Steinberg Cubase SX/SL 3 Operation Manual
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CUBASE SX/SLRecording4 – 61 Create Events mode (Preferences) When Audio Cycle Record Mode (Preferences–Record page) is set to “Create Events”, the following will happen when you record audio in cycle mode: • One continuous audio file is created during the entire recording process. • For each recorded lap of the cycle, one audio event is created. The events will have the name of the audio file plus the text “Take *”, where “*” indi- cates the number of the take. • The last take (the last recorded lap)...
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CUBASE SX/SL4 – 62 Recording This method allows you to quickly combine the best parts of each take, in the following way: 1.Use the Scissors tool to split the events in several sections, one for each part of the take. For example, if you recorded four lines of vocals (in each take), you can split the events so that each line gets a separate event. The events after splitting. Note that since the original take events overlap each other, clicking with the Scissors tool will split all takes at the same...
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CUBASE SX/SLRecording4 – 63 “Take” regions in the Pool window. To play back the different “takes”, proceed as follows: 1.In the Project window, right-click (Win) or [Ctrl]-click (Mac) the event that was created during cycle recording. The Quick menu appears. 2.Select the “Set To Region” menu item. A submenu appears with the takes you recorded during cycle record. 3.Now you can freely select any of the takes from the submenu and it will replace the previous take event in the Project window. Use this...
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CUBASE SX/SL4 – 64 Recording Recording audio in Stacked mode When you record audio in cycle mode and the “Stacked” Cycle Record Mode is selected on the Transport panel, the following happens: • Each complete recorded cycle lap is turned into a separate audio event. • The track is divided into “lanes”, one for each cycle lap. • The events are stacked above each other, each on a different lane. This makes it easy to create a “perfect take” by combining the best parts from the different cycle laps:...
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CUBASE SX/SLRecording4 – 65 3.Edit the takes so that only the parts you want to keep can be heard. You can cut events with the Scissors tool, resize them, mute them or delete them. The sections that will be heard are indicated in green. 4.When you are satisfied with the result, select all events on all lanes and select “Delete Overlaps” from the Advanced submenu on the Au- dio menu. This puts all events back on a single lane and resizes events so that overlapped sec- tions are removed. 5.To turn off the...
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CUBASE SX/SL4 – 66 Recording Recording with effects (Cubase SX only) Normally you record the audio signals “dry” and add effects non-de- structively during playback as described in the chapter “Audio effects”. However, Cubase SX also allows you to add effects (and/or EQ) di- rectly while you are recording. This is done by adding insert effects and/or making EQ settings for the input channel in the mixer. Note: • This will make the effects become part of the audio file itself – you can- not change the...
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CUBASE SX/SLRecording4 – 67 An example This example shows how to apply the “Datube” effect while recording. Datube emulates the soft clipping distortion produced by valve ampli- fiers, and adds “warmth” to the recording. Note that this is only an ex- ample, you could use any effect (or any combination of effects), the principle is the same. 1.Set up an audio track for recording and select the desired input bus. Also, for best results you should activate monitoring as this allows you to hear and try...
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CUBASE SX/SL4 – 68 Recording 5.Pull down the View Options pop-up menu for the input channel and select “Inserts”. The View Options pop-up menu is opened by clicking the arrow button between the fader panel and the extended panel. Now the extended panel for the input channel shows the insert slots. 6.Click on an insert slot and select an effect from the pop-up menu that appears. As you see, the included effects are sorted into submenus – you will find the Datube effect on the “Distortion” submenu. The...
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CUBASE SX/SLRecording4 – 69 MIDI Recording Specifics Activating MIDI Thru As described in the Getting Started book, the normal way to work with MIDI is to have MIDI Thru activated in Cubase SX/SL, and Local Off selected in your MIDI Instrument(s). In this mode, everything you play during recording will be “echoed” back out again on the MIDI output and channel selected for the recording track. 1.Make sure the option “MIDI Thru Active” is activated in the Preferences dialog (MIDI page). 2.Record...
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CUBASE SX/SL4 – 70 Recording Setting MIDI channel, input and output Setting the MIDI channel in the instrument Most MIDI synthesizers can play several sounds at the same time, each on a different MIDI channel. This is the key to playing back several sounds (bass, piano etc.) from the same instrument. Some devices (such as General MIDI compatible sound modules) always receive on all 16 MIDI channels. If you have such an instrument, there’s no specific setting you need to make in the instrument. On...