Wolf Cinema Projector Dcx 1000i User Manual

							3-28
aUTo InPUT  leVel – Temporarily enter a checkmark  only if you are an experienced user and 
you  have  an  unusual  source  that  you  feel  needs  further  color  temperature  and/or  input  level 
adjustment. This compensates for incoming out-of-range drives (white) and black levels (black) 
that  would  cause  “crushing”  of  light  and  dark  colors  in  the  image. After  entering  a  checkmark, 
wait for the six slide bar values to stabilize, then delete the checkmark and exit. The Auto Input 
Level is automatically turned off upon exit from the Input levels Menu.
blaCK leVels  anD DRIVes - To check your image and adjust these controls:
  Make  sure  overall  “Contrast”  and  “Brightness”  settings  are  both  set  to  near  50.                             
1. 
noTe: Not required for “Auto” adjustment.
Contrast•	  = 50 (approx.)
Bright•	 = 50 (approx.)
Check the color temperature setup using an internal grayscale test pattern, making sure to 
2. 
obtain a neutral grayscale.
  noTe: Not required for “Auto” adjustment. Confirm	 that	you	are	using	 an	analog	 source	not	connected	 to	INPUT 	3	 or	 INPUT 	4,	 as	
3. 
Input Levels are not applicable for digital sources or sources going through the decoder. A 
grayscale is recommended.
If the blacks and/or whites appear OK, input levels do not need adjustment. If black levels 
4. 
are too high (and/or whites are too low, which is rare), you likely have a noisy source that is 
producing skewed input levels. Continue with Step 5.
  Temporarily  enable  “Auto”  in  the  Input  Levels  submenu.  Wait  for  all  6  values  to  stabilize. 
5. 
Alternatively, do not use “Auto” — reduce blacklevels manually instead. Judge by eye and 
change  one  or  more  of  the  six  levels  as  necessary  to  obtain  proper  blacks  and  whites. 
You may want to see only a certain color while adjusting — use the “Color Enable” option 
(described below).
Delete the “Auto” checkmark and leave the Input Levels menu.
6. 
IMPoRT anT: Do not use Input  levels to adjust color temperature.  This will distort Contrast 
and Brightness functions as well as color temperature.
aUT o ColoR  enable	–	When	 a	checkmark	 is	present,	 selecting	 a	specific	 black	level	or	drive	
to adjust will automatically enable the corresponding color in the display. Delete the checkmark 
to	see	all	colors,	or	to	enable	a	different	specific	color	through	the	Color	Enable	Control.
ClaMP  loCaTIon  – This  option  (formerly  known  as  sync  tip  clamping) 
can  brighten  the  image  produced  from  certain  high-resolution  high-
frequency  graphic  sources.  The  projector  automatically  selects  the  best 
clamp location for almost all sources. Use the normal  Back Porch location if the image is either 
sufficiently	 bright	or	overly	 bright.	 Select	Sync Tip if the image appears unusually dim, if there are 
horizontal	 streaks	across	the	image,	 or	if	there	 is	significant	 color	drift.	This	moves	 the	clamping	
pulse  from  the  normal  back  porch  location  (which  is  likely  too  short)  to  the  tip  of  the  horizontal 
sync pulse. Tri Level  is typically needed for an HDTV source.
ColoR  enable  –  Select  which  color  or  colors  you  want  to  see  in  the  display,  useful  while 
working with color temperature white levels or input levels.
Section	3	►	Operation
1.  Back Porch
2.  Front Porch 
						

