Sim2 Multimedia Projector Ht5000 User Manual
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11 ht5000 5 SwiTChiNg ThE PROJECTOR ON AND Off wARNiNg: Connect the projector to a power supply with a nominal voltage within the following values: 100-240 V AC, 50/60 hz. it must be earthed (f ig. 8). I0 Power Switch:Position I: OnPosition 0: Off FusedPower Socket Power Plug In position i the projector will initialise itself (red and green leds on) and then goes into standby mode (red led on) (Fig. 9). I0 SwiTCh ON fROM STANDBY With the remote control press one of the keys: - 0 to select the last imput selectet after last switching of. - 1-9 to select the correspondent imput With the keypad: press the ON/OFF button. I0 0 When the unit is switched on from standby the lamp switches on; after a brief period of warming up, the image displays (blue led on). The projected image comes from the input selected when the unit was last switched off (Fig. 10). if a very short time has passed since the unit was last switched off, the lamp may not switch on because it is too hot. Just wait a few minutes for the lamp to cool down sufficien- tly. SwiTChiNg Off AND RETURNiNg TO STANDBY With the remote control: press . With the keypad: press ON/OFF button. When switching off, the projector goes into stand-by mode and stores the input selection at the time of switch-off. The fans keep running until the lamp cools down (blue and red leds on), after which they automatically switch off. Do not switch off the projector with the power switch until the fans have stopped running. Fig. 9 Fig. 10 Fig. 8
1 ht5000 Initialisation StatusLed blueLed red Standby On Cooling : Of: On: Flashing Error (*) Logo Backlit Blue Color Red Color Of / Blue Color (*) Red Color Red Color 6 CONNECTiONS To obtain the best performance from your projector, we recom- mend the use of good quality “ video cables”. Poor quality cables will cause inferior picture performance. For optimum connectivity we recommend you follow these simple steps: with exception of coaxial RCA/Phono type connectors, always double-check that the plug is inserted the correct way round to avoid damaging the plugs or the sockets on the projector. Remove cables by the plug and do not pull on the cable itself. Avoid tangled cables. Position the cables carefully to avoid a trip hazard espe- cially in low light areas. Fig. 11 LED SYSTEM TABLE (*): iN CASE Of ERROR, CONTACT YOUR L OCAL AND AUThORiZED SiM2 DEALER fOR SERViCE iNfORMATiON.
1 ht5000 Connection panel 3 124 5 Television receiver DVD Player Videorecorder Videocamera Game Console Television receiver HDTV Receiver DVD Player Videorecorder Game Console Television receiver HDTV Receiver DVD Player Videorecorder Game Console HDTV Player Blue-Ray PlayerComputer 6 14 Professional & broadcasting equipements 7 HDTV Receiver DVD Player Computer HDTV Receiver DVD Player Game Console HDTV Player Blue-Ray Player 8910111213
14 ht5000 of the pictures reproduced by the HT5000 in the two cases: the deinterlacing performed by the HT5000 is often more effective than that performed by the source itself. gRAPhiCS RgB / YP RPB This input should be connected to an RGB-type video or graphic signal using a cable with a DB15HD type connector. The signal source device (typically a personal computer or game console) must be able to provide separate H/V synchronisation or composite H+V synchronisation. DVi-D This input allows you to advantage from the quality of the di- gital images .If your source is equipped with a DVI-D output, YCrCb or RGB connect it to this input to exploit the quality of the HT500E-LINK system. hDMi™ HDMI™ (High Definition Multimedia Interface) integrates an uncompressed high definition video signal with a multichannel audio signal and allows exchange of control data between the video source and the HT5000. The HDMI input allows connection to video sources that use the HDCP (High-Bandwidth Digital Content Protection) protocol to protect their contents. Once the video source has been connected to the HDMI input, internal processing by the HT5000 separates the video information from the audio information. The audio information is made available on a digital output with a female TOSLINK connector in compliance with the S/PDIF standard. You can use a DVI-D > HDMI adapter cable to connect the DVI-D signal from a source equipped with a DVI-D output. SDi HDSDI / SDI imput allow to