Yamaha Dpx 1300 User Manual

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Menu
9
English
◆ Adjusting image quality using the inline menu
Use the inline menu to adjust image quality without obstructing the image during projection. See “Menu group items and functions” (page 30
- 37) for information on each setting.

Black Level
Inline menu item
Indicates that you can use the h and g buttons to
change the position of the inline menu.
Press the + or - button to set the item to an appropriate setting.
Press the RESET button to return the item to its default setting.

1. Press the  button when the menu is not open.
Image menu items appear one at a time in the lower area of the screen. If you do not carry out any operations within 5 seconds, the menu
disappears.
Press the h or g button to select an item to set.
2. To close the menu when you have finished making adjustments, press the ESCAPE button.
Memo
•Press the  button to change between the pages of the [Gamma] menu.
Black Level
GammaABCDEaA
GammaABCDEaA
Parameter adjustment area

The menu items available may differ depending on the input signal type.
Memo
•When [Sharpness Type] is set to [0], the [Sharpness Gain] adjustment cannot be performed.
Black Level
White Level
Gamma
Hue
Saturation
Color Temp.
White CorrectionSharpness Gain
Sharpness Type
White Peaking
Iris
For video type sources
Brightness
Contrast
Gamma
Color Temp.
White Correction
White Peaking
Iris
For PC type sources
Menu operations
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The memory function automatically saves the settings of menu items listed in the “Items to be saved” table below.
◆ Memory configurations
The DPX-1300 stores up to six sets of configurations, called memory numbers, for each input jack.  For each memory number, the DPX-
1300 stores specific configurations for each signal type, giving a total of 90 configurations.
◆ Recalling a memory number

◆ Saving memory settings
All memory numbers have default settings. Since the DPX-1300 saves any changes in the menu item to the current memory number, you do
not need to save the settings each time. To preserve the specific settings, use the “Memory lock” function (☞ See page 50).

1. Select the [Image] or [Signal]
group from the menu screen.
STANDBY/ON
SETTING
LAMP COVER TEMP FAN PATTERN
ESCAPE MENU
INPUT ASPECTPATT IRIS AUTOSETTINGZOOM FOCUS V.  P O S
INPUT
MENU
ASPECT
ESCAPE
Remote Control Main Unit
MENU Button
1. Press the MEMORY button (in the
MEMORY area) of which you want
to recall the settings.
Remote Control
456 123
VIDEO STILL
LIGHT
BDVIS VIDEOAINPUT
MEMORYHDMI
D4
MEMORY area
Memory configurations for each input jack Items to be saved
Image
Black Level (Brightness)
White Level (Contrast)
Gamma
Hue
Saturation
Color Temp.
White Correction
Sharpness Gain
Sharpness Type
Color Adjustment
White Peaking
Iris
Level Adjustment
Signal
3D Y/C  Separation
Progressive Mode
Color Space Conversion
Setup Level
Overshoot Supp. Range
Overshoot Supp. Level
Noise Reduction Type
Noise Reduction Level
Horiz. Display Position
Vert. Display Position
Signal Level
10
Memory function
(Save, Recall, Lock, Copy, Reset)
Input Signal TypeInput
VIDEO
S VIDEO
INPUT A
INPUT B
HDMI
DVI
The Number of Memories
–
–
SDTV
HDTV
RGB-PC
SDTV
HDTV
RGB-PC
SDTV
HDTV
SDTV
HDTV
RGB-PC
6
6
6
6
6
6
6
6
6
6
6
6
6
D4
Total
SDTV
HDTV6
6
90
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Memory function
10
English
2. Press the g button to select
“Memory number status” from
the bottom of the screen.
3. Press the + button to open the
submenu.
5. Press the 
 button to recall the
settings in the selected memory. 4. Press the h or g button to select
a memory number.
Memo
•When the unit receives a signal with a different resolution from the same input jack,
it detects the new resolution and recalls an appropriate memory settings.
abcde
Memory 1VIDEO 0
0
0100
WRGB
+ : EnterImage Signal Initial SetupMove Menu Window
Black Level
White Level
Gamma Trim
Hue
Saturation
Level Adjustment Iris Color Adjustment
White Peaking
0
6500K +
0.000uv-
2Sharpness Gain
Sharpness Type2
Memory 6VIDEOMemory 5Memory 4Memory 3Memory 2Memory 1
: Fix
Image Signal Initial SetupMove Menu Window
Memory number status
Remote Control Main Unitor
Remote Control Main Unitor
Remote Control Main Unitor
Remote Control Main Unitor
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◆ Memory lock
The lock function protects information in a memory not to be overwritten. You can set the lock function for each memory number,  and
additionally for each SDTV/HDTV/RGB-PC input.

