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Yamaha Mx124 Instruction Manual

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    							MX12/6, 20/6 — Owner’s Manual
    Applications9
    Applications
    Example 1) Sound Reinforcement for a live
    performance
    Procedure
    qConnect line input devices or microphones to the INPUT jacks and connect a power amp, that is
    connected to the main speakers, to the ST OUT Jacks.
    wUse the GAIN Control on each channel to adjust the level of the input signal from the device or
    microphone that is connected to the input channel (refer to page 2), and use the Channel Fader to
    adjust the level of the output signal that is sent to the Master Section. Basically, you should set the
    Channel Fader close to the “0” position.
    ePress each channel’s “ST” GROUP Select Switch.
    rUse the ST Master Fader to adjust the level of the signal sent to the power amplifier. Basically, you
    should set the Master Fader close to their “0” position.
    tUse the volume control(s) on the power amp to adjust the volume of the speakers.
    If necessary, use a monitoring device (a pair of headphones, monitor speakers, etc.), a recording device,
    effector, etc.
    ST OUTAUX 1
    SENDAUX 2 (PRE)
    SENDINSERT I/O
    C-R/PHONES
    TAPE IN
    REC OUT
    RETURNEFFECT
    SEND
    INPUT GROUP OUT
    1 – 4
    MONO OUT
    Microphone, Line InputGROUP 1-4 FadersCD Recorder, DAT, etc.Sub Woofer, etc. Main Speakers
    Effector Power Amplifier Power Amplifier Effector
    ST Master Fader C-R/PHONES Output and Meter Select Switch Monitor Speakers
    Headphones
    Set the POST Switch to “?”
    (AUX2=PRE).
    Group Select Switches
    Channel FadersPower Amplifier
    MTR 
    						
    							MX12/6, 20/6 — Owner’s Manual
    10Applications
    Example 2) Home Recording
    AUX 2 (POST)
    SEND
    INSERT
     I/O C-R/PHONES
    ST OUT
    INPUT
    (ST CH)
    GROUP OUT
    4 3
    2
    1
    LINE OUT LINE IN
    RETURN
    INPUT
    Procedure
    
    qConnect a tone generator, synthesizer, microphone, etc. to the INPUT jacks, and connect a master
    recorder such as an MD or CD to the ST OUT jacks.
    wConnect a computer’s audio card’s LINE IN jack to the GROUP 3, 4 jacks and connect a pair of
    powered speakers, etc. for monitoring to the GROUP 1, 2 jacks.
    eConnect the computer’s LINE OUT jack to the stereo INPUT channel jack.
    rUse the GAIN Control to adjust the level of the input signal from the tone generator, synthesizer,
    microphone, etc. that is connected to each input channel (refer to page 2), and use the Channel Fader to
    adjust the level of the output signal that is sent to the Master Section. Basically, you should set the
    Channel Fader close to the “0” position.
    
    qSelect the channels you want to record to the computer by pressing their “3-4” GROUP Select Switches.
    Also, select the channels you want to monitor by pressing their “1-2” GROUP Select Switches.*
    wUse the GROUP 3, 4 Faders to adjust the level of the signal sent to the computer.
    *
    Do not press the “3-4” GROUP Select Switches on the channels that carry the signal from the computer.
    Doing so will result in a loop which may cause feedback.
    
    qSelect the channels you want to send to the master recorder by pressing their GROUP Select Switches
    ST. Also, select the channels you want to simultaneously monitor by pressing their GROUP Select
    Switches 1-2.
    wUse the ST Master Fader to adjust the level of the signal output to the master recorder.
    Tone Generator, Synthesizer, Microphone, etc.Computer
    (Audio Card, etc.)Powered Speakers
    (for monitoring)
    (Audio Card, etc.) Headphones
    Master RecorderEffector
    Effector 
    						
    							MX12/6, 20/6 — Owner’s Manual Frequency response20Hz—20kHz +1dB, -3dB     @+4dB, 600Ω (Input Gain control at minimum level)
    Total harmonic distortion
    						
