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Tascam CD-R624W Packing List Manual

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    							TASCAM CD-R624W
    Packing List
    The following items should be present in your CD-R624W bundle:
    - TEAC 6x24 external CD-R drive (CD-R56S/614)
    - Adaptec PCI SCSI Card
    - SCSI Cable
    - SCSI Terminator
    - CD-R624W software CD-ROM
    - CD Stomper w/ CD Stomper CD-ROM and CD Labels
    - (2) Blank TEAC CD-R media
    - TEAC 6x24 Installation Guide
    - CD-R624 QuickStart Guide (That’d be this book.)
    Installing the CD-R624W Bundle
    A hardware installation booklet has been included with this package;
    look to it for installation of the SCSI card and CD-Recorder.  Also, if
    you are new to installing software on your PC, be aware that you will
    probably have to restart the computer in between each installation.
    To install the software, make sure your SCSI card and CD-Recorder
    are already connected.  Insert the CD-R624W disc into your CD-ROM
    or CD-R drive.
    To install SEK’D Red Roaster, run the set-up file for Red
    Roaster.  To access it, go inside the Software Folder, to the Install
    Folder, to the Red Roaster-E folder.  There will be a program called
    “Setup” in that folder.
    Cdr624w\Software\Install\Red Roaster-E\SetupBe sure to go into the Red Roaster-E folder; Red Roaster-D installs
    the program in German, and Red Roaster-F installs the program in
    French.
    To install Adaptec EZ CD Creator, run the set-up file for EZ CD
    Creator.  To access it, go inside the English Folder, to the Disk 1
    Folder.  There will be a program called “Setup.exe” in that folder.
    Cdr624w\English\Disk 1\Setup.exe
    There are folders in the root directory for Dutch, German, French,
    Italian, and Spanish for EZ CD Creator.  (If you want to exercise your
    foreign languages, be my guest.)
    To install Xing AudioCatalyst, run the set-up file for Audio
    Catalyst.  It is located in the root directory of the CD-R624W disc,
    entitled “AudioCatalyst Installer”.
    Cdr624w\AudioCatalyst Installer
    Introduction to CDR Technology
    CDR (Compact Disc Recordable) media can store up to 74 minutes of
    stereo audio, or up to 650 megabytes of data.  CDR media can only
    be written on once, so the CDR authoring  software allows you to
    design your CD completely before you burn it.  Since the CD must
    contain a directory of what is on it, and since that directory is on the
    write once media also, all of the information must be burned to the CD
    at the same time.  Recording the information to the CD is done in a
    Session.
    While audio CD players will only recognize the first session on the
    CD, many CD-ROMs will read multiple sessions.  A CD with more than
    one session is called a Multi-Session CD.  So, if the first session of a
    data CD only contained 200 megabytes of data, you could record
    another session after it which could contain close to 450 megabytes. 
    						
    							(It won’t be quite that big because of the extra space taken by the
    new directory.)  Remember though, older CD-ROMs may not search
    for extra sessions.
    With your CD-R624W package, you have software capable of
    recording either data or audio CDs.  Here’s a brief description of the
    capabilities of each format:
    Audio CD - This is the standard CD format you can use in your audio
    CD player.  You can have up to 99 tracks of audio.  The audio tracks
    must be recorded in stereo at the CD standard of 16bit, 44.1kHz.
    Audio players will not search for multiple sessions, so everything for
    the audio player must be burned in the first session of the disc.
    SEK’D Red Roaster is provided on your software CD so you can
    record, edit and process your audio, then assemble and burn your
    masterpiece to a CD.
    ISO-9660 - Originally specified for DOS CD-ROM use, the ISO-
    9660 now has multiple variations for DOS, Windows 95/98, and
    Macintosh.  While more features are available in the later Windows
    95/98, the original DOS format will be compatible with machines
    without Windows 95/98.  Since most Macintosh computers can read
    Windows CDs, this is also a great way to store cross platform material
    such as JPEGs, HTML, or even word process, spreadsheet, or
    graphic files.  Adaptec EZ CD Creator is provided on your software
    CD so you can assemble data CDs to back up your important
    computer data, or assemble your own multimedia CDs.
    So to review, CDs can either be written as an audio CD or data CD.
    Each time information is written to the CD, it records the directory and
    the target material all in one session.  Audio CD players will only
    recognize the first session, but if you wanted to write multiple data
    sessions to a CD, most CD-ROMs will read them.Red Roaster Tutorial:
    Set-up & Acquiring Audio
    There are two movies on the CD-R624W that will walk you through
    many of the features of Red Roaster.  If you look in the CD-R624W
    CD-ROM, you’ll find a folder labeled AVI_Movies.  That has the two
    short videos.  However, we are still providing this tutorial to help you
    through your first session, step-by-step.When you first start up your program, you will see the toolbars,
    but no track layout yet.  The first thing you need to do is create
    a VIP (     VI   rtual      P     roject).  To do that, click on the first button.  A set-up
    menu will appear.
    The main functions we need to
    focus on here are the number
    of tracks, sample rate, and the
    name of the VIP.  Here, we
    want to make sure we are set to
    a sample rate of 44.1kHz
    (shown as 41000 in the menu)
    since we’re planning to record
    to a CD.  Also, be sure to give
    the project a name you’ll
    remember.
    A word about the Tracks
    setting: It is important to know 
    						
