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Panasonic Convertible Camera Aw E860 Operating Instructions

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    $Connection with multiple cameras (Color lock mode)An example of connection for VBS/BB input (Color lock
    mode).
    • One of the multiple cameras is used as the source of
    reference signals.
    • Supply a synchronizing signal (BB) to the G/L input
    connectors of each cameras.• Do not switch off the camera used for supplying the
    reference signals.
    • Adjust the SC-phase and H-phase at the Video Output
    connector.
    VIDEO OUT CAMERA
    Camera for external sync 
    (or special effect generator)G/L IN
    VIDEO OUT
    OUTPUT INPUT
    Video output
    To special effect generator or monitoring systemVideo distributor
    WJ-300C External sync
    signal (BB) 
    						
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    DC Power supply
    Cable AW-CA4T1
    Computer VIDEO OUT connector
    AC adapter AW-PS50575 Ωcoaxial cable
    Composite video
    input connector
    (VIDEO IN)Video monitor
    RS-232C PC control cable AW-CA50T9 (10m)
    $Connection of computerThe system shown here can remotely control this camera by using a computer.
    The software and the cable for RS-232C required for this operation should be obtained locally.
    Please contact qualified service personnel for this software.$Connection of devices with camera pan/tilt control system• Refer to the operating instructions of the pan/tilt head to connect camera to it.Connections 
    						
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    Adjustment$Automatic white balance control (AWC)There are two white balance memories, “AWC A” or “AWC
    B” for two different light sources color temperatures, with the
    automatic white balance setting. Then, when the two
    different light sources are encountered, you may operate the
    camera properly by simply change the white balance mode
    to either AWC A or AWC B. There is no need to readjust the
    camera to the ambient conditions.
    ❈The preset conditions will be renewed whenever you input
    new conditions.
    1. Turn the white balance selection switch to either “AWC A”
    or “AWC B” of RCU or select the white balance mode
    either AWC A or AWC B by menu.
    2. Aim the camera at a white object (a white wall or a white
    handkerchief) and zoom in to enlarge the image as much
    as possible.
    [ADJUSTMENT by CAMERA]
    3. In normal shooting mode:
    Press the ITEM/AWC switch for over 2 second.[ADJUSTMENT with the RCU (RCB, Hybrid control panel)]
    4. When the AUTO set switch is turned to AWC, the white
    balance will be automatically set. While the system is
    being set, auto warning indicator (LED) blinks and it goes
    out when the white balance setting is completed. If the
    lamp remains lit, the setting must be tried again.
    RCU (RCB)CAMERAAUTO set switch AUTO LEDITEM/AWC
    switch 
    						
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    Notes:
    • For white balance setting aim the camera at a white object
    and try to position it in the center of the monitor screen.
    The object must appear in over 10 % of the total monitor
    screen area. Try to avoid overly bright objects in the scene.
    • White balance may not be correctly set if the lighting of the
    object is too weak.
    • Since the camera has a built-in memory, the set white
    balance will remain in the memory even if power is turned
    off. Therefore, it is not necessary to reset the white
    balance if the color temperature of those objects remains
    unchanged. However, it must be reset if the color
    temperature changes, such as when you move from
    indoors to outside, or vice versa.
    • When the camera is used without a RCU or RCB red/blue
    gain adjustment of painting setting will be automatically
    reset to ±0 after setting the white balance. (painting setting
    in only User Mode.)
    $
    Automatic tracking white balance setting (ATW)
    White balance will be automatically set to continuously
    match changes of light source and color temperature while
    the white balance setting is set to ATW.
    Notes:
    • ATW might not function properly when high brightness light
    (ex. fluorescent lamp) beams into a screen.
    • White balance may not be accurately set if there is no
    white object in the scene being shot.$Manual white balance setting[ADJUSTMENT by CAMERA]
    Manual setting is possible in User Mode only.
    1. Select the white balance mode either AWC A or AWC B
    by menu.
    2. Aim the camera at a large white object. Press the
    ITEM/AWC switch for over 2 second.
    3. Adjust the red gain/blue gain control in the PAINTING
    item of Color Set sub menu of User Mode until the carrier
    wave of the white portion of the video signal is at the
    minimum width or the white object in the monitor screen
    appears pure white. (Use an oscilloscope or a waveform
    monitor for precise adjustment.)
    [ADJUSTMENT with the RCU (RCB)]
    After AWC setting, adjust the R/B GAIN controller in the
    same way as described in Step 3 above.
    The white object must occupy over
    10 % of the monitor screen area.
    Adjustment 
    						
    							-25-
    $Reset to 3200K or 5600K white balanceWhen the white balance setting is set to either “3200K” or
    “5600K” the white balance will be automatically set to the
    color temperature 3200K or 5600K, respectively.$Black balance adjustment• Close the lens.
    If the motor drive lens is controlled from the camera, the
    lens is automatically closed when the black balance is
    adjusted.
    • When the camera is used without a RCU or RCB, R/B
    pedestal adjustment of painting setting will be
    automatically reset to ±0 after setting the black balance.
    (painting setting in only User Mode.)
    [ADJUSTMENT by CAMERA]
    Press the YES/ABC switch for over 2 seconds and the black
    balance will be set automatically in 10 seconds.In user mode, black balance fine adjustment can be
    performed with the red pedestal/blue pedestal setting after
    setting the black balance.
    [ADJUSTMENT with the RCU (RCB, Hybrid control panel)]
    Set the AUTO set switch to ABC and the black balance will
    be automatically set. While the system is being set, the auto
    warning indicator (LED) blinks and it goes out when the
    black balance setting is completed. If the lamp remains lit,
    ABC should be tried again.
    Minimize the carrier wave using
    the red & blue gain controls
    Waveform for white
    balance set chart
    YES/ABC switch
    AUTO set switch AUTO LED 
    						
