Antares ATR1a Hardware user manual
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21 To select a Program, move the cursor to the Program Number field and use the data knob to choose the desired Program. If the Program Mode Main Screen is displayed and MIDI Program Changes are enabled in the SYSTEM menu, a MIDI Program Change command of 1– 50 will select the corresponding Program. If the Program Mode Main Screen is displayed and the Foot Switch is set to STEP in the SYSTEM menu, pressing the foot switch will step to the next higher numbered Program. To move to Song Mode (see below), move the cursor to the top line and use the data knob to select Song Mode. Song Mode Main Screen When in Song Mode, this Main Screen appears as follows: Song:XXaaaaaaaaaaaaa Step:YYbbbbbbbbbbbbb where XX is the song number, aaaaaaaaaaaaa is the song name, YY is the Song Step number and bbbbbbbbbbbbb displays the name of the Program or navigation message at Step YY. To select a Song, move the cursor to the Song Number field and use the data knob to choose the desired Song. If the Song Mode Main Screen is displayed and MIDI Program Changes are enabled in the SYSTEM menu, a MIDI Program Change command of 1–20 will select the corresponding Song. If the Song Mode Main Screen is displayed and the Foot Switch is set to STEP in the SYSTEM menu, pressing the Foot Switch will step to the next non-”0 Song Step in the Song’s Step list. When in Song Mode, the Speed and Vibrato settings programmed for the selected Song override the Speed and Vibrato settings in any Programs called up by Song Steps.
22 Each Song Step must contain one of the following items: ITEM CODE MAIN SCREEN STEP DISPLAY 0 (no program) ## (Program number) the program name B (B bypass) link) Please note:In the Song Mode main screen, the Cursor buttons can be used to move the cursor to the YY field and the data knob can then be used to select any Song Step and display the item programmed for that step. How- ever, when the MIDI increment message or the foot switch step func- tions are used, the Song Steps may not necessarily appear sequentially. Any steps programmed with zeroes are skipped, and the control func- tions ( and E) will cause changes in Song Step recall order. For details on the function of each of these options, see the section on programming Songs on page 26. To move to Program Mode, move the cursor to the word SONG on the top line of the Main Screen and use the data knob to select Program Mode. Program Edit Pages Pressing the PROGRAMS button while the Program Mode Main Screen is displayed will place the ATR-1a in Program Edit Mode. The fields on these pages allow you to set the parameters which control the ATR-1a pitch processing algorithm. To edit a specific Program you must first select that Program as the current Program. Do that by calling up the appropriate program number on the Program Mode Main Screen. Then, press the PROGRAMS button (the red LED under the PROGRAMS button will light). The number of the Program being edited will always appear in the top left corner of the various Program Edit pages. When editing a Program, you progress from one edit page to the next by pressing the PAGE button. When you are finished making changes, press the PROGRAMS button again. You will be prompted to save the changes (see the Save Program Page, below).
23 Speed Page The first edit page displayed is the SPEED page: Program:XX Speed (0 is fast): yy The SPEED control determines how rapidly pitch correction is applied to the incoming sound. Values range from 0 to 25. A value of zero will cause instantaneous changes from one tone to another and will completely suppress a vibrato and any purposeful expressive pitch variations (note that any related volume changes will remain). Values from 6 to 10 are typical for vocals. Higher values allow more vibrato and other interpreta- tive pitch gestures, but will slow down the rate at which pitch corrections are made. Although the above suggestions can be used as starting points, finding the correct Speed setting for a particular performance is largely a matter of trial-and-error and depends on such attributes as song tempo, note duration and vocal style, among others. Make Scale From MIDI Page In most cases, you will probably tell the ATR-1a which notes to correct using the Scale Page described below. However, there may be occasions when it is not clear exactly what key a melody line is in, or where the line has too many accidentals to fit comfortably into a conventional scale. For those occasions, the Make Scale From MIDI function allows you to simply play the line into the ATR-1a from a MIDI keyboard or sequencer and let the ATR-1a construct a custom scale containing only those notes that appear in the line. Prog:xx Press < to make scale from MIDI To use the Make Scale From MIDI function, ensure that your MIDI source is connected to the ATR-1a’s MIDI input and is transmitting on the same MIDI channel specified on MIDI Page 1 in the System Edit section. Then press the left cursor button to begin the process. The following screen is displayed: xx: Press PAGE when done
