Runco Vx 22i Projector User Manual
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Runco VX-22i Installation/Operation Manual 47 PREL IMINARY Main MenuThe Main Menu is the starting point for accessing all projector functions. (The Calibration and Service menus are hidden and not accessible until you enter a passcode.) Input SourceFrom the Main Menu, select Input Source to choose a video signal source. The active source is indicated by an arrow (>) to its left; in this example, Composite is the active source. Aspect Ratio To change the aspect ratio (size and shape) of the projected image, select Aspect Ratio from the Main Menu and press ENTER or SELECT. Select the appropriate aspect ratio for your screen size and the type of program material being viewed; refer to Table 4-1. The currently-selected aspect ratio is indicated by a “7” to its left; in this example, 16:9 is selected. Runco Video Input Source Aspect Ratio Picture Input Position Memory Presets Information Calibration Service Input Source >Composite S-Video Component RCA (HD1) Component BNC (HD2) Component PC (HD3) RGB RCA (HD1) RGB BNC (HD2) RGB PC (HD3) HDMI 1 HDMI 2 Aspect Ratio 716:9 …4:3 …Letterbox …VirtualWide …Cinema …Virtual Cinema The aspect ratio selection is automatically saved for each input and resolution.Note
48 Runco VX-22i Installation/Operation Manual PREL IMINARY Table 4-1. Aspect Ratio Settings Aspect Ratio Remote Control Key Description 16:916:9Select 16:9 to view 16:9 DVDs and HDTV programs in their native aspect ratio. 4:3 images are stretched horizontally to fit a 16:9 screen. 4:34:3Standard 4:3 scales the input signal to fit in the center of the 16:9 screen. 4:3 is the aspect ratio used by computer monitors, standard television programming and most VHS video cassettes. LetterboxLBOXLetterbox mode scales (zooms in on) a 4:3 image linearly (by the same amount on all sides) to fill a 16:9 display. Letterbox is best suited for viewing LaserDisc movies or non-anamorphic DVDs on a 16:9 screen. VirtualWideIWIDEVirtualWide scales a 4:3 image NON-linearly (more on the sides than in the center) to fit a 16:9 screen. On a 2.35:1 screen, the image is centered between black bars on either side. 4:3 Image, stretched to fill 16:9 Screen (Display)16:9 Image on 16:9 Screen (Display) 4:3 Image on 16:9 Screen (Display) 4:3 Image on 16:9 Display (Letterbox aspect ratio) 4:3 Image on 16:9 Screen (Display) 4:3 Image on 2.35:1 Screen with VirtualWide4:3 Image on 16:9 Screen with VirtualWide
Runco VX-22i Installation/Operation Manual 49 PREL IMINARY Picture Use the controls in the Picture Menu to calibrate your VX-22i for optimum picture quality. The VX-22i has been designed to incorporate setup and calibration standards established by the Imaging Science Foundation (ISF). The ISF has developed carefully crafted, industry-recognized standards for optimal video performance and has implemented a training program for technicians and installers to use these standards to obtain optimal picture quality from Runco video display devices. Accordingly, Runco recommends that setup and calibration be performed by an ISF certified installation technician. All signal types require separate processing. Therefore, you need to calibrate each input separately. CinemaCINEMASelect Cinema to view 2.35 source material in its native aspect ratio. With a 16:9 screen and a non-CineWide projector (no anamorphic lens), the upper and lower portions of the screen are masked, but the geometry of the active image area is unchanged. With a 2.35:1 screen and a CineWide-equipped projector, the VX-22i scales the 2.35:1 image so that the active image area fills the 16:9 chip surface, eliminating the black bars. The secondary, anamorphic lens then restores the proper geometry to the 2.35:1 image. Virtual CinemaVCINEA 16:9 image is scaled NON-linearly (more on the sides than in the center) to fit a 2.35:1 screen. Virtual Cinema is available only on the VX-22i/CineWide. Table 4-1. Aspect Ratio Settings (continued) Aspect RatioRemote Control KeyDescription 2.35:1 Image on 16:9 Screen (Cinema aspect ratio / no CineWide) 2.35:1 Image on 2.35:1 Screen ( Cinema aspect ratio / CineWide) 16:9 Image on 2.35:1 Screen with Virtual Cinema 16:9 Image on 2.35:1 Screen16:9 Image on 2.35:1 Screen Picture Brightness Contrast Color Tint Sharpness
50 Runco VX-22i Installation/Operation Manual PREL IMINARY Although it may be possible to obtain satisfactory picture quality using the naked eye and regular program material, Runco recommends using the following calibration tools for best results: External test pattern source – Ovation Multimedia, Digital Video Essentials or AVIA test DVD or equivalent. A blue filter (provided with many test DVDs), for color level and tint adjustments. Connect your test pattern source to the input that you are calibrating and proceed as follows. Perform the adjustments in the order listed here. Brightness: On your external test pattern source, select a PLUGE pattern. (PLUGE is an acronym for “Picture Line-Up Generation Equipment.”) Figure 4-2 shows a typical PLUGE pattern. Figure 4-2. Typical PLUGE Pattern for Adjusting Brightness PLUGE patterns vary but generally consist of some combination of black, white and gray areas against a black background. The example above includes two vertical bars and four shaded boxes. Select Brightness from the Picture menu and press ENTER or SELECT. Adjust the brightness so that: The darkest black bars disappear into the background. The dark gray areas are barely visible. The lighter gray areas are clearly visible. The white areas are a comfortable level of true white. The image contains only black, gray and white (no color). When you change a picture quality setting, save the change to a preset afterwards. Otherwise, the change will be lost when a different input is selected. (Picture quality settings are saved for each input separately.) For information about saving settings, refer to Memory Presets on page 54. Note Below Black Above Black
