, producing 
    new harmonics. A second oscillator can be used to modulate the fre-
    quency of the first oscillator, in sync with the Song tempo if needed.
    • Note that clicking and dragging in the display allows you to adjust the 
    Tone and Depth parameters at the same time!
    Parameter Description
    Mix Sets the level balance between the dry signal and the effect.
    Output Adjusts the output level of the effect.
    Tone Sets the frequency (pitch) of the modulating oscillator (1 to 5000 Hz).
    Tempo sync 
    on/offThe button above the Speed knob is used to switch tempo sync on or 
    off. The button is lit when tempo sync is on.
    Speed If tempo sync is on, this is where you specify the base note value for 
    tempo-syncing the effect (1/1 - 1/32, straight, triplet or dotted). Note 
    that there is no note value modifier for this effect. If tempo sync is off, 
    the modulation speed can be set freely with the Speed knob, without 
    sync to tempo.
    On button Turns modulation of the pitch parameter on or off.
    Mono button Governs whether the output will be stereo or mono.
    Depth Governs the depth of the pitch modulation.
    Waveform 
    buttonsSets the pitch modulation waveform.   
    						
    							CUBASE SX/SL
    1 – 58 The included effect plug-ins
    Other plug-ins
    This section contains descriptions of the plug-ins in the “Other” 
    category.
    Bitcrusher
    If you’re into lo-fi sound, Bitcrusher is the effect for you. It offers the 
    possibility of decimating and truncating the input audio signal by bit 
    reduction, to get a noisy, distorted sound. You can for example make 
    a 24 bit audio signal sound like an 8 or 4 bit signal, or even render it 
    completely garbled and unrecognizable. The parameters are:
    Parameter Description
    Mode Select one of four operating modes for the Bitcrusher. Each mode will 
    produce a different sounding result. Modes I and III are nastier and nois-
    ier, while modes II and IV are more subtle.
    Depth Use this to set the desired bit resolution. A setting of 24 gives the high-
    est audio quality, while a setting of 1 will create mostly noise.
    Sample 
    DividerThis sets the amount by which the audio samples are decimated. At the 
    highest setting (65), nearly all of the information describing the original au-
    dio signal will be eliminated, turning the signal into unrecognizable noise.
    Mix This slider regulates the balance between the output from the Bitcrusher 
    and the original audio signal. Drag the slider upwards for a more domi-
    nant effect, and drag it downwards if you want the original signal to be 
    more prominent.
    Output Governs the output level from the Bitcrusher. Drag the slider upwards to 
    increase the level.  
    						
    							CUBASE SX/SL
    The included effect plug-ins 1 – 59
    Chopper
    Chopper is a combined tremolo and autopan effect. It can use different 
    waveforms to modulate the level (tremolo) or left-right stereo position 
    (pan), either using tempo sync or manual modulation speed settings. 
    The parameters are as follows: 
    Parameter Description
    Mix Sets the level balance between the dry signal and the effect. If Chopper 
    is used as a send effect, this should be set to maximum. 
    Tempo sync 
    on/offThe button above the Speed knob is used to switch tempo sync on (the 
    button lights up) or off. 
    Speed If tempo sync is on, this is where you specify the base note value for 
    tempo-syncing the effect (1/1 - 1/32, straight, triplet or dotted). Note 
    that there is no note value modifier for this effect.
    If tempo sync is off, the tremolo/auto-pan speed can be set freely with 
    the Speed knob, without sync to tempo.
    Stereo/Mono 
    buttonDetermines whether the Chopper will work as an auto-panner (button 
    set to “Stereo”) or a tremolo effect (button set to “Mono”). 
    Waveform 
    buttonsSets the modulation waveform. 
    Depth Sets the depth of the Chopper effect. This can also be set by clicking in 
    the graphic display.  
    						
    							CUBASE SX/SL
    1 – 60 The included effect plug-ins
    Apogee UV 22 HR (Cubase SX only)
    The UV22 HR is a dithering plug-in, based on an advanced algorithm 
    developed by Apogee (for an introduction to the concept of dithering, 
    please refer to the chapter “Audio Effects” in the Operation Manual). 
    You can use the UV22 HR plug-in for all dithering situations, except 
    when working with surround audio. This is because the UV22 HR is a 
    standard “stereo in” – “stereo out” plug-in (as opposed to the Sur-
    roundDither plug-in, see page 74).
    The following options can be set in the UV 22 HR control panel:
    Dither should always be applied post output bus fader.
    Option Description
    Normal Try this first, it is the most “all-round” setting.
    Low This applies a lower level of dither noise.
    Autoblack When this is activated, the dither noise is gated (muted) during silent 
    passages in the material.
    Bit Resolution The UV22 HR supports dithering to multiple resolutions: 8, 16, 20 or 
    24 bits. You select the desired resolution by clicking the correspond-
    ing button.  
    						
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