1. Recall the memory number you wish to lock.
2. Select a memory number status.
3. Press the 
 button.
“
”  appears beside locked memory
numbers.
Remote Control Main Unit or
abcde
Memory 1VIDEO
0
0
0100
WRGB
Image Signal Initial Setup
Move Menu Window
Black Level
White Level
Gamma Trim
Hue
Saturation
Level Adjustment Iris Color Adjustment
White Peaking 0
6500K +
0.000uv-2Sharpness Gain
Sharpness Type 2
1. Select the memory number you
wish to unlock.
2. Select a memory number status.
3. Press the 
 button.
“
” disappears from the memory status
screen and the memory lock is removed
from the memory number you selected.
Remote Control Main Unit or
abcde
Memory 1VIDEO
0
0
0100
WRGB
+ : Enter Image Signal Initial Setup
Move Menu Window
Black Level
White Level
Gamma Trim
Hue
Saturation
Level Adjustment Iris Color Adjustment
White Peaking 0
6500K +
0.000uv-
2Sharpness Gain
Sharpness Type 2

Memo
•Y
ou can change settings when the memory is locked, but the unit does not \
save the changes to a memory. Any changes you make
are erased when you place this unit to standby mode. (The memory number\
 status color changes from white to gray if you change
any menu items while the memory is locked.) “ 
 ”disappears
“  ”appears
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Memory function
10
English
1. Recall the memory number to be
the copy source.
◆ Memory copy
Copy the settings stored in a memory number to another memory number.
abcde
Memory 1VIDEO 0
0
0100
WRGB
+ : EnterImage Signal Initial SetupMove Menu Window
Black Level
White Level
Gamma Trim
Hue
Saturation
Level Adjustment Iris Color Adjustment
White Peaking
0
6500K +
0.000uv-
2Sharpness Gain
Sharpness Type2
2. Press the g button to select
“Memory number status” from
the bottom of the screen.
Remote Control Main Unitor
Memory number status
3. Press the + button to open the
submenu.
Remote Control Main Unitor
Memory 6VIDEOMemory 5Memory 4Memory 3Memory 2Memory 1
: Fix
Image Signal Initial SetupMove Menu Window
4. Press the h or g button to select
a memory number to be the copy
destination.
•You cannot select a source memory
number (gray colored) as a copy
destination.
•You cannot select a locked memory
number (marked “
”) as a copy
destination. Remote ControlMain Unit or
Memory 6VIDEOMemory 5Memory 4Memory 3Memory 2Memory 1
: Fix
Image Signal Initial SetupMove Menu Window
: Copy
Memo
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5. Press the + button to display the
confirmation screen.
Remote ControlMain Unit or
Memory 6VIDEOMemory 5Memory 4Memory 3Memory 2Memory 1
: Fix
Image Signal Initial SetupMove Menu Window
Copy the Memory?
Press to confirm.
Ye sNo
6. Press the h or g button to select
[Yes] .
Remote ControlMain Unit or
Memory 1VIDEO: Fix
Image Signal Initial SetupMove Menu Window
Copying to Memory 3 ...7. Press the  button.
The settings stored in the source memory
number are copied to the destination
memory number.
If the copy is complete, the memory status
screen dislplays the memory number
selected in step 1.
Remote ControlMain Unit or
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Memory function
10
English
VIDEO
Image
Memory 4 Signal Initial SetupMove Menu Window
ESC : ReturnPress        to reset current memory.
1. From the main menu, select
[Initial] 
 [Reset]  [Current
Memory].
VIDEO+ : Enter
ResetAll Settings
All Memory
Current Memory Image
Memory 4 Signal Initial SetupMove Menu Window
2. Press the + button to display the
confirmation screen.
3. Press the 
 button to reset the
settings to their default settings.
Remote Control Main Unitor
Remote Control Main Unitor
◆ Resetting to the default settings in the memory menu
Reset the settings stored in the memories to the default settings.

