Canon Eos Rebel Sl1 100d Instruction Manual
Here you can view all the pages of manual Canon Eos Rebel Sl1 100d Instruction Manual. The Canon manuals for Digital Camera are available online for free. You can easily download all the documents as PDF.
Page 61
61 Depending on the scene, position the subject toward the left or right to create a balanced background and good perspective. In the mode, while you press the shutter button halfway to focus a still subject, the focus will be locked. You can then recompose the shot and press the shutter button comple tely to take the picture. This is called “focus lock”. Focus lock is also possible in other Basic Zone modes (except ). In the < A> mode, if the subject moves (distance to camera changes) while or...
Page 62
A Full Auto Techniques (Scene Intelligent Auto) 62 You can shoot while viewing the image on the LCD monitor. This is called “Live View shooting”. For details, see page 149. 1Display the Live View image on the LCD monitor. Press the < A> button. X The Live View image will appear on the LCD monitor. 2Focus the subject. Press the shutter button halfway to focus. X When focus is achieved, the AF point will turn green a nd the beeper will sound. 3Take the picture. Press the shutter button...
Page 63
63 The camera analyzes the scene and sets the optimum settings automatically. In places where flash photography is prohibited such as in a museum or an aquarium, use the < 7> (Flash Off) mode. Prevent camera shake if the numer ic display in the viewfinder blinks. Under low light when camera shake is prone to occur, the viewfinder’s shutter speed display will blink. Hold the camera steady or use a tripod. When using a zoom lens, use the wide-angle end to reduce blur caused by camera shake even...
Page 64
64 In the mode, you can set the followi ng functions before shooting: (1) Extra Effect Shot, (2) Ambienc e-based shots, (3) Background blur, (4) Drive/self-timer mode, and (5) Flash firing. The default setting\ s are the same as the mode. * CA stands for Creative Auto. 1Set the Mode Dial to < C>. 2Press the < Q> button. (7 ) X The Quick Control screen will appear. 3Set the desired function. Press the < S> cross keys to select the function. X The selected function and Feature guide (p.52) will...
Page 65
65 C Creative Auto Shooting Pressing the < Q> button enables you to set the following: If you set (1), (2) or (3) when the camera is set for Live View shooting, you can see the effect on the screen before you start shooting. (1) Extra Effect Shot • You can select any of the following effects before shooting: Creative filters (p.157), Picture Styles (p.1 01), and Ambience-based shots (p.82). • Turn the dial to select [ : Enable]. Tap on [ 2] to return to the Quick Control screen. You can also press...
Page 66
C Creative Auto Shooting 66 (2) Ambience-based shots • You can choose the ambience you want to convey in your images. • Turn the < 6> dial to select the ambience. You can also select it from a list by pressing . For details, see page 82. (3) Background blur • If [ OFF] is set, the degree of background blur will change depending on the brightness. • If it is set to other than [ OFF], you can adjust the background blur regardless of brightness. • If you turn the < 6> dial to move the cursor to the...
Page 67
67 C Creative Auto Shooting (4) Drive/self-timer mode: Use the < 6> dial to make the selection. You can also select it from a list by pressing < 0>. < u >Single shooting : Shoot one image at a time. < i >Continuous shooting: While you hold down the shutter button completely, shots will be taken continuously. You can shoot up to approx. 4 shots per second. < Q >Self-timer: 10sec./remote control : The picture is taken 10 seconds after you press the shutter button. A remote c ontroller can also be...
Page 68
68 The (Portrait) mode blurs the background to make the human subject stand out. It also makes skin tones and hair look softer. The further the distance between the subject and background, the better. The further the distance between t he subject and background, the more blurred the background will l ook. The subject will also stand out better against an uncluttered dark background. Use a telephoto lens. If you have a zoom lens, use the telephoto end to fill the frame with the subject from the...
Page 69
69 Use the (Landscape) mode for wide scenery or to have everything in focus from near to far. For vivid blues and greens, and very sharp and crisp images. With a zoom lens, use the wide-angle end. When using the wide-angle end of a zoom lens, objects near and far will be in focus better than at the te lephoto end. It also adds breadth to landscapes. Shooting night scenes. The < 3> mode is also good for night scenes because it disables the built-in flash. Use a tripod to prevent camera shake....
Page 70
70 When you want to shoot flowers or small things up close, use the (Close-up) mode. To make small things appear much larger, use a macro lens (sold separately). Use a simple background. A simple background makes small objects such as flowers stand out better. Move as close as possib le to the subject. Check the lens for its minimum focusing distance. Some lenses have indications such as < 40.25m/0.8ft> on them. The lens minimum focusing distance is measured from the < V> (focal plane) mark on...