Technics Digital Ensemble Sx Pr604 Owners Manual

							Easy Edit
The most commonly used edit functions are consolidated on one display, providing convenient and quick editing operation.
1.On the SOUND EDIT menu display, select
EASY EDIT.
•The display changes to the following.
2Use the buttons below the display to specify
the value of the attribute.
•An effect may remain unchanged when EASY EDIT is
used to set the value, if another EDIT function was first
used to set the value to its upper or lower limit.
3.Press the WRITE button to store your new
sound.
•Storing your new sound is explained on page 119.
•If a sound is stored in the EASY EDIT mode, and is later
selected in the EASY EDIT mode, the displayed value of
an attribute may be different from the value when it was
stored. The sound itself, however, is exactly as it was
stored.
Tone Edit
Modify the separate tones which comprise the sound.
About tones
A sound may be made up of at most four tones.
•A special process is used to produce real-sounding piano
type tones. For this reason, some edit procedures for
piano sounds, FILTER or AMPLITUDE for example, may
differ from those for other sounds.
TONE SELECT
1.On the SOUND EDIT menu, select TONE.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select the tone you wish to edit (1st, 2nd, 3rd,
4th).
•Use the ON/OFF buttons to select ON or OFF.
3.Select a sound for the tone.
•Use the GROUP ∧ and ∨ buttons to select the group,
and the TONE NAME ∧ and ∨ buttons to select the
sound.
•A “
*” mark in the TONE DYNAM column indicates that a
TONE DYNAMICS change was made to the sound.
4.Use the LEVEL ∧ and ∨ buttons to adjust the
volume.
5.Use the KEY ∧ and ∨ buttons to set the pitch
of the output sound.
BRILLIANCE:
Adjust the brightness of the sound.
VIBRATO DEPTH:
Set vibrato depth.
VIBRATO SPEED:
Set vibrato speed.
VIBRATO DELAY:
Set time delay between key played and vibrato start.
OCT SHIFT:
Shift the octave range.
ATTACK:
Adjust attack time.
RELEASE:
Adjust time of sound fade-out after key is released.
DIG.EFFECT:
Select type of effect. (Refer to page 118.)
Easy Edit items
SOUND1st tone
3rd tone2nd tone
4th tone
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							6.Use the DETUNE ∧ and ∨ buttons for fine
adjustment of the pitch deviation.
7.Use the PANNING ∧ and ∨ buttons to adjust
the stereo balance.
•PAN: CTR is the center point. At L64, the sound is all the
way to the left, at R63 all the way to the right.
•If STEREO R or STEREO L is selected for the MODE,
the balance is fixed (cannot be moved).
8.Use the DELAY ∧ and ∨ buttons to adjust the
delay time of the sound.
•The higher the number, the longer the delay before sound
output.
9.Use the TRIGGER ∧ and ∨ buttons to select
a trigger mode.
KEY ON:
The normal mode, in which sound is emitted when the
key is played.
KEY OFF:
Sound is emitted when the key is released (like muted
strings, for example).
LEGATO:
Sound is emitted only when the key is played legato.
NON LEG:
Sound is not emitted when the key is played legato.
PEDAL:
The sound is produced only while the SUSTAIN button is
on.
CHORD:
The sound is emphasized when chords are played (like
the cutting sound of a guitar, for example).
TONE COPY
You can copy the tone of a particular sound to a specified
tone in the sound you are editing.
1.On the 1/4 display, press the TONE COPY
button.
2.Use the FROM ∧ and ∨ buttons to select the
tone to copy from.
•Use the OPTION ∧ and ∨ buttons to select the item you
wish to copy.
3.Use the TO ∧ and ∨ buttons to select the tone
you wish to copy to.
4.Press the OK button.
•Tone copy is executed.
KEY LAYER
Adjust the relation of tone output to keyboard location.
1.Use the PAGE buttons to view the 2/4 display.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).
3.Use the L-FADE ∧ and ∨ buttons and the LOW
∧ and ∨ buttons to define the area of the lower
range of tone output.
•By entering different values for the L-FADE and LOW
settings, you can define a sloping volume increase to the
peak output volume which corresponds to the note pitch.