    							that “tracks” are actually stereo tracks, not mono.  So, if you select 1
    track, then you are getting stereo.  Selecting 2 tracks gives you 2
    stereo tracks, making more detailed editing easier, but reducing the
    track viewable height size once we get to the editing screen.
    Typically, I use the “2 Tracks” setting to give me more flexibility when
    fading from one track to the next.
    Once you’ve set up your VIP, it’s time to record some audio.
    To do this, click on the record button in the top tool bar.
    This is where you will
    want to monitor your
    input levels. Click on
    the button labeled
    “Monitor” (located
    underneath the level
    meters) to hear what is
    coming into your
    sound card input, and
    to view the levels on
    the monitor level.
    This screen gives you more options to customize your recording
    setup, although most of the settings should work fine as is.
    If you have multiple sound cards in your PC, you will need to select
    which card the input is coming from.  On the left side of this menu just
    below center is the sound card selector.  Make sure it has the correct
    sound card input.
    To start recording, click on Record.  To stop, click on Stop.  When
    you stop, Red Roaster will show you a screen where you can decide
    if you want to keep the recording, or delete it and do it again.  If you
    like it, click on “Yes”.  If you want to do it again, click on “Delete” and
    record again.The Recording screen will remain there in case you want to record
    more tracks.  This is handy for importing many individual tracks in the
    same sitting.  If you want to record more tracks, click record and you’re
    recording again.  If you’re done, click “OK”.
    Once you’ve recorded your audio, the display shows the audio clips
    in the track screens.  Now that your audio is in the VIP, it’s time to start
    editing the audio.  But before we do that, let’s do the right thing and
    save where we’re at.  It’s good advice for any kind of work on the
    computer.  Save frequently and often.
    Editing/Processing
    Now that we have our waveforms on the screen, let’s do some basic
    editing and processing.  We’re only going to get into the basic editing
    here... the SEK’D Red Roaster manual will take your through the
    advanced stuff.
    The first thing you’ll want to do is select Universal Mode for the
    cursor.  This button gives you different editing functions
    depending on where you click on the audio.  If you click in the top half
    of the track, you are moving the play/record cursor and selecting
    regions of audio to manipulate.  If you click on the bottom of the
    audio, you can select the entire block of audio and move it wherever
    you wish.
    Very basic edits can be made simply by
    selecting the block of audio by clicking in
    the bottom half of the audio block.  Five
    handles appear in the corners and top of
    the audio block.
    The handles at the bottom of the block move the starting/ending
    point of the audio.  This is a good way to get rid of dead space before
    and after the tracks. 
    						
    							Fade ins and outs are adjusted with the top left and right handles.
    Drag the handles inward over the audio to create a fade.  If you want
    to edit the type of cross fade, click on the Crossfade editor in the
    toolbar.
    Volume adjustments over the entire block are made with the top
    center handle.
    For simple EQ and compression, the mixer section can provide quick
    and painless solutions.  Type “M” to get to the mixer section.  The
    layout is fairly straight forward, arranging everything in the familiar
    mixer setting.
    For more advanced mastering processors, look under the Effects
    menu.  There you will find multiband compressors, a stereo
    enhancer, and more.  For these to be available, you may have to
    select the block of audio.  Some effects cannot be applied to a freely
    selected region.
    Authoring the CD
    Once you have your audio sounding the way you want it, you’re
    ready to start assembling your CD.  Since the audio is all laid out in a
    linear fashion for the CD, all we need to do is drop in the track IDs and
    index IDs.
    Dropping ID’s in theVIP is really as simple as placing
    the cursor where you want the ID and clicking on the
    type of ID.  (Remember, you place the cursor by clicking in the top
    half of the audio blocks.)  There are separate buttons for Track ID and
    Sub-Index ID.  There is also an Auto ID function which will place IDs at
    the beginning of each block of audio.
    When the IDs are placed, they appear as a tick mark just above the
    editing screen.  There are two rows of numbers which will identify theID markers.  The top number identifies the track number, and the
    bottom number identifies the index number within that track.
    (Professional CD players can usually find additional Index markers,
    which can be useful for sound effect CDs, or for marking particular
    parts of audio passages for quick reference.)
    To move the ID markers, simply click on the tick mark and drag it
    where ever you wish.  To remove ID markers, click on the ID marker
    and press Delete.  If you add or remove markers in between two other
    established markers, the numbers will update.
    Recording the Audio CD
    Now you have your audio edited and processed, and your track
    numbers are all marked.  To make a CD out of this, just press 
    						