Follow the procedure below to revert settings stored in the selected memory (corresponding to the signal input from the currently selected
input jack) to their default settings.
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Reset all the settings in the memories to their default settings regardless of the input jack or input signal.
1. From the main menu, select
[Initial] 
 [Reset]  [All
memory].
VIDEO
Reset
+ : EnterAll SettingsAll MemoryCurrent Memory
Image
Memory 4 Signal Initial SetupMove Menu Window
2. Press the + button to display the
confirmation screen.
3. Press the 
 button to reset the
settings to their default settings.
Remote Control Main Unitor
Remote Control Main Unitor
VIDEO
Image
Memory 4 Signal Initial SetupMove Menu Window
Press        to reset
all Memory.
ESC : Return
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Reference
11
English
Glossary
The following is a list of key words used in the use of projectors and image signals and their explanations. Please refer to it when using this
manual. For an explanation of vocabulary used in the menu, refer to Menu group items and functions” (  ☞ page 30 - 37).
11Reference
Ceiling mount bracket
The mounting hardware used to hang this unit from the ceiling.
Tw o types of bracket are available, for high and low ceilings.
Ceiling mount brackets are sold separately.
Cinemascope size
The widest film format in 70 mm film, with an aspect of 2.35:1.
Color spacing
The conversion of YUV color separated signal to RGB signal.
There are two formats for this, BT.601 for SDTV, and BT.709 for
HDTV. This unit switches between them as required.
Component video signal
A method of sending video signals with independent luminance
and color signals. Component video gives a higher image quality
than ordinary composite video because it bypasses mixing and
separating circuits. Component video signal consists of three lines,
the luminance signal (Y), and two color difference signals (P
B/CB,
P
R/CR).
Composite video signal
The most common type of video signal, combining luminance and
color signals in one line. This method requires mixing and
separating processes on both the send and receive sides. Use a pin
cable for connection.
DLPTM technology
Digital Light Processing, an image display engine used in
projectors that use the DMD™ chip developed by Texas
Instruments.
DVI terminal
A digital RGB/Component signal is sent differently from a
computer or A/V equipment to this terminal. A 24-pin connector
and cable are used.
D terminal
A cable that allows transmission of all of the signals in composite
video in one cable. This method is used for transmitting image
signals between the latest AV components. There are 5 methods of
transmission, D1-D5. This unit is compatible with D4.
EDTV
Extended-Definition Television, a term used to define systems that
satisfy the following conditions:
•A  resolution of 480p or 576p (p stands for progressive scans)
•A  4:3 or 16:9 aspect ratio
HDCP
A technique designed to protect the video transmission between a
DVI or HDMI transmitter and a display device.
HDMITM
High-Definition Multimedia Interface, a method of differentially
transmitting digital RGB/component video signal from computers
and home digital equipment.
HDTV
High-Definition Television, a term used to define systems that
satisfy the following conditions:
•A  vertical resolution of 720p or 1080i (p stands for progressive
scans, i stands for interlace scans)
•A  16:9 aspect ratio
Interlace
The most common type of scanning used in televisions. It divides a
screen into even and odd numbered fields for scanning, and then
builds an image by combining them into one image (frame).
Keystone Correction
Using the unit at an angle to the screen distorts the projected image
trapezoidally. You can use V Keystone Correction or H Keystone
Correction to electronically correct this distortion.
Letterbox
A method of converting the content of landscape oriented film to a
4:3 signal. You can watch landscape images without trimming them
by  adding a black bar to the top and bottom of the screen, however
this sacrifices vertical resolution to some extent.