							3-29
noTes: 1) Input levels apply for the current source only, but for any color temperature used.  2) 
Assuming  that  color  temperature  has  been  set  up  based  on  the  internal  test  patterns,  you  can 
then set up input levels for a given source so that it matches the color temperature of the internal 
test patterns.
PeaK DeTeCT oR – The	Peak	 Detector	 is	a	tool	 to	assist	 with	defining	 individual	 input	levels,	
enabling  you  to  accurately  set  the  Input  Levels  for  any  particular  source  with  the  appropriate 
image. Enabling the Peak Detector activates a special operating mode for detecting  only pixels 
that are considered black or white — all other levels are displayed as a mid-level gray. When used 
with a smooth grayscale pattern in which black and white are known to be at opposite edges of 
the image, you can watch these isolated areas while adjusting individual black levels and white 
levels until both black and white edges are  just visible and distinguished from neighboring pixels. 
Images from this source will then display correct blacks and whites with\
out crushing.
See Figure 3.15. Adjusting Input Levels Using the Peak Detector:  
  Display  a  16  level  grayscale  test  pattern  from  the  desired  external  source,  and  enter  a 
1. 
checkmark in the Peak Detector checkbox.  noTe: The “Peak Detector” will initially render 
the grayscale as a uniform gray field before adjustment.
Display one primary color. 
2.  noTe: Selecting Auto Color Enable ensures the correct color is 
displayed for each setting. 
  For  the  current  color,  adjust  its  corresponding  “Black  Level”  slide  bar 
3.  just  until  a  single 
band	 of	black	 appears	 at	one	 edge	 of	the	 screen.	 This	band	 represents	 the	first	 band	 of	the	
grayscale pattern, which should be 100% black. Do not adjust too far.
  With the same color still active, adjust its corresponding “White Level” slide bar 
4.  just until a 
single band of color appears at the opposite edge of the screen. This band represents the 
last  band  of  the  grayscale  pattern,  which  should  be  100%  white  (or  the  current  color,  if  a 
certain color is enabled). Do not adjust too far.
Go  back  and  check  the  black  band  —  adjust  the  black  level  slide  bar  if  necessary. 
5. 
noTe:  Readjusting  the  black  levels  affects  the  gain  at  this  point;  only  readjust  when 
absolutely necessary.
  Repeat  Steps  3-5  with  the  other  two  remaining  primary  colors.  When  each  primary  color 
6. 
shows  one optimized black band and white (or colored) band, the input levels for this source 
are  correctly  set.  Upon  exiting  the  Input  Levels  menu,  the  Peak  Detector  checkbox  will 
clear.
Section	3	►	Operation
Red (Pr) Black Level
Green (Y) Black Level
Green (Y) White Level Blue (Pb) Black Level
Blue (Pb) White Level Auto Color EnableClamp LocationPeak Detector
Auto Input Level
Red (Pr) White Level
1.
2.
3.
4.
5.
6.
7.
8.
9.
0.
Color EnableInput Levels
Figure 3.15. Adjusting Input Levels Using the Peak Detector (RED EXAMPLE SHOWN) 
						

