Steinberg Cubase VST VST Plug-ins Manual
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VST plug-ins from previous Cubase versions CUBASE SX/SL 41 LM-9 The LM-9 is a basic drum machine. It has the following properties: •LM-9 is polyphonic with up to 9 voices. •LM-9 receives MIDI in Omni mode (on all MIDI channels). You don’t need to select a MIDI channel to direct MIDI to LM-9. •LM-9 responds to the following MIDI messages: MIDI Note On/Off (velocity governs volume). Furthermore, all parameters can be automated as described in the Operation Manual chapter “VST Instruments”. Volume fader (one for each drum sound). This adjusts the Pan (the position in the stereo image) for the individual drums. The setting is applied to the currently selected drum , indicated by a lit yellow LED over the Pad button.This sets the global velocity sensitivity for LM-9. Pad (one for each drum sound). Press to audition the drum sound assigned to the Pad, or to select a sound for adjusting pan. Program switch
CUBASE SX/SL VST plug-ins from previous Cubase versions 42 LM-9 Parameters Drum sounds LM-9 comes with two sets of drum sounds; “Acoustic” and “Beat Box”. Acoustic features samples of an acoustic drum kit and Beat Box features classic analog drum machine sounds. The table below shows how the drum sounds are assigned to note values on your MIDI key- board. The mapping is GM compatible: Parameter Description Velocity This sets the global velocity sensitivity for LM-9. The higher the value, the more sensitive LM-9 will be to incoming velocity data. If set to “0”, the sounds will play back with a fixed velocity value. Volume sliders The volume sliders are used to adjust the volume for each individual drum sound. Pad The Pads are used for two things: To audition the individual drum sounds, and to select a sound for adjusting pan. Panorama This is used to position an individual sound in the stereo image. The setting applies to the currently selected sound, indicated by a lit yel- low LED over the Pad button. Drum sound Note value Bass C1 Snare D1 Hi-Hat F#1 O-Hi-Hat A#1 Tom 1 D2 Tom 2 B1 Tom 3 A1 Crash C#2 Ride D#2
VST plug-ins from previous Cubase versions CUBASE SX/SL 43 Switching the sets Use the Program menu to switch between the two supplied drum sets, just like you switch between effect programs. The Neon The Neon is a simple software synthesizer. It has the following proper- ties: •The Neon is polyphonic with up to 16 voices. However, since each added voice consumes CPU power, the maximum polyphony may be limited by the speed of your computer. •The Neon receives MIDI in Omni mode (on all MIDI channels). You don’t need to select a MIDI channel to direct MIDI to the Neon. •The Neon responds to the following MIDI messages: MIDI Note On/Off (velocity governs volume). Volume. Pan (remember to pan the two Instrument channels hard Left/Right if you want to use MIDI Pan messages). Pitch Bend (± 2 semitones). Modulation (vibrato). Furthermore, all parameters can be automated as described in the Operation Manual chapter “VST Instruments”.
CUBASE SX/SL VST plug-ins from previous Cubase versions 44 Neon Parameters Parameter Description Range Selects an octave range for the oscillators, 16, 8 or 4 feet. Waveform The basic waveform for the oscillators, Triangle, Sawtooth or Square. LFO Speed Governs the speed of the vibrato. The vibrato depth is con- trolled via MIDI Modulation messages (for example, using the Mod Wheel on your MIDI controller). Osc 2 Detune Allows you to detune the “second oscillator” ± 7 semitones. By setting this to a value close to “twelve o’clock”, you will get fine detuning, for a warmer, fatter sound. VCF Cutoff The Cutoff Frequency for the filter, governing the amount of high frequencies in the sound. On the Neon, the Cutoff control also serves as a Depth control for the Filter Envelope (VCF Attack, Decay, Sustain, Release), so that the lower the setting of the Cutoff parameter, the more will the filter be affected by the Filter Envelope. VCF Resonance The Resonance control for the filter. Raise this for a more hollow, pronounced filter effect. VCF Attack, Decay, Sustain, ReleaseThe Filter Envelope. Use these parameters to determine how the filter should open and close with time, when a note is played. VCA Attack, Decay, Sustain, ReleaseThe Amplitude Envelope. Use these parameters to determine how the amplitude (volume) should change with time, when a note is played.
CUBASE SX/SL 46 Index A Autopan 24 Autopole 4 C Choirus/Choirus 2 25 Chopper2 7 CS40 33 D Distortion 8 E Electro Fuzz 27 Espacial 26 J JX16 35 K Karlette 9 L LM-9 41 M Metalizer2 10 MIDIComb 10 Mysterizer 14 N Neon 43 P PhatSync 17 R Reverb 19 Reverb32 19 Ring Modulator (Cubase 5 plug-in) 20 S Scopion 28 Stereo Echo 29 Stereo Wizard 30 subBASS 22 T Tranceformer2 23 W Wunderverb 3 31