4.Use the HIGH ∧ and ∨ buttons and the H-
FADE 
∧ and ∨ buttons to define the area of
the higher range of tone output.
•By entering different values for the H-FADE and HIGH
settings, you can define a sloping volume decrease from
the peak output which corresponds to the note pitch.
•By overlapping the L-FADE and H-FADE curves of each
different tone, you can achieve a cross-fade effect, where
the sound gradually changes in relation to pitch.
5.Repeat steps 2 to 4 for the other tones, as
desired.
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							VELOCITY LAYER
Adjust these settings to regulate the tone output relative to
the velocity.
1.Use the PAGE buttons to view the 3/4 display.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).
3.Use the L-FADE ∧ and ∨ buttons and the LOW
∧ and ∨ buttons to define the 
 sound output
area for the lower range.
4.Use the HIGH ∧ and ∨ buttons and the H-
FADE 
∧ and ∨ buttons to define the ff sound
output area for the higher range.
•By overlapping the L-FADE and H-FADE curves of each
different tone, you can change the way the tone sounds
relative to how hard or softly the keyboard is played.
5.Repeat steps 2 to 4 for the other tones, as
desired.
TONE DYNAMICS
You can adjust the settings so that a different sound (tone)
is output for each tone depending on the velocity (how hard
the keys are played).
1.Use the PAGE buttons to view the 4/4 display.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone.
3.Use the  
 and  buttons to select the column
for the function you wish to adjust.
4.Select the tone waveform.
•Use the GROUP ∧ and ∨ buttons to select the sound
group. Use the TONE WAVEFORM ∧ and ∨ buttons to
select the waveform.
5.Use the LEVEL ADJUST ∧ and ∨ buttons to
adjust the volume. Use the FILTER ADJUST
∧ and ∨ buttons to set the sound.
6.Use the VELOCITY ∧ and ∨ buttons to specify
the velocity range.
•When the upper limit of a waveform is set to 127, no more
waveforms can be added.
7.Repeat steps 3 to 6 to edit the other
waveforms, as desired.
8.Repeat steps 2 to 7 for the other tones, as
desired.
Pitch Edit
Adjust the settings related to the pitch of the sound.
KEY SHIFT & DETUNE
1.On the SOUND EDIT menu display, select
PITCH.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).
3.Use the KEY SHIFT ∧ and ∨ buttons to specify
the output pitch.
•Units are in semitones.
4.Use the DETUNE ∧ and ∨ buttons to fine-ad-
just the pitch.
•Slight differences in the DETUNE values between the
tones add fullness to the sound.
5.Use the TONE SCALE ∧ and ∨ buttons to
select the type of scale (NORM, 1/2, 1/4, 1/8,
1/16, 1/32, 1/64, FIX).
•NORM is the normal scale type. For example, when 1/2
is selected, a difference in pitch between one key and the
adjacent key becomes half the normal pitch difference.
When FIX is selected, the pitch is the same regardless
of which key is played.
6.Repeat steps 2 to 5 for the other tones, as
desired.
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							PITCH ENVELOPE
Specify how the pitch changes over time, from the time the
key is played to the time the sound dies out.
1.Use the PAGE buttons to view the 2/3 display.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone.
3.Adjust the settings for the pitch change en-
velope.
•Use the buttons below the display to set the corresponding
values. The envelope is created on the display as you
input the settings.
•Use the TOTAL DEPTH 
∧ and ∨ buttons to specify the
maximum level.
•Use the START PITCH 
∧ and ∨ buttons to set the start
point. Use the STOP PITCH ∧ and ∨ buttons to set the
stop point.
4.Repeat steps 2 and 3 for the other tones, as
desired.
PITCH ENVELOPE TOUCH & KEY FOLLOW
Specify how the pitch envelope changes in relation to note
pitch.
1.Use the PAGE buttons to view the 3/3 display.
2.Use the buttons to the left of the display to
select a tone.
3.Use the TOUCH ∧ and ∨ buttons to change
the respective touch settings.
•Use the TIME ∧ and ∨ buttons to specify the time change
depending on touch. Use the LEVEL ∧ and ∨ buttons to
specify the pitch change level depending on touch.
