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Steinberg Cubase Studio 4 Operation Manual Studio Manual
Steinberg Cubase Studio 4 Operation Manual Studio Manual
Here you can view all the pages of manual Steinberg Cubase Studio 4 Operation Manual Studio Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 411
411 The Project Browser The list columns for MIDI parts: ÖFor SysEx (system exclusive) events, you can only edit the position (Start) in the list. However, clicking the Comment column opens the SysEx Editor, in which you can perform detailed editing of system exclusive events. For a descrip- tion of this, see “Working with System Exclusive messages” on page 390. Filtering MIDI events When you are editing MIDI in the Project Browser, the large number of different MIDI events displayed can make it hard...
Page 412
412 The Project Browser Editing the Video track When the Video track is selected in the Project Structure list, the event display lists the video events on the track, with the following parameters: Editing the Marker track Marker events have the following parameters: When the Marker track is selected, you can insert markers by selecting “Marker” or “Cycle Marker” from the Add pop-up menu and clicking the Add button. Regular mark- ers will be added at the current project cursor position while cycle...
Page 414
414 Export Audio Mixdown Introduction The Export Audio Mixdown function in Cubase allows you to mix down audio from the program to a file on your hard disk, in a number of formats. You can choose to mix down one of the following: An output bus. For example, if you have set up a stereo mix with tracks routed to a stereo output bus, mixing down that output bus would give you a mixdown file containing the whole mix. Similarly, you can mix down a complete surround bus, either to a single multi-channel...
Page 415
415 Export Audio Mixdown Activate the option “Use Project Audio Folder” to specify a path. This saves the mixdown file in the Project Audio folder. 5.Select a file format with the File Format pop-up menu. 6.Select the bus or channel you want to mix down with the Outputs pop-up menu in the “Audio Engine Output” section. This lists all output busses and channels in the active project. 7.Activate the Split Channels option if you want to ex- port all channels as mono files, or “Mono Export” if you want...
Page 416
416 Export Audio Mixdown AIFC files AIFC stands for Audio Interchange File Format Com- pressed, a standard defined by Apple Inc. These files sup- port compression ratios as high as 6:1 and contain tags in the header. AIFC files have the extension “.aifc” and are used on most computer platforms. AIFC files support the same options as AIFF files. Wave files Wave files have the extension “.wav” and are the most common file format on the PC platform. Wave files support the same options as AIFF files....
Page 417
417 Export Audio Mixdown Wave64 files (Cubase only) Wave64 is a proprietary format developed by Sonic Foundry Inc. In terms of audio quality, Wave64 files are identical to standard wave files, but in the file headers Wave64 files use 64-bit values for addressing where wave files use 32-bit values. The consequence of this is that Wave64 files can be considerably larger than standard Wave files. Wave64 is therefore a good file format choice for really long recordings (file sizes over 2 GB), e.g....
Page 418
418 Export Audio Mixdown Ogg Vorbis files Ogg Vorbis is an open source, patent-free audio encoding and streaming technology, offering compressed audio files (extension “.ogg”) of small size, but with comparatively high audio quality. For Ogg Vorbis files the following options are available: Other file formats Steinberg also offers optional Dolby Digital (AC3) and DTS encoders for export directly to AC3 or DTS format (Cubase only). Please go to www.steinberg.net for more information. Windows Media...
Page 419
419 Export Audio Mixdown The following options are available: General tab In the Input Stream section, you set the sample rate (44.1, 48 or 96 kHz) and the bit resolution (16 bit or 24 bit) of the encoded file. These should be set to match the sample rate and bit resolution of the source material. If no value matches that of your source material, use the closest available value that is higher than the actual value. E.g. if you’re using 20 bit source material, set the bit resolution to 24 bit rather...
Page 420
420 Export Audio Mixdown Surround Reduction Coefficients Here you can specify which amount of volume reduction, if any, should be applied to the different channels in a sur- round encoding. These settings affect how the audio is re- produced on a system incapable of playing back the file in surround, in which case the surround channels of the file will be combined into two channels and played back in stereo instead. The default values will normally produce satisfactory re- sults, but you can change...