    							-26-
    Adjustment$Total pedestal level adjustment(Use an oscilloscope or a waveform monitor for this
    adjustment.)
    This step is to adjust the black levels (pedestal levels) of two
    or more cameras to be the same.
    [ADJUSTMENT by CAMERA]
    1. Close the lens.
    2. Select Pedestal item in the brightness setting Sub Menu.
    (Select [Pedestal] in the [Iris, Shutter, Gain Set] sub
    menu in User Mode.)
    3. Set the pedestal level to 5 IRE (0.035 V) with the
    YES/ABC switch or the NO/BAR switch.
    [ADJUSTMENT with RCU (RCB, Hybrid control panel)]
    Adjust the pedestal level to 5 IRE with the total pedestal
    adjustment.
    NO/BAR switch
    YES/ABC switch
    TOTAL PEDESTAL 
    						
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    $Gen-lock adjustmentPhase adjustments must be performed with the camera or
    the RCU (RCB) when external synchronizing signals are
    supplied to the system in cases where multiple cameras are
    used or peripheral devices are connected.
    UHorizontal phase control
    Observe the waveform of the external synchronizing input
    signal (black burst signal) and video output signal on a 
    two-channel oscilloscope. Then match the horizontal phase
    of both signals by adjusting them with the cameras or RCU’s
    horizontal phase control.
    [ADJUSTMENT by CAMERA]
    1. Press the NO/BAR switch for over 5 seconds to display
    the color bar.
    2. Select [G/L Adjustment] on the main menu, then select [H
    Phase] on the submenu.
    3. Adjust the horizontal phase with the YES/ABC and
    NO/BAR switch.[ADJUSTMENT with RCU (RCB, Hybrid control panel )]
    Use the horizontal phase control.
    External gen-lock input signal
    (black burst output of special effect
    generator)
    Video signal
    Horizontal phase
    control
    Subcarrier phase
    coarse controlSubcarrier phase
    fine control Adjust the horizontal phase
    NO/BAR switch
    YES/ABC switch 
    						
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    Caution:
    • When horizontal phase adjustment is required using RCU
    (RCB) or hybrid control panel, BAR/CAM switch should be
    set to BAR. Horizontal phase cannot be adjusted if the
    switch is in the CAM position. After adjustment set
    BAR/CAM switch back to CAM.
    • When horizontal phase adjustment is moved, color phase
    is also moved. Adjust color phase whenever horizontal
    phase adjustment is moved.
    UColor phase adjustment
    Supply the output signal (split color bar) from the color
    special effect generator to a color monitor or vectorscope.
    Adjust the color phase of the camera.
    [ADJUSTMENT by CAMERA]
    1. Press the NO/BAR switch for over 5 seconds for the color
    bar mode.
    2. Select [G/L Adjustment] on the main menu, then select
    [SC Coarse] on the sub menu.
    3. Make coarse adjustment with the YES/ABC switch and
    the NO/BAR switch.4. Select [SC Fine] on the sub menu. Perform fine
    adjustment with the YES/ABC switch and the NO/BAR
    switch.
    [ADJUSTMENT with RCU (RCB, Hybrid control panel)]
    Use the subcarrier phase coarse adjustment control and
    subcarrier phase fine control.
    ❈It is recommended that a vectorscope be used for
    maximum accuracy in color phase adjustment.
    Caution:
    • When color phase adjustment is required using RCU
    (RCB) or hybrid control panel, BAR/CAM switch should be
    set to BAR. Color phase cannot be adjusted if the switch is
    in the CAM position. After adjustment set BAR/CAM switch
    back to CAM.
    • When horizontal phase adjustment is moved, color phase
    is also moved. Adjust color phase whenever horizontal
    phase adjustment is moved.
    Color bar of camera
    Color bar of special
    effects generatorSprit line
    Adjustment 
    						
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    Use mode setting$Use Mode SettingThe camera has four use modes, and various functions for
    four use modes have been preset.
    Functions can be set as best suited to each use mode.
    • Halogen mode
    Suited to indoor shooting, such as at weddings, parties,
    lecture meetings, events, etc.
    Settings can be changed using a simple menu.
    • Fluorescent mode
    Suited to indoor shooting under fluorescent lighting.
    Settings can be changed using a simple menu.
    • Outdoor mode
    Suited to outdoor shooting.
    Settings can be changed using a simple menu.
    • User mode
    Settings can be changed using a detail menu.$Setting by camera1. Turn the camera on while keeping the MENU switch
    depressed.
    The use mode setting menu shown at right appears on
    the monitor screen and one of the use mode blinks.2. Press the MENU switch, ITEM/AWC switch, or NO/BAR
    switch to let the desired use mode blink.
    MENU switch (A):
    The blinking item moves up by one.
    ITEM/AWC switch (S), NO/BAR switch (–):
    The blinking item moves down by one.
    3. Press the YES/ABC switch.
    The blinking use mode comes into effect. After the use
    mode setting menu is shown for about 5 seconds, the
    camera returns to be ready for operation.
    Then, the camera operates in the selected use mode. 
    						
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    Scene File Switch  Scene File Switch 
    Operation mode Position of  Position of Hybrid 
    RCU (RCB) control panel
    Halogen Mode 1 1Fluorescent Mode 2 2Outdoor Mode 3 3
    User’s Mode USER SET 4$Setting by RCU (RCB) or hybrid control
    panelAn operation mode is selected depending on the position of
    the scene file switch.
    CAMERA RCU (RCB) Hybrid control panel
    MENU
    ITEM/AWC
    YES/ABC
    NO/BAR
    SCENE
    FILE switchSCENE FILE switchUse mode setting 
    						
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