    							the Make CD button.  A menu will appear with a number of options.
    There are two ways to burn your CD.  “On The Fly” means Red
    Roaster will process everything from your edit screen in real time.
    This includes crossfades, effects, EQ, and so on.  “Generate a
    completely new file” actually creates a disc image on your hard drive
    before it will burn the CD.   In other words, it processes everything
    and stores that final result
    on your hard drive, and
    then records to the CD
    from the image.  Either
    way, it is important to
    realize that your original
    data is untouched by
    either of these options.
    Your original source
    audio is not going to be
    overwritten or altered.
    There are advantages and disadvantages to each type, depending
    on the speed of your CPU and the complexity of your project.
    Burning on the fly saves you a step, but obviously requires more
    processing horsepower from your computer.  If your computer
    cannot support “Burn on the fly” for your CD, that can be
    compensated for by slowing the burn speed down to 4x or 2x.
    Generating the disc image, then burning from the image offers the
    most reliable option, however extra time is needed to create the
    image first.  The older the computer, the more likely you will need to
    burn a disc image first, or slow the burn speed down to give the
    computer more time to process the information.
    Once the computer has finished, you’re done!  Go ahead and put the
    disc into the CD player of your choice, and listen to your new
    masterpiece.  You’re on CD!EZ CD Creator Tutorial
    Quick Navigational Tips
    Using EZ CD Creator is quite simple, and the EZ CD Creator Wizard
    can walk you through assembling a Data CD without a hitch.
    However, the data window itself can use a bit of explanation.  This
    screen is useful if you need to re-order your files.  For everything
    else, use the CD Creator Wizard to walk you through the process.
    The top two frames are for browsing your hard drive, and the bottom
    two represent the CD you are assembling.  You can select data from
    the top frame, and drag it down to the bottom frame.  Files can easily
    be rearranged in the bottom frame to your liking.
    When the CD is arranged, go ahead and press the Create CD
    button, or select “Create CD” from the File menu.  You will be
    prompted to select the write speed, and whether you want to run a
    test burn, actually burn the CD, or both. 
    						
    							For the first few CDs you
    make, we highly
    recommend doing test
    burns first. Depending on
    what your source data is
    coming from, the drive may
    not be fast enough to
    support 6x burns.  This can
    be even further
    complicated if your drive is
    “fragmented,” meaning the
    data is not in a continuous
    block on the drive.  (This
    happens frequently when
    the drive is nearing
    capacity.)  So just to be
    safe, run the test before burning for a little while until you are sure the
    system will run properly.
    If your system is having trouble keeping up with the drive, read the
    “Troubleshooting Underruns” section at the end of this Guide.AudioCatalyst Tutorial
    What is MP3?
    MP3 has created quite a buzz, but what is it really?  MP3 is a
    compression format for storing audio with excellent fidelity, yet only
    taking approximately 9% of the data space.  MP3 is short for MPEG
    (Moving Picture Expert Group) type 1, layer 3.  If you’re curious about
    other types of MPEG compression, you can find their web site at:
    http://drogo.cselt.stet.it/mpeg/
    What MP3 offers is a way to distribute your music much easier.
    Currently, the main uses for MP3 are for personal players (walkman-
    type units) and for internet distribution of audio.  You can use MP3 to
    put a clip of your band on the internet, or even to exchange musical
    ideas with someone else via email.
    AudioCatalyst is an MP3 encoder/player.  It can encode regular WAV
    files to MP3.  If you already burned your audio to a CD, you can also
    use AudioCatalyst to encode files directly from the audio CD.
    Encoding Options
    There are a good deal of options when creating MP3 files.  There are
    different data rates, CBR vs VBR, and mono vs stereo.  For your first
    time, try doing 128kbps, CBR and stereo.  That is the typical layout,
    and the most compatible.  For reference, the terms are defined
    below.
    data rate - Data rate simply defines how much throughput the MP3
    file will take.  The data rate most people use is 128kbps (kilobytes per
    second), but it can vary from 32kbps up to 320kbps.  The higher the
    data rate, the higher the quality. 
    						
