Tascam Two Buss Analog Mixers M08 Preliminary Manual
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From TASCAMÕs Next Generation Family of Mixers Like the larger TASCAM recording consoles, the M08 incorpo- rates many of the same design principles in manufacturing, circuit design and performance Ñ maximum value, useful features and incredible price-performance. With low-noise circuitry and a grounding system that eliminates hum, the M08 creates a new compact utility mixer standard. 12 Total Inputs ÑÊAnd EQ For Everyone Key to the M08Õs versatility is its 4 mono and 4 stereo inputs. Each mono input features XLR inputs with 48V phantom power. This means you can use the highest-quality, low impedance condenser microphones. Each input features a two band-EQ with overload indicator. For adding effects or creating independ- ent CUE/MONITOR mixes, the M08 features 2 AUX sends (pre and post) on each mono and stereo channel. Finishing off the input section are PFL, mute, level and pan controls on each channel. TWO BUSS ANALOG MIXERS page 1 of 4 A Mixer For All Occasions You need a mixer! And you want something versatile! You donÕt want to spend a lot of money. But flexibility, features and utility are important. It must have the features you need to get the job done. You need a utility mixer. What makes a utility mixer so wonderful is its ability to perform in any situation. For example, live recording, a permanent or temporary PA system, or a video or computer multimedia suite. Check out the TASCAM M08. ItÕs the ideal utiltiy mixer. No other mixer will offer you as much value Ñ whether itÕs the only mixer you own Ñ or if its a B-suite or back-up unit. The M08 has the functionality of multiple mixers so you can be confident it will perform flawlessly regardless of where or how you use it Ñ in a studio or in the field, this mixer has the features to deliver what you need in a rugged and compact design so you wont break your back when taking it from gig to studio to presentation Ñ wherever. M08 P R E L I M I N A R Y
M08 TWO BUSS ANALOG MIXERS page 2 of 4 Front Panel-M08 This Master Section Works Hard The M08 gives you four effects returns so you can use your favorite signal processing gear. Plus, there are inputs to both the AUX and stereo busses, and a dedicated 2 track input. A 12-segment display, combined with a smooth 60mm long- throw fader, lets you make subtle adjustments to the final mix Ñ whether its for live, tracking, or mixdown applications. M08 - The Compact Mixer For Your Application ¥ 12-input (4 mono, 4 stereo) ¥ 4 XLR inputs ¥ Dedicated 2-track input ¥ Channel insert on every MONO input ¥ TRS balanced and RCA unbalanced stereo outputs ¥ Stereo and AUX buss sub inputs ¥ Phantom power supply ¥ Optional rackmount ear Ñ RM-08 12345-67-811-12L R 1234 PHANTOM (+48V) EFFECT RETURNSM08 PHONES LINE IN (BAL) (BAL) (BAL)(BAL) INSERTMICLINE IN INSERTMICLINE IN INSERTMICLINE IN INSERTMIC IIIIIIIII TRIM LINE MIC IIIIIIIII EQHIGH -16 +16 IIIIIIIII IIIIIIIII IIIIIIIII -16 +16 LOWOLAUX IIIIIIIIIIIIIIIIII PAN IIIIIIIII LEVEL 1 2 LR MUTE PFL 12 IIIIIIIII TRIM LINE MIC IIIIIIIII EQHIGH -16 +16 IIIIIIIII IIIIIIIII IIIIIIIII -16 +16 LOWOLAUX IIIIIIIIIIIIIIIIII PAN IIIIIIIII LEVEL 11 22 LR MUTE PFL IIIIIIIII TRIM LINE MIC IIIIIIIII EQHIGH -16 +16 IIIIIIIII IIIIIIIII IIIIIIIII -16 +16 LOWOLAUX IIIIIIIIIIIIIIIIII PAN IIIIIIIII LEVEL LR MUTE PFL 34 IIIIIIIII TRIM LINE MIC IIIIIIIII EQHIGH -16 +16 IIIIIIIII IIIIIIIII IIIIIIIII -16 +16 LOWOLAUX IIIIIIIIIIIIIIIIII PAN IIIIIIIII LEVEL 1 2 LR MUTE PFL 5-6 IIIIIIIII TRIM IIIIIIIII EQHIGH -16 +16 IIIIIIIII IIIIIIIII IIIIIIIII -16 +16 LOWOLAUX IIIIIIIIIIIIIIIIII BAL IIIIIIIII LEVEL 1 2 LR MUTE PFL 9-10 IIIIIIIII TRIM IIIIIIIII EQHIGH -16 +16 IIIIIIIII IIIIIIIII IIIIIIIII -16 +16 LOWOLAUX IIIIIIIIIIIIIIIIII BAL IIIIIIIII LEVEL LR