connet digital serial sourses in com- ponent YPrPb in according of standards SMPTE 9M (hight definition) and SMPTE59M-C (standard resolution). The signal is not compressed and it's transported by a coaxial cable in digital mode. COMPOSiTE ViDEO Fit an RCA connector with a Composite Video (CVBS) signal to this input. The output connector on the external appliance is normally coloured yellow and will often be labelled VIDEO. Other signal and socket formats may be preferable (because they give better image quality), but this type of output socket is still the most commonly used, and nearly all television receivers, video recorders, DVD players and camcorders, etc. use it. S-ViDEO Fit a mini-DIN connector with an S-Video signal to this input. The corresponding output at the external device is normally identifiable by the labels S-VIDEO or Y/C. This type is nearly as common as Composite Video, and is preferable to the latter, since it gives higher image quality. RgB/YP rPb These inputs use a set of 4 RCA connectors and 5 BNC con- nectors. RGB and Component signals can be applied to each set of connectors. With this video signals is possible to set YPrPb video mode. RGB signals can have composite synchronisation on the green signal (RGsB), or on the HV signal. Connect the R, G, B outputs of the source to the respective R, G, B inputs of the HT5000 (taking care not to invert the positions) and any synchronisation signals to the HV. When hooking up, use the colours of the RCA connectors as an aid as follows: the R connector is red, G is green, B is blue and HV is white. You can use a SCART to RCA adapter cable to connect the RGB signal from a source equipped with a SCART output to this input. The Component signals connect to the Y, Pr and Pb inputs: take care that the inputs correspond to the outputs on the source device. Since these can be labelled differently, refer to Table 1 to establish the correspondence between the various signals. As indicated in the table, the colours of the connectors can also be of help. Only horizontal scanning frequencies of 15 kHz (standard video resolution) or kHz (high definition video, with progressive scanning) can be applied to this input. Progressive signals usually provide better quality than interlaced signals, but if the source features both progressive and deinter- laced signal outputs it is good practice to compare the quality 1 2 34 56 7 8910111213 14
15 ht5000 RS232 iNTERfACE CONNECTOR I0 LAN RJ45 CONTROL USB CONTROL RS232 The projector can be controlled from a PC: simply hookup the interface connector to a PC ’s RS serial cable or to a PC's USB 1.1 cable or with ethernet lan (RJ45) in according with standard ethernet 10/100 Mbit e TCP/IP. (Fig.1) The Ethernet RJ45 and USB control require an additional software provided by SIM Multimedia. The projector is equipped with an infrared sensor on its front panel and can therefore be controlled by pointing the remote control towards the projection screen; the IR beam reflects off the screen towards the projector. There is another infrared sensor in the rear of projector. Do not place objects between the remote control and the receiver on the projector, as this can prevent the remote from working. MOTORiSED SCREEN OUTPUTS I0 12 Volt TRIG 1 TRIG 2 120 mA The projector is equipped with two outputs (Voltage: 1V) for motorised projection screen and screen masking systems, used for masking off the projection area to match the projected image aspect ratio (Fig. 1). The TRig 1 output is activated when the projector is switched on (blue LED on) and is de-activated when the projector is in stan- dby mode (red LED on). The output TRig2 can be set with the “Screen control” adjustment in the “Aspect ” menu. This output allows reduction in the area of a 16:9 screen, into a 4: format, by activating a horizontal screen masking system. Fig. 1 Fig. 1 7 REMOTE CONTROL The remote control requires four 1.5 V batteries, size AAA. Insert the batteries, taking care to match the polarity, as indi- cated in the batter y compartment in the handset. Change the batteries in the remote control if experiencing difficulty in sending commands to the projector. Remove batteries from the remote control if it is not to be used for a long period of time. The batteries are prone to leak and corrode the remote control’s circuits. The remote control sends commands to the projector via infrared signals.