Runco VX-22i Installation/Operation Manual 51 PREL IMINARY Contrast: On your external test pattern source, select a stepped, gray-bar pattern like the one shown in Figure 4-3. Figure 4-3. Typical Gray Bar Pattern for Adjusting Contrast Select Contrast and press ENTER or SELECT. Adjust the contrast to a point just below which the white rectangle starts to increase in size. Color Saturation: On your external test pattern source, select a color bar pattern like the one shown in Figure 4-4. Figure 4-4. Typical Color Bar Pattern for Adjusting Color Saturation and Tint Brightness and contrast controls are interactive. A change to one may require a subtle change to the other in order to achieve the optimum setting. Note gray yellow cyan green magenta red blue
52 Runco VX-22i Installation/Operation Manual PREL IMINARY Select Color and press ENTER or SELECT. While looking at the color bar pattern through a blue filter, adjust the color saturation level until the outermost (gray and blue) color bars appear to be a single shade of blue: Tint: Tint or “hue” is essentially the ratio of red to green in the color portion of the image. When tint is decreased, the image appears redder; when it is increased the image appears greener. To set the tint, select Tint and press ENTER or SELECT. While looking at the color bar pattern through a blue filter, adjust the tint level until the cyan and magenta color bars (on either side of the green bar) appear to be a single shade of blue. Like the brightness and contrast controls, the color and tint controls are interactive. A change to one may require a subtle change to the other in order to achieve the optimum setting. gray yellow cyan green magenta red blue Note
Runco VX-22i Installation/Operation Manual 53 PREL IMINARY Sharpness: “Sharpness” is the amount of high-frequency detail in the image. To adjust sharpness, select Sharpness from the Picture menu and press ENTER or SELECT. On your external test pattern source, select a pattern like the one shown in Figure 4-5. Adjust as needed, looking for white edges around the transitions from black to gray and differently-sized lines in the “sweep” patterns at the top and bottom. Lower the sharpness setting to eliminate them. Figure 4-5. Typical Test Pattern for Adjusting Sharpness Input PositionUse the controls in the Input Position Menu to fine-tune the aspect ratio and image position for the current source. Left/Right: Select Left/Right from the Input Position menu to shift the projected image horizontally. Press to shift the image to the right; press to shift it to the left. Up/Down: Select Up/Down from the Input Position menu to shift the projected image vertically. Press to shift the image upward; press to shift it downward. Width: Select Width from the Input Position menu to change the projected image width. Press to increase the width; press to decrease it. Height: Select Height from the Input Position menu to change the projected image height. Press to increase the height; press to decrease it. Input Position Left/Right Up/Down Width Height Overscan Phase The input position settings are automatically saved for each input and resolution.Note
54 Runco VX-22i Installation/Operation Manual PREL IMINARY Overscan: Image Overscan pushes the outside edge of the active picture area of the video signal out beyond the edge of the display area. Some television programs are produced based on the assumption that older television sets may not display the outer edges of the broadcast picture area. Overscan effectively trims away these inactive, outer edges and enlarges the remaining portion of the image to fill the display area. Select from 1% to 10% of Overscan, as desired. For HDTV, DVDs and other video sources, Overscan is generally not necessary or desirable. Phase: Adjust the phase if the image from an RGB or Component source shows shimmer or “noise.” Pixel phase adjusts the phase of the pixel sampling clock relative to the incoming signal. The effect of this control is similar to that of a tracking control on a VCR. For best results, use a good test pattern such as a smooth gray consisting of a clear pattern of black and white pixels, or a similar “half on, half off” graphic image. (You may find that you can stabilize the image at more than one point. Use either setting in this case.) Memory PresetsFor each input, the VX-22i lets you save image quality settings as presets that you can recall at a later time. You can create up to four presets per input and resolution. Use the ISF Presets menu to recall saved image presets, or to save image settings in the “Custom 1” or “THX” memory location. The currently-selected preset is indicated by a “ 7” to its left; in the example shown here, ISF Night is selected. You should save changes to any of the following settings to a preset; otherwise they will be lost when a new input source or resolution is selected: Color saturation Sharpness To reset the Custom 1 and THX image presets to their factory defaults, select Factory Default and press ENTER or SELECT. InformationSelect Information from the Main Menu to display information about the current input signal (resolution, frequency, type et cetera) and installed firmware versions. Should you ever need to contact Runco Technical Support, this information will help them answer your questions or resolve product performance issues. Memory Presets 7ISF Night …ISF Day …Custom 1 Save …THX Save Factory Default ➤ Information Resolution1280x768@60 CB Firmware0.31 (T32) CB FPGArxrev018.sxf SB FirmwareD05 SB FPGA0.25 Scaler2.5 OSDE024 ➤