    							CBR vs VBR - In order to capture different sounds with true clarity,
    some sounds can take less space... other sounds are more
    demanding.  CBR (Constant Bit Rate) was the original spec designed
    for MP3, and is compatible with virtually all MP3 players.  VBR
    (Variable Bit Rate) basically adjusts the amount of data used to
    encode the sound according to what is needed.  VBR typically
    sounds better, but older MP3 players may not be able to use it.
    mono vs stereo - This is pretty self explanatory, but it is important
    to realize that a stereo signal does not necessarily take twice as much
    space as a mono signal.  (Ain’t compression skwewy?)
    Encoding MP3 Files
    To select a WAV file to encode, start up AudioCatalyst, go to the File
    menu, and select Encode Files.  You will be prompted to select the
    WAV file you want to encode as MP3.If you want to encode a track from a CD, the initial screen should
    default to the CD-ROM drive.  Put the CD you wish to pull audio from
    in the CD-ROM drive.  Then, check the boxes at the left of the track
    number(s) you want encoded and push the Grab button in the top
    toolbar.
    Once your file is encoded, it can be found in MP3 format in the
    AudioCatalyst Folder.  It will probably appear with the original name of
    the file, plus the .mp3 suffix.  So, track 3 from an audio CD would
    appear as “Track 3.mp3”, and a WAV file called “Pat’s Smash Hit.wav”
    will now be called “Pat’s Smash Hit.mp3”.
    Playing MP3 Files
    Playing MP3 files is as easy as assembling your playlist.  There is a
    separate player application called Xing MP3 Player.  Boot up that
    program, and select the files you want to listen to.  Click on the Open
    Files button on the right, and load in the files you want.  Remember,
    you will probably have to go to the AudioCatalyst folder to find those
    MP3 files you just made. 
    						
    							Troubleshooting
    Underruns
    Let’s start with a basic understanding of what’s involved.  Here are a
    few terms you will need to understand to navigate the world of data
    transfer:
    Access Time - How long does it take from the time the computer
    asks a drive for data until the drive starts spitting it out?  This is usually
    measured in ms (milliseconds).
    Throughput (AKA Transfer Rate) - Once the drive finds the
    information, how fast can it transmit the data?  This is usually
    measured in MB/sec (megabytes per second).
    Fragmented or Optimized - Is the information on the drive
    written in one continuous data stream, or is it broken up into several
    pieces around the drive?  If the data is in one continuous stream, it is
    optimized.  If the data is broken up, then it is fragmented.
    Once you understand the previous terms, then we’re ready to
    troubleshoot.  Let’s first understand the relationship between all of
    these.
    Think of a disk drive as a book.  If you are reading a book from page
    one to the end, you can read a certain number of words per minute.
    When you read a newspaper and the story on page B1 is continued
    on page B14, you are spending time looking for the continuation of
    the story.  Even worse is a Choose-Your-Own-Adventure book.  With
    these, you can only read a few paragraphs before you have to find
    the next part.  This slows you down considerably.So it is with hard drives.  If everything is streamlined, then the data will
    flow quickly.  If the drive has to search for all the parts continuously,
    the data flow suffers.
    One suggestion may be to optimize your source drive.  That will put
    each file in one continuous data stream.  You can do this with a
    multitude of applications, such as Norton Utilities.
    Another solution is to create a disc image which will write (in one
    continuous data stream) all of the information for the CD to a disk
    drive, including the directories.  This sometimes is necessary for
    slower hard disks to operate with faster CD burn speeds.
    Of course, one other solution is just to reduce the recording speed
    of the CD-Recorder.  Some source disks may just be too slow for
    higher speed recording (i.e. Zip, old 44meg SyQuest, etc.)  Also, if
    you’re just making one quick CD, it may be faster to simply record the
    CD at 4x, 2x, or 1x instead of defragmenting the drive, then burning
    the CD at 6x.
    Other problems
       I am getting nothing but loud static out of Red Roaster.    -
    Red Roaster uses an advanced “Floating Bit” processing algorithm
    which some rudimentary sound cards can’t handle.  You probably
    need to switch the program over to standard 16 bit processing.
    With your VIP open, go to the File menu and drag down to
    Preferences.  A menu will pop up to the side of the file menu; drag
    over to Internal Precision and select 16 bit Integer.  That should
    solve your problem. 
    						
