Steinberg Cubase 6 Manual
Here you can view all the pages of manual Steinberg Cubase 6 Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
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221 Surround sound (Cubase only) The plug-in panel Double-click on any of the miniature panner controls to open the plug-in panel in a separate window. The SurroundPanner V5 plug-in offers numerous possibili- ties to position a mono or stereo sound source. If you work visually oriented, you can simply drag the sound source around in the pan area. To help you execute very exact movements you can use modifier keys to limit the move - ment direction (e. g. for straight front/rear panning). To perform...
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222 Surround sound (Cubase only) Speaker channels – Solo and Mute vs. Disabling The speakers that are distributed around the surround field represent the output configuration. You can disable speakers or solo/mute them. •[Alt]/[Option]-click on a speaker symbol to disable that speaker (the speaker symbol is grayed out) so that no au - dio will be routed to this surround channel. The signal that would otherwise be sent to this speaker is distributed to the other speakers instead. Note that the signal...
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223 Surround sound (Cubase only) ÖTo move one of the panning balls in this mode, you do not have to click directly on them. You will always move the panning ball that is nearer to the position of the mouse pointer. Overview Mode When moving the sound source in the pan area, you will notice that the positioning handle can leave the visible pan area (although the channel panning balls cannot). It can be moved so far outside that all channels end up on the perimeter where the positioning handle left...
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224 Surround sound (Cubase only) Radius When using the Orbit Center control, the Radius encoder allows you to control the distance of the sound source from the center of the surround field (without changing the angle). An example: The gray circle shows the theoretical path of the sound source when orbiting the center. Since the sound source cannot leave the pan area, it moves along the perimeter in - stead. At the maximum radius setting (a) the theoretical path lies outside the pan area so that the...
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225 Surround sound (Cubase only) For example, by using the front divergence, you can acoustically intensify the distance from the action on screen as perceived by the audience. •At 0 % the perception is very focused (concentrated in one spot). •At 100 % the perception is very diffuse (hard to locate). ÖThe Center Distribution value and the front divergence are combined. If the front divergence is set to 100 %, the Center Distribution has no effect. Scaling The Scale controls allow you to control...
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226 Surround sound (Cubase only) Resetting all parameters [Alt]/[Option]-click the Reset button in the lower right cor- ner of the plug-in panel to reset all controls to their default values. Constant power “What goes in, must come out again.” This principle can be taken literally with regard to the SurroundPanner V5. It means that the power of a source channel is identical to the power of the corresponding output signal. The advantage of this is that the overall volume as per- ceived by the listener...
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228 Automation Introduction In essence, automation means recording the values for a particular Mixer or effect parameter. When you create your final mix, you will not have to worry about having to adjust this particular parameter control yourself – Cubase will do it for you. Working with automation curves Within a Cubase project, the changes in a parameter value over time are reflected as curves on automation tracks. About automation curves There are two kinds of automation curves: “ramp” and...
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229 Automation ÖYou will also find global Read/Write buttons on the Automation panel, see “The Read/Write buttons” on page 235. Writing automation data There are two approaches you can use to create automa- tion curves: manually (see “Manual writing of automation data” on page 229) and automatically (see “Automatic writing of automation data” on page 229). While manual writing makes it easy to quickly change parameter values at specific points without having to activate playback, au - tomatic...
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230 Automation 6.When you release the mouse button, the number of automation events is reduced, but the basic shape of the curve remains the same. This “thinning out” of events is governed by the Reduction Level setting in the Automation Settings section of the Automation Preferences, see “Automation Settings” on page 241. 7.If you now activate playback, the automated parameter will change with the automation curve. In the Mixer, the corresponding fader moves accordingly. 8.Repeat the procedure if...