							3-30
aDVanCeD  IMage  seTTIngs 
— sUbMenU 
Use  the Advanced  Image  Settings 
submenu  to  make  the  adjustments 
necessary  for  lesser-used  but  more 
specialized  applications  on  your 
projector.
gaMMa Table  — This control applies a 
default  video, graphics  or simple  gamma 
table or “curve” to your images, controlling 
the  intensity  of  mid-level  colors  and 
producing maximum contrast, brightness 
and  color  performance.  As  shown  at  right,  the  graphics  curve 
is	 a	modified	 power	curve	that	will	show	 more	detail	 in	darker	
areas of the projected content while the video curve has a linear 
segment  near  black  to  compensate  for  increased  black  levels 
typical  of  video  signals. A  simple  gamma  curve  is  a  true  power 
curve that does not alter the contrast or the intensity of mid-level 
colors. 
Keep  in  mind  that  any  Gamma  Table  choice  sets  the  related 
Gamma  value (shown in the  Picture Adjustments menu) to a 2.6 
default,	 where	it	can	 be	fine-tuned	 as	desired.	 Different	 values	
(1-3)  here  indicate  that  the  original  gamma  table  has  been 
adjusted with either the Gamma slide bar or direct key.
seleCT  ColoR  aDjUsTMenT —  In  “Select  Color  Adjustment”, 
choose an overall color performance for all images. The “Max Drives” 
factory default simply drives all 3 colors at their maximum level so that 
they	 are	fully	 on	and	 cannot	 be	changed.	 The	two	other	 pre-defined 	color	
adjustment choices —  SD Video and HD Video — apply a color gamut 
optimized	 for	video	 sources	 (standard	 or	high-definition).	 Alternatively,	
you  can  specify  a  color  temperature,  which  enables  the  nearby  Color 
Temperature slidebar and applies its current setting (default = 6500K). 
If	 none	 of	the	 pre-defined	 “Select	Color	Adjustment”	 options	or	color	
temperatures  suit  your  application,  select  one  of  four  color  gamuts 
previously	 defined	by	a	user	 (User	 1,	2,	3,	4).	 A	“User”	 option	applies	 a	customized	 color	
performance in which the user has precisely set the hue and intensity of each color component 
in the  Color Adjustment by X/Y or  Color Temp Adjust submenus, and is most often needed with 
multiple-projector applications. Select the color adjustment producing the best color accuracy for 
your application and installation.
To	 configure	 a	“User”	 color	adjustment	 (gamut),	use	either	 the	Color Adjustment by X/Y or  Color 
Temp Adjust submenu found in the  Display Setup menu under Geometry and Color.
noT
es: 

1) “Color Temperature” defaults to 6500K until changed. All four “User” options default 
to  SD  Video  unless  the  user  has  redefined  them.  2)  Factory-defined  color  primaries,  which 
ensure  consistent  color  gamut  from  projector-to-projector,  can  be  calibrated  in  the  Service 
menu  only.  If  you  suspect  alteration,  the  factory  settings  can  be  recovered  with  selection  of 
“Reset to Factory Defaults?” in the  Color Primary Settings submenu within the  Service menu 
(password-protected).
Section	3	►	Operation
A dva nc e d   I ma ge   S e ttings
1.
2.
3.
4.
5.
6.
7.
8.
9. Gamma Table
Select Color Adjustment Color Temperature Iris
Simulation 3D Motion Filter
2/3 Pulldown Threshold Detail Threshold Graphics
Max. Drives
7600
3
Auto
0
0
Gamma Table
1.
2.
3.
4.
5.
6.
7.
8.
9. Graphics
Video
Simple
B&W Film
Film 1
Film 2
Fluorescent
Incandescent
Sunlight 
						

							3-31
ColoR  TeMPeRaTURe —	Adjust	 to	apply	 a	specific	 and	accurate	 color	temperature	 to	all	
displays. Color temperatures are expressed in degrees Kelvin (3200-9300K), and utilize different 
combinations  of  the  projector’s  original  native  color  primaries  to  produce  a  “coloration”  or  cast 
(reddish	 or	bluish)	 in	images—the	 lower	the	temperature,	 the	more	 reddish	 the	cast;	 the	higher	
the  temperature,  the  more  bluish  the  cast.  Note  that  the  slide  bar  is  enabled  only  if  you  have 
a  source  connected  and  have  selected  “Color  Temperature”  in  the  adjacent  “Select  Color 
Adjustment” pull-down list in the  Advanced Image Settings menu.
IRIs  - The IRIS inside the projector controls the diameter of the light beam passing through the 
system. With a fully open aperture (slide bar default of “0”), the maximum amount of light passes 
through  for  maximum  brightness  in  your  images.  Increase  the  slide  bar  setting  to  reduce  the 
aperture diameter and maximize contrast ratio instead. Performance of aperture depends on the 
lens in use.
noTe: IRIS also appears in the lamp menu.
Section	3	►	Operation
sIMUla TIon 3D — sUbMenU of  aDVanCeD IMage seTTIngs
 
