Steinberg WaveLab 3 Operation Manual
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Page 621
WAVELAB Analysis 25 – 621 General operations Opening the “Global analysis” dialog 1.Make a selection in the wave file that you want to process. This selection can be of any length and in one or both channels. If you want to analyse the entire file, hit [Ctrl]-[A]. If “Process whole file if no selection exists” is activated in the Pref- erences - Wave edit tab, the whole file will be processed automatically if no selection has been made in 2.Select “Global analysis…” from the Analysis menu. Deciding...
Page 622
WAVELAB 25 – 622 Analysis Setting parameters and performing the analysis 1.Set up the parameters. On most of the tabs, you will find settings determining exactly how the analysis should be performed. For example, on the Peaks tab there are two parameters: • “Maximum number…” allows you to set an upper limit for the number of peaks re- ported. For example, if you set this to “10”, the program will only report the ten highest peaks in the file. • “Minimum time…” allows you to specify the minimum...
Page 623
WAVELAB Analysis 25 – 623 4.Click on the button that currently displays this value. The value displayed is for the “hot point” with the highest/lowest value. In our example, you would click the button in the lower right corner. 5.Check the “Number of hot points” value at the bottom of the dialog. It dis- plays how many positions in the file the analysis found. In our example it shows how many positions with low amplitude in the right channel meet the criteria specified by the parameters in the dialog....
Page 624
WAVELAB 25 – 624 Analysis Creating markers If you like you can add markers at the “hot points”: 1.Select a property and channel for which you want to add markers. You will add markers for the same property as you are currently browsing, so this selection is done with the value buttons, as described above. Since you are always browsing one channel at a time in a stereo file, mark- ers can be added for only one channel at a time. 2.Click the “Create markers…” button. Temporary markers (see “The various...
Page 625
WAVELAB Analysis 25 – 625 The Peaks tab This is used to find peak values in the audio, that is, single samples with very high values. Parameters There are two report parameters: • “Maximum number…” allows you to put restrictions on how many points will be reported. For example, setting this to “1” will make the program report only the highest peak (or one of the peaks with the highest value – if there are several with the same value). • “Minimum time…” lets you set things up so that the points don’t...
Page 626
WAVELAB 25 – 626 Analysis The Loudness tab This finds loud and weak sections in a more “intelligent” manner than the Peaks tab. The theory behind this is that there might be a single sample with a high or low value somewhere, but this may not necessarily mean that this section is perceived as loud/weak. To find sections that the ear perceives as significant in volume, you must look at a longer section of audio. To do this you measure a consecutive section of samples and then average their value....
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WAVELAB Analysis 25 – 627 Result The Result fields show you the following values: The Pitch tab The Pitch tab shows the values from WaveLab’s extremely accurate pitch detection algorithm. This can be used for pitch shifting, for example, to get one sound in tune with another. There are no parameters to set. The display shows the pitch for each channel, both in Hertz (Hz) and as semitones and cents (hundredths of a semitone). Since the display shows an overall value for the entire analysed section,...
Page 628
WAVELAB 25 – 628 Analysis Usage guidelines • The result is an average value for the whole selection. • The method only works on monophonic material (not on chords or harmonies). • The algorithm assumes the analysed section has a reasonably stable pitch. • The material must be relatively well isolated from other sounds. • It is preferable to analyse the sustain portion of a sound, rather than the attack. The pitch is usually not “stable” during the attack. • Some synthetic sounds may have a weak...
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WAVELAB Analysis 25 – 629 The Errors tab This tab actually reports two totally separate things: •Glitches These are disruptions in the audio. Glitches may occur after problematic digital transfers, after careless editing, etc. They manifest themselves as “clicks” or “pops” in the audio. •Clipping A digital system has a finite number of levels that it can represent properly. When a sound has been recorded at too high a level or when digital processing has raised the level past what the system can...
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WAVELAB 25 – 630 Analysis Glitch parameters • “Threshold” is a value for setting how drastic a change in level has to be reported as a glitch. The higher this value, the less sensitive the detection. • “Sensitivity” is a length value. It represents the length of time that the waveform must exceed the threshold to be reported as a glitch. The higher this value, the less sensitive the detection. It is not 100% certain that the points found by the algorithm are real glitches. Please zoom in and play...