    							MX12/6, 20/6 — Owner’s Manual
    12Supplement
     Input Specifications
    Input Gain Input NominalInput level
    Connector typeconnectors Control impedance impedance
    Sensitivity *1 Nominal Max. before clipping
    MIC INPUT-60
    5kΩ50-600Ω mics-80 dB (0.078mV) -60 dB (0.775mV) -40 dB (7.75mV)
    XLR-3-31 type *2(1-n *5)
    -16 -36 dB (12.3mV) -16 dB (123mV) +4 dB (1.23V)
    LINE INPUT-34
    50kΩ600Ω lines-54 dB (1.55mV) -34 dB (15.5mV) -14 dB (155mV)
    Phone jack (TRS) *2(1-n *5)
    +10 -10 dB (245mV) +10 dB (2.45V) +30 dB (24.5V)
    ST INPUT-34
    10kΩ600Ω lines-54 dB (1.55mV) -34 dB (15.5mV) -14 dB (155mV)
    RCA phono jack(*7)
    +10 -10 dB (245mV) +10 dB (2.45V) +30 dB (24.5V)Phone jack *3
    RETURN (L, R) 10kΩ600Ω lines -12 dB (195mV) +4 dB (1.23V) +20 dB (7.75V) Phone jack *3
    TAPE IN (L, R) 10kΩ600Ω lines -26 dBV (50.1mV) -10 dBV (316mV) +10 dBV (3.16V) RCA phono jack
    CH INSERT IN
    10kΩ600Ω lines -20 dB (77.5mV) 0 dB (0.775V) +20 dB (7.75V) Phone jack (I/O) *4
    (1-n *6)
    *1 Input sensitivity: the lowest level that will produce the nominal
    output level when the unit is set to maximum gain.
    *2 XLR type connector, phone jack (TRS) (T=Hot, R=Cold, S=Gnd):
    balanced type.
    *3 Phone jack: unbalanced type.*4 Phone jack (I/O) (T=Out, R=In, S=Gnd): unbalanced type.
    *5 n=8 (MX12/6), n=16 (MX20/6)
    *6 n=4 (MX12/6), n=8 (MX20/6)
    *7 9/10, 11/12 (MX12/6), 17/18, 19/20 (MX20/6)
      • 0dB=0.775Vrms, 0dBV=1Vrms
     Output Specifications
    Output connectorsOutput NominalOutput level
    Connector typeimpedance impedance
    Nominal Max. before clipping
    ST OUT (L, R) , MONO OUT 150Ω600Ω lines +4 dB (1.23V) +24 dB (12.3V) XLR-3-32 type *1
    GROUP OUT (1-4)
    AUX SEND (1, 2) 75Ω600Ω lines +4 dB (1.23V) +20 dB (7.75V) Phone jack (TRS) *2
    EFFECT SEND
    C-R/PHONES (L, R) 100Ω10kΩ lines +4 dB (1.23V) +20 dB (7.75V)
    ST phone jack (TRS) *340Ω phones 3mW 75mW
    REC OUT (L, R) 600Ω10kΩ lines -10 dBV (316mV) +10 dBV (3.16V) RCA phono jack
    CH INSERT OUT (1-n *5) 600Ω10kΩ lines 0 dB (0.775V) +20 dB (7.75V) Phone jack (TRS) *4
    *1 XLR type connector: balanced type.
    *2 Phone jack (TRS)  (T=Hot, R=Cold, S=Gnd): impedance balanced
    type.
    *3 ST phone jack (TRS) (T=L, R=R, S=Gnd): unbalanced type.*4 Phone jack (I/O) (T=Out, R=In, S=Gnd): unbalanced type.
    *5 n=4 (MX12/6), n=8 (MX20/6)
      • 0dB=0.775Vrms, 0dBV=1Vrms
    Dimensions
    35
    658
    58835
    11835 35
    < MX20/6 >
    < MX12/6 >
    46854.6
    17.6
    438
    368
    268
    384
    118
    46Units: mm
    Specifications are subject to change without prior notice. 
    						