Use the options in the  Simulation 3D menu to make the timing adjustments necessary for realistic 
simulation and 3D images.
fRaMe  Dela Y  MonIToR  —  This  slide 
bar  monitors  the  latency  between  input 
and  output.  For  best  results,  the  bar  width 
and  value  should  remain  fairly  constant, 
indicating  that  timing  of  input  and  output 
frames	 is	locked;	 the	Frame	 Delay	Monitor	
value should stay within 5-10 lines or so of 
the  Frame  Delay  setting.  If  a  frame  is  lost 
or  “dropped”,  the  bar  will  move  suddenly 
and  the  values  will  change,  indicating  that 
the  frame  input  is  no  longer  equal  to  the 
output.
fRaMe Dela Y — Set the number of lines delayed between the input signal and its appearance 
on  screen,  keeping  in  mind  that  projector  processing  always  adds  one  frame  of  delay  to  the 
frame delay setting. For applications such as simulation, where the feeling of “real time” image 
response  is  a  priority,  a  minimum  setting  is  usually  preferable.  For  projectors  capable  of  3D 
(stereographic)  applications  where  alternating  left-right  frames  must  be  synchronized  with  the 
corresponding L/R shutters in 3D glasses, a total frame delay setting of two (or multiple of two) 
may  be  more  useful.  If  set  too  high  or  low,  frame  locking  will  not  be  possible  —  most  sources 
require approximately 50 lines of delay to ensure frame locking.
fRaMe  loCK enable — This option allows the projector to control the 
output frame timing based on the input signal. The locked option forces (if 
possible)  the  output  image  to  be  phase  locked  to  the  input  frames.  Rate 
Matched means that the output runs at close to the input frequency but isn’t 
locked to it so the output will drift in phase relative to the output. Free Run 
forces the output to run at a 60Hz frame rate.
S imula tio n  3 D
Frame Delay Monitor Frame Delay
Frame Lock Enable
1.
2.
3.
4.
5.
6. 1047
1000
Locked
Locked
Rate Matched
Free Run
1.
2.
3. 
						

							3-32
aDVanCeD IMage seTTIngs - sUbMenU (ConTInUeD)
MoTIon  fIlTeR  —  This  control  is  most  useful  for  smoothing  out  moving 
images  from  interlaced  sources.  In  most  cases  the  proper  Motion  Filter  setting 
is  automatically  determined  according  to  the  type  of  incoming  source  signal. 
However, if your source is jittery and/or tearing you may wish to “force” a setting 
to  ensure  stable  processing  for  this  source—if  desired,  override  the  default 
“Auto”	setting	by	selecting	the	appropriate	motion	filter:
aUT o: 
1.  The	projector	 will	automatically	 use	the	correct	 motion	filter	according	 to	the	 incoming	
signal.
sTIll:
2.   For static images with no motion, such as graphics from a CD.
MoTIon: 
3.  For	video	 images	 that	did	not	 originate	 from	film,	or	for	 moving	 computer-
generated images.
 fIlM: 4.  For	video	 images	 that	originated	 from	film.	This	 will	optimize	 image	quality	 and	
stability.
2/3  PUllDoWn  ThResholD  —  This  setting  determines  how  sensitively  the  projector  can 
detect	if	an	incoming	video	signal	originated	from	film	or	not.
DeT aIl  ThResholD	 —	Use	 “Detail	 Threshold”	 to
	define	 at

	what	 frequency	 level	the	“Detail”	
control  will  begin  to  magnify  high  frequencies,  which  adds  details  back  into  the  image.  Raise 
the  threshold  to  ignore  more  of  these  high  frequencies,  and  lower  the  threshold  to  magnify 
more  of  these  frequencies. A  setting  of  “0”,  for  example,  means  no  noise  will  be  ignored  and 
all	 will	 be	magnified.	 An	ideal	 detail	 threshold	 is	one	 in	which	 high	frequencies	 that	are	causing	
objectionable	 noise	are	not	magnified	 when	using	“Detail”,	 but	frequencies	 which	can	help	
sharpen	an	overly-soft	image	are	magnified.
Section	3	►	Operation 
						