24 Now simply play the melody to be corrected from your keyboard or sequencer. Tempo and rhythm don’t matter, so take your time and make sure you don’t play any wrong notes. As each note is played, its name appears in the top line of the display. Assume, for example, that your melody starts with D , B, and then A. After playing those notes the display would look like this: xx: D# A B Press PAGE when done When you have played the entire melody, press the PAGE button to end the process and automatically take you to the Scale Page, where you may further edit your scale as described below. If you happen to make an error during note entry, or want to try again for any other reason, continue pressing the PAGE button until you return to the first screen above and start the process again. Note:When you start the process by pressing the left cursor key, all notes are first removed from the current Program’s scale in preparation for adding just the notes you play. If you then press the PAGE button without playing any notes, you will be taken to the Scale Page below which will display a scale with no notes present. In this state, the ATR-1a will pass all notes with no correction applied. So don’t do that. Another Note:We realize that there is some possibility of confusion between the Make Scale From MIDI function and MIDI Note Mode selected on MIDI Page 1 in the System Edit pages. To clarify: the MIDI Note Mode is used to specify target pitches in real time while pitch correction is occurring, while Make Scale From MIDI is used in advance of correction to create a custom scale for a program. MIDI Note Mode does not need to (and, in fact, shouldn’t) be enabled to use the Make Scale From MIDI function. MIDI Note Mode always overrides the current program’s scale, including one created by the Make Scale From MIDI function. Scale Page You tell the ATR-1a exactly which notes you want to correct on the Scale Page: XX:CC#DD#EFF#GG#AA#B By:
25 This page allows you to specify the scale notes to which the ATR-1a tunes the input sound. If you have used the Make Scale From MIDI function described above, the notes input via MIDI will already appear on the page and can be further edited here. There are 12 notes in this scale, i.e. C, C #, …etc. Each note in the scale can be set to one of three states: Tune (i.e., the note name appears in the display, but the “By:” field under the note is blank): When the input is near a note set to Tune, the ATR-1a will retune the input to that note. Bypass (i.e., the note name appears in the display and an “*” appears in the “By:” field under the note): When the input pitch is close to a note set to Bypass, the output remains uncorrected. Blank (i.e., the note name disappears from the display): A note set to Blank will be omitted from the scale. For example, setting C , D, F, G, A to Blank causes a C Major scale to remain. In that case the ATR-1a would always retune the input to the closest note of the C Major scale. As an example, the following settings result in a D Major scale with no pitch corrections applied to F and C: 23: C#D E F#G A B By: * * Why set Scale notes to “Blank”? To understand why it is sometimes necessary to set even correct scale notes to ”Blank,“ let’s look again at the example from Chapter 1. CORRECTED BY ATR-1 ORIGINAL PERFORMANCE
26 This phrase is in D Major and, if all the pitch errors were no greater than about 49 cents, would work fine with a standard D Major scale (D, E, F, G, A, B, C). However, the pitch error of three semitones at the end of the last note is so large that with B and C present in the Scale, as the pitch fell, the ATR-1a would see first C and then B as the target pitch and therefore allow the error to remain. With C and B removed from the Scale, the ATR-1a continues to see D as the target pitch for the entire duration of the note and therefore pulls the phrase up to the correct pitch. Vibrato Page Prog:XX Dpth Rt Dly yyyyyy xxx zzz dddd These parameters allow you to superimpose a vibrato (periodic pitch variation) onto the output sound. The yyyyyy field allows you to select the shape of the vibrato’s pitch variation through time. The choices are: (off), SINE, SQUARE and SAW (sawtooth). The Dpth (Depth) control varies from 0 to 100 cents, controlling the amount of pitch variation in the vibrato. The vibrato depth can also be modulated (controlled) by the MIDI MOD WHEEL input. Note:The Depth setting is used by the MIDI Mod Wheel controller to define the maximum modulation. You must have the Depth set to a positive value and the wave type set to SINE, SQUARE or SAW in order for Mod Wheel control to work. The Rt (Rate) control varies from .1 to 9.7 Hz and controls the speed of the vibrato. The Dly (Delay) control varies from 0 to 3500 milliseconds, and controlls the time between the beginning of a new note and the full onset of the vibrato. For example, if Delay is set to 1000, the first 500 milliseconds of a new note will contain no vibrato and the next 500 milliseconds will make a transition from no vibrato to the full vibrato. The vibrato is restarted each time the ATR-1a detects a new attack (i.e., input is detected after some finite period of silence). As long as the input is sustained without interruption, changing pitch will not restart the vibrato delay. The vibrato is applied after the effects of the SPEED control. Hence, even with a slow SPEED value of 10, a SQUARE wave vibrato will still result in instantaneous changes in pitch.