Progressive
A method of displaying all scanning lines in a frame at once,
reducing flicker noticeable on a larger screen and creating a sharp,
smooth image. This unit uses progressive scanning for progression.
RGB Signal
A method of transmitting color information using a numeric
representation of the primary colors red, green, and blue separately.
When received, it is expressed in various colors by adding a mixing
colors. RGB is widely used for sending and receiving color images
between computers, and requires horizontal and vertical sync
signals.
SDTV
Standard-Definition Television, a term used to define systems that
satisfy the following conditions:
•A  resolution of 480i or 576i (i stands for interlace scans)
•A  4:3 or 16:9 aspect ratio
Smart zoom
Expands the left and right sides of a 4:3 image without altering the
center, when you are attempting to project a 4:3 image on a wide
screen format. This creates some distortion at both edges.
Squeeze
A method of compressing film images horizontally to an aspect of
ratio of 4:3 when recording to video medium. The raw image is
oblong, so needs to be passed through a desqueezing circuit to be
projected in it’s original form.
Standby
The state in which the circuit that receives infrared-signals from the
remote control is active, but all other main circuits are turned on.
The unit consumes a small amount of power in this state.
S Video signal
S stands for Separate. A method of sending signals with separate
luminance (Y) and color (C) signals. Use a 4-pin mini DIN
connector and cable for connection.
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Compatible signal types
Sync.
Computers output signals with a given regular frequency, which
you must synchronize the projector to in order to produce a good
quality image. If you do not match the phase of the signal, the
image may be flickery, faded, or distorted.
Test pattern
This unit contains test patterns which you can use to adjust the
position and focus of the projected image on the screen.
Tracking
Computers output signals with a given regular frequency, which
you must synchronize the projector to in order to produce a good
quality image. If you do not match the phase of the signal, vertical
stripes may appear on the image.
Vista size
A standard film size, with an aspect ratio of 1.85:1 in North
America, and 1.66:1 in Europe.
3-2 pulldown detection style IP conversion
A function for directly converting interlace signal into sixty frame
progressive signal used when receiving 60 field interlace signal
from an image source recorded with the same 24 frames as movie
film. This allows DVD and other materiel recorded with 24 frames
to be projected on large screens as a natural, precise image with no
loss of quality, comparable to a movie film.*DLP
TM, DMDTM, DarkChip2TM, and DarkChip3TM are registered
trademarks of the Texas Instruments corporation of America.
*HQVTM, Hollywood Quality VideoTM and HQV powered by
Te ranexTM are trademarks of Silicon Optix inc.
*HDMI, the HDMI logo and High-Definition Multimedia
Interface are trademarks or registered trademark of HDMI
Licensing LLC.
*The “HD ready” Logo is a trademark of EICTA.
The following tables show the types and formats of signals the DPX-1300 can project. Signals other than those listed here may not be
projected correctly.
◆TV format 1 (Composite or S Video signals received at the VIDEO or S-VIDEO jack)
fsc
(MHz)Color systemSignal typeV active
(lines)f (V)
(Hz)
NTSC48059.943.580NTSC
PA L57650.004.430PA L
SECAM57650.004.406, 4.250SECAM
PAL6048059.944.430PA L
NTSC4.4348059.944.430NTSC
PAL-M48059.943.580PA L
PAL-N57650.003.580PA L
◆TV Format 2 (Component/RGB TV signals received at the INPUT A and B, or component signals received at the D4 jack)
Signal type
480i
576i
480p
576p
720p/50Hz
720p/60Hz
1080i/50Hz
1080i/60Hz
H active
(pixels)
720
720
720
720
1280
1280
1920
1920
V active
(lines)
480
576
480
576
720
720
1080
1080
f (H)
(kHz)
15.734
15.625
31.469
31.250
37.500
44.955
28.125
33.716
f (V)
(Hz)
59.940
50.000
59.940
50.000
50.000
59.940
50.000
59.940
Glossary
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