							3-33
Use  the Display  Setup  menu  to 
define	 general	 operating	 parameters	
and  communications  with  other 
projectors  and  equipment,  and  to 
access other advanced processing 
and  image  adjustments  affecting 
overall  performance.  In  addition, 
the  Display  Setup  menu  provides 
access  to  diagnostics,  calibration 
tools  and  the  Service  submenu 
(password-protected).
Keep in mind that settings in the  Display Setup menu (and its submenus) are typically “global” 
settings	 applied	regardless	 of	the	 type	 of	source	 being	used.	This	characteristic	 is	identified	
with	 the			 (globe)	 icon	alongside 	the	 option.	 The	first	six	options	 in	the	 Display Setup menu are 
explained below:
noTe: The Display Setup menu is recommended for experienced users/technicians only.
The	first	six	options	in	the	Display Setup  menu are explained below:
langUage
Choose  from  available  languages  to  use  in  the  projector’s  menus.  The  change  will  take  effect 
immediately.
IMage oRIenT aTIon
Set  the  orientation  of  the  image  according  to  the  orientation  of  your  projector.  If  the  setting  is 
incorrect, projected images will be reversed and/or upside down.
aUT o PoWeR-UP
Enter a checkmark to enable the projector to automatically power up after losing power due to a 
power failure or due to unplugging the projector during operation. Wolf Cinema recommends that 
this be left unchecked, as a power loss in an unattended house will result in the projector turning 
on without anyone realizing it is on. Note that unsaved display adjustme\
nts may be lost.
seT Da Te & TIMe
Enter/read  the  current  year-month-day  and  hour-minute-second.  Changes  here  reset  the 
projector’s real-time clock.
            System Configuration           
— geneRal  —
Section	3	►	Operation
Display Setup
Language
Image Orientation
Auto Power Up
Set Date and Time Menu Preferences Communications
Geometry and Color
Diagnostics and Calibration Service
Option Card 1 : Dual HDSDI Input
1.
2.
3.
4.
5.
6.
7.
8.
9.
0. English
Front
3.6  
adjusting system 
Parameters and 
advanced Controls 
						

							3-34
MenU PRefeRenCes — sUbMenU
Use the options in this submenu to adjust the appearance, content and/or location of on-screen 
menus and messages.
laRge MenU  fonT — Enter a checkmark to enlarge menus and their text. You may have to 
adjust “Menu Location” to accommodate the increased menu area.
MenU  loCaTIon	 —	Use	 the	pull-down	 list	to	choose	 a	pre-defined	 default	or	customized	
location for the display of all on-screen menus. 
To create a custom menu location quickly, choose a preset that is closest to the desired location. 
Then  adjust  “Horizontal  Shift”  and  “Vertical  Shift”  slidebars  to  move  the  menu  to  the  desired 
location. Avoid locations too close to a corner or edge to prevent cropping of larg\
er menus.
hoRIzonT al shIfT  anD  VeRTICal  shIfT  —  Shift  your  menus  as  desired,  creating  a 
customized menu location.
DIsPla Y  Channel  lIsT  —  Enter  a  checkmark  if  you  want  to  see  a  scrollable  channel  list 
whenever  you  press 
Channel  from  your  presentation.  Channels  marked  with  a  list  icon  in  the 
Channel Setup menu will appear here. The “Display Channel List” option also enables on-screen 
feedback  when  using  the 
Channel  key.  If  you  prefer  to  hide  the  channel  list  and  input  dialog  box 
while switching channels and sources during a presentation, clear the ch\
eckbox.
noTe: The Channel List and input dialog box cannot be hidden during use of the\
 menus.
DIsPla Y slIDebaRs — Enter a checkmark to superimpose a small slidebar over the current 
image whenever an adjustable parameter is selected directly with a key such as 
Contrast or Bright. If 
“Display Slidebars” is unchecked, these slidebars can still be accessed, but will be hidden during 
adjustment. This option does not affect slidebars in menus.
DIsPla Y eRRoR  Messages	 —	Choose	 how	you	want	 to	be	 notified	 of	errors	 detected	 in	
either  the  incoming  signal  or  projector.  Select  “Screen”  or  “All”  (default)  to  see  brief  on-screen 
messages. This  is  particularly  recommended  during  setup  or  testing  of  the  projector.  Or  select 
“Serial Ports” to receive messages via RS232 or RS422 serial communication only. To hide error 
message displays, such as during shows and presentations, select “Off” or “Serial Ports”.
Section	3	►	Operation
Display Bar Scale
8.                 Splash Screen SetupAlways On 
						

