Sim2 Multimedia Ht300 E Link Projector User Manual

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To  activate  an  electric  motorised  screen  a  12  Volt  output  is 
provided at the rear of the DigiOptic™ Image Processor.  This 
can  be  connected  to  a  screen  interface  unit,  which  can  be 
supplied by screen manufacturers 
(Fig. 10).
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Fig. 10
The output is activated (Voltage: 12 Vdc) when the Projector is 
switched on and is de-activated (no Voltage output) when the 
projector is in stand-by mode.
Some  manufacturers  offer  screen-masking  systems  to  help...

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Table 1
DigiOptic  
Image Processor  Connector
Y (green)
Y
Cr (red)
P
Cb (blue)R
Y
R-YY
V
PBB-YU
Video signal 
source connector
VIDEO 1 2 3 
These inputs should be connected to a Composite Video signal 
(CVBS) by means of a cable with an RCA connector.
The connector on the source is usually yellow and is frequently 
labelled VIDEO.
Although  other  types  of  signals  are  preferable  (since  they 
allow better picture quality), this is still the most common type 
of output, and nearly...

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DVI-D 12
This  input  allows  you  to  advantage  from    the  quality  of  the 
digital images.If your source is equipped with a DVI-D output, 
YCrCb or RGB connect it to this input to exploit the quality of 
the HT300 E-LINK system.
HDMI 
With this input it is possible to integrate the optimal quality of a 
digital image with a multichannel audio signal. 
The  HDMI™  (High  Definition  Multimedia  Interface)  in  fact  in
-
tegrates  a  multichannel  audio  signal  with  the...

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HDMI

Fig.12 

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  HT300  E-LINK  system  consists  of  the  Projector  and  the  Di-
giOptic™  Image  Processor  (which  is  also  the  system  control 
centre). The DigiOptic™ Image Processor sends commands to 
the Projector and receives operating status information from the 
Projector and function commands from the user. The system can 
be controlled from either the remote control (via the infrared sen
-
sors on the DigiOptic™ Image Processor and on the Projector) 
or the keypad located on the rear of...

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Typically, the picture will appear after 15-20 seconds. Pressing 
a key from 1-9 on the remote control selects the corresponding 
input; pressing 0 selects the input active at the time the system 
was last switched off. 
If the system is switched on very soon after it was last switched 
off, the lamp may fail to come on because it is too hot. In this 
case just wait a few minutes to allow the lamp to cool. 
Switching the system off
 (Fig.15):
•  from the remote control ( key 
) 
•  from...

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7  REMOTE CONTROL
The  remote  control  transmits  commands  to  the  system  by 
infrared signals.
There are three infrared sensors, one at the front of the Projector, 
one at the rear of the Projector and one on the front panel of the 
DigiOptic™ Image Processor.
It  is  possible  to  control  the  projector  by  pointing  the  remote 
control at the screen; the sensor at the front of the projector will 
pick up the reflected infrared commands 
(Fig. 16).
C-SYNCDVI
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Fig. 16
6  KEYBOARD...

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Fig. 18a
Fig. 18b
8  ON SCREEN MENU
INPUTS
The input selection menu (Inputs) is called by pressing 0 on the 
remote control and, when no other menu is displayed, using the 
· and ‚ keys on the keypad. To select an input, scroll the list 
with the 
·  and ‚ keys until the desired input is highlighted, then 
press 
‡. Display of the input selection menu is terminated 
by pressing the ESC key, or when the time allowed for displaying 
the on-screen menu has lapsed (set in the Set-up Menu)....

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Temperatura Colore
Correzione Gamma
Posizione Overscan
Ritardo Y/CFormato
Image
1
Normale
Anamorfico
LetterboxPanoramicoPixel to pixelPersonale 1Personale 2Personale 3

Fig. 20b
Other adjustments (marked by the < symbol) provide subme
-
nus,  which  appear  as  a  superimposed  window  in  which  the 
selection is made with the 
·  / ‚keys  (Fig. 20) . These submenus 
are  accessed  by  pressing  the  fl  key,  while    exit  and  return  to 
the upper level occurs by pressing 
MENU+/-....

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COLOR
This control (also called Saturation) increases or decreasethe 
picture  colour  intensity.  When  set  to  zero,  colour  images  will 
be shown in black and white. Increasing the value, try to find 
the point at which the colours look natural: suitable references 
include skin tones and grass in landscape shots.
TINT
Controls  the  purity  of  the  colours.  Basically  determines  the 
red-green ratio of the picture. 
Reducing the value will boost the red contents of the picture,...