    							MX12/6, 20/6 — Owner’s Manual
    Supplement13
    Block and Level Diagrams
    +30dB+30dB+20dB+20dB+10dB+10dB0dB0dB-10dB–10dB-20dB–20dB-30dB–30dB-40dB–40dB-50dB–50dB-60dB–60dB
    CH INPUT LINE IN
    GAIN Min.[+10dB]
    CH INPUT MIC IN
    GAIN Min.[-16dB]
    CH INPUT LINE IN
    GAIN Max.[-34dB]
    CH INPUT MIC IN
    GAIN Max.[-60dB]ST INPUT
    GAIN Min.[+10dB] ST INPUT
    GAIN Min.[+10dB]
    ST INPUT
    GAIN Max.[-34dB]Max. Before Clip
    INSERT I/O [0dB]Max. Before Clip
    TAPE IN [-10dBV]
    FaderRETURN [+4dB]
    CH & ST INPUT to GROUP/STEREO [0dB]
    RETURN to AUX/STEREO [-2dB]
    CH & ST INPUT to AUX/EFFECT [-6dB]
    TAPE IN & DSP to AUX/STEREO [-6dB]Max. Before Clip
    AUX SEND [+4dB]
    EFFECT SEND [+4dB]
    AUX
    EFFECT
    ControlMasterGROUP
    FaderMasterMax. Before Clip
    GROUP OUT [+4dB]
    REC OUT [-10dBV]
    ST
    Fader MasterMONO Master 
    ControlMax. Before Clip
    ST OUT, MONO OUT [+4dB]
    C-R/PHONESC-R/PHONES [+4dB@10kohms]
    C-R/PHONES
    [3mW@40ohms]CH INPUTMX12/6:1~4ch
    MX20/6:1~8ch
    MIC INPUT[-60~-16dB]LINE INPUT[-34~+10dB]INSERT I/O[0dB]
    PADPHANTOM
    (8ch/sw)from DC Power Supply
    HA
    GAIN[-60dB~-16dB]
    [-34dB~+10dB][0dB]
    Lo
    Mid
    Hi3-Stage EQ
    PEAKCh.Fader[-10dB]
    BA[0dB][0dB]
    1-2
    3-4
    ST
    [-6dB]
    PAN
    POSTAUX1
    AUX2
    EFFECT
    CH INPUT
    MX12/6:5~8ch
    MX20/6:9~16ch
    MIC INPUT[-60~-16dB]LINE INPUT[-34~+10dB]from DC Power Supply
    PHANTOM(8ch/sw)
    PADHA
    GAIN
    [-60dB~-16dB]
    [-34dB~+10dB][0dB]
    Lo
    Mid
    Hi3-Stage EQ
    PEAKCh.Fader[-10dB]
    BA[0dB][0dB]
    1-2
    3-4
    ST
    [-6dB]
    PAN
    POSTAUX1
    AUX2
    EFFECT
    ST INPUT
    MX12/6: 9/10ch, 11/12ch
    MX20/6:17/18ch, 19/20ch
    [-34~+10dB]
    L
    RHA
    HA
    [0dB]GAIN[-34dB~+10dB]
    3-Stage EQLo
    Mid
    Hi3-Stage EQ
    PEAK
    BABA
    ST Ch.Fader[-10dB][0dB]SUMBAL
    [0dB]POST
    1-2
    3-4
    ST
    [-6dB]AUX1
    AUX2
    EFFECT
    TAPE IN
    [-10dBV]
    L
    RBA
    BA
    [0dB][-6dB]
    TAPE IN
    RETURN
    [+4dB]
    L/MONO
    RBA
    BA
    [+4dB]
    [-2dB]
    AUX2 ST
    AUX1
    [0dB]DIGITAL
    EFFECT
    ON
    [-6dB]AUX2 ST
    AUX1
    STEREO R
    EFFECTSTEREO L GROUP4 GROUP3GROUP2 GROUP1
    AUX1
    AUX2 STEREO R
    EFFECT STEREO LGROUP4GROUP3GROUP2 GROUP1
    AUX1
    AUX2
    GROUP1 Fader[0dB]
    INV
    INV
    INV
    INV SUM
    SUM SUMSUM
    [0dB]
    [0dB]
    [0dB]
    [0dB]
    [0dB][-10dB]GROUP2 Fader[-10dB]GROUP3 Fader[-10dB]GROUP4 Fader[-10dB]
    GROUP OUT 1[+4dB]GROUP OUT 2[+4dB]GROUP OUT 3[+4dB]GROUP OUT 4[+4dB]
    SUM SUM
    INVINV
    [0dB][0dB]
    BA
    BA ST Fader[-10dB]
    BA
    SUM
    REC OUT
    [-10dBV][-6dB]R LGEQ GEQST OUT L
    [+4dB]ST OUT R[+4dB]MONO OUT[+4dB]
    SUM
    SUM
    [0dB]
    [0dB]
    AUX1 SEND[+4dB]AUX2 SEND[+4dB]
    AUX1[-6dB]AUX2[-6dB]
    INV
    INV
    SUMINV
    EFFECT SEND
    [+4dB]
    EFFECT[-6dB]
    PROGRAM
    PARAMETER
    DIGITAL
    EFFECT(INV)LO
    RO[0dB]IN
    G1-2/G3-4
    ST/GROUP
    TAPE IN
    C-R/PHONES
    [-16dB]
    BA BA DR DR
    C-R/PHONES
    [3mW@40ohms]
    [+4dB@10kohms]
    LEVEL(LED)METERPEAKPEAK
    TO ST
    TO ST
    MONO 
    						
    							YAMAHA CORPORATION
    Pro Audio & Digital Musical Instrument Division
    P.O. Box 3, Hamamatsu, 430-8651, Japan V629990 R2 1 CP 16
    NP  Printed in Taiwan 
    						
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