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Steinberg Cubase SX/SL 3 Audio Effects And VSTi Manual

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    Audio Effects and VST Instruments 
    						
    							 
    Manual by Anders Nordmark
    Quality Control: C. Bachmann, H. Bischoff, S. Pfeifer, C. Schomburg
    The information in this document is subject to change without notice and does not rep-
    resent a commitment on the part of Steinberg Media Technologies GmbH. The software 
    described by this document is subject to a License Agreement and may not be copied 
    to other media except as specifically allowed in the License Agreement. No part of this 
    publication may be copied, reproduced or otherwise transmitted or recorded, for any 
    purpose, without prior written permission by Steinberg Media Technologies GmbH.
    All product and company names are ™ or ® trademarks of their respective owners. 
    Windows XP is a trademark of Microsoft Corporation. The Mac logo is a trademark 
    used under license. Macintosh and Power Macintosh are registered trademarks.
    © Steinberg Media Technologies GmbH, 2004. 
    All rights reserved. 
    						
    							 
    Table of Contents 
    						
    							 
    CUBASE SX/SL
    4 Table of Contents 
    5The included effect  
    plug-ins 
    6Introduction
    7Delay plug-ins
    10Distortion plug-ins
    16Dynamics plug-ins
    37Filter plug-ins
    45Modulation plug-ins
    58Other plug-ins
    66Restoration
    67Reverb plug-ins
    72Surround plug-ins
    (Cubase SX only)
    77Tools 
    79The included  
    VST Instruments 
    80A1 Synthesizer
    90VB-1 Bass Synth
    92LM-7 Drum Machine
    95Embracer – 
    Surround Pad Synthesizer 
    (Cubase SX only)
    100Monologue – Monophonic 
    Analog Modeling Synthesiz-
    er (Cubase SX only) 
    107Index 
    						
    							 
    1
     
    The included effect plug-ins 
    						
    							 
    CUBASE SX/SL
    1 – 6 The included effect plug-ins 
    Introduction
     
    This chapter contains descriptions of the included plug-in effects and 
    their parameters.
    In Cubase SX/SL, the plug-in effects are arranged in a number of dif-
    ferent categories. This chapter is arranged in the same fashion, with 
    the plug-ins listed in separate sections for each effect category. 
    						
    							 
    CUBASE SX/SL
    The included effect plug-ins 1 – 7 
    Delay plug-ins
     
    This section contains descriptions of the plug-ins in the “Delay” 
    category. 
    DoubleDelay
     
    This effect provides two separate delays that can be either tempo 
    based or use freely specified delay time settings. Cubase SX/SL au-
    tomatically provides the plug-in with the tempo currently used in the 
    project. 
    The parameters are as follows: 
    Parameter Description  
    Mix Sets the level balance between the dry signal and the effect. If Double-
    Delay is used as a send effect, this should be set to maximum (100%) 
    as you can control the dry/effect balance with the send. 
    Tempo sync 
    on/offThe buttons above the two Delay Time knobs are used to turn tempo 
    sync on or off for the respective delay. If set to off the delay time can be 
    set freely with the Delay Time knobs, without sync to tempo.
    Delay Time 1 This is where you specify the base note value for the delay if tempo 
    sync is on (1/1 - 1/32, straight, triplet or dotted). If tempo sync is off, it 
    sets the delay time in milliseconds.
    Delay Time 2 As above.
    Feedback This sets the number of repeats for both delays.
    Tempo Sync 1 The note value multiplier (x1 to x10) for the first delay unit.   
    						
    							 
    CUBASE SX/SL
    1 – 8 The included effect plug-ins 
    You can also change parameters in the graphic display window. This 
    works as follows:  
    •  
    If tempo sync is on, you can set the Tempo Sync 1 parameter by drag-
    ging the light blue handle left and right. 
    When tempo sync is off, this sets the Delay Time 1 parameter.
     
    •  
    You can set the Pan 1 parameter by dragging the light blue handle up 
    and down.  
    •  
    The dark blue handle works in the same way but for the correspond-
    ing second delay parameters. 
    Tempo Sync 2 As above, but for the second delay unit.
    Pan1 This sets the stereo position for the first delay.
    Pan2 This sets the stereo position for the second delay.  
    Parameter Description 
    						
    							 
    CUBASE SX/SL
    The included effect plug-ins 1 – 9 
    ModDelay
     
    This is a delay effect that can either be tempo-based or use freely spec-
    ified delay time settings. The delay repeats can also be modulated.
    The parameters are as follows: 
    Parameter Description  
    Mix Sets the level balance between the dry signal and the effect. If ModDe-
    lay is used as a send effect, this should be set to maximum as you can 
    control the dry/effect balance with the send. 
    Tempo sync 
    on/offThe button above the Delay Time knob is used to turn tempo sync on or 
    off. If set to off the delay time can be set freely with the Delay Time knob, 
    without sync to tempo.
    Feedback This sets the number of repeats for the delay.
    Delay Time This is where you specify the base note value for the delay if tempo sync 
    is on (1/1 - 1/32, straight, triplet or dotted). If tempo sync is off, it sets 
    the delay time in milliseconds.
    Tempo Sync 
    knobThis is the note value multiplier (x1 to x10) for the delay when tempo 
    sync is used. 
    DelayMod. This controls the pitch modulation rate for the delay effect.   
    						
    							 
    CUBASE SX/SL
    1 – 10 The included effect plug-ins 
    Distortion plug-ins
     
    This section contains descriptions of the plug-ins in the “Distortion” 
    category. 
    DaTube
     
    This effect emulates the characteristic warm, lush sound of a tube 
    amplifier.
    The parameters are as follows: 
    Parameter Description 
    Drive Regulates the pre-gain of the “amplifier”. Use high values if you want an 
    overdriven sound just on the verge of distortion.
    Balance This controls the balance between the signal processed by the Drive pa-
    rameter and the dry input signal. For maximum drive effect, set this to its 
    highest value.
    Output Adjusts the post-gain, or output level, of the “amplifier”.  
    						
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