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Steinberg Cubase Studio 4 Operation Manual Studio Manual
Steinberg Cubase Studio 4 Operation Manual Studio Manual
Here you can view all the pages of manual Steinberg Cubase Studio 4 Operation Manual Studio Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 561
566 Working with symbols The “Line/Trill” palette. Note that the arpeggios, hand indication and strum symbols are all “note-dependent”! The “Other” palette. The “Layout” palette. All these symbols are drawn in their own “layer”.The “Project” palette. These symbols will be present in all layouts. The “Words” palette. This is described in the section “The Words tab” on page 596. The “User Symbols” palette. This is described in the section “User Symbols” on page 583. Further details about many of the...
Page 562
567 Working with symbols To remove a symbol from the Favourites tab, select “Re- move from Favourites” from the context menu or hold down [Alt]/[Option] and click on it. Important! – Symbols, staves and voices Most symbols belong to a staff when inserted. Only note symbols, slurs and ties are an exception. They belong to notes and therefore to voices. It is extremely important that the correct staff is active when you insert a symbol (if you are editing multiple staves, of course). If you for...
Page 563
568 Working with symbols 3.Either click on the note or above or below it. If you click on the note, the symbol is put in at a predefined distance from the note. If you instead click “above or below” the note, you decide for a vertical position yourself. In either case, the symbol is aligned horizontally with the note. It can later be moved up/down. Clicking on a note inserts the note symbol (in this case a tenuto) at a predefined distance from the note head. There are three options in the Accents...
Page 564
569 Working with symbols Adding slurs and ties Slurs can be drawn in manually or inserted automatically for a group of notes. Ties are usually added by the pro- gram but can also be drawn in as “graphic” symbols. ÖThere are two types of slurs – “regular” slurs and Bez- ier slurs (with which you have full control over thickness, curve shape, etc.). Slurs, ties and the display quantize value Since a slur or tie “musically” always spans from one note (or chord) to another, the beginning and end of a...
Page 565
570 Working with symbols To change the shape of the slur, click on one of the mid- dle curve points and drag in any direction. Right-clicking on a curve point brings up a context menu with the following options: Creating trills If you have recorded or entered a trill, Cubase can help you display this properly: 1.Select the notes that make up the trill. 2.Right-click on one of the notes and select “Build Trill…” from the context menu. 3.Select an option from the dialog that appears. The radio buttons...
Page 566
571 Working with symbols If you right-click on an inserted keyboard symbol and select “Properties” from the context menu, a dialog opens allowing you to specify further properties for the symbol. You can also double-click on an inserted keyboard symbol to open this dialog. Adding guitar chord symbols A fretboard symbol of a guitar chord can be inserted any- where in the score. Guitar symbols are found on the “Guitar Symbols” tab and the “Other” tab in the symbol Inspector. The Guitar Symbols tab...
Page 567
572 Working with symbols You can edit the symbol at any time by double-clicking it, changing the settings in the dialog and clicking Apply. Note that you can also access the symbols you have de- fined in the guitar library by right-clicking a guitar symbol – see below. ÖIf you select “Make Chord Symbol” from the context menu, the corresponding chord symbol will be displayed above the guitar symbol. This function is very useful when writing lead sheets, for example. Using the guitar library The...
Page 568
573 Working with symbols Using layout symbols Symbols inserted from the “Layout” tab belong to the lay- out layer. When you are editing a layout containing several tracks, you can have inserted layout symbols automatically copied to any combination of tracks in the layout. You de- cide which staves should display layout symbols by ticking their “L” column in the Score Settings–Layout page (opened by selecting “Settings…” on the Scores menu). Here, layout symbols will be displayed for the first two...
Page 569
574 Working with symbols 2.Assign each event type to a layer (1, 2 or 3). It is a good idea to assign event types that might “conflict graphically” to different layers. For example, you might want to assign bar numbers and note symbols to different layers, if you find that you accidentally move bar numbers when editing note symbols and vice versa. 3.Click OK to close the dialog. Alternatively, you can right-click on one of the Layer but- tons (1-2-3) on the extended toolbar to bring up a pop-up menu,...
Page 570
575 Working with symbols The rulers Unlike other editors, the Score Editor does not have a meter/time position-based ruler. Instead, its rulers are “graphical”, i.e. they indicate the actual x-y position of ob- jects (with “zero” at the upper left corner). The current pointer position is indicated by thin lines in the rulers. To hide the rulers, pull down the pop-up menu above the scroll bar to the right and select “Off”. This pop-up menu can also be shown by right-clicking in the ruler. To display...