Steinberg Cubase SL/SX 3.1 Manual
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Page 12
CUBASE SX/SL 12 Working with the new features Editing – General New Preferences options For Cubase SX/SL 3.1 several changes have been made to the Pref- erences dialog. The Appearance page has been completely modified (Cubase SX only), a new subpage “Project & Mixer” has been added to the Editing page, the VST page has been further subdivided, etc. In the following sections, the changes are described separately for the different pages of the dialog.
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CUBASE SX/SL Working with the new features 13 Appearance (Cubase SX only) The Appearance page in the Preferences dialog now contains three subpages, on which you can adjust the look of the program in the fol- lowing way: Appearance–General The three controls on the General subpage affect the appearance of the work area backgrounds in Cubase SX. • Saturation determines how rich the background colors are, from grey to blue. • Contrast determines how bright or dark the background is in...
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CUBASE SX/SL 14 Working with the new features Appearance–Meters The coloring of meters in Cubase SX can be controlled in sophisticated ways. Multiple colors can help to visually indicate what levels are being reached, e.g. in a channel of the Mixer. To do this, the meter on the Ap- pearance–Meters page has color handles that allow you to define what color the meter will have at a given signal level. The Appearance–Meters page. • The default setting has four color handles. Each color handle...
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CUBASE SX/SL Working with the new features 15 • To change the color of a handle, click on the handle to select it. You can also use the [Tab] key to select the next handle. (To select the pre- vious handle, hold down [Shift] and press the [Tab] key.) Use the hue and brightness controls on the right to alter the handle’s color. The currently selected color handle is indicated by a black triangle. Appearance–Work Area “Work areas” in this context refers to those places where the actual data is...
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CUBASE SX/SL 16 Working with the new features between “Musical”, “Time Linear” and “Follow Transport Main Display”. Selecting “Musical” will cause all added tracks to be set to musical time type (the respective button shows a note symbol). When you se- lect “Time Linear”, all new tracks will use linear time base (i.e. the but- ton shows a clock symbol). The third option uses the primary time for- mat setting on the Transport panel. When this is set to “Bars+Beats”, tracks with musical time base...
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CUBASE SX/SL Working with the new features 17 • Select Channel/Track on Solo When you activate this option, a track in the Track list or a channel in the mixer auto- matically gets selected when the Solo button is activated. Deactivating this option always keeps the current selection status, regardless of the Solo setting for the tracks. • Select Channel/Track on Edit Setting When you activate this option, a track in the Track list or a channel in the mixer auto- matically gets selected when...
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CUBASE SX/SL 18 Working with the new features General On the General page, there is one new option: • Maximum Backup Files This allows you to specify how many backup files will be created with the Autosave function. When the maximum number of backup files is reached, the existing files will be overwritten (starting with the oldest file). MIDI On the main MIDI page, the following options have been added: • Insert Reset Events after Record This is a very handy function for MIDI recording....
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CUBASE SX/SL Working with the new features 19 VST The main VST page now has three further subpages. On the main VST page, the following options have been added: • Default Stereo Panner Mode This allows you to specify the default pan mode for inserted audio tracks (Stereo Balance Panner, Stereo Dual Panner or Stereo Com- bined Panner). For a description of these modes, see the chapter “The Mixer” in the Operation Manual. • Activate dialog “Export Warnings as text file” When you open a project...
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CUBASE SX/SL 20 Working with the new features • When “Map Input Bus Metering to Audio Track (in Direct Monitoring)” is acti- vated, audio tracks show the metering signal from the input bus they are routed to as soon as the track is record enabled. Note that the tracks are mirroring the input bus signal, i.e. you will see the same signal in both places. When using mapped metering, any functions (e.g. trimming) you apply to the audio track are not reflected in its meters. • When “Map Input Bus...