16 ht5000 MAiN MENU To access the main menu of the On Screen Display press the MENU key on the keypad or the MENU+ or MENU- key on the remote control. The main menu is divided into four windows, PICTURE, IMAGE, SETUP and MENU, in which the various adjustments are grouped according to the frequency of use. Use the ▲ and ▼ keys to select the line corresponding to the adjustment you wish to make (Fig. 15). The various menus only offer the relevant adjustments in ac- cordance with the type of input signal displayed (e.g. certain typical adjustments for video signals, not necessar y for graphic signals, do not appear on the menus, and vice versa). Some adjustments (e.g. BRIGHTNESS and C ONTRAST) are associated with a numerical value that can be varied within the set limits using the ◀ and ▶ keys. For others (e.g. CINEMA MODE) you can choose between two options presented on the same line and selectable using the keys ◀ and ▶ (Fig.16a/b). . Picture Contrast ColorTint Sharpness Filter Cinema Mode 50 50 50 3 2 Off Auto AutoNoise Reduction Brightness 60 iNPUTS The input selection menu is called by pressing 0 on the remote control or with the keypad SOURCE key. To select an input, scroll through the list with the ▲ e ▼ keys until the required input is highlighted, then press ▶. Display of the input selection menu is terminated by pressing the ESC key or when the On-Screen Menu display timeout in- terval (set in the Menu Setup) has elapsed or after the signal's recognising. The inputs can receive RGB and YPrPb signals, at 15 kHz, kHz or higher. The input and type of signal (RGB or YPrPB) are set in the pull down menu at the right of the symbol < after pressing the ◀ key (Fig. 14). 2 S-VIDEO 5 GRAPHICS RGB 3 COMPONENT 1 VIDEO123 5 S-VIDEO GRAPHICS COMPONENT VIDEO 4 COMPONENT 4COMPONENT 6 GRAPHICS RGB6GRAPHICS7 DVI7DVI Source list / Rename source 9 HDMI 12 HDMI 10 HDMI 8 HDMI8910 12 HDMI HDMI HDMI HDMI 11 HDMI 11HDMI 13 HDMI 13HDMI14 SDI14SDI HDMI 8-1 inputs can receive the signals from DVI-D sources. During the short time it takes to find the signal, a box appears showing the signal requested. As soon as the signal is shown additional information is displayed in the box concerning the video standard (for video signals) or resolution (for graphic signals), format and the eventual user's memor y. This information can be recalled by pressing the numerical key that it corresponds at the selected source. In the SETUP menu you can select whether to display this infor- mation or not; for further information see SOURCE INFORMATION in the MENU menu. Fig.14 8 ON SCREEN MENU All system functions can be operated from the keypad or remote control, with the aid of a complete, user-friendly on screen menu. Fig.15 Color Temperature Gamma Correction Position Y/C Delay 1 Overscan 1 Aspect Image Fig.16a
17 ht5000 These submenus are accessed by pressing the < key, while exit and return to the upper level occurs by pressing MENU+/-. Press ESC on the remote control or keypad to interrupt the menu display or wait for it to disappear automatically after the number of seconds set on the SET-UP page. PiCTURE This menu includes all image adjustment settings. Adjustments that are not available for a given input do not appear on the menu. For a full listing of the menu, refer to paragraph ON SCREEN MENU LAYOUT in the chapter ADDITIONAL INFORMATION. BRighTNESS Use this control to adjust the darker areas of the picture (black level), without significantly affecting bright areas. Increasing the value will give more detail in darker parts of the picture. For correct adjustment it may prove useful to display a grey scale with at least twenty bands. Now tr y to reduce the brightness of the black band as much as possible while ensuring that it can still be distinguished from the adjacent band with brightness slightly higher than black. Alternatively use a scene composed of black objects alongside other dark coloured objects and tr y to keep all the objects separately identifiable. CONTRAST Use this control to adjust the image’s white level without affec- ting its dark areas. For correct adjustment it may prove useful to display a grey scale with at least twenty bands. Now tr y to increase the brightness of the white band as much as possible while ensuring that it can still be distinguished from the adjacent band with brightness slightly less than white. Alternatively use a scene composed of well-lit white objects surrounded by light Color TemperatureGamma Correction Position Overscan Y/C Delay Aspect Image 1 Normal Anamorphic Letterbox Panoramic Pixel to pixel User 1Subtitle User 2User 3 Fig.16b objects with lower level lighting, and tr y to ensure that all the objects remain separately identifiable. COLOR This control (also called Saturation) increases or decreases the picture colour intensity. When set to zero, colour images will be