    							    The CD-R drive is not identified by the program.    - The first
    thing to check when the program is not identifying the drive is to
    see if your computer is identifying it:
    1) Place the CD-R624W disc in the CD-R drive so it will have
    something to pop up with.
    2) Go under “My Computer”, and see if the CD-R drive pops up.
    (It will probably be drive D: or drive E: if you have one hard drive
    and a CD-ROM drive.)  If the drive does not show up, then the
    computer itself is not seeing the drive:
    A) Make sure your cables are securely connected, and that the
    SCSI terminator is also in place.  If you have other SCSI
    devices in the chain, make sure they have different SCSI IDs
    than the CD-R drive has.  For troubleshooting purposes, it
    may be wise to disconnect the other devices for now to
    ensure your SCSI cabling length is not too long, and that the
    other IDs aren’t interfering.  Remember to shut your
    computer down before changing SCSI IDs or disconnecting
    SCSI devices.
    B) Try restarting your computer with the CD-R drive on.  (It must
    be on at boot-up, or it may not get added to the list properly.
    3) If the drive is operating properly as a CD-ROM, but not as a CD-
    R, then check the Device Manager to make sure the SCSI card
    is properly installed.
       I cannot extract audio from my CD-ROM.    - If you are trying to
    extract audio from an audio CD or trying to copy from CD to CD,
    your CD-ROM must be capable of these functions.  (Not all CD-
    ROMs can do that.)  If necessary, the 6x24 drive is capable of most
    of these types of functions, so you may use the CD-R drive to
    extract to your hard drive, then burn back to the CD.    The drive is not recording to the blank CDs.    - There could
    be several causes for this:
    1) Make sure the disc you are using is a regular CD-R media.  CD-
    RW discs are not compatible with this drive.  “For Music Only”
    CDs may also cause problems, as they are designed for use
    with consumer component CD-Recorders.
    2) Make sure the CD-R media is on the list of approved media of
    this drive.  We have tested many types of CD-R media, and the
    results are posted on our web site at http://www.tascam.com.
    The list is kept on the site so it may be kept as up to date as
    possible.
    3) While the CD-Recorder is recording, make sure the CD-R drive
    is not agitated.  (If you write as vigorously as I do, even writing
    the jewel case insert on the same table as the CD-Recorder is
    on could shake the unit enough.)  CD Recording requires
    much more stability than reading.  When reading a CD, players
    can take several passes at the data stream if the tracking is lost.
    However, CD-Recorders do not have this luxury.  They are
    recording the information on the CD, and need to do so
    precisely the first time.
        The system is testing too slow for 6x recording speeds.    -
    Chances are there is more processing going on than just your CD
    authoring software.
    1) If your computer has a lot of applications running in the
    background, this can substantially slow the efficiency of your
    system.  (Common culprits are likely to be anti-virus software,
    screen savers, or advanced network applications.)  These can
    be temporarily disabled to dedicate more processing
    horsepower to the CD authoring software. 
    						
    							2) In recent years, large disk drives have become more and more
    affordable, but often the drives many stores advertise are quite
    slow.  If the drive is too slow, then you’ll have to try optimizing
    your drive.
    3) In Red Roaster, if you are burning the disc “On The Fly”, that
    means the program is processing your file while it is burning it.
    Fades, EQ, compression... everything.  Of course, we don’t
    want to take out the processing we worked so hard to perfect,
    so it may be best to create an image to burn from if you are
    planning on making multiple copies of the CD.  If not, it may be
    best to simply slow the CD-Recording process down.  See the
    section on Underruns at the beginning of this troubleshooting
    section.
        SEK’D Red Roaster is running in another language!    - You
    probably installed the program in something other than English.
    Delete the folder called Sekdrr24 from your C: drive, and reinstall it.
    This time, make sure you go to:
    Cdr624w\Software\Install\    Red Roaster-E    \Setup.
    This will install Red Roaster in English.  (Red Roaster-D installs in
    German, Red Roaster-F installs in French.)Technical Support
    If you are still experiencing problems with the unit after reading the
    previous troubleshooting section, you can check for more up to date
    FAQ documents at TASCAM’s web site at:
    http://www.tascam.com
    or contact TASCAM Technical Support at:
    (323) 726-0303
    [email protected] 
    						
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