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Steinberg Cubase SE 3 Operation Manual

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Page 251

CUBASE SE
Remote controlling the mixer 13 – 251
3.Select the Generic Remote device in the Devices list to the left.
The settings for the Generic Remote device are displayed, allowing you to specify 
which control on your device should control which parameter in Cubase SE.
4.Use the MIDI Input and Output pop-up menus to select the MIDI 
Port(s) to which your remote device is connected.
5.Use the pop-up menu to the right to select a bank.
The concept of banks is based on the simple fact that most MIDI...

Page 252

CUBASE SE
13 – 252 Remote controlling the mixer
6.Set up the upper table according to the controls on your MIDI control 
device.
The columns have the following functionality:
•If you find that the upper table holds too many or too few controls, you 
can add or remove controls with the Add and Delete buttons to the 
right of the upper table.
Column Description
Control Name Double clicking this field allows you to enter a descriptive name for the 
control (typically a name written on the console). This...

Page 253

CUBASE SE
Remote controlling the mixer 13 – 253
•If you are uncertain of which MIDI message a certain controller sends, 
you can use the Learn function:
Select the control in the upper table (by clicking in the Control Name column), move 
the corresponding control on your MIDI device and click the Learn button to the right 
of the table. The MIDI Status, MIDI Channel and Address values are automatically set 
to those of the moved control.
7.Use the lower table to specify which Cubase SE parameters you...

Page 254

CUBASE SE
13 – 254 Remote controlling the mixer
•If you need, you can add banks by clicking the Add button below the 
Bank pop-up.
Clicking the Rename button allows you to assign a new name to the currently selected 
bank, and you can remove an unneeded bank by selecting it and clicking the Delete 
button.
9.When you are finished, close the Generic Remote Setup window.
Now, you can control the specified Cubase SE parameters from the MIDI remote de-
vice. To select another bank, use the pop-up menu in the...

Page 255

14
Audio processing and functions 

Page 256

CUBASE SE
14 – 256 Audio processing and functions
Background
Audio processing in Cubase SE can be called “non-destructive”, in 
the sense that you can always undo changes or revert to the original 
versions. This is possible because processing affects audio clips 
rather than the actual audio files, and because audio clips can refer to 
more than one audio file. This is how it works:
1.If you process an event or a selection range, a new audio file is created 
in the Edits folder, within your project...

Page 257

CUBASE SE
Audio processing and functions 14 – 257
Audio processing
Basically, you apply processing by making a selection and selecting a 
function from the Process submenu on the Audio menu. Processing is 
applied according to the following rules:
• Selecting events in the Project window or the Audio Part Editor will apply pro-
cessing to the selected events only.
Processing will only affect the clip sections that are referenced by the events.
• Selecting an audio clip in the Pool will apply processing...

Page 258

CUBASE SE
14 – 258 Audio processing and functions
Common settings and features
If there are any settings for the selected Audio processing function, 
these will appear when you select the function from the Process sub-
menu. While most settings are specific for the function, some features 
and settings work in the same way for several functions:
The “More...” button
If the dialog has a lot of settings, some options may be hidden when 
the dialog appears. To reveal these, click the “More...” button.
To...

Page 259

CUBASE SE
Audio processing and functions 14 – 259
Pre/post crossfade
Some processing functions allow you to gradually mix the effect in or 
out. This is done with the pre and post crossfade parameters. If you 
activate Pre-crossfade and specify a value of e.g. 1000 ms, the pro-
cessing will be applied gradually from the start of selection, reaching 
full effect 1000 ms after the start. Similarly, if you activate post-cross-
fade, the processing will gradually be removed, starting at the speci-
fied...

Page 260

CUBASE SE
14 – 260 Audio processing and functions
Fade display
Shows the shape of the envelope curve. The resulting waveform shape 
is shown in dark grey, with the current waveform shape in light grey. 
You can click on the curve to add points, and click and drag existing 
points to change the shape. To remove a point from the curve, drag it 
outside the display.
Presets
If you have set up an envelope curve that you may want to apply to other 
events or clips, you can store it as a preset by clicking the...
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