							3-35
Settings	in	the	 Communications	 submenu	define	and	control	 how	single	 or	multiple	 projectors	
are linked with each other and with a controlling device.
baUD Ra Tes
The baud rate setting determines the speed of communication to and from the projector on the 
RS232	 or	RS422	 links.	The	maximum	 rate	for	the	 RS232	 is	115200;	 for	RS422	 it	is	 19200.	 Set	
the baud rate to match that of your controlling device, such as your PC. If you are unsure about 
what  baud  rate  to  choose,  refer  to  the  documentation  for  the  controlling  device.  In  an  existing 
network of projectors, if you discover that a projector has a different baud rate, use the pull-down 
list  and  select  the  correct  baud  rate  using  the 
  key  —  do  not  just  scroll  this  control  with   
  or  keys. Serial communication is always eight data bits, no parity.
PRojeCT oR
Enter a three-digit number (such as “001”) to assign or change a number to the projector currently 
in use. If the current projector already has a number assigned, that number will appear here (for 
example,  “004”  in  the  menu  shown  above).  Numerical  identity  for  projectors  enables  you  to 
communicate with a single projector within a multiple-projector application (see also 
Proj key in 
3.2, Using the Keypads). If you make a mistake in assigning or changing the projector number, 
press 
Exit to cancel. 
noTe:  When  multiple  projectors  are  being  used  and  you  want  to  adjust  the  color  and  edge 
blending  settings  for  individual  projectors  to  create  one  seamless  image,  you  must  assign 
different numbers for each projector to allow switching back and forth between projectors while 
adjustments are being made. 
neTWoRK RoUTIng
noTe:   Not applicable for stand-alone projectors or simple serial networks with only one type of 
controller and linking.
seP aRa Te: Select “Separate” (factory default) to keep RS232, RS422 and Ethernet messages 
on their respective paths instead of being broadcast to the other types \
of ports.
            System Configuration        
— CoMMUnICa TIons —
10. Wired Keypad ProtocolAny
Section	3	►	Operation 
						

