Sony A 200 Manual
Have a look at the manual Sony A 200 Manual online for free. It’s possible to download the document as PDF or print. UserManuals.tech offer 980 Sony manuals and user’s guides for free. Share the user manual or guide on Facebook, Twitter or Google+.
Using the shooting function 81 Use (Multi segment) metering for general shooting. When shooting a subject with strong contrast in the focus area, measure the light of the subject you want to shoot with the proper exposure using Spot metering, then perform AE lock shooting (page 76). Shooting techniques
82 Setting ISO Sensitivity to light is expressed by the ISO number (recommended exposure index). The larger the number, the higher the sensitivity. Notes When ISO is set to [AUTO], ISO is automatically set as follows. The [AUTO] setting is not provided in recording mode M. If you change the recording mode to M with the [AUTO] setting, it is switched to [100]. Set the ISO according to your shooting conditions. 1Press the ISO button to display the ISO screen.ISO button 2Select the desired value with v/V on the controller. The larger the number, the higher the noise level. Recording mode ISO AUTO, Scene Selection The range differs depending on the mode P, A, S 100 – 400
Using the shooting function 83 Adjusting the color tones (White balance) The color tone of the subject changes depending on the characteristics of the light source. The table below shows how the color tone changes based on various light sources, compared with a subject that appears white under the sunlight. White balance is a feature that adjusts the color tone to approximate what you see. Use this feature when the color tone of the image did not come out as you expected, or when you want to change the color tone on purpose for photographic expression. Note If the only light source available is a mercury lamp or a sodium lamp, the camera will not be able to acquire the accurate white balance because of the characteristics of the light source. Use the flash in such cases. Fn button t [White balance] t Select the desired setting When [AWB] is not selected, you can finely adjust the color tone with b/ B on the controller. Adjusting it toward + turns the image reddish and adjusting it toward – turns the image bluish. Weather/ lightingDaylight Cloudy Fluorescent Incandescent Characteristics of lightWhite Bluish Green-tinged Reddish Adjusting the white balance to suit a specific light source (Auto/Preset white balance)
84 Use the white balance bracket function if you cannot get the desired color in the selected option (page 92). When you select [5500K] (ColorTemperature) or [00] (Color filter), you can adjust the value to the desired value (below). When you select (Custom), you can register your setting (page 85). Fn button t [White balance] t [5500K] (ColorTemperature) or [00] (Color filter) To set the color temperature, select the value with b/B. To set the color filter, select the compensation direction with b/B. Note Since color meters are designed for film cameras, the values differ under fluorescent/ sodium lamp/mercury lamps. We recommend that you use the custom white balance or do a test shooting. AWB (Auto WB)The camera automatically detects a light source and adjusts the color tones. (Daylight)If you select an option to suit a specific light source, the color tones are adjusted for the light source (preset white balance). (Shade) (Cloudy) (Tungsten) (Fluorescent) (Flash) Shooting techniques Setting the color temperature and a filter effect (Color Temperature/Color filter)
Using the shooting function 85 *1The value is the color temperature value currently selected.*2The value is the Color filter value currently selected. In a scene where the ambient light consists of multiple types of light source, use of custom white balance is recommended in order to accurately reproduce the whiteness. 5500K*1 (ColorTemperature)Sets the white balance by the color temperature. The higher the number, the more reddish the image and the lower the number, the more bluish the image. 00* 2 (Color filter)Achieves the effect of CC (Color Compensation) filters for photography. Based on using the set color temperature as the standard, the color can be compensated to G (Green) or M (Magenta). Registering the color tones (Custom white balance) 1Fn button t [White balance] t 2Select [ SET] with b/B on the controller. 3Hold the camera so that the white area fully covers the spot- metering circle and press the shutter button down. The shutter clicks and the calibrated values (ColorTemperature and Color filter) are displayed. 4Press the center of the controller. The monitor returns to the recording information display with the memorized custom white balance setting retained. The custom white balance setting is registered in this operation is effective until a new setting is registered.
86 Note The message “Custom WB error” indicates that the value is beyond the expected range. (When the flash is used on a subject in close proximity or a subject with a bright color is in the frame.) If you register this value, the indicator turns yellow on the recording information display on the LCD monitor. You can shoot at this point, but it is recommended that you set the white balance again to get a more correct white balance value. To call the custom white balance setting Fn button t [White balance] t (Custom) Note If the flash is used when the shutter button is pressed, a custom white balance is registered with the flash light taken into account. Take pictures with the flash in later shootings.
