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Antares JVP user manual

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    							JVP UserÕs Manual31 General Controls
    The setting is deleted from the menu. 
    Processing Delay Display
    The Processing Delay Display shows the amount of time in seconds that
    JVP will delay a trackÕs sound output. Delay is introduced by the Compres-
    sor and the De-esser to enhance their level detection capabilities. Tracks can
    be slipped to the left by the amount shown in the Processing Delay Display
    to resynchronize their output with other non-processed tracks. 
    Note: The delay value displayed does not reßect additional delay intro-
    duced by the TDM system when the output is printed to a track. 
    						
    							Introducing JVP
    32JVP UserÕs Manual 
    						
    							JVP UserÕs Manual33
    CHAPTER 3Using JVP
    This chapter contains the details of using JVPÕs controls and a short how-to
    section on each of the tools. 
    The De-esser
    The de-esser Õs controls are accessed by pressing the Display Button under
    the word ÒDe-esserÓ in JVPÕs display. The settings on the de-essers controls
    are still active even if they are not currently displayed. 
    						
    							Using JVP
    34JVP UserÕs Manual
    The Controls
    Gain Reduction Meter
    The Gain Reduction Meter displays the amount of compression of the sig-
    nal. If the frequency and threshold controls are set properly, the meter will
    display little gain reduction during vowel sounds and soft consonants, and
    substantial gain reduction during sibilants.
    Threshold Control/Level Meter
    The threshold control includes a level meter which displays the output of
    the de-esser Õs high pass Þlter. The control knob is adjusted by dragging it
    with the mouse. The effect of the change is heard while the knob is being
    dragged.
    Frequency Control
    The de-esser can be viewed as a compressor which is keyed by the output
    of a high pass Þlter. When the Þlter passes a signal larger than the compres-
    sor Õs threshold, the compressor clamps down on the signal. Since sibilants
    are primarily broad band noise above 5 KHz, the Þlter is designed to pass
    these signals and attenuate low frequency signals as much as possible.
    The Þlter used in JVPÕs de-esser is a two pole, 12 dB/octave high pass
    design which effectively distinguishes between sibilants and other vocal
    sounds. You can hear what the compressor input sounds like by using the
    high pass Þlter option in the Parametric EQ.
    The range of the control is from 10 Hz to 20,000 Hz. The control knob is
    adjusted by dragging it with the mouse. The effect of moving the slider is
    heard during the drag. Fine adjustments can be made to the frequency
    value by pressing  before beginning the drag. The resolution is
    increased by a factor of ten. 
    						
    							JVP UserÕs Manual35 The De-esser
    Ratio Control
    This control adjusts the compression ratio of the de-esser Õs compressor ele-
    ment. The range of the control is from 1.0 to 1 to 99 to 1. The control is
    adjusted by dragging the knob with the mouse.
    Attack Time  Control
    The attack time control adjusts the speed with which the compressor ele-
    ment responds to peaks in the signal coming from the high pass Þlter. The
    range of the control is from 0 milliseconds to 100 milliseconds. The control
    is adjusted by dragging the knob with the mouse.
    Release Time  Control
    The release time control adjusts the time it takes for the compressor ele-
    mentÕs gain to increase 6 dB after the input level drops below the threshold.
    The range of the control is from 0 milliseconds to 4,999 milliseconds. The
    control is adjusted by dragging the knob with the mouse.
    Using The De-esser With ProTools
    JVPÕs de-esser is very easy to use. The following instructions will guide you
    through a typical workßow.
    4. Start a ProTools session containing vocal tracks.
    5. Select ÒShow Inserts ViewÓ from the Display menu.
    6. Check ÒLoop Selected RegionÓ in the Options menu.
    7. Solo a vocal track and select a short phrase that contains sibilants.
    8. Choose ÒJVPÓ from the insert menu of the vocal track.
    9. Click on the Tool Display Button for the De-esser.
    10. Click on the De-esserÕs Bypass button to enable it.
    11. Start playback.
    Notice how the sibilants increase the signal level displayed in the 
    Threshold Level Meter. 
    						
    							Using JVP
    36JVP UserÕs Manual
    12. Adjust the Frequency control to maximize the difference between the peaks 
    caused by the sibilants and the other sounds in the track.
    Frequency settings around 13,000 Hz work best in most cases.
    13. Adjust the Threshold control so that it is just above the general level of the 
    non-sibilant sounds in the track.
    Notice that the amount of gain reduction is maximized during sibilant 
    sounds.
    14. Adjust the compression ratio, attack and release times as desired.
    Increasing the compression ratio, increases the amount of gain reduction 
    and therefor the amount of de-essing.
    15. Stop playback.
    Other tools can now be added to the processing chain by clicking off their
    Tool Bypass Buttons. 
    The Compressor/Gate
    JVPÕs compressor/gate uses powerful new DSP technologies originally
    developed for the Multiband Dynamic Tool. While it doesnÕt have the ßexi-
    bility of the MDT, the compressor/gate offers you all the controls found on 
    						