•At a – setting, the softer the keys are pressed, the greater
the change. At a + setting, the harder the keys are
pressed, the greater the change.
4.Change the key follow settings for the AT-
TACK (ATK), DECAY (DCY) and RELEASE
(RLS).
•Use the ∧ and ∨ buttons corresponding to the EN-
VELOPE KEY FOLLOW attributes to adjust the settings.
Use the CENTER 
∧ and ∨ buttons to select the center
of the bend direction.
Filter Edit
Make major changes to the sound by eliminating specific frequency ranges.
FILTER & EQUALIZER
1.On the SOUND EDIT menu, select FILTER.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone.
3.Use the MODE button to select the filter mode.
LPF(6)+EQ (low-pass filter + equalizer)
Signals higher than the cut-off frequency are cut. Normal
sounds are softened.
HPF(6)+EQ (high-pass filter + equalizer)
Signals lower than the cut-off frequency are cut. Normal
sounds are sharpened.LPF24 (low-pass filter 24)
A stronger low-pass filter than LPF+EQ.
HPF24 (high-pass filter 24)
A stronger high-pass filter than HPF+EQ.
BPF (band-pass filter)
Cuts off signals that are not within in the area between
the two specified CUTOFF frequencies.
•For this mode, adjust the settings on the EQUALIZER/FIL-
TER side as well.
THRU
No filter effect is applied.
4.Use the CUTOFF ∧ and ∨ buttons to set the
frequency range which is cut by the filter.
5.Use the RESO ∧ and ∨ buttons to specify the
resonance value (dB).
•Resonance is effect which adds character to the sound
by emphasizing the harmonic components of frequencies
close to the cut-off frequency.
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For LPF(6)+EQ/HPF(6)+EQ filters, the sound quality can be
modified by the EQUALIZER.
RANGE
Select the setting range (HIGH or LOW).
FREQ
Set the standard frequency.
GAIN
Set the level increase or decrease from the value set for
FREQ (dB).
6.Repeat steps 2 to 5 for each tone, as desired.
TOUCH & KEY FOLLOW
Adjust how the filter is applied relative to touch and pitch.
1.Use the PAGE buttons to view the 2/4 display.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone.
3.Use the FILTER TOUCH ∧ and ∨ buttons to
modify how the respective filters are applied
relative to key touch.
•Use the CUT OFF ∧ and ∨ buttons to specify the amount
of change in the cut-off frequency. Use the CURVE ∧and ∨ buttons to specify the curve of change. Use the
RESO ∧ and ∨ buttons to specify the degree of change
in the resonance value.
4.Use the FILTER KEY FOLLOW ∧ and ∨ but-
tons to modify how the respective filters are
applied relative to note pitch.
•Use the SLOPE ∧ and ∨ buttons to adjust the bend slope.
Use the RANGE ∧ and ∨ buttons to specify the pitch
range.
5.Repeat steps 2 to 4 for the other tones, as
desired.
FILTER ENVELOPE
Specify how the filter changes over time, from the time the
key is played to the time the sound dies out.
1.Use the PAGE buttons view the 3/4 display.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone.
3.Use the FILTER ENVELOPE ∧ and ∨ buttons
to modify the respective filter envelopes.
•Use the buttons below the display to adjust the respective
settings.
•You can use the CUTOFF ADJUST buttons to set the
total upper and lower settings, the START POINT buttons
to set the start point, and the STOP POINT buttons to set
the stop point.
4.Repeat steps 2 and 3 for the other tones, as
desired.
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							FILTER ENVELOPE TOUCH & KEY FOLLOW
Specify how the filter envelope (curve) changes relative to
touch or note pitch.
1.Use the PAGE buttons to view the 4/4 display.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone.
3.Use the TOUCH ∧ and ∨ buttons to modify
how the respective filter envelopes change
relative to touch.
•Use the TIME ∧ and ∨ buttons to specify the time change,
and the LEVEL ∧ and ∨ buttons to specify the level,
relative to touch.
•At a – setting, the softer the keys are played, the greater
the change. At a + setting, the harder the keys are played,
the greater the change.
