Steinberg HALion Symphonic Orchestra Operation Manual
Here you can view all the pages of manual Steinberg HALion Symphonic Orchestra Operation Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 31
ENGLISH HALion Symphonic Orchestra 31 Here you can set tune and volume globally for HALion Symphonic Or- chestra. You can tune up/down in Hertz, and set the master volume from silence up to +6 dB. The Voices field dynamically displays the number of voices currently used. The Steinberg logo in the bottom right corner of this section provides an Internet link to the Steinberg home page. An Internet connection and a suitable browser application are required for this to work. Global Commands context...
Page 32
HALion Symphonic Orchestra 32 The Keyboard The keyboard logically spans the entire range that you can assign sam- ples to, from C-2 to G8. It is used to quickly audition samples by click- ing a key to which a sample is assigned. A blue dot indicates the key where you last clicked. Use the scrollbar below the keyboard to scroll up or down the keyboard range. You can use the +/- buttons to the right of the scrollbar to zoom the visible range of the keyboard. You can audition samples with varying...
Page 33
ENGLISH HALion Symphonic Orchestra 33 The keyboard indicates for each key whether it has a sample mapped to it by displaying a green or blue colored strip at the top of the key. The length of the strip, i.e. the number of keys it touches, indicates the key zone range for a particular sample. The color of the strip alternates for each new key zone mapped across the keyboard, allowing you to see the start and end of each key zone. Right-click (Win)/[Ctrl]-click (Mac) on a key to open a little info...
Page 34
HALion Symphonic Orchestra 34 The Disk LED The disk LED to the left of the HALion Symphonic Orchestra on- screen keyboard will light up green when samples are streamed from disk, and red when samples cannot be loaded from disk in time. To in- dicate that samples could not be streamed, a red circle will be dis- played around the disk LED until you click on it. In such a case you should increase the cache size and/or the preload time of the samples in the Player Options dialog. Disk Activity LED The...
Page 35
ENGLISH HALion Symphonic Orchestra 35 Performance issues When handling content as big as that for HALion Symphonic Orches- tra, making the most of your computer’s system resources is very im- portant. In the following sections you will find some suggestions that should help you to optimize your computer performance. 16-bit vs. 24-bit content All HALion Symphonic Orchestra content comes in two versions: as 16-bit files and as 24-bit files. The difference between the two is sim- ple: the 24-bit programs...
Page 36
HALion Symphonic Orchestra 36 Make sure you increase Preload into RAM in small steps only (not ex- ceeding 0.1 seconds)! When setting this option to too high a value, you may “eat up” all of the RAM available to your system. The less RAM you have, the shorter the Preload into RAM time should be. The value for Preload into RAM also directly affects the time it takes for HALion Symphonic Orchestra to load its programs. If it is of no importance to you how long it takes to load a program, you can set...
Page 37
ENGLISH HALion Symphonic Orchestra 37 Content Description The following sections describe the general structure of the installed content. Using the content in HALion You can open the HALion Symphonic Orchestra content files in HALion. This lets you take full advantage of the features of Steinberg’s modern software sampler when working with this library. Upgrading from HALion String Edition If you are a user of HALion String Edition 1 or 2 and purchased HALion Symphonic Orchestra using the upgrade...
Page 38
HALion Symphonic Orchestra 38 With bowed instruments, this is totally different. Strings need expres- sion control all the time, and most of it is happening after the initial at- tack. We have introduced a special Crescendo controller allowing you to continuously control the expression while you are working. It not only controls the volume, but also the choice of the layer played according to the controller value (i.e. the actual pianissimo, piano, … forte, fortis- simo recording). From now on bear...
Page 39
ENGLISH HALion Symphonic Orchestra 39 Xswitch The Xswitch programs are the economical alternative to the Xfade ver- sions. They behave identically but the expression controller switches from layer to layer rather than blending them into each other. Volume, however, is controlled continuously. The disadvantage of audible transitions yields an unbeatable advan- tage: Only one stereo voice per note is used, so these programs can be used on slower systems. Velocity (Vel) In these programs, only velocity...
Page 40
HALion Symphonic Orchestra 40 Instrument-specific programs Violins A and B For legato as well as spiccato articulations, there are always two pro- gram versions called A and B. These use completely different samples and can be used for both doubling the section size (from 16 to 32) or for doubling voices without any typical layering artefacts such as phas- ing or sterile sound character. Actually you will get the most realistic vi- olin section sound when you play each violin track twice, with separate...