Runco Vx 2000d Projector User Manual

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Runco VX-2000d Owner’s Operating Manual 39 
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Main MenuThe Main Menu is the starting point for accessing all projector functions. 
(The Calibration and Service menus are hidden and not accessible until you enter a 
passcode.) 
Input SourceFrom the Main Menu, select Input Source to choose a video signal source. 
The active source is indicated by an arrow (>) to its left; in the example at right, Composite 
is the active source. 
Aspect Ratio To change the aspect ratio (size and shape) of the projected image, select Aspect Ratio 
from the Main Menu and press ENTER. Select the appropriate aspect ratio for your 
screen size and the type of program material being viewed; refer to 
Table 4-1. 
The currently-selected aspect ratio is indicated by a “7” to its left; in the example at right, 
Anamorphic is selected. 
  
Runco Video
Input Source
Aspect Ratio
Picture
Input Position
ISF Presets
Information
Calibration
Service
Input Source
>
Composite
S-Video 1
S-Video 2
Component SD
HD/RGB 1
HD/RGB 2
HDMI 1
HDMI 2
Aspect Ratio
7Anamorphic
…Standard 4:3
…Letterbox
…VirtualWide
…Cinema
…Virtualwide 2.35
When you change the aspect ratio, save the change to a preset 
afterwards. Otherwise, the change will be lost when a different 
input is selected. (The aspect ratio is saved for each input and 
resolution separately.) For information about saving settings, refer 
to 
ISF Presets on page 46. 
Note 
						

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Table 4-1. Aspect Ratio Settings 
Aspect RatioDescription
Anamorphic 
(16:9)Select Anamorphic to view 16:9 DVDs 
and HDTV programs in their native 
aspect ratio. 
 
 
 
 
 
 
 
4:3 images are stretched horizontally to 
fit a 16:9 screen. 
Standard 4:3Standard 4:3 scales the input signal to fit 
in the center of the 16:9 screen. 4:3 is 
the aspect ratio used by computer 
monitors, standard television 
programming and most VHS video 
cassettes. 
LetterboxLetterbox mode scales (zooms in on) a 
4:3 image linearly (by the same amount 
on all sides) to fill a 16:9 display. 
Letterbox is best suited for viewing 
LaserDisc movies or non-anamorphic 
DVDs on a 16:9 screen.
VirtualWideVirtualWide scales a 4:3 image 
NON-linearly (more on the sides than in 
the center) to fit a 16:9 screen. 
 
 
 
 
 
 
 
 
 
 
On a 2.35:1 screen, the image is 
centered between black bars on either 
side. 
4:3 Image, stretched to fill
16:9 Screen (Display)16:9 Image on
16:9 Screen (Display)
4:3 Image on
16:9 Screen (Display)
4:3 Image on
16:9 Display
(Letterbox aspect ratio)
4:3 Image on
16:9 Screen (Display)
4:3 Image on
2.35:1 Screen
with VirtualWide4:3 Image on
16:9 Screen
with VirtualWide 
						

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Runco VX-2000d Owner’s Operating Manual 41 
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IMINARYPicture Use the controls in the Picture Menu to calibrate your VX-2000d for optimum picture 
quality.
The VX-2000d has been designed to incorporate setup and calibration standards 
established by the Imaging Science Foundation (ISF). The ISF has developed carefully 
crafted, industry-recognized standards for optimal video performance and has 
implemented a training program for technicians and installers to use these standards to 
obtain optimal picture quality from Runco video display devices. Accordingly, Runco 
recommends that setup and calibration be performed by an ISF certified installation 
technician.
All signal types require separate processing. Therefore, you need to calibrate each input 
separately. 
CinemaSelect Cinema to view 2.35 source 
material in its native aspect ratio.
With a 16:9 screen and a non-CineWide 
projector (no anamorphic lens), the 
upper and lower portions of the screen 
are masked, but the geometry of the 
active image area is unchanged.
 