MUTE PFL 7-89-10 IIIIIIIII TRIM IIIIIIIII EQHIGH -16 +16 IIIIIIIII IIIIIIIII IIIIIIIII -16 +16 LOWOLAUX IIIIIIIIIIIIIIIIII BAL IIIIIIIII LEVEL 1 2 LR MUTE PFL 11-12 IIIIIIIII TRIM IIIIIIIII EQHIGH -16 IIIIIIIII IIIIIIIII IIIIIIIII IIIIIIIII IIIIIIIII -16 LOWOL AUX IIIIIIIIIIIIIIIIII BAL IIIIIIIII LEVEL L MUTE PFL STEREO INPUTS L/ MONO RL/ MONO RL/ MONO R L/ MONO RL/ MONO R L/ MONO R 1 2 L R STEREO OUTPUTS AUX SENDS L R L R 1 2L R INPUTS AUX BASSSTEREO BUSSTAPE +16 +16 1 2 MASTER IIIIIIIII IIIIIIIII AUX SEND MSTER IIIIIIIIIIIIIIIIII TAPE IN IIIIIIIII MONITORTO L-R TAPE MON 1 2 1 2 1-2 3-4 PFL EFFECT RETURNS 1010 55 00 55 1010 1515 2020 2525 3030 40 ° +54 14 8 6 4 2 0 3 6 15 25 °- 50 °40 50 R C C C C C C C C 1 : GND 2 : HOT 3 : COLD TIP : HOT RING : COLD SLEEVE : GND
M08 TWO BUSS ANALOG MIXERS page 3 of 4 M08 Channel Strip M08 Master Section Specifications Electronic Characteristics MIC Input (XLR type balanced) MIC Impedance 200W Ð 600W Input Impedance 2.4KW Nominal Level -55dBm (1.38mV) Minimum Input Level -59dBm (0.87mV) (Trim MAX) Maximum Input Level -2dBm (0.617V) (Trim MIN) Trim Range 57dB Line Input (1 Ð 4ch) (TRS 1/4 jack, balanced) Input Impedance 10KW Nominal Level 0dBm (0.775V) Minimum Input Level -53dBm (1.74mV) (Trim MAX) Maximum Input Level +4dBm (1.23V) (Trim MIN) Trim Range 57dB Line Input (5 Ð12ch) (1/4 jack, unbalanced) Input Impedance 10KW Nominal Level -2dBu (0.617V) Minimum Input Level -12dBu (0.195V) Equalizer (2 band) High (Shelving) 12KHz, ±16dB Low (Shelving) 80Hz, ±16dB Overload LED Set to light at 20dB above nominal Effect Returns (1 Ð 4) (TRS 1/4 jack, unbalanced) Input Impedance 10KW Nominal Input Level -2dBu (0.617V) Minimum Input Level -12dBu (0.195V) Tape Input (RCA, unbalanced) Input Impedance 10KW Nominal Input Level -10dBV (0.316V) Minimum Input Level -20dBV (0.1V) AUX 1-2 Output (1/4 jack, unbalanced) Output Impedance 100W Nominal Output Level -2dBu (0.617V) IIIIIIIII IIIIIIIII IIIIIIIII IIIIIIIII IIIIIIIII IIIIIIIIIIIIIIIIII IIIIIIIII IIIIIIIII IIIIIIIII IIIIIIIII IIIIIIIII IIIIIIIIIIIIIIIIII IIIIIIIII -
THD 1MIC to Stereo Out Less than 0.03% Less than 0.015% (1KHz) (20Hz Ð 20KHz, Trim nominal, EQ flat, 20dB above nominal input level with 30KHz LPF connected) 1MIC to Stereo Out Less than 0.025% Less than 0.008% (1KHz) (20Hz Ð 20KHz, Trim nominal, EQ flat, 10dB above nominal input level with 30KHz LPF connected) 1 Line (stereo) to Stereo Out Less than 0.006% Less than 0.004% (1KHz) Frequency Response (Nominal In/Out level) MIC/LINE to Stereo Out 20Hz Ð 25KHz, +0.0/-1.0dB Headphone 50Hz Ð 20KHz, +0.0/-2.0dB Dimensions (W x H x D) 13 x 3 1/2 (3 1/18 without foot) x 12 7/16 Weight 9.9 lbs Power Consumption 16W Specifications and features subject to change without notice or obligation. M08 TWO BUSS ANALOG MIXERS page 4 of 4 Maximum Output Level +19dBu (6.92V) Stereo Output (TRS 1/4 jack, balanced) Output Impedance 75W Nominal Output Level +4dBm (1.23V) Maximum Output Level +26dBm (15.5V) Stereo Output (RCA, unbalanced) Output Impedance 100W Nominal Output Level -10dBV (0.316V) Maximum Output Level +19dBV (6.92V) Signal To Noise Ratio DIN Audio/IHF A 1MIC to Stereo Out (150W source) 65dB/68dB 4 MIC to Stereo Out (150W source) 60dB/63dB 1 Stereo Line to Stereo Out 75dB/83dB 4 Stereo Line to Stereo Out 73dB/80dB Stereo Fader minimum (all CH mute) 88dB/90dB Stereo Fader nominal (all CH mute) 75dB/83dB 1 Line to AUX Out 75dB/83dB For more information about other TASCAM FAXBACK literature, call 1-800-827-2268. ©1997 TEAC America, Inc. All rights reserved. 7733 Telegraph Road, Montebello, CA 90640 (213) 726-0303 TEAC Canada Ltd ., 5939 Wallace Street, Mississauga, Ontario L4Z 1Z8 Canada (905) 890-8008 TEAC Mexico, S.A. de C.V., Priva de Colina #18, Colonia del Carmen, Coyoacan, Mexico, D.F. 04100 (525) 658-1943 FAXBACK Index# 6280 2/97