Steinberg Cubase 7 User Manual
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Page 781
781 Polyphonic voicingSetting up the voices Setting up the voices To set up your score for polyphonic voicing, proceed as follows: 1.Make sure that the desired staff is active. 2.Open the Score Settings dialog and select the Staff page. 3.Select the Polyphonic tab. 4.Open the Staff Mode pop-up menu and select Polyphonic. This makes the voice list in the lower part of the dialog available. It consists of eight rows, one for each voice. They are numbered and therefore we refer to them as voices 1 to 8....
Page 782
782 Polyphonic voicingSetting up the voices 10.Decide on a stem direction for each voice, by selecting from the pop-up menu in the Stems column. If you select Auto, the program makes decisions about which stems go in which direction (just as when not using polyphonic voices). You can always force stem direction for individual notes by using the Flip Stem function, see “Flipping the stem of one or several notes” on page 791. 11.If you want the notes in a voice to be smaller than regular notes, put a...
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783 Polyphonic voicingStrategies: How many voices do I need? Strategies: How many voices do I need? Well, it depends… - If you are scoring for vocals, you simply need one voice for each voice, so to speak. - If you use voices for resolving the problem of overlapping notes (see “Overlapping notes” on page 780), for example when scoring for piano, you need two voices each time two notes overlap. If three notes overlap, you need three voices. In other words you need to check for the “worst case” (largest...
Page 784
784 Polyphonic voicingChecking which voice a note belongs to Checking which voice a note belongs to When you select one single note, the corresponding voice button on the extended toolbar is selected. This allows you to quickly find out which voice a certain note is in (after you have used the Move To Voice function, for example). •When you step through the notes using the arrow keys, you only step through the notes in one voice at a time. This can be used as a quick way to check which notes belong...
Page 785
785 Polyphonic voicingHandling rests 3.Use the options in the lower half of the dialog to set up the criteria for the split. Choose from the following options: 4.Click OK. The notes are distributed to different voices. Alternative ways of handling voices Below we suggest further “advanced” ways of putting notes into voices. This is based on the relation between voices and MIDI channels, so please make sure that you understand how this connection works. - Cubase only: You can use the Logical Editor (see...
Page 786
786 Polyphonic voicingVoices and Display Quantize •You can use the Object Selection tool to manually move rests up/down or sideways to adjust the “picture”. •If needed you can add “rest symbols” (rests that do not affect the playback data in any way) by using the symbols. Voices and Display Quantize When you insert Display Quantize changes (see “Inserting Display Quantize changes” on page 750), you can either apply the settings to all voices (by [Alt]/[Option]-clicking with the tool) or to the...
Page 787
787 Polyphonic voicingCreating crossed voicings Creating crossed voicings Often, for example in vocal scoring, you have crossed voicings on one system. You can of course move notes manually into voices to get the stem direction and other note properties right, but there is a quicker way. Let’s explain how to do this by example. Without using polyphonic voicing, you have entered this: 1.Open the Score Settings dialog on the Staff page and select the Polyphonic tab. 2.From the Staff Mode pop-up menu,...
Page 788
788 Polyphonic voicingAutomatic polyphonic voicing – Merge All Staves 10.Select the two notes that you want to be moved to voice 1 and move them, too. All notes in the right voices. The voicing is now correct, as you can tell from the stem directions. However, there is still some work to do on the notes graphical positions (see “Graphic moving of notes” on page 805) and the display of stems and beams for some of the notes (see “Manual adjustment of beams” on page 802). When you have made those...
Page 789
789 Polyphonic voicingConverting voices to tracks – Extract Voices Converting voices to tracks – Extract Voices This function does the opposite of “Merge All Staves” – it extracts polyphonic voices from an existing track and creates new tracks, one for each voice. Proceed as follows: 1.Open a track containing 2 to 8 polyphonic voices in the Score Editor. 2.Open the Scores menu and select “Extract Voices” from the Functions submenu. A number of new tracks is created and added to the display of the Score...
Page 790
790 Additional note and rest formatting About this chapter In this chapter you will learn: - How to control stem direction. - How to control beaming, and create cross-staff beaming. - How to make detailed adjustments to note appearance. - How to perform “graphic moving” of notes. - How to create grace notes. - How to create tuplets. Background: Note stems The direction of stems is governed by five things: - How notes are grouped under beams. - Any manual manipulation of beams. - The Flip Stems function....