27 Program Name Page This page allows you to name each of your Programs. Typically, you would name the program after the scale that it contains. Alternatively, you could name it after the song or portion of a song in which it’s used. Do whatever helps you best remember what you had in mind when you created the Program. Program:XX Name:aaaaaaaaaaaaa To enter the name, place the cursor under each character space and use the data knob to select the appropriate character. Names may be a maxi- mum of 13 characters. The following characters are available for naming (in this order): (space) (UPPER CASE LETTERS) (lower case letters) – . / 0 1 2 3 4 5 6 7 8 9 ! “# $ % & ‘ ( ) * + , : ; < = > ? @ [ ¥ ] ^ _ ` { | } ->
28 To edit a specific Song, you must first select that Song as the current Song. Do that by calling up the appropriate Song number on the Song Mode Main Screen. Then, press the PROGRAMS button (the red LED under the PROGRAMS button will light). The number of the Song being edited will always appear in the top left corner of the various Song Edit pages. When editing a Song, you progress from one edit page to the next by pressing the PAGE button. When you are finished making changes, press the PROGRAMS button again. You will be prompted to save the changes (see the Save Song Page, below). Song Speed Page Song:YY Speed (0 is fast): xxx The Song Speed page operates in exactly the same manner as the Program Speed page described above. However, the Song Speed overrides the Speed settings of any Programs called up by any of the Song Steps. Song Items Page Song:XX : 1 2 3 4 Programs: 0 0 0 0 Here’s where the action is. The Song Items page allows you to specify a sequence of Programs along with a variety of options for navigating the sequence. To specify the contents of a Song Step, use the cursor buttons to move to the step number and then use the data knob to select the desired Item for that Step. Each Song contains 15 Steps. Continuing to press a cursor button when the cursor has reached the leftmost or rightmost displayed Step Number will cause additional Step Numbers to cycle across the display. Each Song Step may contain one of the following Items: ## (A Program Number)While this Song Step is active, the input audio will be pitch corrected according to the scale associated with this Program. All other Program parameters (i.e., Speed and Vibrato) will be ignored. B (Bypass)While this Song Step is active, the ATR-1a is put into Bypass Mode.
29 (Link)When a Song Step containing a Link item becomes active, any Song Steps in the remainder of the current Song are ignored and the ATR- 1a moves immediately to the next Song (in numerical order). If Song Step #1 of the new Song contains a “0” (No Program) item, the Song moves forward to the next non-”0” Step. Use Link when your Song requires more than 15 Steps. 0 (No Program)Song Steps containing a No Program Item are ignored when stepping through a Song using either the Foot Switch or MIDI Increment commands. (i.e., If Song Step #1 contains a Program Number, Song Step #2 contains a “0” and Song Step #3 contains another Program Number, pressing the Foot Switch while on Step #1 will move you immedi- ately to Step #3.) You can, of course, move to a Song Step containing a “0” Item by using the the front panel data knob. In that case, no pitch correction will occur while that Song Step is displayed. All unprogrammed Song Steps initially default to “0.” Song Vibrato Page Song:XX Dpth Rt Dly yyyyyy xxx zzz dddd The Song Vibrato page operates in exactly the same manner as the Pro- gram Vibrato page described above. However, the Song Vibrato settings override the Vibrato settings of any Programs called up by any of the Song Steps.
30 Song Name Page This page allows you to name each of your Songs. Song:XX Name:aaaaaaaaaaaaa To enter the name, place the cursor under each character space and use the data knob to select the appropriate character. Names may be a maxi- mum of 13 characters. The following characters are available for naming (in this order): (space) (UPPER CASE LETTERS) (lower case letters) – . / 0 1 2 3 4 5 6 7 8 9 ! “# $ % & ‘ ( ) * + , : ; < = > ? @ [ ¥ ] ^ _ ` { | } ->