4.Use the ENVELOPE KEY FOLLOW ∧ and ∨
buttons to modify how the respective filter en-
velopes change relative to note pitch.
•Adjust the respective slopes for attack (ATK), decay
(DCY) and release (RLS). Use the CENTER ∧ and ∨buttons to specify the center of the bend slope by note
name.
Amplitude Edit
Adjust the settings related to the volume of the sound.
LEVEL
1.On the SOUND EDIT menu, select AMPLI-
TUDE.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone.
3.Use the LEVEL ∧ and ∨ buttons to select the
volume.
4.Use the TOUCH ∧ and ∨ buttons to set the
amount of volume change in relation to how
hard the keyboard is played.
•At a – value, the softer the keyboard is played, the louder
the sound. At a + value, the harder the keyboard is played,
the louder the sound.
5.Use the CURVE ∧ and ∨ buttons to select the
type of volume curve depending on touch.
6.Use the LEVEL KEY FOLLOW ∧ and ∨ but-
tons to change the respective key follow set-
tings.
•Use the SLOPE ∧ and ∨ buttons to adjust the bend slope.
Use the RANGE ∧ and ∨ buttons to specify the pitch
range by note name.
7.Repeat steps 2 to 6 for the other tones, as
desired.
ENVELOPE
Specify how the volume changes over time, from the time
the key is played to the time the sound dies out.
1.Use the PAGE buttons to view the 2/3 display.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone.
3.Adjust the settings for the volume envelope.
•Use the buttons below the display to set the corresponding
values. The envelope is created on the display as you
input the settings.
•Use the SUSTAIN PEDAL 
∧ and ∨ buttons to select the
type of sustain.
LONG:
Extend the release time of the sound.
HOLD:
Maintain the key-pressed condition.
4.Repeat steps 2 and 3 for the other tones, as
desired.
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							ENVELOPE TOUCH & KEY FOLLOW
Specify how the volume changes relative to touch or note
pitch over time.
1.Use the PAGE buttons to view the 3/3 display.
2.Use the buttons to the left of the display to
select a tone.
3.Use the TOUCH ∧ and ∨ buttons to change
the touch settings.
•Use the ATK ∧ and ∨ buttons to specify the ATTACK
time change depending on touch. Use the DCY ∧ and ∨buttons to specify the DECAY time change depending on
touch.
•At a – setting, the softer the keys are pressed, the greater
the change. At a + setting, the harder the keys are
pressed, the greater the change.
4.Change the key follow settings for the AT-
TACK, DECAY and RELEASE.
•Use the ∧ and ∨ buttons corresponding to the EN-
VELOPE KEY FOLLOW attributes to adjust the settings.
Use the RANGE buttons to specify the keyboard range.
LFO Edit
LFO can be applied to the pitch, amplitude, filter and/or pan to produce a cyclic modulation of the sound.•Twelve LFO groups can be used.
LFO
1.On the SOUND EDIT MENU display, select
LFO.
•The display looks similar to the following.
2.Use the PAGE buttons to select the respective
characteristics.
PAGE 1/4: PITCH (vibrato effect)
PAGE 2/4: AMP (tremolo effect)
PAGE 3/4: FILTER (wah-wah effect)
PAGE 4/4: PAN (auto pan effect)
3.Use the buttons to the left of the display to
select a tone.
4.Use the LFO SETTINGS ∧ and ∨ buttons to
adjust the respective assigned LFO’s.
•LFO which share the same number on other displays are
also changed with this adjustment.
SELECT
Select the assigned LFO number (1 to 12)
SPEED
Adjust the modulation speed.
KEYSYNC
When playing more than one note, specify whether the
LFO starts or not each time a key is pressed (ON/OFF).
•When KEYSYNC is set to ON: if, while playing one note,
you play a second note, the LFO is applied to the second
note as well.
PHASE
Degree of phase change.
5.Use the CONNECTION ON/OFF buttons to
specify whether or not the LFO is applied to
the tone.
•An arrow mark indicates that the LFO is applied.
6.Use the TONE SETTINGS ∧ and ∨ buttons to
adjust the respective parameters.