 
With a 2.35:1 screen and a 
CineWide-equipped projector, the DHD 
Controller scales the 2.35:1 image so 
that the active image area fills the 16:9 
chip surface, eliminating the black bars. 
The secondary, anamorphic lens then 
restores the proper geometry to the 
2.35:1 image. 
Virtualwide 2.35A 16:9 image is scaled NON-linearly 
(more on the sides than in the center) to 
fit a 2.35:1 screen. Virtualwide 2.35 is 
available only on the 
VX-2000d/CineWide and only on the 
analog inputs (HD/RGB, SD 
Component, Composite and S-Video).
Table 4-1. Aspect Ratio Settings (continued)
Aspect Ratio Description
2.35:1 Image on
16:9 Screen
(Cinema aspect ratio / no CineWide)
2.35:1 Image on
2.35:1 Screen
(
Cinema aspect ratio / CineWide)
16:9 Image on
2.35:1 Screen with
VirtualWide 2.35
16:9 Image on
2.35:1 Screen16:9 Image on
2.35:1 Screen
Picture
Brightness
Contrast
Color
Tint
Sharpness
When you change a picture quality setting, save the change to a 
preset afterwards. Otherwise, the change will be lost when a 
different input is selected. (Picture quality settings are saved for 
each input and resolution separately.) For information about saving 
settings, refer to 
ISF Presets on page 46. 
Note 
						

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42 Runco VX-2000d Owner’s Operating Manual
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Although it may be possible to obtain satisfactory picture quality using the naked eye and 
regular program material, Runco recommends using the following calibration tools for best 
results: 
 External test pattern source -- Ovation Multimedia, Digital Video Essentials or AVIA test 
DVD or equivalent.
 A blue filter (provided with many test DVDs), for color level and tint adjustments.
Connect your test pattern source to the input that you are calibrating and proceed as 
follows. Perform the adjustments in the order listed here.
Brightness: On your external test pattern source, select a PLUGE pattern. (PLUGE is an 
acronym for “Picture Line-Up Generation Equipment.”) 
Figure 4-2 shows a typical PLUGE 
pattern.
Figure 4-2. Typical PLUGE Pattern for Adjusting Brightness
PLUGE patterns vary but generally consist of some combination of black, white and gray 
areas against a black background. The example above includes two vertical bars and four 
shaded boxes.
Select Brightness from the Picture menu and press ENTER. Adjust the brightness so that:
 The darkest black bars disappear into the background. 
 The dark gray areas are barely visible.
 The lighter gray areas are clearly visible.
 The white areas are a comfortable level of true white.
 The image contains only black, gray and white (no color).
Below Black
Above Black 
						

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Contrast: On your external test pattern source, select a stepped, gray-bar pattern like the 
one shown in 
Figure 4-3. 
Figure 4-3. Typical Gray Bar Pattern for Adjusting Contrast
Select Contrast and press ENTER. Adjust the contrast to a point just below which the 
white rectangle starts to increase in size.
Color Saturation: On your external test pattern source, select a color bar pattern like the 
one shown in 
Figure 4-4. 
Figure 4-4. Typical Color Bar Pattern for Adjusting Color Saturation and Tint
Brightness and contrast controls are interactive. A change to one 
may require a subtle change to the other in order to achieve the 
optimum setting. Note
gray
yellow
cyan
green
magenta
red
blue 
						

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44 Runco VX-2000d Owner’s Operating Manual
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Select Color and press ENTER. While looking at the color bar pattern through a blue filter, 
adjust the color saturation level until the outermost (gray and blue) color bars appear to be 
a single shade of blue: 
Tint: Tint or “hue” is essentially the ratio of red to green in the color portion of the image. 
When tint is decreased, the image appears redder; when it is increased the image 
appears greener. To set the tint, select Tint and press ENTER. While looking at the color 
bar pattern through a blue filter, adjust the tint level until the cyan and magenta color bars 
(on either side of the green bar) appear to be a single shade of blue. 
Like the brightness and contrast controls, the color and tint controls 
are interactive. A change to one may require a subtle change to the 
other in order to achieve the optimum setting. 
gray
yellow
cyan
green
magenta
red
blue
Note 
						