    							JVP UserÕs Manual37 The Compressor/Gate
    hardware compressors with the added bonus of 24 bit audio quality plus a
    Threshold Level Meter to take the guess work out of setting the gate and
    compressor thresholds.
    The Controls
    Gain Reduction Meter
    The Gain Reduction Meter displays the amount of compression of the sig-
    nal. When the input signal is above the compression threshold or below the
    gate threshold, the Gain Reduction Meter will display the amount of com-
    pression being applied. The range of the meter is 30 dB.
    Threshold Controls/Level Meter
    The threshold controls include a level meter which displays the actual level
    of the input signal that the compressor/gate uses for gain calculations. This
    level is inßuenced by the attack and release times. This can be demon-
    strated by observing that the apparent input level increases as the release
    time is increased.
    The control sliders are adjusted by dragging the knob.
    Gate Ratio Control
    This control adjusts the expansion ratio of the downward expanding gate.
    The range of the control is from 1:1.0 to 1:99. The control is adjusted by
    dragging the knob with the mouse.
    Compressor Ratio Control
    This control adjusts the compression ratio of the compressor. The range of
    the control is from 1.0:1 to 99:1. The control is adjusted by dragging the
    knob with the mouse. 
    						
    							Using JVP
    38JVP UserÕs Manual
    Attack Time  Control
    The attack time control adjusts the speed with which the compressor/gate
    responds to peaks in the input signal. The range of the control is from 0 mil-
    liseconds to 100 milliseconds. The control is adjusted by dragging the knob
    with the mouse.
    Application Note: While using the compressor and the de-esser simulta-
    neously, make sure that the attack time of the compressor is long enough to
    not interact with de-esser.
    Release Time  Control
    The release time control adjusts the time it takes for the compressor Õs gain
    to return to normal after the input level drops below the threshold. The
    range of the control is from 0 milliseconds to 5,000 milliseconds. The control
    is adjusted by dragging the knob with the mouse.
    Knee Control
    The knee control adjusts the sharpness of the transitions between uncom-
    pressed and compressed signals. As a signal increases in level through the
    threshold, the compressor will begin to apply gain reduction. With a soft
    knee (1.00), that change in gain will be gradual and therefor less noticeable.
    The range of the control is from 0.00 (hard knee) to 1.00 (soft knee. The con-
    trol is adjusted by dragging the knob with the mouse.
    Using The  Compressor
    1. Start a ProTools session containing vocal tracks.
    2. Select ÒShow Inserts ViewÓ from the Display menu.
    3. Check ÒLoop Selected RegionÓ in the Options menu.
    4. Select a short phrase that contains large amplitude peaks.
    5. Choose ÒJVPÓ from the insert menu.
    6. Click on the Tool Bypass Button for the Compressor.
    7. Click on the Tool Display Button for the Compressor.
    8. Start playback. 
    						
    							JVP UserÕs Manual39 The Compressor/Gate
    Notice the signal level displayed in the Threshold Level Meter. Deter-
    mine the average level and the peak level.
    9. Adjust the Attack Time and Release Time to best track the changes in the input 
    signal.
    For most spoken material, attack times between 1 and 10 mSec work 
    well. Release times around 50 - 100 mSec. work well for material 
    recorded in a dry, quiet environment.
    10. Adjust the Compressor Threshold control so that it is just above the average level 
    of the track.
    In most cases, compressing the peaks is all that is necessary. As the 
    threshold is brought down, observe the gain reduction meter displaying 
    the amount of compression in use.
    11. Adjust the compression ratio, attack time and release time to Þne tune the sound.
    Increasing the compression ratio, increases the amount of gain reduction 
    and therefor the amount of compression.
    12. Adjust the Gate Threshold and Gate Ratio to gate out breath sounds, background 
    noise, etc. in between the spoken passages.
    The intensity of the gating effect can be adjusted using the Gate Ratio 
    control.
    13. Stop playback. 
    						
    							Using JVP
    40JVP UserÕs Manual
    The Parametric EQ
    JVPÕs parametric EQ uses powerful new algorithms optimized for the 56000
    chip used in every Digidesign DSP card, giving a true 140 dB dynamic
    range and minimal distortion.
    The EQ has three Þlter sections. Two of the sections can be conÞgured as
    different Þlter types giving you a wide range of possibilities for controlling
    timbre and eliminating noise. 
    When the Parametric EQ is not bypassed, all three Þlters are operating con-
    tinuously. The Þlters are designed to be completely Òout of the circuitÓ
    when the Gain Control is set to 0 dB.
    The Controls
    Filter Selector Buttons
    The Filter Selector buttons operate as radio buttons. That is, only one can be
    selected at any time. The left Þlter section can be a low pass, a low shelf, or a
    peak/notch Þlter. The right Þlter section can be a high pass, a high shelf, or
    a peak/notch Þlter. The center Þlter section is always a peak/notch Þlter. 
    						
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