Christie Projector Mirage 5000 User Manual
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Page 91
23(5$7,21 0LUDJH 8VHU·V 0DQXDO NOTES: 1) Increasing the Dark Interval decreases the peak brightness of the image. Use only if necessary—you may prefer some color artifacts rather than reduced brightness, or vice versa. 2) Higher input frame rates limit the range of Dark Interval adjustment. 3) You may have to adjust Gamma (if available—it is set to “Default” if the Adjust Primary Colors function is also in use) to account for the longer dark interval. 4) Faster glasses enable use of a...
Page 92
23(5$7,21 0LUDJH 8VHU·V 0DQXDO :,7+ */$66(6 3(563(&7,9( $33($56 ´5(9(56(µ: If vanishing points of objects appear in the foreground rather than background, destroying perspective, the TTL inverter is likely missing or not working (you can confirm this by turning the glasses upside-down—3D will return). Or, if you are using the Stereo3D TM Interface Module, the checkbox in the Advanced Image Settings needs to be toggled. ,0$*( ,6 %5($.,1* 83: The horizontal back porch may be too small or too...
Page 93
23(5$7,21 0LUDJH 8VHU·V 0DQXDO First make certain that only one (any) networked projector has its Broadcast Keys option selected (checked) — the remaining projectors must have the option unchecked and their keypads disabled (do this in Preferences menu). The Broadcast Keys projector will then relay keypad commands to the others. If using a wired remote, make sure to select the “Broadcast Keys” option for the projector to which the wired remote is connected. On either the IR remote or wired...
Page 94
23(5$7,21 0LUDJH 8VHU·V 0DQXDO 2. Wait for the 6 values (blacklevels and drives) to stabilize. 3. Delete the checkmark and leave the Input Levels menu. Input levels are now correct for this source. Switch to the external white field for the remainder of this procedure. NOTE: Avoid using a digital source (particularly YUV) for the white field. G 86( 7+( 6$0( /$03 32:(5. Set all projectors to the same Lamp Mode (Power or Intensity). Set all to the same desired setting (default =...
Page 95
23(5$7,21 0LUDJH 8VHU·V 0DQXDO activated (instead of the usual default of 6500K applied when Primary Color Adjustment is not enabled). As in any color temperature menu, white levels for preset color temperatures cannot be changed. See Figure 3.37. F 6(7 :+,7( /(9(/6 67$57,1* 32,176 In the Adjust Primary Color (CSC) menu, set all White Levels to 90% (note: appears as 90.2 in the menu). See Figure 3.37. NOTE: A starting point should not be 100% because this color could not then be...
Page 96
23(5$7,21 0LUDJH 8VHU·V 0DQXDO F 0$7&+ *5((16Compare green fields and choose the least saturated green (i.e. the screen which you feel is furthest from “pure green” and leans slightly toward yellow or blue). In the Green Primary menu for each remaining projector—starting with the adjacent projector—add red or blue as necessary until all green fields match the first, both in color and light output. Sometimes all projectors need color added, other times certain projectors will need red...
Page 97
23(5$7,21 0LUDJH 8VHU·V 0DQXDO ‰ 6500K is the default color temperature if you adjusted primary colors for User 2, 3 or 4 (see Step 2b in Matching Colors In Multiple Screens), regardless of the Use Primary Color Adjustment checkbox status. To switch to your primary color adjustments, select the proper User color temperature as usual from any color temperature menu. Make sure that the Use Primary Color Adjustment checkbox is checked. ‰ 6500K is the default color temperature if the Use...
Page 98
23(5$7,21 0LUDJH 8VHU·V 0DQXDO primary colors, color temperature, and maximized light output are all well- matched from one screen to another. These matches are needed before you can achieve good Brightness Uniformity results. ‰ 581 /$03 )25 +2856³Light output and Brightness Uniformity can vary significantly during the first 100 hours of lamp use. For best results with new lamps, either set up Brightness Uniformity after this period, or do an initial setup and re-check at 100 hours. ‰...
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23(5$7,21 0LUDJH 8VHU·V 0DQXDO F Select the 13 Point test pattern for display. This pattern provides 9 screen “zones” with 13 targets. FOR BEST RESULTS: Rather than examining the CENTER of each zone when assessing Brightness Uniformity adjustments, focus on extreme EDGES as indicated in the illustration at right. G In the Advanced Color Temperature menu, select “User 1”. Then: x If you have adjusted “User 1” Primary Colors to create a well-matched wall (recommended), continue to Step...
Page 100
23(5$7,21 0LUDJH 8VHU·V 0DQXDO E Return to the Brightness Uniformity menu. Beginning with the screen that exhibits the most obvious color shift(s), for each edge that exhibits a noticeably different color temperature from the center, select the corresponding Uniformity adjustment menu—Left, Right, Top or Bottom. For example, if any part of the left side is too blue, too red or too green, go to the Left Uniformity menu and adjust the colors (i.e., change their light output) until all...