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Sharpness: “Sharpness” is the amount of high-frequency detail in the image. To adjust 
sharpness, select Sharpness from the Picture menu and press ENTER. On your external 
test pattern source, select a pattern like the one shown in 
Figure 4-5. Adjust as needed, 
looking for white edges around the transitions from black to gray and differently-sized lines 
in the “sweep” patterns at the top and bottom. Lower the sharpness setting to eliminate 
them. 
Figure 4-5. Typical Test Pattern for Adjusting Sharpness
Input PositionUse the controls in the Input Position Menu to fine-tune the aspect ratio and image 
position for the current source.
Left/Right: Select Left/Right from the Input Position menu to shift the projected image 
horizontally. Use the right or up cursor button to shift the image to the right; use the left or 
down button to shift it to the left.
Up/Down: Select Up/Down from the Input Position menu to shift the projected image 
vertically. Use the right or up cursor button to shift the image upward; use the left or down 
button to shift it downward.
Width: Select Width from the Input Position menu to change the projected image width. 
Use the right or up cursor button to increase the width; use the left or down button to 
decrease it.
Height: Select Height from the Input Position menu to change the projected image 
height. Use the right or up cursor button to increase the height; use the left or down 
button to decrease it.
Input Position
Left/Right
Up/Down
Width
Height
OverscanWhen you change an input position setting, save the change to a 
preset afterwards. Otherwise, the change will be lost when a 
different input is selected. (The input position settings are saved for 
each input and resolution separately.) For information about saving 
settings, refer to 
ISF Presets on page 46. 
Note 
						

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Overscan: Image Overscan pushes the outside edge of the active picture area of the 
video signal out beyond the edge of the display area. 
Some television programs are produced based on the assumption that older television 
sets may not display the outer edges of the broadcast picture area. Overscan effectively 
trims away these inactive, outer edges and enlarges the remaining portion of the image to 
fill the display area.
Select from 1% to 10% of Overscan, as desired.
For HDTV, DVDs and other video sources, Overscan is generally not necessary or 
desirable.
ISF PresetsFor each input, the VX-2000d lets you save image quality settings as presets that you can 
recall at a later time. You can create up to four presets per input and resolution. Use the 
ISF Presets menu to recall saved image presets, or to save image settings in the 
“Custom
 1” or “Custom 2” memory location. The currently-selected preset is indicated by 
a “
7” to its left; in the example shown here, ISF Night is selected.
You should save changes to any of the following settings to a preset; otherwise they will 
be lost when a new input source or resolution is selected:
 Aspect ratio
 Picture quality settings (brightness, contrast, color saturation, tint and sharpness)
 Input position (image position, width, height and overscan percentage)
To reset the Custom 1 and Custom 2 image presets to their factory defaults, select 
Factory Default and press ENTER. 
InformationSelect Information from the Main Menu to see information that uniquely identifies your 
projector: its serial number, the installed hardware and firmware versions and the firmware 
version build date. Should you ever need to contact Runco Technical Support, this 
information will help them answer your questions or resolve product performance issues. 
ISF Presets
7ISF Night
…ISF Day
…Custom 1      Save
…Custom 2      Save
Factory Default
➤
Information
Serial Num
Hardware 0
Firmware 0100.001A
Date Oct 19 2006
➤ 
						