PHASE
Phase
•A + indicates normal phase, and a - indicates an inverted
phase.
WAVE
Modulate the waveform.
SIN: Sine wave
TRI: Triangle wave
SQR: Square wave
SAW: Saw tooth wave
DELAY
Delay time is the time elapsed from when the keyboard
key is pressed until the modulation begins.
DEPTH
Modulation depth
TOUCH
Degree of modulation change in relation to touch
7.Repeat steps 2 to 6 for the other tones, as
desired.
•You can press the OVERVIEW button to confirm the status
of each LFO setting.
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							Effect Edit
These are settings related to the various effects applied to your edited sound.
EFFECT
1.On the SOUND EDIT menu display, select
EFFECT.
•The display looks similar to the following.
2.Use the respective CHORUS ∧ and ∨ buttons
to specify how the CHORUS is applied.
3.Use the REVERB ADJUST ∧ and ∨ buttons
to specify how the REVERB is applied.
4.Use the MONO/POLY ∧ and ∨ buttons to
select the sound output mode.
5.MONO: Use the PORTAMENTO ON/OFF but-
tons set portamento to on or off. Use the TIME
∧ and ∨ buttons to set the portamento time.
DIGITAL EFFECT
1.Use the PAGE buttons to view the 2/2 display.
•The display looks similar to the following.
•The display for the effect type which is best-suited for the
sound currently being edited is selected.
2.Use the TYPE ∧ and ∨ buttons to select the
type of effect.

Specify whether the DIGITAL EFFECT button turns on or
off when the sound is selected. When set to ON, the DIG-
ITAL EFFECT button turns on automatically when the
sound is selected.

Select stereo (STEREO) or monaural (MONO) output of
the effect.
3.Use the buttons along the bottom of the display
to select the attribute you wish to adjust.
•When the type is changed, the parameters revert to the
factory defaults.
Controller Edit
Specify how operation of the controllers, such as the wheels, etc., affects the sound.•These settings are effective when the instrument recieves  controller data.
CONTROLLER
1.On the SOUND EDIT menu display, select
CONTROLLER.
•The display looks similar to the following.
2.Use the buttons to the left of the display to
select a controller.
•Two functions can be assigned to each controller.
3.Use the FUNCTION ∧ and ∨  buttons to select
a function for the controller.
4.Use the DEPTH ∧ and ∨ buttons to set the
depth of the function applied by the controller.
5.Use the TONE ENABLE ON/OFF ∧ and ∨
buttons to set the controller to on or off for
each tone.
•When set to INV, the effect is applied inversely.
6.Repeat steps 2 to 5 for the other controllers,
as desired.
7.Use the GLIDE ∧ and ∨ buttons to select
whether or not the glide effect is active.
ENABLE:
The glide effect is enabled.
DISABLE:
The glide effect is disabled.
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							Store the new sound
The MEMORY button in the SOUND GROUP section accesses memory banks reserved for the sounds you create with the SOUND
EDIT. You can store up to 40 original sounds then select the sounds just like the other sounds in the SOUND GROUP.
Procedure
1.When you have edited the sound to just the
way you like it, on the SOUND EDIT menu
display press the WRITE button.
•The display changes to the MEMORY WRITE display.
2.To assign a name to your new sound, press
the SOUND NAMING button.
•If you do not assign a name to your sound, the name
becomes the same as the original sound from which you
started. In this case, skip to step 5.
•The display changes to the SOUND NAMING display.
3.Use the buttons below the display to assign a
name.
•Press the ABC button to enter alphabetical characters.
While the SHIFT button is pressed, upper case letters are
entered.
•Press the 123 button to enter numbers, etc. While the
SHIFT button is pressed, you can enter symbols.
•Press the POSITION button to move the cursor.
•You can also use the TEMPO/PROGRAM dial to select
the characters.
•Press the INS button to enter a space at the cursor
position.
•Press the DEL button to erase the character at the cursor
position.
•Press the CLR button to erase the entire name.
•Press the →← button to center the name.
4.When you have finished typing the name,
press the OK button.
•The display returns to the MEMORY WRITE display.