shown in black and white. Increase the value until the colours appear natural: suitable references include skin tones and grass in landscape shots. TiNT Controls the purity of colours. Basically determines the red-green ratio of the picture. Decreasing the value increases the red content of the image, increasing it increases the green. For this adjustment use skin tones or a test card image with colour bars as a reference. ShARPNESS This adjustment serves to modulate the signal to increase or decrease the level of picture detail. When the sharpness value is reduced the image details ap- pear less pronounced, while increasing the value raises image definition, making the outline of objects sharper. Note that an excessively high value may result in a ‘noisy ’ picture and the edges of objects may appear unnaturally clearly defined. ShARPNESS MODE This allows you to select the type of processing associated with sharpness adjustment. For an interlaced or progressive video signal, set to VIDEO; for PC graphics signals, set to GRAPHICS. Sets the system to receive graphics signals rather than video signals. If the VIDEO option is set, it applies Noise Reduction to increase the clarity of the image. The GRAPHICS option deacti- vates noise reduction. fiLTER This allows you to select the mode in which the input signal is processed. Selecting the most appropriate value for a given input signal ensures the best horizontal and vertical definition and makes the picture sharper. CiNEMA MODE Use this option if the video signal source is a movie film (obtai- ned from a Teleciné device with : or : pull-down). In this case a deinterlacing algorithm optimized for this type of signal is applied. Selecting AUTO mode causes the de-interlacer to analyse si- gnal characteristics and apply the correct deinterlacing mode automatically.
18 ht5000 Selecting the NO option causes the de-interlacer to apply a Motion compensated algorithm optimized for video camera signals. NOiSE REDUCTiON This adjustment serves to select the noise reduction filter va- lue. This adjustement is allowed for interlaced video signals, while for the progressive video signals only if SHARPNESS MODE in set on VIDEO. iMA gE This menu features adjustments relating to picture Position, Aspect ratio, Magnification etc. ASPECT This adjustment allows you to change the dimensions and aspect ratio (relationship between width and height) of the displayed image. There are six preset aspects available and three personalised aspects (with user-settable parameters). You can select a different aspect for each source: the selected aspect ratio will be automatically applied the next time the relative source is called. You can also select the required aspect ratio by repeatedly pressing the key , or by pressing and a numerical key (1...9).The following aspects are available: NORMAL : projects the image occupying the full height of the screen while maintaining the aspect ratio of the input signal. When the input signal aspect ratio is 4: black vertical bands are displayed on the right and left of the picture. ANAMORPHIC: correctly displays a 16:9 image. LETTERBO x: serves to display a 4: letterbox image (with source signal having black bands above and below the picture) so that it fills the 16:9 screen and maintains the correct aspect ratio. PANORAMIC: widens the 4: image and cuts off a strip from the top and bottom. Panoramic is ideal for displaying a 4: image on the 16:9 screen of the Display. SUBTITLES: raises the image, thus making space for subtitles. P Ix EL TO PIx EL: runs a pixel to pixel mapping of any image, without adapting to the screen. The image is projected in the centre of the screen and if its horizontal and/or vertical dimensions are smaller than the display, it is bounded by vertical and/or horizontal black bands. USER 1, , : use this option if none of the others are satisfactor y. The User formulas give you the ability to continuously adjust the picture size horizontally and vertically. COLOR TEMPERATURE Changes the colour balance of the image. The colour temperature setting is made by setting the white point in the CIE chromaticity diagram. Moving it horizontally (fig.17) changes the correlated colour temperature, with the low temperatures to the right (more red) and high temperatures to the left (more blue). The points on the lowest horizontal line (Fig.18) represent the colours on the black body curve. There are predefined colour temperature settings (High, Me- dium, Low) and USER setting that allows the manual regulation. The colour temperature is constant on the vertical lines, but is more or less different from the black body curve. This means that the higher points of the graph are more green. On the contrar y, the lower points of the graphic yield a more purple image. Brightness Contrast VideoS-VideoRGBSYPrPbRGB GraficoSDIHDMI™DVIRGBS 15kHz YPrPb 15kHzAdjustement Inputs Color-- -- - - - - -- - --Tint Sharpness Sharpness mode Filter Cinema mode Noise reduction - - (1) (3)(3)(3) (2) (3)(4) (2) (1)Present only if STANDBY VIDEO is NTSC(2)Present only for interlaced video signals(3) Presento only if SHARPNESS MODE is set on VIDEO(4) Not avaible when DVI singol type is RGB (4) (4)