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CalibrationUse the Calibration menu to perform advanced picture quality adjustments. This menu 
should be used by ISF-certified technicians only. 
To recall the ISF Night or ISF Day settings, select “ISF Night” or “ISF Day” from the ISF 
Presets menu (see above). 
ISF Night - Display Color: Use the Display Color settings to change the characteristics 
of the output signal. These settings are global (independent of any particular input).
Gain: Use the Gain controls to correct color imbalances in the bright areas of the 
image. A good way to do this is to use a test pattern consisting mostly of solid white 
areas, such as an 80 IRE “window” pattern. If the white areas contain traces of red, 
green or blue, decrease the Gain for that color.
Gamma/Offset: Use the Gamma and Offset controls in the White Balance sub-menu 
to correct color imbalances in the dark areas of the image.
A good way to do this is to use a test pattern consisting mostly of dark gray areas, 
such as a 30 IRE “window” pattern. If the gray areas contain traces of red, green or 
blue, decrease the Gamma or Offset for that color. 
s: Select Iris from the Display Color Menu to increase or decrease the Reflectance 
Volume Regulation setting. RVR lets you control the aperture or iris size (the physical 
opening through the lens; similar to an “f-stop” on a camera). Doing so allows you to 
optimize brightness and contrast according to the amount of ambient light in the 
viewing area. 
Use a lower setting (0 or 1) for rooms with lots of ambient light. Use the higher setting 
(2) for more “theater-like” viewing conditions (little or no ambient light). 
 Color Temp: Select Color Temp from the Display Color menu to adjust the color 
temperature. The default setting is appropriate for most situations. Higher settings 
produce a “bluer” picture.
Calibration
ISF Night
    Display Color
    Input Image
    Input Color
ISF Day
    Display Color
    Input Image
    Input Color
Save ISF Settings
Output Shift
Splash Configure
OSD Position
You must enter a passcode to access the Calibration menu. 
Adjust Gamma before Offset. Gamma provides coarse adjustment of 
low-lights; Offset provides finer adjustment. 
Note
Tip 
						

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ISF Night - Input Image: The Input Image controls are similar to those in the Picture 
menu, but are accessible only by entering the Calibration menu passcode. This makes it 
possible to restore the picture quality settings to what they were when the projector was 
installed, simply by recalling the “ISF Night” preset. 
ISF Night - Input Color: The Input Color controls are similar to those in the Display Color 
menu (see above), but can be set independently for each input. 
Gain/Offset: Refer to ISF Night - Display Color, above. 
 Chroma Delay: use the Chroma Delay control to correct a mis-aligned image from a 
Composite, S-Video or Component video source. Chroma delay in an image causes 
color shifts to occur to the left of the vertical edge transitions, producing artificial 
shadows or a “halo” effect. If necessary, adjust this setting to eliminate them. 
se: Adjust the phase if the image (usually from an RGB source) shows shimmer or 
“noise.” Pixel phase adjusts the phase of the pixel sampling clock relative to the 
incoming signal. The effect of this control is similar to that of a tracking control on a 
VCR. 
For best results, use a good test pattern such as a smooth gray consisting of a clear 
pattern of black and white pixels, or a similar “half on, half off” graphic image. (You may 
notice that you can stabilize the image at more than one point. Use either setting in this 
case.) 
se Filter: Select Noise Filter from the Input Color menu to filter a noisy Composite, 
S-Video or Component source signal. Adjust as desired, keeping in mind that reducing 
noise (which reduces high frequencies) may also soften the image. 
ISF Day - Display Color: Refer to ISF Night - Display Color. 
ISF Day - Input Image: Refer to ISF Night - Input Image. 
ISF Day - Input Color: Refer to ISF Night - Input Color. 
Save ISF Settings: Whenever you make a change to the ISF settings, you should always 
save it. Select Save ISF Settings from the ISF Calibration menu to do this. In the event you 
ever have to perform a 
System Reset, you can restore the saved ISF settings by selecting 
Restore Saved Settings in the Service menu. (System Reset and Restore Saved Settings 
are described on page 52.)
Output Shift: The controls in the Output Shift menu are similar to those in the Input 
Position menu, except that they change the characteristics of the output signal (so the 
change is visible no matter which input is selected). You can set these controls 
independently for each aspect ratio. 
To save the Output Shift settings for the current aspect ratio so that they can be restored 
after a System Reset (described on 
page 52), press  repeatedly to highlight “Save.” 
Then, press ENTER. 
Splash Configure: Use the Splash Configure menu to customize the appearance of the 
start-up message that appears on the vacuum fluorescent display upon power-up. 
Owner Name/ISF Calibrated/ISF Other: You can have the VX-2000d display the 
owner’s name, your name, the phrase “ISF Calibrated” and/or any other string, up to 
20 characters in length. 
Use the up or down cursor button to select a character. Use the right and left cursor 
buttons to change the cursor position. Press MENU when you have finished entering 
text. Then, check the “Splash Enable” box to have the VX-2000d display the 
information you enter here when it is turned on.