Steinberg Nuendo 3 Operation Manual
Here you can view all the pages of manual Steinberg Nuendo 3 Operation Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 561
NUENDO Export Audio Mixdown 24 – 561 Options When you click the Save button, an Options dialog opens in which you can enter information about the file. This additional information (called the ID3 tag) will be embedded as text strings in the file, and can be displayed by some mp3 playback applications. • For the information to be included in the file, you need to activate the “Insert Options” checkbox in the dialog. Ogg Vorbis files Ogg Vorbis is an open, patent-free audio encoding and streaming...
Page 562
NUENDO 24 – 562 Export Audio Mixdown Real Audio G2 files Real Audio files (extension “.rm”) allow very high compression rates and can therefore be made very small. This makes the format especially use- ful for downloading and streaming multimedia from the internet. The following options are available for Real Audio files: Coding and Content This is where you specify the desired audio quality for the file. In the Real Audio G2 format, this information is divided in two pop-up menus: Coding (determining...
Page 563
NUENDO Export Audio Mixdown 24 – 563 The following options are available for Windows Media Audio files: Attributes This pop-up menu allows you to select a bit rate for the WMA file. As a rule, the higher the bit rate, the better the audio quality and the larger the file. For stereo audio, 96 kBit/s is often considered to give “good” audio quality. Options When you click the Save button, an Options dialog opens in which you can enter information about the title and author of the file, as well as...
Page 564
NUENDO 24 – 564 Export Audio Mixdown •Click the Options button to open a dialog in which you can make set- tings for the Windows Media Audio files. When you have made the desired settings, click OK to encode the file. The following options are available: Input Stream Here you set the sample rate (44.1, 48 or 96 khz) and the bit resolu- tion (16 bit or 24 bit) of the encoded file. These should be set to match the sample rate and bit resolution of the source material. If no value matches that of your...
Page 565
NUENDO Export Audio Mixdown 24 – 565 •Mode The WMA Pro encoder can use either a constant bit rate or a variable bit rate for en- coding to 5.1 surround, or it can use lossless encoding for encoding to stereo. The op- tions on this menu are as follows: Note that if you encode to a surround file, it can only be played as in- tended on computers using Windows XP, since no other Windows ver- sion supports WMA surround. With other operating systems than XP, the surround file will instead be reproduced as a...
Page 566
NUENDO 24 – 566 Export Audio Mixdown •Bit Rate/Channels This menu allows you to set the desired bit rate – from 128 kbps to 768 kbps, depend- ing on the selected Mode (see above). If the Mode “Variable Bitrate with Quality” is used (see above), the menu allows you to select from six levels of desired quality, with 10 being the lowest and 100 the highest. Generally, the higher the bitrate or quality you select, the larger the final file will be. The menu also shows the channel format (5.1 or stereo)....
Page 567
NUENDO Export Audio Mixdown 24 – 567 • Off: If Quiet Mode is off, the dynamic range settings that were automatically calculated during the encoding will be used. • Little Difference: If this is selected and you have not manually changed the dy- namic range settings, the peak level will be limited to 6 dB above the average level during playback. If you have manually specified the dynamic range, the peak level will be limited to the mean value between the peak and average val- ues you specified. •...
Page 570
NUENDO 25 – 570 Synchronization Background What is synchronization? Synchronization is said to exist when you make two pieces of equip- ment agree on time or tempo and location. You can establish synchro- nization between Nuendo and a number of other types of devices, including tape recorders and video decks, but also MIDI devices that “play back”, such as other sequencers, drum machines, “workstation sequencers” etc. When you set up a synchronization system you must decide which unit is the master....