Using the shooting function 87 Image processing Fn button t [D-RangeOptimizer] t Select the desired setting (Advanced) of D-Range Optimizer has no effect on RAW files. Correct images using the D-Range Optimizer function of “Image Data Converter SR.” MENU button t 1 t [Creative Style] t Select the desired setting When you want to adjust (Contrast), (Saturation), or (Sharpness), select the desired item with b/B, then adjust the value with v/V. Correcting the brightness of the image (D-Range Optimizer) (Off)No compensation. (Standard)When there is a sharp contrast of light and shadow between the subject and the background, which is common when shooting into the sun, the camera attenuates the contrast across the entire image to produce an image with proper brightness and contrast. (Advanced)By dividing the image into small areas, the camera analyses the contrast of light and shadow between the subject and the background, producing the image with the optimal brightness and gradation. Selecting your desired image processing (Creative Style) (Standard)For shooting various scenes with rich gradation and beautiful colors. (Vivid)The saturation and contrast are heightened for shooting striking images of colorful scenes and subjects such as flowers, spring greenery, blue sky, or ocean views. (Portrait)For shooting the skin color in a soft tone, ideally suited to shooting portraits. (Landscape)The saturation, contrast, and sharpness are heightened for shooting vivid and crisp scenery. Distant landscapes also stand out more.
88 (Contrast), (Saturation), and (Sharpness) can be adjusted for each Creative Style item. About Adobe RGB color space Adobe RGB color space has a wide range of color reproduction, compared to sRGB that is the standard color space of the digital camera. If the main purpose is to print out the image, especially when a large part of the subject is vivid green or red, Adobe RGB is more effective than other sRGB color modes. The file name of the image starts with “_DSC.” Notes If the Scene Selection is used, you cannot change the settings for the Creative Style. When (B/W) is selected, you cannot adjust the saturation. (Adobe RGB) is for applications or printers that support color management and DCF2.0 option color space. Using some applications or printers that do not support them may result in or print images that do not reproduce faithful color. When displaying images that were recorded with (Adobe RGB) on the camera or non-Adobe RGB-compliant devices, the images are displayed with low saturation. (Night view)The contrast is attenuated for shooting a nightscape that is more faithful to the real view. (Sunset)For shooting the beautiful red of the setting sun. (B/W)For shooting images in black and white monotone. (Adobe RGB)For shooting images in Adobe RGB color space. (Contrast)The difference of light and shadow in an image (gradation). Increase the value to get an image with strong contrast. Decrease the value for a softer finish. (Saturation)The vividness of the colors. Increase the value for an image with deep and vivid colors. Decrease the value for a quiet finish. (Sharpness)The degree of highlighting of the contours. Increase the value for a more crisp finish. Decrease the value for a softer finish.
Using the shooting function 89 Selecting the drive mode This camera has five drive modes, such as single-shot advanced, continuous advanced. Use them for your purpose. This mode is for normal shooting. button t (Single-shot adv.) The camera records the images continuously at a maximum of 3 images per second*. * Our measurement conditions. The speed of continuous shooting is slower, depending on shooting conditions. The maximum number of continuous shots The number of continuous shooting images obtainable has an upper limit. * The shooting speed becomes a little slower for fourth image or later. Shooting single shot Shooting continuously 1 button t (Continuous adv.) 2Adjust the focus and shoot the subject. When you press and hold the shutter button, the recording continues. The number of images that can be shot continuously is indicated in the viewfinder. The number of images that can be shot continuously Fine/Standard*No limit (Until the memory card is full) RAW & JPEG3 images RAW6 images
90 The 10-second self-timer is convenient when the photographer appears in a photo and the 2-second self-timer is convenient to reduce the camera shake. To cancel the self-timer To cancel the activated self-timer, press the button. Note When you press the shutter button without looking into the viewfinder, use the eyepiece cover (page 27). Bracket shooting allows you to shoot several images, each with different degrees of exposure. This camera is equipped with an auto bracket function. Specify the value of deviation (steps) from the base exposure, and the camera shoots while automatically shifting the exposure. You can choose an image that has the brightness you like after shooting is finished. Using the self-timer 1 button t (Self-timer) t Select the desired seconds The number after is the number of seconds that is currently selected. 2Adjust the focus and shoot the subject. When the self-timer is activated, audio signals and the self-timer lamp indicate the condition. The self-timer lamp flashes quickly and the audio signal sounds quickly right before the shooting. Shooting images with the exposure shifted (Exposure bracket) Base exposure – direction+ direction