19 ht5000 cameras, and for viewing films or photos on your PC. The Enhanced set is suitable for watching movies. The Graphics set is suited to displaying graphics (PC, CAD, PC presentations, etc.). User enables you to define your own curve. You can thus ST1 For general use EN1 Suited to displaying images from videoca -meras, digital cameras or TV studios in high ambient light. EN Suited to displaying images from videoca -meras, digital cameras or TV studios in low ambient light. EN Suited to displaying cinematographic material in high ambient light. EN4 Suited to displaying cinematographic material in moderate ambient light. EN5 Suited to displaying cinematographic material in controlled ambient light. GR1 Suited to displaying graphic images (e.g. Win -dows desktop) in moderate ambient light. GR Suited to displaying graphic images in mode-rate controlled light. USER With USER curve the the user may select the exponent (gamma value) used for gamma compensation. Table 5 - gamma correction settings gamma functions Standard gamma functions Enhanced SiM2 gamma functions graphicsgAMMA CORRECTiONDetermines the system’s response to the grey scale, empha-sising or attenuating the different grades of brightness (blacks, dark, medium, light grey, whites) in the projected image. The projector has a range of gamma functions which enable you to display any image to the best effect for the type of video source, the ambient lighting and your subjective pre-ferences.There are 4 sets of gamma curves: Standard (ST), Enhanced SIM (EN) and Graphics (GR), User. The Standard curve has been defined for general use, and is set for videocameras, digital 0.8 520 540 560 Infinity 1000065004800285015001000 580 590 620 650 450470 480 0.6 0.4 0.2 0.00.20.4X0.60.8 Y Fig. 17 Green Blue Red Fig. 18 x= 0,282y= 0.320T= 8700K= 0,015 x yuv User
0 ht5000 select the coefficient which determines the curve. Values from 1.5 to . allow you to emphasise the detail of dark images, but reduce overall contrast. Values higher than . increase overall contrast, but reduce the detail of dark areas. Value . typically yields pleasant, contrasty images. OVERSCAN Eliminates irregularities around the outer borders of the image. Some less accurate sources may produce an image with uneven borders; thanks to the overscan function these imper- fections can be moved to outside the displayed area. For the most common video sources, the overscanning value can be in the range (no overscanning) to (maximum). The resulting image always maintains the selected aspect irrespective of the selected overscan value. POSiTiONUse this adjustment to position the image vertically and hori- zontally. These parameters do not normally require adjustment because the system checks the input signal and automatically sets the most suitable values. However, if the image is not perfectly centralized it may prove useful to request the system to repeat the input signal analysis and image positioning, calling the au-tomatic control procedure with button A on the remote control or the AUTO button on the keypad. When this procedure is called it is helpful to have a white or light coloured background on the screen in the current picture. Y/C DELAYIn the case of Video and S-Video signals, it may be necessar y to correct horizontal colour misalignment within the projected image. For a given video standard (e.g. PAL or NTSC) the stored value does not normally require further fine-tuning, unless the source or connection cable has changed. fREQUENCY/PhASEThese adjustment ensure correspondence between the number of pixels making up the signal and the number of pixels that make up the projected image.These parameters do not normally require adjustment because the system checks the input signal and automatically sets the most suitable values. If however the image is disturbed (loss of resolution between equidistant vertical bands or instability and lack of detail in thin vertical lines) it may help to ask the system to rerun the input signal analysis and set the best parameters by calling up the automatic adjustment function with A on the remote control or AUTO on the keypad. If the automatic procedure fails to have the required effect, enter the frequency and phase values manually and ap- proach the screen sufficiently to observe the effects of the adjustments. VideoS-VideoRGBSYCrCbRGB Grafico RGBS 15kHzYCrCb 15kHzRegolazioni Ingressi Y/C Delay---- Position- -Phase- Frequency-- Color Temperature Gamma Correction Overscan- Aspect HDMI™SDIDVI -