							3-36
Section	3	►	Operation
Rs232 anD Rs422  joIneD: Messages originating from an RS232 or RS422 controller will be 
relayed to all RS232or RS422 ports. Any Ethernet communication, however, will not.
Rs232  anD eTheRneT  joIneD: Messages to and from the RS232 ports will also be relayed 
to the Ethernet port, and vice versa. Any RS422 communications will be isolated.
all  joIneD: All messages reach all ports, regardless of type.
eTheRneT seTTIngs - sUbMenU
noTe:  Recommended for network administrators only.
DhCP:  Enable this checkbox if you want a DHCP server to automatically change the projector’s 
default  IP  address  (0.0.0.0)  to  one  that  is  valid  and  unique  for  use  on  the  current  Ethernet 
network. On networks without a DHCP server, or to simply override the automatic DHCP server 
function,  delete  the  checkmark  and  enter  the  new  “IP  Address”  settings  desired.  Remember 
that only a 0.0.0.0 address will trigger the DHCP addressing service, and only when the DHCP 
checkbox is enabled.
IP  aDDR ess: Enter a valid and unique IP address for use on the network to which the projector is 
currently connected. This address will overwrite any previous IP address such as the projector’s 
factory-defined	 default	(0.0.0.0),	 or	one	 that	has	been	 assigned	 by	a	DHCP 	server	 or	other	 user.	
It takes approximately 10 seconds for the projector to respond at its ne\
w address.
PoRT:  On	some	 Ethernet	 networks,	 firewall	restrictions	 may	require	 that	the	port	 number	 of	the	
projector  be  changed  from  its  default  of  3002.  If  so,  enter  a  new  valid  port  number  here.  It  is 
highly recommended not to use a port # below 1000, as these ports are typically reserved for and 
used by common IP applications.
sUbneT  MasK  anD  DefaUlT ga TeW aY:  The  Subnet  Mask  and  Default  Gateway  are 
automatically  assigned  when  DHCP  is  enabled.  If  a  static  IP  is  being  used,  the  IP  must  be 
assigned	 first	since	 the	projector	 estimates	 the	subnet	 mask	after	the	IP	is	 entered.	 The	Default	
Gateway is an optional router device used to send and receive data outsi\
de the subnet.
neTWoRK  naMe: Set  the  name  for  the  projector,  as  it  should  appear  on  the  local  network. 
The control is most useful when DHCP is enabled, since the IP address may change from one 
session to another. 
						

							3-37
bRoaDCasT KeY
Enter  a  checkmark  if  you  want  keypad  commands  sent  to  one  projector  to  be  relayed  to  all 
projectors in a serial network. Note that the   key will temporarily “override” the effect of a broadcast 
setting	and	allow	 you	to	control	 a	specific	 projector	 when	necessary.	 Disable	the	setting	 for	all	but	
one (any) projector in a network.
baCKlIghT
Toggle the built-in keypad lighting on/off.
fRonT IR / baCK IR
As needed for your application, set to “any” so that the front and/or rear IR sensor locations on 
the projector respond to the IR keypad. Set to “off” to disable.
To  disable  both  IR  sensors,  you  cannot  use  the  IR  remote  keypad  to  select  the  second  OFF 
setting.  This  safeguard  prevents  accidentally  disabling  an  IR  keypad  while  you  are  using  it. 
Instead,  use  either  the  built-in  keypad  or  a  wired  remote  (optional)  to  set  the  remaining  active 
sensor to OFF. The projector will no longer respond to an IR remote keypad. 
noTe: Protocols B – G are used for rental staging applications.
Section	3	►	Operation
In  the  Display  Setup  menu,  select 
the  Geometry  and  Color   submenu 
when  you  need  to  modify  overall 
color  performance  and/or  image 
geometry for all sources.
TesT Pa TTeRn
Choose  the  desired  internal  test 
pattern  or  select  OFF  to  turn  off  a 
test  pattern.  Alternatively,  use  the 
Test  key  for  cycling  through  test 
patterns.
KeYsT one
 (Not recommended to use Keystone on Wolf WARP pictures)
Use to correct a keystoned image shape in which both sides of your image are inclined toward 
the  top  or  bottom  edge.  Keystone  is  typically  caused  by  tilting  the  projector  in  relation  to  the 
screen, so that the lens surface and screen are no longer parallel to ea\
ch other.
noTe:  Wolf  Cinema  recommends  that  the  keystone  feature  not  be  used  unless  absolutely 
necessary, as it may cause some artifacting in the image.
            System Configuration    
— geoMeTRY & ColoR —
Figure 3.16. Keystone Adjustment
1.
2.
3.
4.
5.
6.
7.
8.
9. Test Pattern
Keystone
White Field Uniformity Edge Blending
Color Adjustments by X,Y Color Temp Adjust
Black Edge Blending
Default Color Adjustment Lens VariScope (LVS)
Geometry and Color
Grid
50.0
K e ys to ne   a nd  Wa rping  if  Wolf Cinema  warping  module   is   pre s e nt
( s tandard  in  Wolf Cinema  mode ls ,   optional  in  all  othe rs ).
