Steinberg Nuendo 5 Manual
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Page 181
181 Control Room VST Connections – Studio tab The Studio tab of the VST Connections window is where you configure the inputs and outputs for the Control Room Mixer. You can also enable or disable the Control Room and open the Control Room Mixer. The channel width of the Control Room channel is shown in the Configuration field on the top right of the tab. For more information about the VST Connections window, see the chapter “VST Con- nections” on page 27. The Studio tab of the VST Connections...
Page 182
182 Control Room Phones The Phones channel is used by the engineer in the control room for checking cue mixes and as another option for lis - tening to the mix or external inputs on a pair of headphones. Furthermore, the Phones channel can be used for preview - ing, see “Control Room preferences” on page 190. It is not intended for cue mixes that performers use while recording. Studios Studio channels are intended for sending cue mixes to performers in the studio during recording. They have talk -...
Page 183
183 Control Room Switching between monitors that share device ports will be seamless, providing any downmix of multi-channel au - dio to stereo if needed. Only one monitor set can be active at a time. If your scenario does not require you to assign ports to several Monitor channels, it is recommended to activate the “Exclusive Device Ports for Monitor Channels” option in the Preferences dialog (VST–Control Room page). This way you can make sure that you do not accidentally assign ports to...
Page 184
184 Control Room The Control Room Mixer The Control Room Mixer is where you can access all the features of the Control Room. It is designed to display informa- tion and controls only for the channels you have defined in the VST Connections window. For example, if you have not defined any Studio channels, they will not appear in the Control Room Mixer. If you want to see all possible channels, use the Control Room Overview instead (see “The Control Room Overview” on page 193). 1.2. 3. 4. 5. 6. 7. 8....
Page 185
185 Control Room The Control Room Mixer has a variety of controls, some that are similar to the Project Mixer and some that are unique to Control Room operations. In the following each control is briefly described: 1.Input Phase Each external input and Monitor speaker output has an Input Phase re-versal switch. When lit, all audio paths within the channel have their phase reversed. 2.Input Gain Each external input, Monitor speaker output and the Talkback input has an Input Gain control. When an...
Page 186
186 Control Room 21.Channel labels These labels reflect the names entered in the VST Connections window. 22.Talkback Enable to Studio and talkback amount In order for Talkback signals to be routed to a Studio, the Talkback En- able to Studio button must be lit. Clicking on it turns it on or off. When Talkback Enable is deactivated, the Talkback DIM setting has no effect on this output. The value below the button controls the amount of Talkback signal fed to the output of each Studio. 23.Metronome...
Page 187
187 Control Room 37.Open MixConvert Settings Clicking on this tab opens the MixConvert plug-in used to downmix multi-channel signals for monitoring. With this plug-in you can modify the settings for each downmix preset. For more information about the Mix - Convert plug-in see the chapter “Surround sound” on page 226 and the separate PDF document “Plug-In Reference”. Note that you can also double-click in the center of the speaker solo area to open the MixConvert plug-in. 38.Downmix Preset Selection...
Page 188
188 Control Room If you do not wish to see full sized meters but still want some indication of signal activity, activate the “Signal Presence Indicators” option in the Preferences dialog (VST–Control Room page). They will be displayed next to the input selection buttons and indicate signal presence for all inputs. Control Room Mixer channels with active Signal Presence indicators Inserts for external inputs Each external input has its own set of six inserts. By click- ing the button next to the name...
Page 189
189 Control Room Activating several monitor sources at the same time By activating several monitor sources, you will hear the sum of the selected busses or group channels. For exam - ple, this is useful to listen to the final mix without having to route the individual submixes to the Main Mix first. There are two ways to achieve this: •Activate the “Multiple Monitor Sources” button and suc- cessively click on the monitor sources that you want to in- clude. •Hold down [Shift] and click on the monitor...
Page 190
190 Control Room Control Room preferences There are several preferences for the Control Room Mixer. These are found in the Preferences dialog (VST–Control Room page). Most of these preferences deal with what options are visi- ble in the Control Room Mixer. This allows you to custom- ize the layout of the Mixer and only have the controls visible that you use the most. The other preferences have the following functionality: •Show Control Room Volume in Transport Panel This option makes the small fader...