Antares AVOX 4 user manual
Here you can view all the pages of manual Antares AVOX 4 user manual. The Antares manuals for Vocal proccessing tools are available online for free. You can easily download all the documents as PDF.
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45 Output Volume This control applies gain or attenuation to the output signal. Since MUTATOR Evo’s various functions can substantially increase or decrease the level of the input, you can use this control, in combination with the output level meter, to ensure that your output is at an appropriate level without clipping. To adjust output volume, click on and move the fader to the desired position. The numeric display will indicate in dBs the exact amount of gain or attenuation applied....
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46 12: WARM T U bE S AT U rAT I O N GEN E rATO r So what exactly is WA rM? WARM is an easy-to-use plug-in that accurately models the sonic effects of recording audio through a high quality analog tube preamplifier. It offers the choice of two different tube models as well as a unique OmniTube function that allows the application of the tube effect to the entire signal (as opposed to only the transients, as is typically the case with a tube preamp). WARM’s extended parameter ranges have been...
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47 subtle tube “warmth.” Additionally, WARM has been designed to be extremely DSP efficient, so that even a relatively modest native system will be capable of running WARM on an almost unlimited number of tracks simultaneously. What’s the big deal with tubes anyway? For most of us in audio recording, distortion is a bad word. We typically want the cleanest possible recordings, free of any audible distortion. But for certain types of audio there is an exception: the distortion that comes from...
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48 Tube Selector WARM includes two different tube models. The Velvet (blue) tube models the subtle effects of a classic high-quality tube preamp. While this model is perfect for adding warmth to vocals, it’s just as useful for acoustic guitar, horns, strings, synth pads, in fact pretty much anything. The Crunch (red) tube models the deep, warm distortion of an overdriven tube amplifier. Use it in moderation to impart a subtle (or not-so-subtle) effect to almost any track. Or crank it up for...
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49 To adjust the Drive amount, click on the fader handle and move it left or right to the desired setting. The numerical display will indicate the amplification factor in dB and the tube graphic’s will “glow” will change to provide an additional visual indication (i.e., “eye candy”). Command (Mac)/Control (PC)/Option (Pro Tools)clicking anywhere in the scale will reset the Drive value to 0dBOmniTube Without OmniTube engaged, WARM functions exactly like a tube preamp, i.e., the regions of the...
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50 Usage Tips At its most basic level, WARM is designed to add an extremely accurate model of a tube preamp’s sound to warm your digital tracks. But we have purposely designed WARM to have a range of controls that allow you to push well beyond that model. Here are a few other things to try: • Pass your entire final mix through WARM. Instantiate a stereo version of WARM (or more if you are mixing for surround) on your mix bus. Start with a little Velvet tube with OmniTube off. Experiment with...
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51 13: ASPIRE Evo A SPIr ATION NOISE PrOcESSO r ASPIRE Evo is the world’s first tool for modifying a voice’s breathiness independent of its harmonic content. Whether reducing a bit of vocal rasp or adding a bit of smokiness, ASPIRE Evo lets you modify the amount and quality of a voice’s aspiration noise without otherwise affecting the vocal’s harmonic characteristics. What’s aspiration noise? As we mentioned back in the chapter on THROAT Evo, when you speak or sing, air from your lungs is...
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52 If, on the other hand, your signal is noisy or not well-isolated (as might be more common in a live performance situation) or you are dealing with a particularly breathy or guttural voice, it may be necessary to allow more signal variation (higher Tracking numbers). However, under these circumstances tracking is not guaranteed and a too “relaxed” setting may introduce distortion and popping. To adjust Tracking, click on the knob and move the cursor up to turn the knob clockwise, or down to...
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53 Reduction This control allows you to select the amount of reduction of the aspiration noise. A setting of 0.0 provides no reduction. Maximum reduction is -12.0 dB. The red aspiration noise plot on the graphic display will move to reflect the setting of the control. To adjust Reduction, click on the knob and move the cursor up to turn the knob clockwise, or down to turn it counterclockwise. Command (Mac)/Control (PC)/Option (Pro Tools) clicking on the knob will reset it to its default...
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54 Gain The Gain control lets you set the amount of boost or cut that will be applied to the aspiration noise component at the selected Frequency. The range is from -12.0dB to +12.0dB. To adjust Gain, click on the knob and move the cursor up to turn the knob clockwise, or down to turn it counterclockwise. Command (Mac)/Alt (PC) clicking on the knob will reset it to its default value of 0.0 Usage Tips • If you’ll be using any of the more radical AVOX 4 plug-ins on a voice, ASPIRE Evo...