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Steinberg Cubase Studio 4 Plug In Reference Studio Manual
Steinberg Cubase Studio 4 Plug In Reference Studio Manual
Here you can view all the pages of manual Steinberg Cubase Studio 4 Plug In Reference Studio Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 61
61 The included VST Instruments Spectrum displays Allows you to draw a filter contour with your mouse for spectrum filters A & B. To set up the contour, click in one of the displays and drag the mouse to draw the desired curve. Note that this will produce the inverse contour in the other display, for maximum sonic versatility. To set up the contour independently for the two filters, hold down [Shift] and click and drag the mouse in either display. Use the Preset pop-up menu to select a preset...
Page 62
62 The included VST Instruments Crackle This allows you to send noise directly into the comb filters. Small amounts of noise will produce a “crackling”, erratic effect; higher amounts will give a more pronounced noise sound. Feedback This determines the amount of signal sent back into the comb filters (the feedback level). Setting Feedback to zero (twelve o’clock) will effectively turn off the comb filter sound, as no feedback tone is produced. Setting Feedback to a positive value will create a...
Page 63
63 The included VST Instruments A low frequency oscillator (LFO) is used for modulating parameters, for example the pitch of an oscillator (to pro- duce vibrato), or for any parameter where cyclic modula- tion is desired. The two LFOs have identical parameters: About the sync modes The Sync modes determine how the LFO cycle affects the notes you play: About the waveforms Most standard LFO waveforms are available for LFO mod- ulation. You use Sine and Triangle waveforms for smooth modulation cycles,...
Page 64
64 The included VST Instruments Assigning LFO velocity destinations You can also assign LFO modulation that is velocity con- trolled (i.e. governed by how hard or soft you strike a key). This is done as follows: 1.Click in the “Vel Dest” box for one of the LFOs. A pop-up appears with all possible velocity destinations are shown. 2.Select a destination. The selected velocity destination is now shown in the list. Beside the destination, a default value (50) has been set. The value represents the...
Page 65
65 The included VST Instruments Release Release determines the time it takes for the value to fall back to zero after releasing the key. Range is from 0.0 mil- liseconds to 91.1 seconds. Punch When Punch is activated, the start of the decay phase is delayed a few milliseconds (the envelope “stays” at top level for a moment before moving on to the decay phase). The result is a punchier attack similar to a compressor ef- fect. This effect is more pronounced with short attack and decay times....
Page 66
66 The included VST Instruments The following controllers are available: To assign any of these controllers to one or several pa- rameters, proceed as follows: 1.Click in the “Mod Dest” box for one of the controllers. A pop-up appears with all possible modulation destinations are shown. All Sound parameters as well as most LFO and Envelope parameters are available as destinations. 2.Select a destination. The selected modulation destination is now shown in the list. Beside the destination, a default...
Page 67
67 The included VST Instruments Modulation You can select between 3 modulation characteristics: The Phaser uses an 8-pole allpass filter to produce the classic phasing effect. The Flanger is composed of two independent delay lines with feedback for the left and the right channel respectively. The delay time of both delays is modulated by one LFO with ad- justable frequency. Chorus produces a rich chorus effect with 4 delays modulated by four independent LFOs. The parameters are as follows: SR...
Page 68
68 The included VST Instruments These parameter assignments are used for many of the HALionOne presets, but not for all. As stated above, other parameters may be shown; these will be clearly labelled on the panel. For most of the presets there are also asso- ciated effects – the effect parameters are usually as- signed to the quick controls on the right and typically control the dry/wet mix of the effect. Effect Bypass This button, located at the bottom right in the box dis- playing the preset name,...
Page 69
69 The included VST Instruments Embracer – Surround Pad Synthesizer (Cubase only) Embracer is a simple but powerful polyphonic synthesizer designed entirely for producing pads and accompaniment sounds. With its easy-to-use envelope and tone controls, it gives you fast access to the sounds you need without having to search through thousands of presets. However, the most powerful feature of Embracer is its surround out- put. With a single switch, you can turn the instrument from stereo to surround...
Page 70
70 The included VST Instruments The “Eye” The Embracer’s unique “Eye” controller offers a creative new way of controlling the sound’s overall character and shape. This controller gives you access to several para- meters at the same time. For each oscillator, there is a circle representing the tone and width of the sound. Click and drag the corresponding circle to change its shape. There are also two (numbered) oscillator handles. You can drag these vertically to change the tone or horizontally to...