Steinberg Nuendo 4 Manual
Here you can view all the pages of manual Steinberg Nuendo 4 Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 471
471 Video About Thumbnail Cache files ÖTo display video thumbnails in the Project window, the option “Show Video Thumbnails” has to be activated in the Preferences dialog (Event Display–Video page). When working with video in Nuendo, video files are dis- played as events/clips on the video track with thumbnails representing the frames in the film. These are calculated in real time, i. e. they have to be redrawn during scrolling or moving. As this consumes quite a lot of processor power, reaction...
Page 472
472 Video After the file is created, the window will be closed and the thumbnail cache file is used when necessary, i.e. under high load. Adopting the Video Frame rate When using video files within Nuendo, it is important to set the project’s frame rate to that of the imported video. This ensures that the time displayed in the SMPTE readout of Nuendo corresponds to the actual frames in the video. 1.Pull down the Project menu and select “Project Set- up…” (or press [Shift]+S) to open the Project...
Page 473
473 Video To view the video on the computer screen (as opposed to on an external monitor, see below), proceed as follows: Under Mac OS, first make sure that “Onscreen Window” is selected in the Video Output section in the Device Setup dialog (Video Player page). Pull down the Devices menu and select Video (or use a key command – by default [F8]). A video window appears. In Stop mode, this displays the video frame at the project cursor position. Playback of the video is performed together with all...
Page 474
474 Video Playing back a video file using graphics cards (Windows only) Multi-head graphics cards which support overlay function- ality can be used to display the video picture on an exter- nal TV or computer monitor in full screen mode. As of this writing, the manufacturers nVIDIA and Matrox have work- ing solutions available. Check the card’s documentation for information on how it handles video output and how to set it up for multi-monitor display. Playing back a video file using video cards Video...
Page 475
475 Video Adjusting the position of the audio event 1.If required, set the snap point in the audio event so that it identifies a significant point in the audio recording. This would be the position in the audio that you want to match to a cer- tain position in the video. If you don’t set the snap point, the start of the audio event will be used instead. 2.Activate Edit Mode on the Transport menu. 3.Select the audio event. The project cursor position is automatically moved to the position of the snap...
Page 476
476 Video Working with film transfers Frame rates Since Nuendo has been created from the ground up as a total media production system, it must be capable of work- ing with all different types of video and film frame rates. Standard frame rates There are several frame rate standards in use today. They are as follows: 23.98 frames per second (23.98 fps) used for cinema film to NTSC transfer. 24 frames per second (24 fps) used for cinema film cameras. 25 frames per second (25 fps) used for PAL/SECAM...
Page 477
477 Video Film frames vs. video fields One of the first things that needs to be understood is how video signals are formatted in general. Each frame or sin- gle image of a video signal is composed of two video “fields”, each containing half of the image. The first field contains all the odd horizontal lines of resolution and the second field contains the even horizontal lines of the im- age. This is called “interlacing” and is needed to minimize the flicker effect that would result if the image was...
Page 478
478 Video 4.The third film frame is transferred to the second field of video frame three and the first field of video frame four. This is a block diagram of the 2-3 pull-down process. Notice that 4 frames of film are transferred to 5 frames of video using the 2-3 field technique. 5.The remaining film frames are transferred in this man- ner, alternating between 2 and 3 fields of video, until the end of the transfer. After four frames of film have been transferred this way, an even five video frames...
Page 479
479 Video Audio pull-down -0.1% (NTSC) When working on a film project that has been transferred to NTSC video, most audio engineers prefer to use the original source tapes from the film shoot in order to retain the highest quality and fidelity. Audio that has been trans- ferred to the videotape during the film transfer has suf- fered a generation loss and speed change. Since the video is running -0.1% slower than the original film, the audio must also be slowed down by the same amount as the film in...
Page 480
480 Video Other pull-up/pull-down options There may be other scenarios where non-standard pull-ups and pull- downs can be used to correct mistakes. Nuendo provides further pull- up/pull-down options for such situations in the Project Setup dialog and the respective section in the Project Synchronization dialog (see below). Timeline adjustments when using pull-ups or pull-downs When the audio clock of your audio card is being slowed down or sped up from an external clock source, Nuendo has no idea that...