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Steinberg Cubase Studio 4 Operation Manual Studio Manual
Steinberg Cubase Studio 4 Operation Manual Studio Manual
Here you can view all the pages of manual Steinberg Cubase Studio 4 Operation Manual Studio Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 551
556 Additional note and rest formatting 3.Drag the handle up or down. The slant of the beam changes. Dragging a handle and the effect it has. ÖYou can adjust the distance between notes and their beam without changing the beam slant. Select both handles of a beam (by pressing the [Shift] key while selecting the second handle) and drag one of the handles up or down. Mixed staff direction By dragging the beam handles you can put the beam be- tween the note heads: Putting the beam between the notes. About...
Page 552
557 Additional note and rest formatting 2.Set the Quantize pop-up menu to an appropriate value. As usual, this determines where you will be able to click. 3.Click in the bar containing the note(s) you want to cut manually, at the position you want them cut. If you work with polyphonic voicing, select the desired voice first. This inserts a cutflag event in the bar at the position you clicked. If you hold down [Alt]/[Option], a cutflag event is inserted for all voices in a polyphonic staff. The...
Page 553
558 Additional note and rest formatting Cue notes You can create cue notes by using voices or by converting individual notes into cue notes. Setting a voice to display cue notes 1.Open the Score Settings–Staff page and select the Polyphonic tab. This is described in the section “Setting up the voices” on page 538. 2.Click in the “Cue” column for the voice, so that a tick mark appears. 3.Decide how to handle rests for the voice. You might for example leave “Rests–Show” activated and activate “Re-...
Page 554
559 Additional note and rest formatting From here on there are two ways to go: Select the note(s) and click the “i” icon on the extended toolbar. The Set Note Info dialog appears and you can select the Grace note type and make other settings if needed. Right-click on one of the notes and select “Convert to Grace Note” from the context menu. This turns the note into a grace note without opening any dialog. Grace notes and beaming If two grace notes are at exactly the same position (the same tick),...
Page 555
560 Additional note and rest formatting 3.Select “Build N-Tuplet” from the Scores menu. The Tuplets dialog appears. 4.Set the type of tuplet in the Type field. “5” means a quintuplet, “7” means a septuplet etc. 5.Set the length of the entire tuplet using the “Over” field. 6.Activate Change Length, if you need it. If you do, the program will alter the length of all notes so that they are ex- actly the note value the tuplet indicates. If you don’t, the lengths of the existing notes won’t be affected in...
Page 557
562 Working with symbols About this chapter In this chapter you will learn: What the different types of symbols are. How to insert and edit symbols. Details about special symbols. Background: The different layers A score page is always made up of three layers – the note layer, the layout layer and the project layer. When you add symbols, these will be inserted into one of these layers, de- pending on the type of symbol. The symbols that have a re- lation to notes – accents, dynamic markings, slurs,...
Page 558
563 Working with symbols Why three layers? There are several reasons for this division into layers: Many of the symbols that are in the layout layer can be stretched to span over several staves, or for other reasons make more sense to think of as belonging to a certain group of tracks. The layout layer is only one part of the bigger concept of lay- outs. Layouts allow you to easily extract parts from a full score and perform automatic formatting. This is described in the chapter “Working with...
Page 559
564 Working with symbols If you click the Save button (disk icon) in the Presets section, you can name the current configuration and save it as a preset. To remove a preset, select it and click the trash icon. Saved configurations are available for selection from the Presets pop-up in the dialog, or directly from the Inspector context menu. Working with symbol palettes You can open any of the symbol Inspector sections as separate symbol palettes. Opening tabs as palettes 1.Right-click on one of the...
Page 560
565 Working with symbols The “Chord Symbols” palette. The “Guitar Symbols” palette. The “Clef etc.” palette.The “Note Symbols” palette. These symbols are always tied to a note. The “Dynamics” palette. Clef change Time signature change Key change (and/or display transpose change) Bow up Pizzicato Tremolo Thumb pos. Closed Hihat Open Hihat Staccato Accent Fermata Fermata Glissando Glissando Articulation Doit Articulation Articulation StaccatoStaccato Tenuto Staccato Bow down Tremolo Accent Staccato Spoken...