Runco VX-22i Installation/Operation Manual 55 PREL IMINARY CalibrationUse the Calibration menu to perform advanced picture quality adjustments. This menu should be used by ISF-certified technicians only. To recall the ISF Night or ISF Day settings, select “ISF Night” or “ISF Day” from the ISF Presets menu (see page 54) or use the corresponding buttons on the remote control. ISF Night - Display Color: Use the Display Color settings to adjust the color balance at the projector output. These settings are saved independently for each input. Use the Gain controls to correct color imbalances in the bright areas of the image. A good way to do this is to use a test pattern consisting mostly of solid white areas, such as an 80 IRE “window” pattern. If the white areas contain traces of red (Pr), green (Y) or blue (Pr), decrease the Gain for that color. set: Use the Offset controls in the White Balance sub-menu to correct color imbalances in the dark areas of the image. A good way to do this is to use a test pattern consisting mostly of dark gray areas, such as a 30 IRE “window” pattern. If the gray areas contain traces of red (Pr), green (Y) or blue (Pr), decrease the Offset for that color. Gamma: “Gamma” determines how gray shades are displayed between minimum input (black) and maximum input (white) for all signals. A good gamma setting helps to optimize blacks and whites while ensuring smooth transitions for the “in-between” values utilized in other grays. Unlike “Brightness” and “Contrast” controls, the overall tone of your images can be lightened or darkened without changing the extremes and all images will be more vibrant while still showing good detail in dark areas. In all but the most unusual situations, the appropriate “Color Temp” selection (see below) will produce accurate colors and a satisfying contrast level. However, it is sometimes necessary to adjust the red, blue and green gamma curves individually. To do this, select Gamma from the Display Color sub-menu and use the left- and right-arrow buttons to manipulate the on-screen slidebars. Lamp Power: Select Lamp Power from the Display Color menu to adjust the lamp output level. You can choose to run the lamp as bright as possible (300W; this is the default setting) or you can choose the lower (250W) setting. Generally, lower lamp output prolongs the life of the lamp, but decreases brightness. Color Temp: Select Color Temp from the Display Color menu to adjust the color temperature. The default setting is appropriate for most situations. Higher settings produce a “bluer” picture. ISF Night - Input Image: The Input Image controls are similar to those in the Picture menu, but are accessible only by entering the Calibration menu passcode. This makes it possible to restore the picture quality settings to what they were when the projector was installed, simply by recalling the “ISF Night” preset. Calibration ISF Night Display Color Input Image Input Color ISF Day Display Color Input Image Input Color Save ISF Settings Output Shift Splash Timer OSD Position You must enter a passcode to access the Calibration menu. Note
56 Runco VX-22i Installation/Operation Manual PREL IMINARY ISF Night - Input Color: The Input Color controls are similar to those in the Display Color menu (see above), but adjust the color balance of the incoming signal. These settings are also saved independently for each input. set: Refer to ISF Night - Display Color, above. Chroma Delay: use the Chroma Delay control to correct a mis-aligned image from a Composite, S-Video or Component video source. Chroma delay in an image causes color shifts to occur to the left of the vertical edge transitions, producing artificial shadows or a “halo” effect. If necessary, adjust this setting to eliminate them. se Filter: To apply noise filtering to the input signal, select Noise Filter from the Input Color menu. The Noise Filter is useful for clearing up noisy images from 480i video sources. Use the left- or right-arrow buttons to select the desired amount of noise reduction, keeping in mind that higher settings (which reduce high frequencies) may also “soften” the image. ISF Day - Display Color: Refer to ISF Night - Display Color. ISF Day - Input Image: Refer to ISF Night - Input Image. ISF Day - Input Color: Refer to ISF Night - Input Color. Save ISF Settings: Whenever you make a change to the ISF settings, you should always save it. Select Save ISF Settings from the ISF Calibration menu to do this. In the event you ever have to perform a System Reset, you can restore the saved ISF settings by selecting Restore Saved Settings in the Service menu. (System Reset and Restore Saved Settings are described on page 58.) Output Shift: The controls in the Output Shift menu are similar to those in the Input Position menu, except that they change the characteristics of the output signal. These settings are saved independently for each aspect ratio. Splash Timer: Select Splash Timer from the Calibration menu to set the amount of time the Runco/ISF logo “splash” screen appears when you turn on the projector. The range is from 5 to 60 seconds, in one-second increments. OSD Position: To adjust the position of the OSD, select OSD Position from the Calibration menu and press ENTER (or SELECT). Press or to select “Hor.” or “Ver.” Then, press or change the position.