5.Use the ∧ and ∨ buttons to select the
MEMORY number in which to store the new
sound (1–40).
6.Press the OK button.
•The new sound is stored, and “COMPLETED!” is shown
on the display.
•The SOUND EDIT mode is turned off.
•The stored sound memories can be saved on a disk for
recall at a later time. (Refer to page 99.)
Select a new sound
You can select your original sound just like the other sounds
in the SOUND GROUP.
1.In the SOUND GROUP section, press the
MEMORY button.
•The list of sounds is shown on the display.
2.Select the desired sound from the list on the
display.
SAX &
WOODWINDORGAN &
ACCORDIONSOUND
EXPLORERBRASS SYNTH SOLOIST STRINGS
VOCAL BASS
DRUM KITS MIXTURES MEMORYGUITAR
& HARPSIMALLET &
ORCH PERC
SOUND GROUP
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							Outline of Control functions
Various settings related to the operation of this instrument are adjusted with the CONTROL functions.
1.Press the PROGRAM MENUS button to turn
it on.
•The display looks similar to the following.
2.Select CONTROL.
•The display looks similar to the following.
3.Select a function.
INITIAL 
Return the settings and memories to the factory-preset
status. (Refer to page 135.)
PEDAL SETTING (page 121)
Various functions can be assigned to the soft and
sostenuto pedals.
FADE IN/OUT SETTING
Settings related to the FADE IN/FADE OUT. (Refer to
page 51.)
PANEL MEMORY MODE
Define which panel settings are stored when the PANEL
MEMORY is used. (Refer to page 56.)
MUSIC STYLE ARRANGER MODE
Define which panel settings change by pressing a FILL
IN button when the MUSIC STYLE ARRANGER is used.
(Refer to page 54.)
4.Follow the procedure to adjust the settings.
•While you are adjusting the settings, when the
TEMPO/PROGRAM indicator is lit, it indicates that the
dial is available for setting the current function.
5.When you have finished setting the functions,
press the PROGRAM MENUS button to turn
it off.
DEMOSPLIT
POINTMAIN
VOLUMEAPC/SEQUENCER
VOLUMEMODECHORD FINDEROFF/ON AUTO SETTING BANK STOP8&16
BEATROCK & POP BALLAD JAZZ & SWINGMOVIE &
SHOWSOUND
ARRANGERPIANO STYLISTTEMPO / PROGRAMPROGRESSIVE
PIANISTONE TOUCH
PLAYSIMPLE PIANO FADE
IN OUT
INTRO & ENDINGSTART / STOPSYNCHRO
START
TAP TEMPOFILL IN12 112 34BEAT2
METRONOMESET OFF/ON
1234VARIATIONMUSIC STYLE
ARRANGERGOSPEL
& BLUES SOUL &
DISCOCOUNTRY &
WESTERNLATIN &
WORLD MARCH &
WALTZMEMORY
LOAD123
456MAX
MINMAX
OFFSOLO SOLO
RHYTHM GROUPSAX &
WOODWINDORGAN &
ACCORDIONSOUND
EXPLORERBRASS SYNTH SOLOISTMULTI EFFECTCHORUS REVERB PLAY EASY REC
SET NEXT BANK BANK VIEWPROGRAM
MENUSDISKLOADCHORD STEP RECDISK
IN USESOLOTECHNI-CHORDDIGITAL EFFECT BRILLIANCESTRINGS TRANSPOSE R1/R2 OCTAVE–
PART SELECT
CONDUCTORPANEL MEMORYLEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1+–+
GRAND UPRIGHT ELECTRIC MODERN12345678DIGITAL
DRAWBAR VOCAL BASSDRUM KITS MIXTURES MEMORYGUITAR
& HARPSIMALLET &
ORCH PERCSOUND GROUPEFFECT THEATRE SONICSEQUENCER
PIANO
PIANO PERFORMANCE PADSAUTO PLAY CHORDFAVORITES
OTHER PARTS/TRHELPDISPLAY HOLDEXITLCD CONTRASTPAGE MUTESEQUENCER
RESETCOUNT
INTRO
SX-PR804
PROGRAM
MENUS
Part X  Control
Control
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